AI Image Prompts for People
Explore AI generated designs, images, art and prompts by top community artists and designers.
cartoon , two nak ed people , woman with large breas ts , sunglasses , long hair , man with glasses , surprised expression , doggy style , simple black and white , minimal shading , woman on top , man on bottom , minimalistic style , suggestive , nsfw , flat colors , no background , no detailed textures , digital art , humorous , exaggerated proportions , thick lines , adult content ,
Here’s your surreal advertising concept translated into English and optimized as a creative prompt: **"Hyper-realistic photo of a giant urban billboard: It shows only the back of a model's head (like a classic shampoo ad) , but her hair is physically real—spilling out of the billboard , cascading down , and tangling in streetlights or touching the ground. The rest of the ad (logo/text) remains flat 2D , creating a jarring contrast with the 3D hair. Surreal advertising style , dramatic lighting , wet/glossy hair with motion blur. Details: Water droplets on strands , confused pedestrians staring , muted city colors."* Short viral version: "Shampoo ad so realistic , the model’s hair literally escapes the billboard. 3D hair vs. 2D ad. Surreal marketing satire." Bonus weird twist: Add "People using the hair as a slide/clothesline , or a dog chewing it" for extra absurdity. ,
Photograph of four people in different positions interacting with modern devices: a laptop , a smartphone , and a tablet. They are located in a stylish orange environment. At the center of the scene is a giant , three-dimensional orange Wi-Fi icon , acting as a physical structure. The environment features orange accents , with soft lighting and shadows. The characters look at their devices , creating a sense of connection and collaboration in a futuristic , high-tech setting. Photographic style. ,
Photograph of four people in different positions interacting with modern devices: a laptop , a smartphone , and a tablet. They are located in a stylish orange environment. At the center of the scene is a giant , three-dimensional orange Wi-Fi icon , acting as a physical structure. The environment features orange accents , with soft lighting and shadows. The characters look at their devices , creating a sense of connection and collaboration in a futuristic , high-tech setting. Photographic style. ,
panoramic wide angle photo , abstract monolith curved in Lotus shape rises , its surface with playing cards , building-inspired playing cards , people walking surrounding at night , playing cards-structures , anti-gravity-geometric-platform , pressure-sensitive-grid-ground , minimalist-vector-decision-system , playing cards-material-tech ,
A highly realistic vertical photo of a silver spoon held above a ceramic bowl. Inside the spoon is a vivid tropical beach with soft golden sand , crystal-clear turquoise water , and tiny people swimming and sunbathing. The shoreline curves naturally into the bowl below , where the tropical sea continues with gentle waves , floating clouds , and seagulls flying above. The transition from spoon to bowl feels seamless and magical. Soft sunlight , dreamy atmosphere , 9:16 format , magical realism. ,
A silver fox with glowing eyes stands in front of a small mystical pond in a deep blue forest. The pond reflects magical memories—soft glowing visions of a child laughing , a warm embrace , and a toy—floating above the water. The fox is natural and realistic , not humanoid. No humanoid creatures. Mist surrounds the scene , moonlight filters through tall trees. Ethereal atmosphere , fantasy forest , emotional tone , no people. ,
A majestic , grand bank building , like an old classical bank with marble columns and a huge vault , but instead of money , it's filled with clocks , hourglasses , and glowing orbs representing time. People are inside exchanging time — handing over glowing clocks , receiving hourglasses. The interior feels warm , full of light and community , with walls decorated with gears , calendars , and time symbols. No money anywhere — only symbols of time. A large sign on the building says "Bank of Time". ,
/imagine Hero banner for “DunkinDrinkMenu.com”: an inviting , ultra-high-res flat-lay of a rustic wooden tabletop covered with four colorful Dunkin’-style drinks — iced caramel latte , cold brew with sweet cold foam , tropical guava refresher , and a classic hot coffee in a pink-and-orange to-go cup — surrounded by glazed doughnuts , scattered coffee beans , and a pastel napkin. Bright morning light , soft shadows , vibrant yet natural color grading , depth-of-field bokeh , shot on a 50 mm lens , 4 K photo-realism , optimistic café vibe , aspect ratio 16:9. /negative “text , brand logos , people , watermark , clutter , blur” ,
Clean horizontal web banner showing Gmail envelope icon in red and white , a green Google Sheets-style table , a grey gear icon representing automation , and colourful email label tags in blue , yellow , and orange. Light grey or white background , modern flat vector design , tech-style UI , wide aspect ratio , minimalistic layout , centered composition , no text. No photorealism , no shadows , no gradients , no 3D , no people , no text , no blur , no messy background , no dark colours , no hand-drawn style , no low resolution. ,
Clean horizontal web banner showing Gmail envelope icon in red and white , a green Google Sheets-style table , a grey gear icon representing automation , and colourful email label tags in blue , yellow , and orange. Light grey or white background , modern flat vector design , tech-style UI , wide aspect ratio , minimalistic layout , centered composition , no text. No photorealism , no shadows , no gradients , no 3D , no people , no text , no blur , no messy background , no dark colours , no hand-drawn style , no low resolution. ,
A photorealistic full-body male figure standing on a tropical beach , approximately early twenties , extremely handsome and photogenic , athletic and well-defined body , tanned skin with subtle natural body hair , light chest hair and a faint trail from the navel downward , short blonde hair with soft bangs , intense green eyes , full lips , strong masculine features , standing confidently barefoot on wet sand , soft cinematic sunlight , no people in background , 8k , ultra-detailed textures , cinematic style , professional fashion photography lighting ,
An image showing different modes of production side by side: slaves working under masters (ancient) , peasants plowing land (feudal) , factory workers next to machines (capitalist). In the center , a collective group of people sharing tools and resources (communist ideal). Style: illustrative , educational , clear symbols , socialist realism inspiration. ,
Young woman in a loose cotton sundress with floral patterns and draw strings seduces the viewer in a bustling bar , she has slight warming smile , goofy expression , beaded necklaces , suntan , sun-bleached jet black hair , no makeup , bright eyes , freckles , and generally a nice playful way about her that makes people feel good about themselves. ,
(RAW photo , best quality) , (realistic , photo-realistic:1.3) , best quality , masterpiece , an extremely delicate and beautiful , extremely detailed , extremely detailed CG unity 8k wallpaper , unity , 2k wallpaper , Amazing , finely detail , masterpiece , light smile , ultra-detailed , highres , extremely detailed , iu , beautiful detailed dancing couple , extremely detailed eyes and face , beautiful detailed eyes , light on face , looking at viewer , black hair , long hair , collarbone , longeyelashes , upper body , lace , lace trim , , (full body:1.3) , (highly detail face: 1.5) , look at viewer , (worst quality:2) , (low quality:2) , (normal quality:2) , lowres , normal quality , ((monochrome)) , ((grayscale)) , skin spots , acnes , skin blemishes , age spot , glans , extra fingers , fewer fingers , ((watermark:2)) , (white letters:1) , lowres , bad anatomy , bad hands , text , error , missing fingers , extra digit , fewer digits , cropped , worst quality , low qualitynormal quality , jpeg artifacts , signature , watermark , username , bad feet , {Multiple people} , lowres , bad anatomy , bad hands , text , error , missing fingers , extra digit , fewer digits , cropped , worstquality , low quality , normal quality , jpegartifacts , signature , watermark , blurry , bad feet , cropped , poorly drawn hands , poorly drawn face , mutation , deformed , worst quality , low quality , normal quality , jpeg artifacts , signature , extra fingers , fewer digits , extra limbs , extra arms , extra legs , malformed limbs , fused fingers , too many fingers , long neck , cross-eyed , mutated hands , polar lowres , bad body , bad proportions , gross proportions , text , error , missing fingers , missing arms , extra arms , missing legs , wrong feet bottom render , extra digit , abdominal stretch , glans , pants , briefs , knickers , kecks , thong , ,
Genera imágenes en referencia a este texto. My nuclear family is made up of my parents , my sister and me. It is a small circle , but very close and full of contrasts. Then there is the rest of my family , which includes my aunt , my uncle , my grandmother , my great-grandmother and also my great uncle. Although we are united by blood and , in some cases , by certain physical traits , I think that in terms of personality we are quite different from each other. It is interesting to observe how within the same family such opposite ways of being can coexist , as if each one were a world of its own. For example , something that both of us — I mean most of us — share is having light eyes , which comes from my grandmother’s side. It is like a distinctive brand that has passed from generation to generation. My mom has blue eyes , my uncle has green eyes , my aunt also has light eyes , and I have hazel eyes , which although they are not as light as theirs , still count as light eyes and contrast with the darker ones of other family members. Even my sister , who physically looks more like my dad , has darker eyes , so she’s not as light-eyed as I am. But even though we all have similar eyes , that doesn’t mean we’re both pretty alike in personality. When it comes to personality , I think I’m more serious than most of my family members. Some even say I’m the most bitter. I’m not very expressive with my emotions , and I prefer to stay out of things in social situations. My aunt is more cheerful than me — she’s always laughing , making jokes and spreading her energy to everyone. My mom is pretty cheerful too. We’re both pretty quiet when it comes to deeper emotions , but while she shows joy easily , I don’t. I sometimes wonder why I’m so different , but then I see my dad and I realize: we’re both pretty calm and reserved. In that way , I’m more like him than like my mom. My sister and I are very different. She’s more impulsive than me and acts without thinking a lot of the time. She’s flexible about things , but I’m not — I like to think before acting , plan ahead and stay organized , even if I sometimes forget things or don’t do everything perfectly. I always try to be responsible , but she’s not as responsible as I am. She’s carefree in a way I kind of admire , because it gives her a fresh way of being , even if it can be frustrating sometimes. We’re both pretty determined when we want something , but we go about it in totally different ways. Physically , I look more like my mom than anyone else in my family. Both of us are pretty fair-skinned , with curly hair and lighter eyes. My sister and my dad , on the other hand , are not as fair as we are — they both have darker complexions , straight hair and dark eyes. These physical traits really affect how people see us. When we go out as a family , people often say I’m more like my mom , while my sister is more like my dad. It’s almost as if we were two pairs within one family. Interestingly , even though there are big personality differences , sometimes we surprise each other by acting in similar ways. For example , my dad and I are both pretty quiet , but we end up having deep conversations without even planning them. It’s like we share an unspoken bond. My mom and my aunt are more forgiving than me — I’m not as forgiving as they are. They always manage to see the bright side of things. And even my sister , though she’s very impulsive , can sometimes be surprisingly practical in solving problems , while I’d spend a long time overthinking them. There’s also a strong generational contrast. My grandmother is very traditional — she’s not as open-minded as my aunt or my sister , who are more relaxed about modern ways of thinking. My great-grandmother is even more old-fashioned , and listening to her talk about the past really shows how much life has changed. We’re both pretty respectful of her experiences , even if we don’t always agree. These differences in age and mindset help us grow — we learn from each other even when we see things differently. In conclusion , even though we share a family history , physical features and blood ties , our personalities are full of contrast. Both of us — meaning all of us — share some similarities , like eye color or family habits , but I think I’m more serious , more structured and less flexible than others in my family. And I like that. The variety of personalities in my family makes us stronger , because each person brings something different , something unique that completes the rest. ,
A captivating and futuristic cityscape comes to life with a vibrant and bustling atmosphere. The towering skyline is adorned with natural beautiful treehouses , creating a stunning view. People go about their daily lives , while others work diligently on numerous construction sites , adding to the city's dynamic energy. The focal point of the scene is a striking sports car. This neon gold and green accent colored vehicle features blood red accents , as it drives along the right side of the road. There are tropical forests interwoven through the city. ,
A captivating and futuristic cityscape comes to life with a vibrant and bustling atmosphere. The towering skyline is adorned with natural beautiful treehouses , creating a stunning view. People go about their daily lives , while others work diligently on numerous construction sites , adding to the city's dynamic energy. The focal point of the scene is a striking sports car. This neon gold and green accent colored vehicle features blood red accents , as it drives along the right side of the road. There are tropical forests interwoven through the city. ,
A captivating and futuristic cityscape comes to life with a vibrant and bustling atmosphere. The towering skyline is adorned with beautiful treehouses , creating a stunning view. People go about their daily lives , while others work diligently. The focal point of the scene is a striking advanced sports car , shiny gold colored with forest green accent colored and metallicred accents. There are forests interwoven through the city. ,
"Comic strip with 3 panels. The style is french-belgium colorful , expressive , with bold outlines. In each panel , show three people — one man and two women — wearing traditional Argentine gaucho hats , sitting around a rustic wooden table enjoying a meal together. The setting is outdoors , like in the countryside , with grilled meat , bread , wine , and mate on the table. Panel 1: The characters arrive and greet each other happily. Text bubble (man): '¡Qué alegría verlas , che!' Text bubble (woman 1): '¡Robi ! Ya era hora de este asado!' Panel 2: They are eating and laughing together. Text bubble (woman 2): 'Nada como un buen asado con Robi.' Text bubble (man): 'Y con buen vino , ¡mejor todavía!' Panel 3: They raise their cups/mates in a toast. Text bubble (all): '¡Salud y que no falten nunca los pecados capitales!' ,
"Comic strip with 3 panels. The style is french-belgium , colorful , expressive , with bold outlines. In each panel , show three people — one man and two women — wearing traditional Argentine gaucho hats , sitting around a rustic wooden table enjoying a meal together. The setting is outdoors , like in the countryside , with grilled meat , bread , wine , and mate on the table. Panel 1: The characters arrive and greet each other happily. Text bubble (man): '¡Qué alegría verlas , che!' Text bubble (woman 1): '¡Robi ! Ya era hora de este asado!' Panel 2: They are eating and laughing together. Text bubble (woman 2): 'Nada como un buen asado con Robi.' Text bubble (man): 'Y con buen vino , ¡mejor todavía!' Panel 3: They raise their cups/mates in a toast. Text bubble (all): '¡Salud y que no falten nunca los pecados capitales!' ,
A highly detailed render resembling a screenshot from a futuristic city-building strategy game set in a cold tundra or desolate wasteland. Modular blue habitation blocks with glowing yellow windows form organized rows , each labeled with serial numbers. The terrain is dry , cracked or frozen soil , with sparse vegetation and patches of dirt or frost. Industrial lighting poles cast soft orange glows across paved roads and infrastructure. People in workwear move between buildings , operating mining rigs , walking along platforms , or loading containers. In the distance , an elevated monorail track carries cargo shuttles past a larger logistics area with stacked crates , silos , and blocky warehouses. The style is semi-realistic , low-saturation , with game-like clarity — reminiscent of real-time city simulators or dystopian RTS games. ,