Search Results for pens
Explore AI generated designs, images, art and prompts by top community artists and designers.
Filmed before the creation of DI , 2001: A Space Odyssey relied on the good old fashioned techniques of the Hazeltine Collar Analyzer , which essentially was a calibrated color monitor that was connected to a scanner displaying a positive image from the negative , and adjustments would be made manually on there. Often commended for its likeness to realism , the sharp cutting shots of the illuminated space station set against the deep black of outer space is incredibly visibly sterile. And yet , not in a way that lacks any feeling – this sterility encompassed by a stripped back but deeply contrasting color palette feels unsettling , unnerving , uncomfortable. Not a word is said until 25 minutes in , so the visuals are entirely foregrounded and the suspense begins to feel unbearable. Then , in moments of great significance , the screen bursts into color. Camera: Canon EOS R5 Mark II with 45MP full-frame Dual Pixel CMOS sensor , full AF tracking , advanced (IBIS) Lens: Canon EF 85mm f/1.2L II USM Mode: Manual Aperture: f/2.8 Shutter Speed: 1/200th sec or faster ISO: 200-300 Image Quality: Masterpiece , 45MP Full-Resolution , HDR10+ , insane ultrahigh hyper-realistic breathtaking intricate details , RAW UHD 8K ,
Description of the visualization and control system of the automation complex The purpose of the system is to provide the operator with a single , intuitive interface for monitoring and managing all subsystems of the complex in real time. Architecture of the main window (Generalized Status Panel): The main screen is designed according to the principle of "from general to private". The center contains critical information about the power supply system , on which all other systems depend. The remaining subsystems are grouped logically around the center. 1. Central unit: Power supply system It is visualized as a circle divided into three sectors. Large left sector (≈45%): Transformer substations (TP) 5 blocks are displayed , one for each TP. Each block contains: TP number/name (for example , TP-1 , TP-2). The indicator of the active power line: The "Network" icon with backlight (green - main , yellow - backup). Transformer status: "Main" / "Standby" (or icons). Key parameters from accounting nodes: Current (I) , Voltage (U) , Power (P). The values are output for the active line. General TP status: Color indication (Green - Normal , Yellow - Warning , Red - Emergency). Large right sector (≈45%): Main switchboards 5 blocks are displayed , one for each storage unit. Each block contains: The number/name of the GRSH (for example , GRSH-1). Active power line indicator: Similar to TP. Key parameters from accounting nodes: I , U , P. The general status of the GRS: Color indication. Lower small sector (≈10%): Uninterruptible power supply (UPS) Large text or pictogram status indicator: "Mains operation" (Green) "Battery operation" (Yellow/Orange) Battery level indicator: Percentage scale (from 0% to 100%). The color varies depending on the level (green >50% , yellow 20-50% , red <20%). 2. Peripheral blocks around the center They are arranged around a central circle , forming a "rim". Upper and lower parts of the rim: Ventilation of the web blowing Upper part: 9 installations on top. The lower part: 9 installations from the bottom. There are 18 icons/blocks in total. Each icon represents one installation and has a color indication of the status.: Green: Enabled Gray: Turned off Red: An accident (for example , the differential pressure sensor on the filter went off , an error in the drive) Black/Blue: No power supply When hovering over the cursor , a tooltip appears with details (the condition of the fan , valve , filter blockage). Left and right sides of the rim: Indoor ventilation The left and right sides are divided equally to display the 12 settings on each side. There are 24 icons/blocks in total. The same color status indication for each installation. 3. Corner blocks: Other subsystems They are located in the four corners of the screen for easy and fast perception. Upper left corner: Roller shutters (48 pcs.) Summary information is displayed as an information block.: "Closed: XX / Open: XX" (numeric values). A graphical indicator (for example , a stripe divided into green and blue parts , proportional to the number). General status: Green icon "OK" or Red icon "Emergency" (if at least one roller shutter has an emergency status). Upper right corner: Elevators (2 pcs.) Two vertical blocks , one for each elevator. Each block contains: Elevator number (Elevator 1 , Elevator 2). Floor indicator: A large number (for example , 3). Motion indicator: Up/down arrow or Stop icon. General status: The background color of the block (Green - normal , Gray - power off , Red - emergency , Blue - no connection). Lower left corner: EVIL Lights (Roof lamps) A large indicator in the form of a stylized lamp or icon. Color status indication: Bright Yellow/White: Included Gray: Off Red: Crash Black/Blue: No power supply Lower right corner: Heated storm drains Similar in style to the "Fires of EVIL" block. Color status indication: Orange/Red: Enabled Gray: Off Red (flashing): Crash Black/Blue: No power supply Navigation and management: Main Screen: It is an overview map. All the elements on it are clickable. Details: Clicking on any sector (TP , GRS , ventilation group , roller shutter unit) opens a new window with detailed information: TP/GRS: Single-line network diagram , status of all feeders and sectional switches , detailed power parameters. Ventilation: Detailed status of each piece of equipment in the selected group (fan , valve , filter condition) , possibility of manual control. Roller shutters: A table or plan of the building with the condition of each of the 48 roller shutters , group and individual control buttons. Control: The control buttons (Start , Stop , Open , Close) are located on the detailed screens. On the main screen , quick action buttons ("Emergency activation") can be displayed for critical systems (for example , EVIL lights). Visual style: Color scheme: An intuitive color palette is used (Green is the norm , Yellow/Orange is a warning , Red is an accident , Gray/Blue - disabled/no data). Fonts: Clear , easy-to-read fonts. Critical information is displayed larger. Animation: Minimal and informative (for example , smooth change of values , flashing for emergency states). ,
17th Century Serbian Medveđa Map , top down D&D style full coloured unlabeled floorplan , small Balkan village with clustered wooden and stone houses , thatched and shingled roofs , winding dirt streets , central Orthodox church with bell tower , surrounding farmlands and vineyards , defensive palisade and watchtowers , wells and courtyards , livestock pens , nearby forested hills and riverbank , Ultra Detailed , White Background , 4k , Concept Art ,
A majestic warrior made entirely of autumn leaves , wearing a coat of vibrant golden and crimson foliage , stands in an ethereal forest. With both hands , the god dramatically opens his coat of leaves , revealing a surreal , harsh winter landscape within the opening. Inside , a contrasting god made of snow approaches , embodying the cold essence of winter. The scene is hyperrealistic , with ultradetailed textures and intricate , digital 3D optical illusion elements. The artwork captures the duality of nature , blending autumn's warmth with winter's chill. Fantasy art , 32k wallpaper quality , immersive and captivating. ,
In a misty , verdant landscape , two intricate alien spaceships (spaceships:1.2) hover dynamically above lush cliffs , showcasing advanced mechanical designs and glowing amber lights (glowing:1.1). The atmosphere is ethereal with soft , diffused lighting filtering through dense fog (fog:1.2) , creating a mysterious yet awe-inspiring scene. Capture the contrast between the rugged structures of the ships and the organic environment , emphasizing the tension between technology and nature. The composition centers on the ships , framing them with rich greenery and ensuring they dominate the visual narrative. The color palette should revolve around earthy tones with metallic blues and greens (earthy tones:1.1) to highlight futuristic elements. Aim for a highly detailed and textured finish to enhance realism , avoiding cartoonish features (style:1.3). The overall mood should be one of wonder and suspense , with hints of adventure and exploration. ,
A mesmerizing , surreal **endless spiral staircase** intricately constructed from a **deck of playing cards** , each card meticulously balanced to form steps that twist upward in an impossible , gravity-defying loop. The staircase spirals infinitely into a **dreamlike void** , where the cards' vibrant suits (hearts , diamonds , clubs , spades) create a hypnotic pattern of red , black , and white against the abyss. The perspective is **Escher-inspired** , with shifting vanishing points that distort depth—some steps appear close , while others recede into an unfathomable distance , as if the staircase has no true beginning or end. The lighting is **dramatic and otherworldly**: a single , unseen light source casts sharp shadows between the cards , emphasizing their delicate edges and the precariousness of the structure. Some cards glow faintly with an **ethereal inner light** , as if imbued with magic , while others fade into the darkness , half-consumed by the void. The atmosphere is **both whimsical and unsettling**—a playground for the mind where logic bends , and the laws of physics seem to dissolve. In the background , **floating fragments of cards** drift like leaves in a slow , silent wind , their symbols (aces , kings , jokers) hinting at hidden meaning. The overall style blends **hyper-detailed realism** with **surreal abstraction** , every card’s texture—from the slight wear on the edges to the glossy sheen of the faces—rendered with **obsessive precision**. The composition invites the viewer to question: *Where does it lead? Is it an ascent or a descent? And what happens if you take the first step?* ,
NSFW ((highest quality image)) close full body shot , (8k) picture of Princess Kate , she is in her palce bed room , (( in sodt lighting)) she is sitting on edge of big bed her long legs crossed , she smiles , looking up at the camera , She is wearing sheer black blouse , very short tight black skirt hiked enough to see her panties , , black sheer stockings with white garter belt and lace french cut panties , long legs , high heels , elegant , ((UHD)) , 8k resolution , she is wearing expensive jewelery , there is a glass of wine on table next to bed , her hair is up in classy style ((award winning photography)) ,
Drei junge , hübsche Damen nebeneinander an einer Bar , Girl Links: Der Stoff ihres Kleides – oder eher ihr Hauch von Nichts – klebt wie feuchter Nebel an ihrer Haut. Es ist roséfarben , aber durchscheinend , wie gezuckertes Wasser auf Glas. Ohne BH , ohne Nähte. Ihre Brüste sind klein , aber voll , jung , die Brustwarzen hart , zeichnen sich ab wie Knospen unter dünnem Leinen. Das Kleid hat Spaghettiträger , verrutscht leicht. Ein Träger ist halb von der Schulter gerutscht. Ihr Körper ist nach vorn geneigt. Die Ellbogen ruhen locker auf ihren Knien. Die Schenkel offen , aber nicht gespreizt – eher weich , entspannt. Der Blick ist leicht geneigt , Wimpern lang , der Mund geöffnet , als würde sie gerade durch den Mund atmen. Die Lippen glänzen – ein Hauch von Gloss , kein Lippenstift. Ihre Beine sind glatt , lang , nackt. Keine Strümpfe , keine Schmuckstücke. Nur Haut. Die Zehen in beigefarbenen Heels , schmal , hoch , mit einem feinen Riemchen um den Knöchel. Der große Zeh trägt Lack. Blassrosa. Wie Zuckerwatte. Girl Mitte: Ihr Kleid liegt wie Metall auf Haut. Silber , glatt , ohne Faltenwurf. Es schmiegt sich eng an den Körper – so eng , dass ihre Atmung erkennbar ist. Die Brust hebt und senkt das Material rhythmisch. Keine Unterwäsche. Die Rundung der Brüste , weich und prall , zeichnet sich gegen das Licht ab. Ihre Taille schmal , ihr Becken weiblich betont. Der Stoff endet knapp über dem Oberschenkel. Keine fünf Zentimeter zwischen Kleid und Schritt. Ihr rechtes Bein liegt über dem linken – elegant , aber weit genug , dass man die Innenseite des Oberschenkels sieht. Haut wie geschmolzenes Licht. Der Saum des Kleids hat sich dort leicht eingeklemmt – zeigt mehr , als er verdeckt. Ihre Hände ruhen locker – eine am Glas , eine auf dem nackten Bein , die Fingerspitzen gleiten ganz leicht. Ihr Hals ist nicht bedeckt. Die Haare liegen offen , etwas zerwühlt , wie nach einem heißen Sommertag. Keine Kette , kein Ohrring. Girl Rechts: Wie eine Statue der Verführung. Ihr Kleid ist rot. Nicht glänzend , sondern fließend matt – wie Blut in Bewegung. Die Seite des Kleides ist geschlitzt , und sie hat ihr rechtes Bein über das linke gelegt – so , dass das Kleid sich geöffnet hat. Elegant , dezent sticht ihre bloße Hüfte ins Auge. Nur Haut , warm , glatt , golden beleuchtet. Die Linie vom Oberschenkel zur Hüftknochenkante sichtbar – eine Kurve , die man fühlen will. Die Brust: fast ganz entblößt. Nur zwei Goldketten ziehen sich über das Dekolleté , wie Fesseln für ein Geheimnis. Die Seiten offen , der Rücken frei. Ihre Wirbelsäule zeichnet sich ab. Stark. Erotisch. Ihr Nacken lang , in den Haaren leicht gelockt , tiefbraun mit Goldreflexen. Lippen rot. Groß. Leicht geöffnet. Als würde sie gleich flüstern. Ihr Blick geht direkt zur Kamera. Oder eher: durch sie hindurch. Sie schaut nicht in die Linse – sie schaut dich an. ,
((highest quality image)) close full body shot , (8k) picture of Princess Kate , she is in her palce bed room , (( in sodt lighting)) she is sitting on edge of big bed her long legs crossed , she smiles , looking up at the camera , She is wearing low cut , sheer , strap , top , very short tight black skirt , black sheer suspender stockings , showing long legs , high heels , elegant , ((UHD)) , 8k resolution , she is wearing expensive jewelery , diamond tiara on head , there is a glass of wine on table next to bed , her hair is up in classy style ((award winning photography)) ,
((highest quality image)) close full body shot , (8k) picture of Princess Kate , she is in her palce bed room , (( in sodt lighting)) she is sitting on edge of big bed her long legs crossed , she smiles , looking up at the camera , She is wearing sheer black blouse , very short tight black skirt , , black sheer stockings , long legs , high heels , elegant , ((UHD)) , 8k resolution , she is wearing expensive jewelery , there is a glass of wine on table next to bed , her hair is up in classy style ((award winning photography)) ,
NSFW ((highest quality image)) close full body shot , (8k) picture of Princess Kate , she is in her palce bed room , (( in sodt lighting)) she is sitting on edge of big bed her long legs crossed , she smiles , looking up at the camera , She is wearing sheer black blouse , very short tight black skirt , , black sheer stockings , long legs , high heels , elegant , ((UHD)) , 8k resolution , she is wearing expensive jewelery , there is a glass of wine on table next to bed , her hair is up in classy style ((award winning photography)) ,
((highest quality image)) close full body shot , (8k) picture of Princess Kate , she is in her palce bed room , (( in sodt lighting)) she is sitting on edge of big bed her long legs crossed , she smiles , looking up at the camera , She is wearing sheer black blouse , very short tight black skirt , , black sheer stockings , long legs , high heels , elegant , ((UHD)) , 8k resolution , she is wearing expensive jewelery , there is a glass of wine on table next to bed , her hair is up in classy style ((award winning photography)) ,
((highest quality image)) close full body shot , (8k) picture of Princess Kate , she is in her palce bed room , (( in sodt lighting)) she is sitting on edge of big bed her long legs crossed , she smiles , looking up at the camera , ((She is wearing tight sheer black blouse)) , ((short black pencil skirt)) , black sheer stockings , high heels , elegant , ((UHD)) , 8k resolution , she is wearing ((expensive jewelery)) , there is a glass of wine on table next to bed , her hair is up in classy style ((award winning photography)) ,
((highest quality image)) close full body shot , (8k) picture of Princess Kate , she is in her palce bed room , (( in sodt lighting)) she is sitting on edge of big bed her long legs crossed , she smiles , looking up at the camera , She is wearing office attire black blouse , black pencil skirt , , black sheer stockings , high heels , elegant , ((UHD)) , 8k resolution , she is wearing expensive jewelery , there is a glass of wine on table next to bed , her hair is up in classy style ((award winning photography)) ,
best quality , masterpiece , ultra high res , photorealistic , detailed skin , wearing black swimsuit and high heels , 75 year old , granny , long white hair , standing close in front of camerma man balcony of expensive penthouse apartment. ((Glass of champagne in her hand)). She is smilling at the man takiing pictueehe camera (no glasses) , perky ,
best quality , masterpiece , ultra high res , photorealistic , detailed skin , wearing black swimsuit and high heels , 75 year old , granny , long white hair , standing on balcony of expensive penthouse apartment. Glass of champagne in her hand. She is smilling at the man takiing pictueehe camera (no glasses) , perky ,
Ayúdame con una mascota: Un cóndor joven y musculoso , con un diseño 3d render cyberpunk , está inspirado en los sistemas avanzados de un vehículo moderno: su cuerpo con placas metálicas representa la carrocería reforzada de autos deportivos; las manchas en forma de circuitos impresos evocan la red de comunicación electrónica tipo CAN-Bus; sus garras retráctiles simbolizan precisión mecánica y sistemas de suspensión activa; los ojos con visor HUD reflejan tecnologías de asistencia al conductor; su pecho con núcleo de hidrógeno alude a la electromovilidad; y la cola con sensores representa los sistemas ADAS (Asistencia Avanzada a la Conducción) , integrando estética felina con innovación automotriz.. Lleva un chaleco técnico con el logo de la ESPOCH y de la carrera de ingeniería automotriz y luce con orgullo su especialidad. ,
Ayúdame con una mascota masculina: Un jaguar joven y musculoso , con un diseño 3d render cyberpunk , está inspirado en los sistemas avanzados de un vehículo moderno: su cuerpo con placas metálicas representa la carrocería reforzada de autos deportivos; las manchas en forma de circuitos impresos evocan la red de comunicación electrónica tipo CAN-Bus; sus garras retráctiles simbolizan precisión mecánica y sistemas de suspensión activa; los ojos con visor HUD reflejan tecnologías de asistencia al conductor; su pecho con núcleo de hidrógeno alude a la electromovilidad; y la cola con sensores representa los sistemas ADAS (Asistencia Avanzada a la Conducción) , integrando estética felina con innovación automotriz.. Lleva un chaleco técnico con el logo de la ESPOCH y de la carrera de ingeniería automotriz y luce con orgullo su especialidad. ,
Ayúdame con una mascota: Un jaguar joven y musculoso , con un diseño 3d render cyberpunk , está inspirado en los sistemas avanzados de un vehículo moderno: su cuerpo con placas metálicas representa la carrocería reforzada de autos deportivos; las manchas en forma de circuitos impresos evocan la red de comunicación electrónica tipo CAN-Bus; sus garras retráctiles simbolizan precisión mecánica y sistemas de suspensión activa; los ojos con visor HUD reflejan tecnologías de asistencia al conductor; su pecho con núcleo de hidrógeno alude a la electromovilidad; y la cola con sensores representa los sistemas ADAS (Asistencia Avanzada a la Conducción) , integrando estética felina con innovación automotriz.. Lleva un chaleco técnico con el logo de la ESPOCH y de la carrera de ingeniería automotriz y luce con orgullo su especialidad. ,