Explore AI generated designs, images, art and prompts by top community artists and designers.
A tranquil garden floating in the cosmos , surrounded by a halo of stars and nebulae in shades of violet , blue , and gold. The garden is filled with ethereal plants—glowing flowers in soft hues , trees with shimmering silver leaves , and vines that sparkle as if dusted with stardust. A marble fountain in the center spills liquid light , forming a pool that reflects the endless stars above. In the distance , glowing celestial beings with wings of light gently tend to the plants , their movements graceful and otherworldly. ,
Vertical 9:16 cinematic horror scene. A pale child around 9 years old stands on a dark , weathered porch , reaching forward with one small hand resting lightly on the doorknob. Their expression is calm , almost polite , with a slight , eerie smile that doesn’t reach their eyes. Their skin is smooth and sickly pale , illuminated unevenly by a flickering overhead porch light. The child wears outdated clothing — a faded button-up shirt tucked into dusty corduroy pants. Their other arm hangs limply by their side. But the most disturbing feature: their eyes are completely black , glossy and reflective like polished obsidian , absorbing the light and giving off a subtle , unnatural gleam. The eyes lock forward , unblinking , filled with emptiness — far too still to be human. Mist coils around their ankles and faintly rises past their knees. Behind them , the yard disappears into fog and darkness , only faint outlines of gnarled trees remain. The mood is suffocatingly quiet , as if time has slowed in anticipation. The shot is framed slightly from below to make the child feel imposing despite their size. Style: painterly cinematic horror realism , soft shadows , shallow depth of field , fine film grain texture. The emotion: the quiet moment before horror reveals itself. ,
a highly detailed oil painting of A cowgirls , in professional makeup , with medium length hair covering an eye , and a tall tree , and large obsidian crystals , portrait , cinematic lighting , dramatic atmosphere , by Dustin Nguyen , Akihiko Yoshida , Greg Tocchini , Greg Rutkowski , Cliff Chiang , 4k resolution , trending on artstation ,
Industrial concept art. Close-up. A Chernobyl liquidator's gas mask. Medium shot. Hyper-realistic digital art. Warped lenses reflecting fiery chaos. Thick rubber seals cracked and stained. Smoky backlighting with glowing particles. Dark muted colors with flickering warm lighting. Haunting atmosphere , gritty textures , industrial decay , radioactive hazard , intense realism , high-contrast lighting , ominous shadows , detailed reflections , atmospher ,
So-yeon at "Peach Blossom" café: "He waited for you... then his light went out." Key to Min-jae's room. Frozen relics: sketches of Yun-ho , a pier model , physics books. Discovery: Yun-ho's old sweater metallic shard with circuits. Min-jae's diary: "The pattern is broken..." Yun-ho inhales the sweater's scent — only dust. ,
So-yeon at "Peach Blossom" café: "He waited for you... then his light went out." Key to Min-jae's room. Frozen relics: sketches of Yun-ho , a pier model , physics books. Discovery: Yun-ho's old sweater + metallic shard with circuits. Min-jae's diary: "The pattern is broken..." Yun-ho inhales the sweater's scent — only dust. ,
it should be a logo for a language school with name is Katrin Talks. The colours of that logo should be Dusty Rose (#D8A7B1) , Soft Cream (#FFF8F0) and Deep Charcoal (#3E3E3E). The font may be differenyt but better use Playfair Display , "Lato" or "Raleway". You can use different elements to create a unique , interesting , modern logo ,
The facility was prepared for everything — or so they thought. Inside the reinforced strength-testing chamber , the taller of the two hyper-muscular blondes is strapped into a controlled resistance rig designed to measure maximum output. Her body is beyond colossal — biceps the size of barrels , shoulders splitting her frame wide , veins like cables webbing across her swollen limbs. She grits her teeth and begins to push. The machine resists. For a moment. Then everything fails at once. The steel resistance arms groan , then twist violently. Sparks fly. Monitors shatter. One reinforced concrete wall cracks top to bottom as a shockwave tears through the chamber. Her body flexes larger with each second , as if the very challenge triggers another surge. Her chest heaves , massive arms flaring outward as she tears the entire testing rig from its moorings with a guttural roar. **Alarms blare.** Red strobes flash across her glistening , striated form. Scientists shout and scatter behind the safety glass. The other woman — nearly as large — watches through the observation window , stunned , then smiling slowly as she realizes: *“She’s still growing.”* Security doors slam shut as protocols activate , but it’s no use. The towering woman turns calmly toward the steel containment wall — meant to hold aircraft — and simply **walks through it** , muscles flaring , concrete crumbling , bolts flying loose. A second shockwave blasts outward as metal peels around her shoulders like tinfoil. The sound is deafening. Dust settles. Sparks drift. And in the silence that follows , the massive woman stands amidst rubble and bent alloy , calm… breathing… and impossibly strong. Shot on RED V-Raptor 8K , low-angle wide cinematic lens , ISO 400 , f/2.0 , 1/2000 shutter , lab floodlights and red emergency lighting. Ultra-photorealistic , hyper-detailed environmental destruction , muscle motion blur , shattered glass , glowing alert panels , torn fabric under strain , glowing sweat texture , reinforced realism. --no cartoon , anime , nudity , stylized effects , smoothing , blur , distortion , uncanny elements ,
Inside a state-of-the-art research facility , one of the towering , hyper-muscular blondes stands calmly under bright industrial lights , surrounded by a team of stunned scientists and technicians. She wears a reinforced custom sports bra and micro-shorts , still barely managing to contain her exaggerated curves and outrageously muscular form. Wires , sensors , and biometric pads line her biceps , chest , and quads — trying to capture data as she flexes for the assembled team. Behind her is a steel test rig rated for 10 tons — visibly trembling as she curls a solid 600-pound barbell like it’s made of foam. Her vascular , glistening biceps swell with every rep , stretching the skin like drumheads. Nearby monitors show numbers spiking beyond red zones , graphs crashing , and readings that no one has ever seen before. One screen simply flashes: **“ERROR — MAX LIMIT EXCEEDED”** The second woman stands off to the side , already tested and still cooling down , a towel slung over her mountainous shoulder. She watches her rival with crossed arms and a subtle , amused grin — waiting to see if the machines can handle her , too. The lab is a blend of ultra-modern science and disbelief. Crates of bent steel samples , cracked pressure pads , and failed grip test rigs line the walls. A group of scientists , some wide-eyed and others scribbling furiously , huddle near the data terminals. One whispers , “This can’t be real , ” while another simply stares , jaw slack. Shot on Canon EOS R5 and RED Komodo 6K , 35mm lens , ISO 100 , f/2.2 , cinematic industrial light temperature (cool white with warm highlights). 8K ultra-photorealistic , extreme detail in muscle strain , lab tech reflections , fabric tension , HDR lighting , sweat glisten , glowing monitor displays. --no cartoon , anime , stylization , nudity , blur , smoothing , distortions , uncanny rendering ,
The poolside is cracked and broken — two deep , jagged craters punched straight through the stone patio , still steaming slightly from the force. Each impossibly muscular blonde stands beside one of the holes , arms relaxed now , hands dusted with crumbled concrete. The raw power of their final feat — simultaneously punching through solid reinforced stone — still lingers in the air. Now , silence. The women , impossibly tall and massive , wind down from their growth-fueled display. Their bodies remain staggeringly overdeveloped — every curve , muscle , and line pushed to extreme fantasy proportions — but their postures are casual , at ease. One sits gently at the edge of the pool , her massive calves stretched out , toes dipped into the water , her silver bikini barely managing to contain her form. The other leans back against a palm tree , arms folded across her chest , still glistening with sweat , her golden micro bikini stretched tight across her curvaceous , vein-laced frame. They smile at each other — competitive energy replaced by shared pride. The late-day sun casts long shadows across the stone , illuminating the cracks , the bent steel nearby , and the reflections of their towering figures on the pool's surface. Their expressions are soft now: powerful , proud , and peaceful. Shot on Canon EOS R5 , 35mm f/1.4 lens , ISO 100 , f/2.0 , 1/800 sec , golden hour natural light. 8K ultra-photorealistic , cinematic HDR lighting , precise shadow detailing , realistic sweat and skin tone , muscle texture defined but relaxed , warm color grading. --no cartoon , anime , painting , stylized rendering , nudity , blur , smoothing , distortions , uncanny elements ,
A silver fox with glowing golden eyes stands by the edge of a moonlit forest pond. In the water’s surface , its reflection is not an animal but a mystical forest guardian — a woman in a flowing starry cloak , glowing eyes like the fox’s , ethereal and ancient. The guardian is surrounded by stardust and magic symbols. The forest remains blue and glowing with magic , fireflies and floating golden lights. Emotional , magical , dreamlike fantasy art. ,
Dungeon , dark halls , no lights , wet , stonebricks , brick walls , metal rails , arched hall , few puddles , cold floor , dusty air ,
brainrot-style surreal hybrid of a camel and a vacuum cleaner , sharing the same contorted animation pose , bulging eyes , mechanical hose as a twisted neck , dusty fur blending into plastic shell , suction mouth replacing camel snout , wires wrapped around legs , bizarre proportions , unsettling textures , glitchcore and dreamcore fusion , cursed uncanny expression , oversaturated neon colors , hyper-detailed , fisheye perspective" ,
generate image : "A highly realistic combat scene featuring all three main classes of military drones: ground , aerial , and maritime , operating together in a synchronized battlefield scenario. Include multiple drone types per class: – Ground drones (UGVs): a heavy tracked assault robot with a mounted cannon firing , a small reconnaissance rover with sensors , and a bomb-disposal robot neutralizing a mine. – Aerial drones (UAVs): a large MALE drone releasing a guided missile , a loitering munition drone diving toward a target , and a quadcopter ISR drone hovering and relaying intel. – Maritime drones: an unmanned surface vessel launching anti-ship missiles , and a submerged unmanned underwater drone navigating below. The scene is set in a dynamic combat zone: [choose one: arid desert at noon / urban coastline at dusk / stormy ocean / frozen arctic inlet at sunrise]. Show active combat: explosions , smoke trails , splashing water , dust clouds , and dramatic lighting. Use photorealistic textures , cinematic composition , and high detail." ,
"A highly realistic combat scene featuring all three main classes of military drones: ground , aerial , and maritime , operating together in a synchronized battlefield scenario. Include multiple drone types per class: – Ground drones (UGVs): a heavy tracked assault robot with a mounted cannon firing , a small reconnaissance rover with sensors , and a bomb-disposal robot neutralizing a mine. – Aerial drones (UAVs): a large MALE drone releasing a guided missile , a loitering munition drone diving toward a target , and a quadcopter ISR drone hovering and relaying intel. – Maritime drones: an unmanned surface vessel launching anti-ship missiles , and a submerged unmanned underwater drone navigating below. The scene is set in a dynamic combat zone: [choose one: arid desert at noon / urban coastline at dusk / stormy ocean / frozen arctic inlet at sunrise]. Show active combat: explosions , smoke trails , splashing water , dust clouds , and dramatic lighting. Use photorealistic textures , cinematic composition , and high detail." ,