Explore AI generated designs, images, art and prompts by top community artists and designers.

Minimalism Pointillism Graphic Disappearance drawing , mystical castle is suspended in a shimmering , view a swirl of clouds electronic drops vortex a Disappearance in ancient golem , encrusted with glowing celestial moss , floats in a smoke in sky , a dense procession of a Below , a small Soldier-figure stand on rocks near tall grass. Style: deeply spiritual sci-fi art , reminiscent of digital hyperrealism combined with cosmic impressionism. Focus on intricate detail of light and energetic flow. ,

Minimalism Pointillism Graphic Disappearance drawing , view a swirl of clouds electronic drops vortex a Disappearance in ancient stone golem , encrusted with glowing crystals and celestial moss , floats in a smoke in sky , a dense procession of a Below , a small Soldier-figure stand on rocks near tall grass , looking toward a distant castle on the horizon , his shape textured like weathered layered paint. carries a distinct wash of color , ranging from cool black , vortex motion made of distant castle , on a black background , inversion of gray dots , maturation , fractal , fluorescent red drop , carving through streaking blue light arrow. Style: deeply spiritual sci-fi art , reminiscent of digital hyperrealism combined with cosmic impressionism. Focus on intricate detail of light and energetic flow. ,

Edo-period wooden bridge (hand-carved from aged cedar , grooved planks worn smooth by centuries of foot traffic) , its arched spine suspended precariously over a jagged cliff edge where frothing river mist dissolves into the abyss , (vortex of billowing smoke coalescing into a snarling dragon’s maw , each scale etched with ember-glowing cracks , tendrils of ash curling like calligraphy strokes against the twilight) , lone samurai warrior (in battle-scarred lacquered armor , crimson silk underlay frayed at the seams , fingers poised above a tsuba-wrapped katana hilt glinting with cold resolve) , layered mist-covered mountains receding into indigo void , their peaks dusted with eternal snow , Kurosawa-inspired chiaroscuro lighting (razor-thin beams slicing through pine smoke , casting elongated shadows that fracture across the bridge’s uneven surface) , scattered cherry blossoms (petals translucent as rice paper , drifting in slow spirals) and polished river stones (obsidian-slick , reflecting distorted sky) along the bridge’s length , the entire scene suffused with cosmic impressionism (nebula hues bleeding into the smoke , constellations flickering within the dragon’s pupils) , digital hyper-realism rendered with a painterly texture (visible brushstrokes in the samurai’s frayed obi , impasto highlights on the bridge’s rusted iron nails) , cinematic wide-angle lens (depth of field isolating the warrior’s stoic profile against the chaos , distortion warping the vortex’s outer edges) , weather-warped timber creaking underfoot , the scent of damp moss and iron lingering in the charged air. Style: deeply spiritual sci-fi art , blending Ukiyo-e precision with interstellar grandeur , emphasizing (the dragon’s smoke anatomy unraveling into fractal patterns) , (the samurai’s armor refracting bioluminescent moonlight) , and (the bridge’s woodgrain revealing petrified whispers of forgotten travelers). ,

Edo-period wooden bridge (hand-carved from aged cedar , grooved planks worn smooth by centuries of foot traffic) , its arched spine suspended precariously over a jagged cliff edge where frothing river mist dissolves into the abyss , (vortex of billowing smoke coalescing into a snarling dragon’s maw , each scale etched with ember-glowing cracks , tendrils of ash curling like calligraphy strokes against the twilight) , lone samurai warrior (in battle-scarred lacquered armor , crimson silk underlay frayed at the seams , fingers poised above a tsuba-wrapped katana hilt glinting with cold resolve) , layered mist-covered mountains receding into indigo void , their peaks dusted with eternal snow , Kurosawa-inspired chiaroscuro lighting (razor-thin beams slicing through pine smoke , casting elongated shadows that fracture across the bridge’s uneven surface) , scattered cherry blossoms (petals translucent as rice paper , drifting in slow spirals) and polished river stones (obsidian-slick , reflecting distorted sky) along the bridge’s length , the entire scene suffused with cosmic impressionism (nebula hues bleeding into the smoke , constellations flickering within the dragon’s pupils) , digital hyper-realism rendered with a painterly texture (visible brushstrokes in the samurai’s frayed obi , impasto highlights on the bridge’s rusted iron nails) , cinematic wide-angle lens (depth of field isolating the warrior’s stoic profile against the chaos , distortion warping the vortex’s outer edges) , weather-warped timber creaking underfoot , the scent of damp moss and iron lingering in the charged air. Style: deeply spiritual sci-fi art , blending Ukiyo-e precision with interstellar grandeur , emphasizing (the dragon’s smoke anatomy unraveling into fractal patterns) , (the samurai’s armor refracting bioluminescent moonlight) , and (the bridge’s woodgrain revealing petrified whispers of forgotten travelers). ,

Hyper-detailed high fantasy anime landscape with towering crystalline spires (bioluminescent veins pulsing in fractal patterns) , a nomadic airship caravan (woven from living vines and rusted iron , sails patched with dragonhide) drifting through a canyon of floating obsidian monoliths , dusk light refracting through suspended droplets of mercury rain. Shot on Arri Alexa LF with 35mm Master Prime lens at f/1.4 , Dutch angle tracking shot following a scarred elven alchemist (cracked porcelain skin revealing glowing rune tattoos beneath) as she leaps between crumbling bridges , volumetric fog catching the ember-glow of her malfunctioning mechanical arm (improvised from clockwork and demon bones). Style fusion: Yoshitaka Amano's watercolor textures meets Kazuma Kaneko's intricate armor designs , with cinematic lighting reminiscent of Roger Deakins' work on Blade Runner 2049. ,

A Whispering Woodlands where the Industrial Revolution didn’t poison rivers but created symbiotic steam-ecologies—biomes of moss , fungi , and gear-driven fauna.Inside an abandoned radio factoryst , overtaken by nature overgrown with vines and plants. Hyperrealistic and vibrant colors. Femenine Subject of The Last of Us film is in the middle , warm light beams illuminate the foliage , Broken spotlights hang from the ceiling , vines twist around old microphones , rusted cameras and tangled cables lie under a carpet of moss and wildflowers. Ferns grow through cracked floor tiles. Sunbeams filter through shattered glass panels , illuminating dust and drifting pollen. Grain film , A hauntingly beautiful atmosphere — time stands still as nature broadcasts her own quiet signal. corruption , entropy , decay , resilient , toxic)) , ((dark green , rusted brown , yellow greenish)) , ((deep wiew)) , photographic , ultra high resolution , hyperdetailed , masterpiece.Cinematic lighting , ultra-detailed , photorealistic textures , 8K render , moody and nostalgic cool matte tone. ,

Heather is an ebony female inside her ultra-luxurious mansion , wearing a jewel-encrusted USA string bikini with real strings as she's relaxing in her living room hot tub and smoking a Cuban cigar while taking a long puff with no music. She shows off her massive back tattoo of a fiery skull with electricity flowing as her hair is full of luxurious curls and no music is playing as she speaks in a dark and evil voice while laughing with power. ,

A female professional bodybuilder is completely covered in tattoos and wearing Christian Louboutin pumps in black while inside her massive restaurant in NYC , wearing a jewel-encrusted USA string bikini with real strings as the restaurant combines bodybuilding with tattoos and BBQ. No music is playing. ,

The image features three pink tulips with water droplets on their petals , positioned diagonally from the top right to the bottom left. The flowers have green stems and leaves extending outward. Surrounding the tulips are numerous small clear crystals scattered across a light pink background. Interspersed among the crystals are several silver heart-shaped ornaments of varying sizes; some hearts appear textured or encrusted with tiny stones. Additionally , there are multiple large round pearls in shades of white and off-white placed near the lower part of the composition. One pearl is situated at the very top center above the uppermost tulip petal , another lies next to the middle flower's stem towards the mid-left , two more rest close together below this one (one slightly larger) , followed by smaller clusters spread out around them—some forming loose groups while others stand alone further apart toward the edges where they blend into the crystal scattering. ,

A man in the reference photo , with a full body standing by their broken down pickup truck during the great depression on a deserted dirt highway waiting for help. He confidently smokes a Desi Indian style Beedi , his dressed in dirty attire from the 1920s. Part of the man is deconstructed into small Deconstructed circuit pattern , as if pixelated , showing its textures and ingredients in a grid-like pattern. The circuit extend slightly outwards from the man , blending realism with abstract Electronic. the truck is dirty and rusted , this image is to depict hardship , poverty and a sense of hopelessness. Show some old furniture and luggage in the back of their truck which depicts all their worldly possessions , this is a colorized photograph from the 1920s. ,

A sprawling **steampunk cityscape** dominated by towering brass-and-copper skyscrapers , their gears and pistons exposed like mechanical veins , belching plumes of thick , golden steam into a perpetually twilight sky. Airships with patched canvas hulls and whirring propellers drift lazily between the buildings , their wooden gondolas adorned with flickering gas lamps and intricate filigree railings. Below , a labyrinth of cobbled streets winds between market stalls selling clockwork trinkets , hissing pneumatic tubes , and jars of glowing alchemical liquids in eerie blues and greens. Goggled engineers in leather aprons tinker with half-assembled automatons , their tools scattered across workbenches cluttered with blueprints and rusted cogs. In the foreground , a grand **central plaza** features a colossal , steam-powered fountain—its water spouting from the jaws of a mechanical dragon , its bronze scales gleaming under the dim glow of arc lamps. The plaza is bustling with life: top-hatted gentlemen adjust their pocket watches , corseted inventors argue over schematics , and street urchins dart between legs , selling stolen gears from their satchels. Above it all , a **massive clock tower** looms , its face cracked and hands moving erratically , as if time itself is unraveling in this city of brass and dreams. The art style blends **hyper-detailed linework** with a **gritty , textured aesthetic**—every surface shows signs of wear , from the tarnished metal of the airships to the scorch marks on the factory smokestacks. The lighting is **moody and dramatic** , with deep shadows cast by the flickering gaslights , while the steam diffuses the glow into an ethereal haze. The color palette is rich yet muted—**burnished coppers , deep browns , and aged brass** dominate , punctuated by the occasional flash of **emerald-green alchemy** or **ruby-red warning lights**. The composition should feel **immersive and alive** , as if the city itself is a living , breathing machine. ,