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Explore AI generated designs, images, art and prompts by top community artists and designers.
A surreal depiction of what love is: Love is patient , love is kind. It does not envy , it does not boast , it is not proud. It does not dishonor others , it is not self-seeking , it is not easily angered , it keeps no record of wrongs. Love does not delight in evil but rejoices with the truth. It always protects , always trusts , always hopes , always perseveres. Love never fails. We love because because God first loved us who IS love. Love is the most powerful thing in the universe! It's eternal and life giving just as God is. Love brings , joy , peace , patience , kindness , goodness , faithfulness and self control. Love is unconditional and always serves others. ,
For the cover of the **Indian festival for the "Happy Uttarayan" cycle** , it is important to visually convey the values of **Festival Uttarayan** , **Flying kites** , and **people enjoying**. The visual proposal should be modern , welcoming , and symbolic , reflecting the essence of the content that will be explored in the manual. Below is a detailed description of the cover: ### **Visual Composition:** 1. **Central Image:** * A **stylized woman with wings** emerging from an abstract composition of shapes and colors. The wings can be represented in a **fluid and elegant** way , symbolizing growth and the freedom gained through knowledge. * **Diversity of Kites**: The central figure should be representative of **diverse ethnicities** , with the woman's face and body presented in an inclusive manner. The idea is to communicate that all women , regardless of their origin or background , are part of this transformation movement. * **Cultural Elements**: Cultural details can be incorporated into the wings or the background , such as **line art style kites** (Indian style kites) and other symbols that refer to the ancestry and cultural richness of women. 2. **Typography:** * **Main Title (Women with kites)**: Use a **modern and imposing typography** , such as **Montserrat** or **Bebas Neue** , in **bold** , with a large size (minimum 32px) and adjusted letter spacing. The font should be simple but powerful , to reflect the strength of the concept. * **Subtitle**: "Gender Literacy as an Instrument of Equality and Transformation". Use a lighter typography , such as **Roboto** or **Lora** , with a size of 16px-18px to ensure good readability. The font can be more fluid and rounded to balance with the stronger title. * **Typography Color**: Use **deep purple (#4A148C)** or **vibrant orange (#FF5722)** for the title , creating contrast with the background and giving it prominence. The subtitle can be in **white** or **yellow (#FFEB3B)** , creating harmony and visibility. 3. **Color Palette:** * **Background**: The background can have a mix of warm and vibrant tones , such as **orange** , **purple** , and **yellow**. The use of these colors should symbolize energy , transformation , and the celebration of femininity. A **soft gradient** or a texture that evokes gujarati cultural and artistic elements can be used. * **Details and Graphic Elements**: Use graphic elements such as **thin lines** or **geometric shapes** to frame the cover , such as circles or flowers , giving a modern and dynamic touch to the composition. * **Color Contrasts**: To ensure the title stands out , the cover background can be a **dark or neutral** tone , while the title and subtitle stand out in **vibrant** colors. 4. **Additional Elements:** * **Symbolic Iconography**: Small icons , such as **kites** , **bugal** , **hat** , **lineart style kites** , can be subtly distributed throughout the cover to add cultural and symbolic elements without cluttering the main image. * **Text Positioning**: The title can occupy the upper central part , with the subtitle immediately below , to create a clear reading hierarchy. 5. **Environment and Graphic Style:** * The cover should be **minimalist** , with enough space between the elements to ensure readability and an uncluttered look. * The **artistic details** and **fluid shapes** should symbolize the concept of **freedom** , **transformation** , and **growth**. The use of **organic elements** (such as flowers or leaves) can bring softness to the composition , balancing the strength of the concept with a welcoming tone. ### **Visual Message:** * The cover needs to convey the idea of **emancipation** and **movement** , representing women who seek **personal and collective growth** in the educational and social fields. * The use of vibrant colors and symbolic images such as kites allude to **female power** , **struggle** , and **social transformation** , which are essential to the content of the workshop series. This cover design not only aligns with the themes of the *Happy Uttarayan* (Women with kites) series , but also promotes an aesthetic that captivates the target audience and reinforces the importance of **Kites festival** in the context of Professional and Technological Education. ,
"A modern , professional digital banner for a tech recruitment company. The left side features clean , bold text: 'Hire Software Developers in India'. The right side shows a diverse , collaborative team of Indian software developers smiling and working together in a bright , modern office with laptops and code on screens. The vibe is trustworthy , efficient , and high-tech. Use a color scheme of dark blue , white , and a vibrant accent color like orange or teal. Style: corporate flat design , vector illustration , clean and professional." Good for: Social media , website headers. - size 1440 X 600 ,
Contexto: Nível de realismo de fotos em IA- Generate a mirror photo of a very muscular , amateur ukrainian female bodybuilder in her 26s , in a relaxed front single biceps pose , after a workout , wearing a classic red competition bikini , under soft gym lighting. Realistic skin details on arms , legs , and groin — natural 4-5 day hair growth texture with short , dark hairs only in the groin , hairless legs , raw , unretouched skin , she's a little bloated , but she has a lot of muscle mass , large volumous quadriceps and small stretch marks , legs apart , good artificial lighting. Photo taken with an iPhone , photorealistic , unedited ,
A bustling marketplace within a reconstructed ancient city , built from shimmering , translucent crystal. Merchants in flowing robes trade exotic goods under a sky filled with two moons. The architecture is a fusion of ancient Mesopotamian design and futuristic bioluminescent structures. The scene is captured with a wide-angle lens , emphasizing depth and scale , with cinematic lighting creating a sense of wonder. ,
À giant muscular chubby femalebodybuilder , housewife woman BBW musclée , heavy weight bodybuildeuse géante et plantureuse with giant chest , imposante dame massive , beautiful make up Megan good face , in a bedroom , avec de gros seins , énormes biceps musclés , in blue marine laces transparent very short mini loose nightgown with heels , exposant les seins , bras musclés exposés , dominante , jambes massives exposées , agressive , ,
À african giant muscular chubby femalebodybuilder , housewife woman BBW musclée , heavy weight bodybuildeuse géante et plantureuse with giant chest , imposante dame massive , beautiful make up , Megan good face , in a train , avec de gros seins , énormes biceps musclés , in green satin very short mini loose strapless sundress with heels , exposant les seins , bras musclés exposés , dominante , jambes massives exposées , agressive , ,
À african giant muscular chubby femalebodybuilder , housewife woman BBW musclée , heavy weight bodybuildeuse géante et plantureuse with giant chest , imposante dame massive , beautiful make up , Megan good face , in a train , avec de gros seins , énormes biceps musclés , in white laces transparent short mini loose nightgown with heels , exposant les seins , bras musclés exposés , dominante , jambes massives exposées , agressive , ,
À african giant muscular chubby femalebodybuilder , housewife woman BBW musclée , heavy weight bodybuildeuse géante et plantureuse with giant chest , imposante dame massive , beautiful make up , Megan good face , in a train , avec de gros seins , énormes biceps musclés , in gray laces transparent short mini loose nightgown with heels , exposant les seins , bras musclés exposés , dominante , jambes massives exposées , agressive , ,
À african giant muscular chubby femalebodybuilder , housewife woman BBW musclée , heavy weight bodybuildeuse géante et plantureuse with giant chest , imposante dame massive , beautiful make up , Megan good face , in locker room , avec de gros seins , énormes biceps musclés , in white short mini loose loincloth with heels , exposant les seins , bras musclés exposés , dominante , jambes massives exposées , agressive , ,
À african giant muscular chubby femalebodybuilder , housewife woman BBW musclée , heavy weight bodybuildeuse géante et plantureuse with giant chest , imposante dame massive , beautiful make up , Megan good face , in a train , avec de gros seins , énormes biceps musclés , in violet laces transparent short mini loose nightgown with heels , exposant les seins , bras musclés exposés , dominante , jambes massives exposées , agressive , ,
The image showcases a traditional stained glass window depicting an epic battle between an angel and a demon. The angel is portrayed with majestic , feathered wings and a halo , symbolizing purity and divinity. In contrast , the demon is characterized by dark , bat-like wings and a menacing stance , representing darkness and malevolence. They are engaged in a dramatic sword fight , at the center of which is a bright burst of light , possibly indicating the clashing of their weapons.The stained glass window is intricately detailed , with a rich palette of colors. The upper portion of the window displays symmetrical designs with a variety of vibrant colors that resemble flames , suggesting the intensity of the heavenly battle. Below the figures , the chaos of battle continues with a depiction of numerous human figures engaged in their own struggle , adding to the scene's dynamic nature.The overall composition is symmetrical and balanced , with the angel and demon positioned as mirror images of each other , reinforcing the theme of the eternal struggle between good and evil. The background of the window is a complex array of cloud-like formations , providing a sense of depth and movement to the celestial scene above.The lower part of the window serves as a narrative foundation , grounding the heavenly conflict in the mortal realm , perhaps implying that the outcomes of such cosmic battles have direct consequences on the human condition. The craftsmanship of the stained glass , with its leaded divisions and varying textures and hues , contributes to a sense of grandeur and historical significance. ,
A full-body illustration for a children's book. **FORMAT:** **Landscape orientation , aspect ratio 16:9. NO BORDER OR FRAME.** **STYLE:** **Crayon Texture and Colored Pencil Style** , highly reminiscent of the provided image reference. **COLOR PALETTE:** Dominantly soft and warm tones (creamy beige , warm yellow , creamy off-white , vibrant red from the headscarf) , with gentle light. **CHARACTERS (Little Miss Bug & Mr. Dog):** * **Little Miss Bug:** A **cute , anthropomorphic (bug-like/doll-like) character** wearing her **vibrant RED headscarf** and her elegant **creamy off-white traditional dress** with floral patterns. Her **ladybug wings are closed. NO TRANSPARENT OR UNDER-WINGS ARE VISIBLE.** She looks **disappointed but highly polite and composed** , waving a hand gently. * **Mr. Dog:** Anthropomorphic , with his usual simple yet now deeply **sad and dejected expression** , wearing traditional Iranian clothing. He is shown **actively in the process of leaving**. His body is positioned **halfway out of the doorway** , with one foot stepping outside and his back entirely turned towards the interior of the room. His head is **visibly bowed down with profound sadness and disappointment** , not looking back at Little Miss Bug , fully expressing his dejection as he exits. He is **holding the large , juicy bone sadly in one hand**. His **tail is clearly visible , hanging very low and limply between his legs** , typical of a sad dog. **ACTION/EMOTION:** **Mr. Dog is visibly making his exit through the open wooden doorway (He is halfway out) , his head lowered in deep defeat.** Little Miss Bug is standing slightly away from the door , **waving politely but firmly** towards him. The scene conveys a sense of quiet finality and gentle rejection , with clear , profound sorrow from Mr. Dog. **SETTING/ATMOSPHERE:** The cozy , warm traditional Iranian room is visible , with the **entrance doorway serving as a strong frame for Mr. Dog's energetic movement of departure.** The light is warm and poetic. **COMPOSITION:** A horizontal view , taken from an **angle slightly behind and to the side of Mr. Dog** , emphasizing his departing back and **his head bowed in profound sadness**. Little Miss Bug is in the mid-ground , waving goodbye. Full bodies are visible. ,
A full-body illustration for a children's book. **FORMAT:** **Landscape orientation , aspect ratio 16:9. NO BORDER OR FRAME.** **STYLE:** **Crayon Texture and Colored Pencil Style** , highly reminiscent of the provided image reference. **COLOR PALETTE:** Dominantly soft and warm tones (creamy beige , warm yellow , creamy off-white , vibrant red from the headscarf) , with gentle light. **CHARACTERS (Little Miss Bug & Mr. Dog):** * **Little Miss Bug:** A **cute , anthropomorphic (bug-like/doll-like) character** wearing her **vibrant RED headscarf** and her elegant **creamy off-white traditional dress** with floral patterns. Her **ladybug wings are closed. NO TRANSPARENT OR UNDER-WINGS ARE VISIBLE.** She looks **disappointed but highly polite and composed** , waving a hand gently. * **Mr. Dog:** Anthropomorphic , with his usual simple yet now deeply **sad and dejected expression** , wearing traditional Iranian clothing. He is shown **actively in the process of leaving**. His body is positioned **halfway out of the doorway** , with one foot stepping outside and his back entirely turned towards the interior of the room. His head is **visibly bowed down with profound sadness and disappointment** , not looking back at Little Miss Bug , fully expressing his dejection as he exits. He is **holding the large , juicy bone sadly in one hand**. His **tail is clearly visible , hanging very low and limply between his legs** , typical of a sad dog. **ACTION/EMOTION:** **Mr. Dog is visibly making his exit through the open wooden doorway (He is halfway out) , his head lowered in deep defeat.** Little Miss Bug is standing slightly away from the door , **waving politely but firmly** towards him. The scene conveys a sense of quiet finality and gentle rejection , with clear , profound sorrow from Mr. Dog. **SETTING/ATMOSPHERE:** The cozy , warm traditional Iranian room is visible , with the **entrance doorway serving as a strong frame for Mr. Dog's energetic movement of departure.** The light is warm and poetic. **COMPOSITION:** A horizontal view , taken from an **angle slightly behind and to the side of Mr. Dog** , emphasizing his departing back and **his head bowed in profound sadness**. Little Miss Bug is in the mid-ground , waving goodbye. Full bodies are visible. ,
A lone figure standing on a desolate plain under a stormy , twilight sky. The text "Lordy , don't leave me All by myself" is subtly integrated into the clouds. Emerging from a dark , swirling vortex behind the figure , a golden light beams down , representing a "force of Heaven" contrasting with the "devil's good times" suggested by the dark surroundings. The scene evokes a sense of isolation and spiritual conflict. Rendered in a dramatic expressionist style , with bold brushstrokes and chiaroscuro lighting , inspired by the works of J.M.W. Turner and Francis Bacon. Vivid , contrasting colors emphasize the emotional turmoil and the battle between light and darkness. ar-9:16 ,
Filmed before the creation of DI , 2001: A Space Odyssey relied on the good old fashioned techniques of the Hazeltine Collar Analyzer , which essentially was a calibrated color monitor that was connected to a scanner displaying a positive image from the negative , and adjustments would be made manually on there. Often commended for its likeness to realism , the sharp cutting shots of the illuminated space station set against the deep black of outer space is incredibly visibly sterile. And yet , not in a way that lacks any feeling – this sterility encompassed by a stripped back but deeply contrasting color palette feels unsettling , unnerving , uncomfortable. Not a word is said until 25 minutes in , so the visuals are entirely foregrounded and the suspense begins to feel unbearable. Then , in moments of great significance , the screen bursts into color. Camera: Canon EOS R5 Mark II with 45MP full-frame Dual Pixel CMOS sensor , full AF tracking , advanced (IBIS) Lens: Canon EF 85mm f/1.2L II USM Mode: Manual Aperture: f/2.8 Shutter Speed: 1/200th sec or faster ISO: 200-300 Image Quality: Masterpiece , 45MP Full-Resolution , HDR10+ , insane ultrahigh hyper-realistic breathtaking intricate details , RAW UHD 8K ,
A middle-aged human king in opulent merchant robes , richly embroidered with gold and silver thread , heavy jewelry and signet rings on his fingers , a finely trimmed beard , sharp calculating eyes , and a crown that is more decorative than battle-ready. He holds a ledger and a jewel-encrusted staff , standing in a lavish trading hall filled with crates , scrolls , and exotic goods. Warm candlelight reflects off polished wood and gold surfaces , giving him an air of wealth , cunning , and authority. Realistic , detailed fantasy art ,
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