Explore AI generated designs, images, art and prompts by top community artists and designers.

Close up view on a crouched @Clare Redfield of Resident Evil games sit on the car's roof , playing guitar , enjoy fresh air. She is wearing wide brim cowboy hat , a tattered flower tanktop , and form-fitting low-rise blue jean. Moonlight filters through the dense cloud layers , casting a dreamy atmosphere , illuminating dust mote and her smiling face. Heavy clouds on the sky obscure the moon with far off tiny thunder. Salt Flat wide open with a double train rail spread from one side to another , and Whitish wooden platform raised up from ground beside the rails. A logcabin saloon with a sign saying "Cafe Broken Beans" A broken mustang car beside saloon . Ultra-detailed , fantasy realism with cinematic lighting , inspired by the painterly textures of pre-Raphaelite art and the ethereal glow of the works of Arthur Rackham. , detailed matte painting , deep color , fantastical , intricate detail , splash screen , complementary colors , fantasy concept art , 8k resolution trending on Artstation Unreal Engine 5 , steampunk engine ,

Sensual voluptous @Clare Redfield of Resident Evil games wearing long-sleeve long-pant brown leather suit , crouching to climb up the cliff , grasping a rock. Gorgeous @Adah Wong of Resident Evil games smiling back long red curly hair wearing long-sleeve long-pant brown leather suit , painting by Jko , Norman Rockwell and Alex Ross and Gil Elvgren and Artgerm and Simon Dewey making a in full watercolor art style of. Background is red cliff canyon wall with white-froth waves lapping on the coast. painting by Jko , Norman Rockwell and Alex Ross and Gil Elvgren and Artgerm and Simon Dewey making a in full watercolor art style of , , Hyperrealistic , splash art , concept art , mid shot , intricately detailed , color depth , dramatic , 2/3 face angle , side light , colorful background , a masterpiece , 8k resolution , dark fantasy concept art , by Greg Rutkowski , dynamic lighting , hyperdetailed , intricately detailed , Splash screen art , trending on Artstation , deep color , Unreal Engine , volumetric lighting , Alphonse Mucha , Jordan Grimmer , purple and yellow complementary colours ,

A portrait @Ada Wong of Resident Evil games , The focus should be on her determined expression , half a woman’s face in the rain , with water droplets streaming down her skin. Capture the intensity in her slightly slanted single-lid blue eye , showing grit and resolve. remove the skin pores , mustaches. She crouched in a dark , humid old server alcove within a neon-lit rusty metal lab. She is holding a sophisticated , handheld decryption device—a fusion of brushed brass and exposed glowing circuitry. Micro-action: A vibrant , blue holographic projection of a 3D hologram blueprint of White House map and scrolling encrypted code is emitted from the device , illuminating her focused face in a cold cyan glow. Her thumb is actively rotating a tactile brass dial on the side of the unit. The rain should blur parts of the background , emphasizing the subject’s focus and emotion. The background consists of dark , heavy , rusted , scratched and worn , futuristic mainframe , a dirty labsign UMBRELLA and the soft , blurred bokeh of magenta and teal lab lights from the ruined metropolis outside. Lighting is extreme chiaroscuro with a palette of deep charcoal and electric blue. Technical: 85mm lens , $f/1.8$ , ultra-sharp focus on the holographic interface and her reflective iris. , , cyberpunk 2099 blade runner 2049 neon ,

Focus on A voluptous blonde @Clare Redfield of resident evil games in tattered form-fitting long-sleeve long-pant blue latex suit sprints through a sun-soaked , post apocalyptical pavement of the top of Hoover Dam. She wear white rattan cowboy hat , and futuristic bulky wristcom. Low-angle tracking shot; rain streaks and puddle splashes; holographic billboards , AR ads and hovering traffic reflecting on slick asphalt. Motion-blur trails emphasize speed; back light outlines her silhouette; volumetric winds and light haze add depth. Ultra-detailed digital painting , cinematic composition , background is A hot summer midnoon post-apocalyptic Hoover Dam , clearly recognizable by its sweeping curved concrete wall and canyon. The central section is broken open in a jagged chasm , a simple scrap-built bridge has been added following the broken curve. Rough steel beams bolted to surviving anchor points , metal plates forming an uneven walkway. The top of the dam has become a small fortified encampment. Scrap-metal barricades line the parapets , with two lookout towers placed at natural vantage points. A few corrugated-metal shelters and canvas-covered work areas sit near the most stable parts of the dam , used for repairs and overseeing the canyon below. A few small human figures in soldier uniforms walking busily in the far distances and corners. The harsh sunlight casting white heat light on everything. The sky is azure-blue without cloud. Swirling winds passing by. Far below , only a thin , sluggish line of water remains in the canyon. Large fallen chunks of concrete still lie at the base , some stripped for usable metal. A few rope ladders and simple pulley rigs connect the dam’s edge to salvage points below , evidence of ongoing reconstruction. The whole scene feels grounded and practical: Hoover Dam still unmistakable , damaged but rebuilt just enough to serve as a functional stronghold for a surviving faction. , 8k resolution concept art by Greg Rutkowski dynamic lighting hyperdetailed intricately detailed Splash art trending on Artstation triadic colors Unreal Engine 5 volumetric lighting Alphonse Mucha WLOP Jordan Grimmer orange and teal , Hyperrealistic , splash art , concept art , mid shot , intricately detailed , color depth , dramatic , 2/3 face angle , side light , colorful background ,

evil fairy , dark fairy , tight full body shot , high fantasy , highly detailed face , 8k , high resolution , high quality , detailed , photorealistic , hyperrealistic , detailed matte painting , deep color , fantastical , intricate detail , splash screen , complementary colors , fantasy concept art , 8k resolution , lifelike depth , professional clarity , professional photography , rich textures. ,

an image of Ada Wong from Resident Evil 2 Remake. She has long , curly black hair , wears a high-slit black cheongsam dress , and has a ahegao expression. Include her iconic black gloves and choker. The background should be a dark , moody , japanese cafe. Deep cleavage. Sensually beautiful. -1 Offset. Realistic , ,

A demonic clown jumps out of a cinema screen , engrossed in in dark matter. As the clown jumps out , the cinema room around the audience begins to morph and transform into a dark freezing deep space , dreads come from the walls , with evil creatures subtly emerging from the screen. volumetric light streams through the screen , creating a cinematic and deeply frightening atmosphere. The scene is rendered in a highly detailed , horror fiction style , with a focus on scary magic and terror ,

an image of Ada Wong from Resident Evil 2 Remake. She has long , curly black hair , wears a high-slit black cheongsam dress , and has a ahegao expression. Include her iconic black gloves and choker. The background should be a dark , moody setting , reminiscent of the game’s atmosphere. Cleavage. Beautiful. -1 Offset. Realistic , ,

evil fairy , dark fairy , full body head to feet in view , high fantasy , insane detailed beautiful face , 8k , high resolution , high quality , detailed , photorealistic , hyperrealistic , detailed matte painting , deep color , fantastical , intricate detail , splash screen , complementary colors , fantasy concept art , cinematic darkness , 8k resolution trending on Artstation Unreal Engine ,

evil fairy , dark fairy , full body view , high fantasy , insane detailed beautiful face , waist , 8k , high resolution , high quality , detailed , photorealistic , hyperrealistic , detailed matte painting , deep color , fantastical , intricate detail , splash screen , complementary colors , fantasy concept art , 8k resolution trending on Artstation Unreal Engine ,

A surreal depiction of what love is: Love is patient , love is kind. It does not envy , it does not boast , it is not proud. It does not dishonor others , it is not self-seeking , it is not easily angered , it keeps no record of wrongs. Love does not delight in evil but rejoices with the truth. It always protects , always trusts , always hopes , always perseveres. Love never fails. We love because because God first loved us who IS love. Love is the most powerful thing in the universe! It's eternal and life giving just as God is. Love brings , joy , peace , patience , kindness , goodness , faithfulness and self control. Love is unconditional and always serves others. ,

Une femme en combinaison de latex noir brillant et de hautes bottes à talons. Sa tête est recouverte d'une cagoule de latex sans yeux , dotée d'une ouverture unique pour la bouche ou où est inséré un grand gag gonflable. Ses cheveux en queue de cheval s'échappent de la cagoule et sont tendus vers un anneau au plafond. Un ensemble pilori en aluminium verrouille son cou et ses poignets. Elle est suspendue dans un sous sol sombre , les jambes maintenues largement écartées par de lourdes chaînes fixées aux chevilles. Des piercings en anneaux sur la poitrine supportent des chaînes pendantes. Éclairage froid et dramatique. ,

Une femme vêtue d'une combinaison intégrale en latex noir brillant , attachée dans une cave obscure. Elle porte une cagoule intégrale lisse sans ouvertures pour les yeux. Elle est maintenue par un pilori en acier brossé enserrant son cou et ses bras. De lourdes chaînes industrielles partent de ses chevilles. Sa chevelure en queue de cheval est suspendue verticalement vers un anneau au plafond. ,

Ada Wong from Resident Evil (sci-fi) Remake. She has short , straight black hair , wears a milletry dress , Include her iconic black gloves , stockings and choker. She has a pistol , in a holster strapped to he upper leg , portrayed through Chrono-Luminal Echoes , where past , present , and future movements are simultaneously captured. Employ fading trails of sapphire blue light transitioning to golden yellow , suggesting the passage of time , makes maintenance on the devices of a large weathered sci-fi Spaceship inspired with blasters , resembling a blend of futuristic and vintage design , rests by elven ruins landscape at sunset. The Spaceship , featuring a silver and gray color scheme with signs of decay and ice crystals forming on its surface , exudes a sense of abandonment and mystery. ,

Heather is an ebony female inside her ultra-luxurious mansion , wearing a jewel-encrusted USA string bikini with real strings as she's relaxing in her living room hot tub and smoking a Cuban cigar while taking a long puff with no music. She shows off her massive back tattoo of a fiery skull with electricity flowing as her hair is full of luxurious curls and no music is playing as she speaks in a dark and evil voice while laughing with power. ,

A colossal , cylinder-sized UFO overlord with an evil , twisted face and piercing , otherworldly eyes gazes out into the cosmos. Its massive , imposing presence radiates an aura of malevolent intent as it unleashes its formidable , planet-conquering forces to subjugate the entire galaxy. Its dark , starry mantle swirls with an intense , dark energy that threatens to consume all in its path. A behemoth of cosmic terror that inspires both awe and fear throughout the galaxy. Digital matte painting in the style of H.R. Giger and Zdzisław Beksiński , with a dramatic , cosmic color palette and chiaroscuro lighting , evoking a sense of dread and immensity. ,

Ada Wong from Resident Evil (sci-fi) Remake. She has short , straight black hair , wears a milletry dress , Include her iconic black gloves , stockings and choker. She has a pistol , in a holster strapped to he upper leg , portrayed through Chrono-Luminal Echoes , where past , present , and future movements are simultaneously captured. Employ fading trails of sapphire blue light transitioning to golden yellow , suggesting the passage of time , makes maintenance on the devices of a large weathered sci-fi Spaceship inspired with blasters , resembling a blend of futuristic and vintage design , rests by elven ruins landscape at sunset. The Spaceship , featuring a silver and gray color scheme with signs of decay and ice crystals forming on its surface , exudes a sense of abandonment and mystery. ,

arkham horror , lovecraftian , night , , Fantasy , Realistic , Photo , HD , Warm Color Palette , Fear , Evil , Horrifying ,

The image showcases a traditional stained glass window depicting an epic battle between an angel and a demon. The angel is portrayed with majestic , feathered wings and a halo , symbolizing purity and divinity. In contrast , the demon is characterized by dark , bat-like wings and a menacing stance , representing darkness and malevolence. They are engaged in a dramatic sword fight , at the center of which is a bright burst of light , possibly indicating the clashing of their weapons.The stained glass window is intricately detailed , with a rich palette of colors. The upper portion of the window displays symmetrical designs with a variety of vibrant colors that resemble flames , suggesting the intensity of the heavenly battle. Below the figures , the chaos of battle continues with a depiction of numerous human figures engaged in their own struggle , adding to the scene's dynamic nature.The overall composition is symmetrical and balanced , with the angel and demon positioned as mirror images of each other , reinforcing the theme of the eternal struggle between good and evil. The background of the window is a complex array of cloud-like formations , providing a sense of depth and movement to the celestial scene above.The lower part of the window serves as a narrative foundation , grounding the heavenly conflict in the mortal realm , perhaps implying that the outcomes of such cosmic battles have direct consequences on the human condition. The craftsmanship of the stained glass , with its leaded divisions and varying textures and hues , contributes to a sense of grandeur and historical significance. ,

Resident Evil 6 , Sherry Birkin as an action figure on a diorama.DescriptionCharacter Name: Sherry BirkinAge/Appearance: An adult woman , 26 (appearing in her late teens/early 20s due to the G-virus remnants) , 5' 5" (165 cm) tall.Physical Features: Short , blonde , bob-cut hair (shorter than her RE2 appearance) , and blue eyes.Hospital Gown and Attire DetailsGarment: A white patient/hospital gown. It is a simple , standard-issue test subject uniform.Style: It appears to be a back-tie or wrap-around style gown , somewhat loose-fitting , designed for a lab/medical setting rather than a fashionable piece of clothing. It is noted for being one of her less conservative outfits in the game , in contrast to her main campaign clothes.Color/Material: Plain white , likely a light , inexpensive fabric like cotton or a synthetic blend typical of institutional wear.Additional elements: She has no shoes or socks in this specific lab setting. There are no additional accessories , weapons , or gear. She may have some dirt/wounds or appear sweaty/wet depending on the specific moment being The scene is a sterile , dimly lit laboratory or containment area within a Neo-Umbrella facility in Lanshiang , China. This context can help the AI set the "A 3D render of Sherry Birkin from the video game Resident Evil 6 , an adult woman with short blonde bob-cut hair and blue eyes , wearing a plain white , back-tie hospital gown that is slightly loose-fitting. She is standing in a sterile , dimly lit laboratory. The image should capture her determined expression while looking vulnerable. Full body shot , realistic , high detail , video game character art , Capcom style , horror game atmosphere." ,

A lone figure standing on a desolate plain under a stormy , twilight sky. The text "Lordy , don't leave me All by myself" is subtly integrated into the clouds. Emerging from a dark , swirling vortex behind the figure , a golden light beams down , representing a "force of Heaven" contrasting with the "devil's good times" suggested by the dark surroundings. The scene evokes a sense of isolation and spiritual conflict. Rendered in a dramatic expressionist style , with bold brushstrokes and chiaroscuro lighting , inspired by the works of J.M.W. Turner and Francis Bacon. Vivid , contrasting colors emphasize the emotional turmoil and the battle between light and darkness. ar-9:16 ,

Ada Wong from Resident Evil (sci-fi) Remake. She has short , straight black hair , wears a milletry dress , Include her iconic black gloves , stockings and choker. She has a pistol , in a holster strapped to he upper leg , portrayed through Chrono-Luminal Echoes , where past , present , and future movements are simultaneously captured. Employ fading trails of sapphire blue light transitioning to golden yellow , suggesting the passage of time , makes maintenance on the devices of a large weathered sci-fi Spaceship inspired with blasters , resembling a blend of futuristic and vintage design , rests by elven ruins landscape at sunset. The Spaceship , featuring a silver and gray color scheme with signs of decay and ice crystals forming on its surface , exudes a sense of abandonment and mystery. ,