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Description of the visualization and control system of the automation complex The purpose of the system is to provide the operator with a single , intuitive interface for monitoring and managing all subsystems of the complex in real time. Architecture of the main window (Generalized Status Panel): The main screen is designed according to the principle of "from general to private". The center contains critical information about the power supply system , on which all other systems depend. The remaining subsystems are grouped logically around the center. 1. Central unit: Power supply system It is visualized as a circle divided into three sectors. Large left sector (≈45%): Transformer substations (TP) 5 blocks are displayed , one for each TP. Each block contains: TP number/name (for example , TP-1 , TP-2). The indicator of the active power line: The "Network" icon with backlight (green - main , yellow - backup). Transformer status: "Main" / "Standby" (or icons). Key parameters from accounting nodes: Current (I) , Voltage (U) , Power (P). The values are output for the active line. General TP status: Color indication (Green - Normal , Yellow - Warning , Red - Emergency). Large right sector (≈45%): Main switchboards 5 blocks are displayed , one for each storage unit. Each block contains: The number/name of the GRSH (for example , GRSH-1). Active power line indicator: Similar to TP. Key parameters from accounting nodes: I , U , P. The general status of the GRS: Color indication. Lower small sector (≈10%): Uninterruptible power supply (UPS) Large text or pictogram status indicator: "Mains operation" (Green) "Battery operation" (Yellow/Orange) Battery level indicator: Percentage scale (from 0% to 100%). The color varies depending on the level (green >50% , yellow 20-50% , red <20%). 2. Peripheral blocks around the center They are arranged around a central circle , forming a "rim". Upper and lower parts of the rim: Ventilation of the web blowing Upper part: 9 installations on top. The lower part: 9 installations from the bottom. There are 18 icons/blocks in total. Each icon represents one installation and has a color indication of the status.: Green: Enabled Gray: Turned off Red: An accident (for example , the differential pressure sensor on the filter went off , an error in the drive) Black/Blue: No power supply When hovering over the cursor , a tooltip appears with details (the condition of the fan , valve , filter blockage). Left and right sides of the rim: Indoor ventilation The left and right sides are divided equally to display the 12 settings on each side. There are 24 icons/blocks in total. The same color status indication for each installation. 3. Corner blocks: Other subsystems They are located in the four corners of the screen for easy and fast perception. Upper left corner: Roller shutters (48 pcs.) Summary information is displayed as an information block.: "Closed: XX / Open: XX" (numeric values). A graphical indicator (for example , a stripe divided into green and blue parts , proportional to the number). General status: Green icon "OK" or Red icon "Emergency" (if at least one roller shutter has an emergency status). Upper right corner: Elevators (2 pcs.) Two vertical blocks , one for each elevator. Each block contains: Elevator number (Elevator 1 , Elevator 2). Floor indicator: A large number (for example , 3). Motion indicator: Up/down arrow or Stop icon. General status: The background color of the block (Green - normal , Gray - power off , Red - emergency , Blue - no connection). Lower left corner: EVIL Lights (Roof lamps) A large indicator in the form of a stylized lamp or icon. Color status indication: Bright Yellow/White: Included Gray: Off Red: Crash Black/Blue: No power supply Lower right corner: Heated storm drains Similar in style to the "Fires of EVIL" block. Color status indication: Orange/Red: Enabled Gray: Off Red (flashing): Crash Black/Blue: No power supply Navigation and management: Main Screen: It is an overview map. All the elements on it are clickable. Details: Clicking on any sector (TP , GRS , ventilation group , roller shutter unit) opens a new window with detailed information: TP/GRS: Single-line network diagram , status of all feeders and sectional switches , detailed power parameters. Ventilation: Detailed status of each piece of equipment in the selected group (fan , valve , filter condition) , possibility of manual control. Roller shutters: A table or plan of the building with the condition of each of the 48 roller shutters , group and individual control buttons. Control: The control buttons (Start , Stop , Open , Close) are located on the detailed screens. On the main screen , quick action buttons ("Emergency activation") can be displayed for critical systems (for example , EVIL lights). Visual style: Color scheme: An intuitive color palette is used (Green is the norm , Yellow/Orange is a warning , Red is an accident , Gray/Blue - disabled/no data). Fonts: Clear , easy-to-read fonts. Critical information is displayed larger. Animation: Minimal and informative (for example , smooth change of values , flashing for emergency states). ,
Create a Kutchi young full-body woman , black long hair with blue color eye with her head covered by the black embroidery fabric. They are accessorized with prominent silver jewelry , including a sizeable metallic kutchi-style necklace and a few bangles in illustration , in a realistic style and setting. Place the model on a clear acrylic stand. Next to the computer screen , show the ZBrush modeling process of the model. Next to the computer screen , place a barbie style toy box , with the title "K" printed on it , with the name "W" below the box along with the original artwork. ,
A modern , professional workspace with a computer screen displaying legal documents and charts , surrounded by confident business people from various professions (lawyer , director , accountant , HR specialist , doctor , educator). Bright , inviting colors , dynamic composition , focus on collaboration and efficiency. High-resolution , business style. ,
animation style , a pink sheep in a vibrant candy land with lollipop trees , chocolate rivers , and marshmallow cloudsluminous colorful sparkles , ominous , eldritch , by James R. Eads , Gawki , rajewel , Tania Rivilis , Dan Mumford , glitter , airbrush , Octane Render , elegant , volumetric lighting , 16k; detailed matte painting , deep color , fantastical , intricate detail , splash screen , complementary colors , fantasy concept art , 8k resolution trending on Artstation Unreal Engine 5 , ,
pink sheep in a candy world , luminous colorful sparkles , ominous , eldritch , by James R. Eads , Gawki , rajewel , Tania Rivilis , Dan Mumford , glitter , airbrush , Octane Render , elegant , volumetric lighting , 16k; detailed matte painting , deep color , fantastical , intricate detail , splash screen , complementary colors , fantasy concept art , 8k resolution trending on Artstation Unreal Engine 5 , ,
Two 3D cartoon characters , upper body only , expressive faces , joyful and energetic pose. Pixar-like style with smooth surfaces and vibrant lighting. Big eyes , rounded features , slightly exaggerated proportions. Red background with dynamic shapes or streaks. No text , no logos. Style of mobile game splash screens or animated YouTube thumbnails.one coqui and the other a cotorra ,
A meticulously detailed vintage studio scene capturing a moment frozen in time: A seasoned photographer , dressed in classic attire , stands behind an antique large-format camera mounted on a sturdy wooden tripod , adjusting the lens with focused precision. The camera , rich in brass and leather detailing , exudes an air of nostalgia , its bellows extended and ready to capture the perfect shot. In front of the photographer , a poised young woman in an elegant , flowing vintage gown stands gracefully , her posture refined yet natural. The gown , adorned with delicate lace or embroidery , cascades softly around her , complementing the timeless atmosphere. Her expression is serene , with a subtle , confident smile as she gazes slightly off-camera , lost in thought or anticipation. The studio itself is a treasure trove of vintage charm: warm , dim lighting casts soft shadows across the space , highlighting the texture of aged wooden floors and the patina of antique props scattered thoughtfully around. A velvet backdrop , slightly worn with time , hangs behind the woman , its deep tones adding depth to the scene. Nearby , a vintage dressing screen , a vanity table with an ornate mirror , and perhaps a few scattered photography tools—like glass plates , a vintage flashbulb , or a leather-bound notebook—add layers of authenticity. The atmosphere is rich with the quiet hum of creativity , evoking the golden age of photography. Every element , from the photographer’s concentrated demeanor to the delicate play of light and shadow , is rendered with a painterly attention to detail , blending realism with a touch of romanticism. The scene is a homage to the art of photography , steeped in history and timeless elegance. ,
A highly realistic photograph of a humanoid robot sitting on a modern chair , holding a smartphone and staring at the screen. Thick black and metallic cables extend from its back into a futuristic wall-mounted charging station with glowing indicator lights. The background features a sleek , high-tech kitchen with smooth metallic surfaces , integrated lighting , and minimalistic design. Square format (1:1) , detailed textures , soft indoor lighting , slightly moody tech atmosphere. , ,
A highly realistic photograph of a humanoid robot sitting on a modern chair , holding a smartphone and staring at the screen. Thick black and metallic cables extend from its back into a futuristic wall-mounted charging station with glowing indicator lights. The background features a sleek , high-tech kitchen with smooth metallic surfaces , integrated lighting , and minimalistic design. Square format (1:1) , detailed textures , soft indoor lighting , slightly moody tech atmosphere. ,
A futuristic (technical screen design) , suspended in the clouds , its sleek , metallic platforms connected by shimmering energy bridge , with bullet train resembling colossal , chrome serpents gliding effortlessly through the sky. Spider-man and Hulk smoking , standing on platform , a diverse array of travelers from across the galaxy. The station is adorned with holographic ads-displays and neon lights , casting a vibrant glow on the scene. Rendered in a detailed matte painting style , with deep colors , capturing a blend of technological marvel and cosmic adventure. ,
A futuristic cityscape built atop colossal gears and clockwork mechanisms , where flying vehicles weave through intricate networks of pipes and wires. The buildings are adorned with neon lights and holographic displays , with trains resembling colossal , chrome serpents gliding effortlessly through the sky. Passengers , a diverse array of travelers from across the galaxy. The scene is rendered in a detailed matte painting style , with deep colors , fantastical elements , and intricate details inspired by cyberpunk concept art. Reminiscent of a splash screen , with complementary colors and an 8k resolution trending on Artstation Unreal Engine 5. ,
A vibrant money tree sprouts from a cracked smartphone screen , its roots intertwining with the delicate circuitry. The leaves are made of crisp , green banknotes , and the branches reach towards the sky , symbolizing growth and prosperity in unexpected places. The background is a blurred cityscape , emphasizing the contrast between nature and technology. Rendered in a hyperrealistic style , with dynamic lighting and intricate details , inspired by Greg Rutkowski and Alphonse Mucha , creating a powerful visual statement. 8k resolution , trending on Artstation. ,
A hyper-realistic 3D image of an open Flip screen of smartphone with miniature famous landmarks from Narmada valley lying on a surface , with the Statue of Unity is the world's tallest statue , located at bank of Narmada river as focal point clearly visible on it growing out from the paper as a 3D diorama , arranged like a magical miniature landscape representing area near Kevadia , Gujarat , with iconic natural mountains , some peoples enjoy in zoo , buses on road , some peoples enjoy in garden , dams on river. It should have icon of tall statue icon somewhere in map ,
A high-tech industrial robotic media production station with multiple articulated arms mounted on a stable mechanical base platform , inspired by advanced industrial manipulators and spider-drone engineering. No humanoid legs or head — instead , a central cylindrical module houses an array of optical sensors , precision lenses , LED light indicators , and integrated holographic projectors. The robot is designed for creative media work , not combat — smooth aerodynamic contours with reduced sharp edges , and numerous embedded holographic and light-based UI elements showing AI interfaces , media timelines , live video feeds , and floating icons of Instagram and YouTube. Each arm has integrated tools: a built-in 8K camera module , a ring light embedded in the arm structure , directional microphones , a fold-out tablet screen , and holographic control panels — all seamlessly part of the mechanical design , not handheld. Premium materials: glossy aviation-grade bright red paint (#FF1C1C) with asphalt-dark gray (#2B2B2B) structural panels , anodized metal joints , carbon fiber inserts , and fine blue-turquoise seam lighting. Ultra-detailed photorealistic textures with bolts , seams , micro-scratches , and realistic reflections. Cinematic lighting with clean white highlights , subtle shadows , and product showcase style — isolated on a transparent background with a soft gradient light spot beneath , as if presented at an Apple/DJI launch. High-poly model , no cartoonish simplification , no text or logos. ,
A grim pixel art title screen for a dystopian strategy game , featuring a stern orc commissar standing on a ruined balcony overlooking a war-torn communist city , red flags waving in the wind , brutalist architecture , cracked concrete , glowing sickle and hammer in the background , menu options in pixelated Soviet-style font — 32-bit pixel art , cinematic composition , moody lighting , retro CRT filter ,
A grim pixel art title screen for a dystopian strategy game , featuring a stern orc commissar standing on a ruined balcony overlooking a war-torn communist city , red flags waving in the wind , brutalist architecture , cracked concrete , glowing sickle and hammer in the background , menu options in pixelated Soviet-style font — 32-bit pixel art , cinematic composition , moody lighting , retro CRT filter ,
A grim pixel art title screen for a dystopian strategy game , featuring a stern orc commissar standing on a ruined balcony overlooking a war-torn communist city , red flags waving in the wind , brutalist architecture , cracked concrete , glowing sickle and hammer in the background , menu options in pixelated Soviet-style font — 32-bit pixel art , cinematic composition , moody lighting , retro CRT filter ,
A grim pixel art title screen for a dystopian strategy game , featuring a stern orc commissar standing on a ruined balcony overlooking a war-torn communist city , red flags waving in the wind , brutalist architecture , cracked concrete , glowing sickle and hammer in the background , menu options in pixelated Soviet-style font — 32-bit pixel art , cinematic composition , moody lighting , retro CRT filter ,
A grim pixel art title screen for a dystopian strategy game , featuring a stern orc commissar standing on a ruined balcony overlooking a war-torn communist city , red flags waving in the wind , brutalist architecture , cracked concrete , glowing sickle and hammer in the background , menu options in pixelated Soviet-style font — 32-bit pixel art , cinematic composition , moody lighting , retro CRT filter ,
A grim pixel art title screen for a dystopian strategy game , featuring a stern orc commissar standing on a ruined balcony overlooking a war-torn communist city , red flags waving in the wind , brutalist architecture , cracked concrete , glowing sickle and hammer in the background , menu options in pixelated Soviet-style font — 32-bit pixel art , cinematic composition , moody lighting , retro CRT filter ,
A grim pixel art title screen for a dystopian strategy game , featuring a stern orc commissar standing on a ruined balcony overlooking a war-torn communist city , red flags waving in the wind , brutalist architecture , cracked concrete , glowing sickle and hammer in the background , menu options in pixelated Soviet-style font — 32-bit pixel art , cinematic composition , moody lighting , retro CRT filter ,
A colossal skyscraper vertical city where skyscrapers are interconnected by bridges and peoples , a Bat-man face sculpted from Speed Puzzle (Game Toys) Cubes , seamlessly integrated into a skyscraper , trains passing inside the building , Public Building , Organic Futurism , Deconstruction , Futuristic Monolithic , concrete poly-carbonate vertical louvers facade , designed by Frank Gehry and Zaha Hadid , highly detailed , futuristic designs detailed matte painting , deep color , fantastical , intricate detail , splash screen , complementary colors , fantasy concept art , 8k resolution trending on Artstation Unreal Engine 5. ,
Digital illustration. The main screen of an early 2010s international messenger app on a smartphone with thick bezels and slightly pixelated display (e.g. , resembling an Android 2.x device). Design is functional and slightly utilitarian , with a warm , slightly faded color palette: terracotta orange , muted teal , sandy beige , and cream white. Interface uses skeuomorphic elements (subtle gradients , soft shadows on buttons). Icons for chat , calls , groups are simple , slightly retro pictograms. Key visual: a stylized , abstract 'connection' symbol as the app logo (e.g. , interlocking circles or a subtle wave pattern) – NO flags , stars , or political figures. Text shows multilingual placeholders: 'Message...' , 'Mensaje...' , 'Сообщение...'. Background has a very subtle , textured pattern hinting at global connectivity (like faint topographic lines or abstract radio waves in a warm neutral tone). Overall vibe: Accessible , global , optimistic , slightly vintage tech from a unique cultural context. Style: Flat design with subtle textures , early smartphone UI aesthetic , warm and earthy tones , digital illustration. --ar 16:9 --no photorealistic --no propaganda --no cuban flag --no che guevara. Name app "Tierra". ,
Digital illustration. The main screen of an early 2010s international messenger app on a smartphone with thick bezels and slightly pixelated display (e.g. , resembling an Android 2.x device). Design is functional and slightly utilitarian , with a warm , slightly faded color palette: terracotta orange , muted teal , sandy beige , and cream white. Interface uses skeuomorphic elements (subtle gradients , soft shadows on buttons). Icons for chat , calls , groups are simple , slightly retro pictograms. Key visual: a stylized , abstract 'connection' symbol as the app logo (e.g. , interlocking circles or a subtle wave pattern) – NO flags , stars , or political figures. Text shows multilingual placeholders: 'Message...' , 'Mensaje...' , 'Сообщение...'. Background has a very subtle , textured pattern hinting at global connectivity (like faint topographic lines or abstract radio waves in a warm neutral tone). Overall vibe: Accessible , global , optimistic , slightly vintage tech from a unique cultural context. Style: Flat design with subtle textures , early smartphone UI aesthetic , warm and earthy tones , digital illustration. --ar 16:9 --no photorealistic --no propaganda --no cuban flag --no che guevara. Name app "Tierra". ,