Search Results for deep shadows
Explore AI generated designs, images, art and prompts by top community artists and designers.
A dramatic , dark digital portrait of a woman screaming at a man. Captured with a Sony Alpha A7R IV and a 35mm lens at f/8 , 1/200 second shutter speed. The scene is lit with harsh , high-contrast , chiaroscuro lighting , emphasizing deep shadows and intense expressions. The style is reminiscent of gothic horror concept art , with intricate details and a desaturated color palette , inspired by the works of Zdzisław Beksiński and Francis Bacon , evoking a sense of raw emotion and psychological tension. ar-9:16 ,
A dramatic , dark digital portrait of a woman screaming at a man. Captured with a Sony Alpha A7R IV and a 35mm lens at f/8 , 1/200 second shutter speed. The scene is lit with harsh , high-contrast , chiaroscuro lighting , emphasizing deep shadows and intense expressions. The style is reminiscent of gothic horror concept art , with intricate details and a desaturated color palette , inspired by the works of Zdzisław Beksiński and Francis Bacon , evoking a sense of raw emotion and psychological tension. ar-9:16 ,
A dramatic , dark digital portrait of a woman screaming at a man. Captured with a Sony Alpha A7R IV and a 35mm lens at f/8 , 1/200 second shutter speed. The scene is lit with harsh , high-contrast , chiaroscuro lighting , emphasizing deep shadows and intense expressions. The style is reminiscent of gothic horror concept art , with intricate details and a desaturated color palette , inspired by the works of Zdzisław Beksiński and Francis Bacon , evoking a sense of raw emotion and psychological tension. ar-9:16 ,
A dramatic , dark digital portrait of a woman screaming at a man. Captured with a Sony Alpha A7R IV and a 35mm lens at f/8 , 1/200 second shutter speed. The scene is lit with harsh , high-contrast , chiaroscuro lighting , emphasizing deep shadows and intense expressions. The style is reminiscent of gothic horror concept art , with intricate details and a desaturated color palette , inspired by the works of Zdzisław Beksiński and Francis Bacon , evoking a sense of raw emotion and psychological tension. ar-9:16 ,
A close-up of a human eye , where the iris is not an iris but a miniature , perfectly detailed spacecraft navigating through a swirling cosmic void. The sclera is a deep , star-filled expanse , and the eyelashes are delicate cosmic dust trails. The lighting is dramatic and cinematic , casting deep shadows and highlighting the intricate details of the spacecraft and the cosmic eye. Style of Zdzisław Beksiński meets sci-fi. ,
a chaos of Carnage with a photo-realistic face resembling an cult skull , eerie light casting deep shadows across her face , her eyes wide with intensity , sporting dazzling diamond grills for teeth. Starting from her head transitions into a tornado that both shapes and fills the structure of the head. Style: Celestial , ethereal , abstract , digital art smoking: Dramatic backlighting , bright glowing particles , contrasting dark background Composition: dynamic diagonal composition , upward gaze Details: a semi-transparent quality akin to black fog , streaking white light trails , sense of movement and wonder , magical atmosphere Quality: High detail , 4K , Masterpiece , Arabian black desert and in front a silhouette of Ancient Arabs migrate with their camels and belongings , and in front of them is a caravan leader ,
Prompt (на русском):Иллюстрация в стиле классической книжной графики к детективной истории конца XIX века. Сцена в богатом гриль-баре отеля «Сент-Немо». За столом в центре композиции — три заговорщика: крепкий , дородный Фрэнк Бригам , высокий и худой доктор Хэнбери в очках и с чёрными усами , и третий , Пол Стрингер. Они оживлённо беседуют , на столе перед ними — бокалы с коктейлями. Они только что выпили тост , их лица оживлены , они смеются.На переднем плане , за другим столиком в полумраке , сидят детектив Астро и его помощница Валеска. Астро , в своём плаще-инвернессе , откинулся в тени , но его проницательный взгляд пристально направлен на троицу. Валеска , в элегантном платье эпохи , только что подошла к его столику и присела , делая вид , что они просто встречаются. Её поза выражает лёгкость , но во взгляде — любопытство и сосредоточенность.Обстановка: дорогой интерьер в стиле ар-нуво , богатая деревянная отделка , приглушённое золотистое освещение от бра и настольных ламп , создающее глубокие тени и атмосферу тайны. На заднем плане — смутные очертания других посетителей , официант во фраке.Стиль: Детальная проработка , как у иллюстраторов Артура Игнатиуса Келлера или Сидни Пэджета. Тщательная прорисовка лиц , передающая эмоции и характеры. Акцент на игре света и тени , чтобы подчеркнуть шпионскую атмосферу. Высокое разрешение , мастерское исполнение.Prompt (на английском , для лучшего понимания AI):Book illustration style , a scene from a late 19th century detective story. The setting is a rich grill-room of the Hotel Saint Nemo. At a table in the center of the composition are three conspirators: the stout , well-built Frank Brigham , the tall , thin Doctor Hanbury with spectacles and a black mustache , and the third , Paul Stringer. They are engaged in animated conversation , with cocktail glasses on the table before them. They have just made a toast , their faces are lively , they are laughing.In the foreground , at another table in the semi-darkness , sit the detective Astro and his assistant Valeska. Astro , in his Inverness cape , is leaning back in the shadows , but his penetrating gaze is fixed intently on the trio. Valeska , in an elegant period dress , has just approached his table and sat down , pretending they are simply meeting. Her posture conveys ease , but her expression shows curiosity and concentration.Ambiance: A luxurious interior in the Art Nouveau style , rich wood paneling , muted golden lighting from sconces and table lamps , creating deep shadows and an atmosphere of mystery. In the background , the vague outlines of other patrons , a waiter in a tailcoat.Style: Detailed artwork , akin to illustrators Arthur Ignatius Keller or Sidney Paget. Meticulous rendering of faces , conveying emotions and character. Emphasis on chiaroscuro (light and shadow) to enhance the spy atmosphere. Masterpiece , high resolution. ,
Prompt (на русском): Иллюстрация в стиле классической книжной графики к детективной истории конца XIX века. Сцена в богатом гриль-баре отеля «Сент-Немо». За столом в центре композиции — три заговорщика: крепкий , дородный Фрэнк Бригам , высокий и худой доктор Хэнбери в очках и с чёрными усами , и третий , Пол Стрингер. Они оживлённо беседуют , на столе перед ними — бокалы с коктейлями. Они только что выпили тост , их лица оживлены , они смеются. На переднем плане , за другим столиком в полумраке , сидят детектив Астро и его помощница Валеска. Астро , в своём плаще-инвернессе , откинулся в тени , но его проницательный взгляд пристально направлен на троицу. Валеска , в элегантном платье эпохи , только что подошла к его столику и присела , делая вид , что они просто встречаются. Её поза выражает лёгкость , но во взгляде — любопытство и сосредоточенность. Обстановка: дорогой интерьер в стиле ар-нуво , богатая деревянная отделка , приглушённое золотистое освещение от бра и настольных ламп , создающее глубокие тени и атмосферу тайны. На заднем плане — смутные очертания других посетителей , официант во фраке. Стиль: Детальная проработка , как у иллюстраторов Артура Игнатиуса Келлера или Сидни Пэджета. Тщательная прорисовка лиц , передающая эмоции и характеры. Акцент на игре света и тени , чтобы подчеркнуть шпионскую атмосферу. Высокое разрешение , мастерское исполнение. Prompt (на английском , для лучшего понимания AI): Book illustration style , a scene from a late 19th century detective story. The setting is a rich grill-room of the Hotel Saint Nemo. At a table in the center of the composition are three conspirators: the stout , well-built Frank Brigham , the tall , thin Doctor Hanbury with spectacles and a black mustache , and the third , Paul Stringer. They are engaged in animated conversation , with cocktail glasses on the table before them. They have just made a toast , their faces are lively , they are laughing. In the foreground , at another table in the semi-darkness , sit the detective Astro and his assistant Valeska. Astro , in his Inverness cape , is leaning back in the shadows , but his penetrating gaze is fixed intently on the trio. Valeska , in an elegant period dress , has just approached his table and sat down , pretending they are simply meeting. Her posture conveys ease , but her expression shows curiosity and concentration. Ambiance: A luxurious interior in the Art Nouveau style , rich wood paneling , muted golden lighting from sconces and table lamps , creating deep shadows and an atmosphere of mystery. In the background , the vague outlines of other patrons , a waiter in a tailcoat. Style: Detailed artwork , akin to illustrators Arthur Ignatius Keller or Sidney Paget. Meticulous rendering of faces , conveying emotions and character. Emphasis on chiaroscuro (light and shadow) to enhance the spy atmosphere. Masterpiece , high resolution. ,
Hyper-realistic 35mm cinematic surrounded by lush oases , fertile fields , and palm trees. Alborz-like misty mountains rise nearby. At the bottom , a vast ocean spills off the edge of the world in a majestic waterfall into the void. Dramatic golden sunset lighting with warm glows , deep shadows , and an epic , peaceful atmosphere , imposing baroque space ship with plasma propulsion and contrails glide past , in the back country there are some high ruins of the ancients with temple , map shot of a flat earth , inspired by Game of Thrones intro , Dune , and medieval cosmology. The land is sculpted in golden and sandy textures. At the top lies "Kot AbduAllah , " a grand desert city with a massive stone mosque , domes , and tall minarets , ,
Hyper-realistic 35mm cinematic map shot of a flat earth , inspired by Game of Thrones intro , Dune , and medieval cosmology. The land is sculpted in golden and sandy textures. At the top lies "Kot AbduAllah , " a grand desert city with a massive stone mosque , domes , and tall minarets , surrounded by lush oases , fertile fields , and palm trees. Alborz-like misty mountains rise nearby. At the bottom , a vast ocean spills off the edge of the world in a majestic waterfall into the void. Dramatic golden sunset lighting with warm glows , deep shadows , and an epic , peaceful atmosphere. ,
A surreal , captivating portrait of a character with a striking hairstyle composed of bright red tendrils contrasting against a dark , moody background (background:1.2). The character's attire features an intricate combination of a white , ruffled dress and a corseted bodice showcasing elaborate designs (clothing:1.2). The dress billows around her , adding a sense of ethereal motion to the scene (motion:1.3). Her skin has a subtle glistening effect , enriching the texture and enhancing the character's otherworldly allure (texture:1.2). The lighting is dramatic , with strong contrasts creating deep shadows around the figure , while soft highlights reveal intricate details (lighting:1.3). The pose is dynamic , suggesting an action of flowing movement as if navigating through an unseen environment (pose:1.2). Emphasize the mood of mystery and enchantment , avoiding clear clarity in the facial features , thus enhancing the overall intrigue (mystery:1.2). Technical preferences include a focus on high resolution and maintaining uniform sharpness throughout to enhance visual impact. Incorporate negative prompts to avoid cartoonish elements or oversaturated colors (negative:1.2 , cartoonish:1.2). ,
Angelic figure , wings torn , descends from stormy sky , embodying rebirth , in a full shot , with a double exposure effect overlaying a desolate landscape , inspired by the haunting styles of Zdzisław Beksiński , Ash Thorp , and Simon Stalenhag , with old film filter , cinematic lighting , ethereal radiance , decaying beauty , and deep shadows , in a monochromatic , noir , artistic portrait , with defocused elements , double exposure , and old film grain. ar-9:16 ,
Angelic figure , wings torn , descends from stormy sky , embodying rebirth , in a full shot , with a double exposure effect overlaying a desolate landscape , inspired by the haunting styles of Zdzisław Beksiński , Ash Thorp , and Simon Stalenhag , with old film filter , cinematic lighting , ethereal radiance , decaying beauty , and deep shadows , in a monochromatic , noir , artistic portrait , with defocused elements , double exposure , and old film grain. ,
A beauty woman , vibrantcolored hair with strands hairstyles Makeupaugmenting and wears a baroque-inspired outdoor dress with fur and fur cape , fashion style , makes maintenance on the devices of A large weathered sci-fi starship inspired with blasters , apparatus parts lie around in snow , resembling a blend of futuristic and vintage design , rests by elven ruins landscape at sunset. The ship , featuring a red and white color scheme with signs of decay and ice crystals forming on its surface , exudes a sense of abandonment and mystery. Background elements silhouetted against a glowing horizon. The warm light from the setting sun creates deep shadows and highlights the ship's texture , enhancing the contrast between the cold environment and the fading warmth. Compositionally , the ship is positioned slightly off-center , leading the eye into the scene while emphasizing its detail. Focus on hyper-realistic textures (texture:1.2) and vivid colors (color:1.2). Avoid any signs of living beings (no humans:1.1). Floating mist is glowing in the sunbeams ,
A weathered sci-fi starship elven ancient-inspired with blasters and a robot doing maintenance , apparatus parts lie around in snow , resembling a blend of futuristic and vintage design , rests in a tranquil snowy landscape at sunset. The ship , featuring a red and white color scheme with signs of decay and ice crystals forming on its surface , exudes a sense of abandonment and mystery. Background elements include sparse trees and strange mountains rocks partly silhouetted against a glowing horizon. The warm light from the setting sun creates deep shadows and highlights the ship's texture , enhancing the contrast between the cold environment and the fading warmth. Compositionally , the ship is positioned slightly off-center , leading the eye into the scene while emphasizing its detail. Focus on hyper-realistic textures (texture:1.2) and vivid colors (color:1.2). Avoid any signs of living beings (no humans:1.1). Floating mist is glowing in the sunbeams ,
A weathered sci-fi starship , resembling a blend of futuristic and vintage design , rests in a tranquil snowy landscape at sunset. The ship , featuring a blue and white color scheme with signs of decay and ice crystals forming on its surface , exudes a sense of abandonment and mystery. Background elements include sparse trees partly silhouetted against a glowing horizon. The warm light from the setting sun creates deep shadows and highlights the ship's texture , enhancing the contrast between the cold environment and the fading warmth. Compositionally , the ship is positioned slightly off-center , leading the eye into the scene while emphasizing its detail. Focus on hyper-realistic textures (texture:1.2) and vivid colors (color:1.2). Avoid any signs of living beings (no humans:1.1). ,
Perfectly symmetrical wide shot (16:9) , level horizon , camera aligned with the central object , distance ~200 m. A massive rectangular granite hall in dark tones; clean , glossy , monumental surfaces. In the center — an exhibit: a large fragment of rock placed on a pedestal and a slight elevation; around it , an oval glass capsule is shattered , large and small shards scattered across the wide granite pathway and floating on the water. The rest of the hall is flooded — now the water is raging: powerful waves , ripples , splashes , wet reflections on the granite. High on the side walls — small windows , but no light comes through them anymore (black openings). The hall pulses with red emergency lighting: strobing flashes , deep shadows , crimson wash; red highlights tearing across the waves and wet surfaces. On the rock and walls , sharp hand-painted inscriptions in white paint , large and crude: “FAKE , ” “EXPOSURE , ” “ENOUGH LIES , ” “WE HAVE THE RIGHT TO KNOW THE TRUTH” (brush strokes , paint drips , partially smeared by water). A sunbeam piercing through an opening in the ceiling exists as an architectural detail but is almost completely drowned out by the red light. In the air — a fine mist of water and microscopic glass particles , bright specular highlights on the shards , the wet granite giving mirror-like reflections. The atmosphere is tense and chaotic , with a subliminal “25th frame” effect: barely perceptible visual tearing/stripes and brief RGB shifts along the edges of shards and inscriptions. High detail , realistic materials , dramatic lighting , cinematic concept art. ,
A terrifying , decaying zombie with tattered flesh , glowing hollow eyes. The zombie’s posture is aggressive yet unsteady , its limbs twitching with unnatural movement as it lumbers into a sleek , contemporary hallway. The hallway features minimalist design elements: a low-profile shoe rack with scattered footwear , a wall-mounted coat rack with a few hanging garments swaying from the force of the intrusion , and a large , cracked mirror reflecting the zombie’s grotesque form. The lighting is dim and eerie , casting long , distorted shadows that amplify the horror. The walls are smooth and neutral-toned , contrasting sharply with the zombie’s grotesque appearance. The scene is hyper-detailed , with a cinematic , high-contrast style—deep shadows and stark highlights emphasize the texture of the zombie’s rotting skin , the shattered door , and the disrupted modern decor. The atmosphere is tense , chaotic , and filled with a sense of impending doom. ,
Chiaroscuro full lenght body of A melancholic woman with flowing hair walking in Silent Hill town. lonely witchy town , fog , acid fog , her face partially obscured by shadows. from Silent Hill perfect film composition. Chiaroscuro lighting , deep shadows , sharp contours , emotional depth , desaturated palette , monochrome blacks , muted grays , pale white , red hint , thick atmosphere , heavy air , cinematic mood. Gregory Crewdson , Dave McKean , Gottfried Helnwein. Canon EOS 5D , f/1.2 aperture , grain overlay , high contrast , cinematic post , internal collapse , frozen scream , black and white photography , a masterpiece , best quality , 8k resolution. ,
A close-up shot of a Chernobyl liquidator's gas mask , filling the frame with gritty , realistic detail. The mask is worn and authentic , modeled after Soviet-era designs with rounded lenses , thick rubber seals , and heavy straps , covered in ash and grime from the reactor’s fallout. The lenses are the focal point , each glass surface slightly warped and scratched , reflecting the fierce glow of distant fires within the reactor. Flames dance across the curved lenses in shades of red , orange , and intense yellow , creating a haunting , distorted view of the fiery chaos within. Lighting and Shadow Play: The overall lighting is low and moody , with harsh shadows defining the rugged texture of the mask and highlighting its worn , weathered surface. Dim light from a flickering source to the left illuminates the mask partially , casting deep shadows across the rubber surface , creating an ominous , high-contrast look. Hazy backlighting subtly outlines the mask’s contours , adding depth and a sense of foreboding. Atmospheric Details: The air is thick with smoke and radioactive dust , faintly illuminated by the fiery reflection in the lenses. Tiny , glowing particles float through the air , adding to the toxic , dangerous atmosphere. Thin wisps of smoke drift around the mask , softening the edges and giving the scene a ghostly quality. Surface Texture and Wear: The rubber of the mask is cracked and stained , showing the toll of exposure to radiation and extreme heat. Ash and small flecks of debris cling to its surface , adding realism and a gritty feel. Around the edges , faint condensation gathers on the rubber , hinting at the liquidator’s breath inside the suit. Reflection Details in the Lenses: In the mask's lenses , we see reflections of distant fires raging inside the reactor , with structures burning and twisted metal faintly visible in the intense glow. The reflections are slightly distorted , warped by the rounded glass , as if the fires themselves are bending reality. Occasional flickers of light pulse in the reflection , conveying the flickering intensity of the flames. Mood and Composition: The close-up shot emphasizes the isolation , courage , and silent determination of the liquidator. The composition is hauntingly intimate , placing the viewer face-to-face with the mask , capturing the intensity of the task and the immense , invisible danger surrounding them. Every detail contributes to a heavy , foreboding atmosphere , evoking a sense of dread and silent resilience. ,
Ultra-realistic 3D 16:9 horizontal format , At the center is a front side of a chaos of Carnage with a photo-realistic face resembling an cult blue Demon , eerie light casting deep shadows across his face , his eyes wide with intensity , golden details , horns , and teeth , in the style of dark fantasy. Starting from her head transitions into a tornado that both shapes and fills the structure of the head. This tornado , (twisted blue and black weird:1.3) , densely packed with composed entirely from twisted red and black weird , has a semi-transparent quality akin to black fog. Arabian black desert and in front a silhouette of Ancient Arabs migrate with their camels and belongings , and in front of them is a caravan leader ,
At the center is a front side profile of a chaos of Carnage with a photo-realistic face resembling an cult south-Indian old man , eerie light casting deep shadows across his face , his eyes wide with intensity , sporting dazzling diamond grills for teeth , draped in cascading diamond-studded chains. Starting from his head transitions into a tornado that both shapes and fills the structure of the head. This tornado , (haze , black fog , mist:1.3) , densely packed with composed entirely from soft smoke and mist , has a semi-transparent quality akin to fog. The desert is a significant location in the movie , serving as a backdrop for the battles and chases , but the villain does not specifically meet the heroes within a tornado , while hood horse-riders running tall in the distance against a vivid night sky. ,
Create an image of a cult Indian old Badass , eerie light casting deep shadows across his face , his eyes wide with intensity , he holding a Beedi , sporting dazzling diamond grills for teeth , draped in cascading diamond-studded chains , and showcasing a lavish golden-encrusted timepiece on the wrist. Attired in luxurious tailored trousers and a shirt crafted from the finest fabrics , boasting intricate designs and subtle yet ostentatious embellishments ,
A dark , eerie scene of Rookie Ninja , a twisted , shadowy form , emerging from the realm of darkness. He wields a Katana , glowing with malevolent energy , and his eyes burn with a sinister light. The background is a swirling vortex of dynamic poses , contrasting colors of red and black. Rookie Ninja is mid-stride , moving purposefully through the chaos , his dark abilities manifesting as tendrils of shadow around him. The lighting is dim and foreboding , casting deep shadows on his form. The composition is dynamic , with Rookie Ninja at the center , framed by the chaotic background. ,
"Artistic semi-realistic illustration of a gothic church partially destroyed and engulfed in flames , dramatic lighting , textured smoke , deep shadows , burning sky , expressive painterly strokes , fire in vivid oranges and reds , integrated artistic text that reads 'IMA CUSTOM' in distressed or gothic-style lettering , dynamic composition , suitable for custom biker vest design , dark and intense mood , blend of realism and artistic expression." ,
A striking silhouette composition featuring a child in a dark coat standing beside a cat against a vivid red backdrop. The lighting is dramatic , highlighting the outlines of both figures while casting deep shadows. The artistic style leans towards digital art with influences from contemporary graphic design and anime aesthetics. The texture of the background is rough , adding depth and intensity to the scene. The mood is evocative , conjuring a sense of mystery and companionship. The child's posture suggests contemplation , creating a poignant connection with the cat. Overall , the piece balances simplicity and complexity , allowing the vibrant color palette to dominate the visual narrative. ,
she lost hope , chiaroscuro lighting , deep shadows , sharp contours , emotional depth , desaturated palette , monochrome blacks , muted grays , pale white , red hint , thick atmosphere , heavy air , betrayal silence , cinematic mood , Gregory Crewdson , Dave McKean , Gottfried Helnwein , Canon EOS 5D , f/1.2 aperture , grain overlay , high contrast , cinematic post , internal collapse , frozen scream , black and white photography , ar-9:16 ,
she lost hope , chiaroscuro lighting , deep shadows , sharp contours , emotional depth , desaturated palette , monochrome blacks , muted grays , pale white , red hint , thick atmosphere , heavy air , betrayal silence , cinematic mood , Gregory Crewdson , Dave McKean , Gottfried Helnwein , Canon EOS 5D , f/1.2 aperture , grain overlay , high contrast , cinematic post , internal collapse , frozen scream , black and white photography , ar-9:16 ,
she lost hope , chiaroscuro lighting , deep shadows , sharp contours , emotional depth , desaturated palette , monochrome blacks , muted grays , pale white , red hint , thick atmosphere , heavy air , betrayal silence , cinematic mood , Gregory Crewdson , Dave McKean , Gottfried Helnwein , Canon EOS 5D , f/1.2 aperture , grain overlay , high contrast , cinematic post , internal collapse , frozen scream , black and white photography ar-9;16 ,