Explore AI generated designs, images, art and prompts by top community artists and designers.
A 2D cartoon-style red anthropomorphic bull standing upright , smiling and waving with one hand. The bull has large round eyes , golden-yellow curved horns , and a small tuft of hair on its head. Its body is simple and clean with no decorations , and it stands on a light beige background. The style is friendly , bold-lined , and suitable for children's media or mascots. ,
photorealistic image A happy family in a cozy living room: a mother reading a book , a child playing on the floor , a grandmother drinking tea by the window. The windows are closed , but the room is fresh and bright. A compact breezer is barely visible on the wall. Style: warm realism , soft light , an atmosphere of comfort and safety ,
Vertical 9:16 cinematic horror scene. A pale child around 9 years old stands on a dark , weathered porch , reaching forward with one small hand resting lightly on the doorknob. Their expression is calm , almost polite , with a slight , eerie smile that doesn’t reach their eyes. Their skin is smooth and sickly pale , illuminated unevenly by a flickering overhead porch light. The child wears outdated clothing — a faded button-up shirt tucked into dusty corduroy pants. Their other arm hangs limply by their side. But the most disturbing feature: their eyes are completely black , glossy and reflective like polished obsidian , absorbing the light and giving off a subtle , unnatural gleam. The eyes lock forward , unblinking , filled with emptiness — far too still to be human. Mist coils around their ankles and faintly rises past their knees. Behind them , the yard disappears into fog and darkness , only faint outlines of gnarled trees remain. The mood is suffocatingly quiet , as if time has slowed in anticipation. The shot is framed slightly from below to make the child feel imposing despite their size. Style: painterly cinematic horror realism , soft shadows , shallow depth of field , fine film grain texture. The emotion: the quiet moment before horror reveals itself. ,
White Background. A charming watercolor Clip Art of an ice cold summer cocktail isolated on white background , in soft pastel color palette , in the style of Children's book illustration , shabby chic style , summer motifs , highly detailed and very cute , appearing as a clipart , fine art print style , 4k ,
White Background. A charming watercolor Clip Art of a jar of honey surrounded by wildflowers isolated on white background , in soft pastel color palette , in the style of Children's book illustration , shabby chic style , summer motifs , highly detailed and very cute , appearing as a clipart , fine art print style ,
A hyper-muscular woman with bright blonde hair styled in two high ponytails stands dominantly against a dark studio background , her presence commanding and powerful. She strikes an intense front double biceps pose , her arms flexed to the max , revealing absurdly large , vascular muscles that seem to pulse with raw power. Her biceps are monstrous , each one easily the size of a small child's head , with deltoids and forearms to match , all ripped and defined beyond belief. Her skin is deeply tanned and stretched taut over her mountainous muscles , with striations so deep and defined that her body looks like a roadmap of pure , unadulterated power. Every muscle fiber is visible , giving her an hyper-realistic , almost surreal quality. Her abs are a insane eight-pack , with deep , chiseled grooves running down her stomach , and her thighs are like massive , sculpted pillars , each one easily the size of a small tree trunk. She grins widely , exuding confidence and dominance. She wears a minuscule , bright white bikini that is barely holding together , the top straining to contain her obscenely large , fake , rounded mounds , creating an obscene , exaggerated , almost comical cleavage that demands attention. The bikini bottoms struggle to cover her incredibly thick , ultra-defined quadriceps and glutes , which are so firm , round , and massive that they create a perfect , heart-shaped silhouette that seems to defy gravity. Her posture is tall and proud , owning the frame , with studio lighting casting dramatic highlights and shadows across her obscenely sculpted , god-like physique. The background is a clean , solid dark olive or forest green , ensuring all attention remains on her. Her biceps are so large and round that they look like they could crush boulders , and her thighs are so thick and powerful that they seem capable of destroying walls. Her abdominal muscles are so shredded that they create an intricate , deep lattice work of lines and grooves , and her glutes are so firm , round , and massive that they seem to defy gravity , creating a perfect , heart-shaped silhouette. Her hyper-realistic , photorealistic physique is a fitness fantasy pushed to its absolute extreme , with insane muscular definition , bodybuilder physique , and dramatic lighting that emphasizes every ripple , every line , and every insane curve of her body. Her calves are so massive and defined that they look like they could power a small city , and her traps are so wide and thick that they create an incredibly dominant and powerful silhouette. Her forearms are so large and vascular that they look like they belong to a professional strongman , and her abs are so shredded that they create a deep , intricate lattice work of lines and grooves that seem to go on forever. Her hyper-muscular frame is so exaggerated that it seems to defy the laws of physics , making her look like a real-life action figure come to life , pushed to the extreme. Her massive , fake assets are so large and round that they look like they could be used as weapons , and her incredibly thick , defined thighs and glutes create a silhouette that is almost comical in its extremity. She is a true editorial-style fitness magazine cover model , but pushed to a level of insanity that is almost unbelievable. ,
Here’s a comprehensive description of Hercule Poirot as Agatha Christie wrote him — with precise references to the novels , and comparisons to key screen portrayals (Finney , Suchet , Ustinov , Branagh , etc.). --- 📖 Hercule Poirot — Literary Description (with Source Quotes) --- 🧍♂️ 1. Physical Appearance 🔹 “A little man with an egg-shaped head” — The Murder of Roger Ackroyd (1926) Short stature Plump and compact build Head described as egg-shaped , often tilted slightly to one side > 🎥 Closest portrayals: 🔸 David Suchet – nails the “little man” shape and tilting head 🔸 Finney – correct manner but taller 🔸 Branagh – too tall and lean 🔸 Ustinov – too broad and casual in posture --- 🥸 2. Moustache 🔹 “The finest moustache in all England — and perhaps in all Europe.” — Death in the Clouds (1935) Immense , curled , waxed , perfectly symmetrical Poirot is extremely vain about it Wears a moustache net at night > “He had a moustache guard to keep it neat in his sleep.” — The Mysterious Affair at Styles (1920) > 🎥 Closest portrayals: 🔸 David Suchet – accurate size and grooming 🔸 Kenneth Branagh – large but overly stylized (double-layered) 🔸 Peter Ustinov – too understated 🔸 Finney – neat , but not extravagant enough --- 👔 3. Dress & Grooming 🔹 “Always immaculate. His clothes were faultless. His boots shone.” — The Mystery of the Blue Train (1928) Fussy and obsessive about cleanliness Well-tailored suits , gloves , polished shoes Takes pride in his appearance , symmetry , and neatness > 🎥 Closest portrayals: 🔸 Suchet – perfect suits , shoe polish , gloves 🔸 Finney – clean but not as fussy 🔸 Branagh – a bit too dramatic in grooming --- 🧠 4. Intelligence & Method 🔹 “I am not one to rely upon physical evidence. I use the little grey cells.” — The Big Four (1927) Psychology-based deductions Avoids fingerprint obsession or brute force Dismisses red herrings and goes after motive and psychology > 🎥 Closest portrayals: 🔸 Suchet – pure psychological method 🔸 Finney – sharp intellect , but less emphasized 🔸 Ustinov – more jovial , less “grey cell” driven 🔸 Branagh – mixes emotion and action unnecessarily --- 🗣️ 5. Speech & Accent 🔹 “His English was precise , but with a foreign accent.” — Peril at End House (1932) Belgian French accent , not French or British Always speaks in precise , formal English Often corrects others politely > 🎥 Closest portrayals: 🔸 Suchet – perfect subtle Belgian accent 🔸 Finney – formal , slight accent 🔸 Branagh – inconsistent Belgian-French tone 🔸 Ustinov – more laid-back , not authentic Belgian --- 🧼 6. Personality & Mannerisms 🔹 “Everything must be tidy and symmetrical.” — The ABC Murders (1936) Fastidious , orderly Polite but proud Prone to mild arrogance , but never mean Occasionally flustered by disorder > 🎥 Closest portrayals: 🔸 Suchet – obsessive , neat , respectful 🔸 Ustinov – polite but too casual 🔸 Finney – more reserved , dignified 🔸 Branagh – too emotional at times (e.g. crying in Death on the Nile) --- 💬 7. Humor & Warmth 🔹 “Poirot smiled — that slow smile that came rarely , but lighted up his whole face.” — Five Little Pigs (1942) Not comedic , but dryly witty Charming in a subtle way , especially with women or children Rarely emotional , but has empathy > 🎥 Closest portrayals: 🔸 Suchet – subtle warmth and charm 🔸 Ustinov – more humorous , sometimes too light 🔸 Branagh – goes for modern emotion --- 🏁 Summary: Who Comes Closest? Trait Best Portrayal Physical Build David Suchet Moustache Our Composite (Suchet + Branagh shape) Accent & Speech Suchet (with Finney’s formality) Intelligence Suchet Mannerisms Suchet Humor Suchet with a dash of Ustinov Visual Style Suchet + Finney blend --- 🏆 Verdict: David Suchet remains the gold standard overall. But a Finney base with Suchet’s mannerisms and moustache enhancements (as we created earlier) gives you a 100% faithful visual and behavioral Poirot. Would you like me to turn this into a printable profile or dossier for Poirot fans? ,
In the foreground , a small baby robot with a round , childlike design and a young student wearing glasses , short and youthful , are holding hands , walking together , seen from behind. Their proportions are small , with the baby robot’s head large relative to its body , and the student carrying a small backpack. On the same road , further ahead in the distance , a tall , mature robot with sleek , advanced features and a grown man wearing the same style of glasses , tall and confident , are also holding hands , their backs to the viewer , walking towards a futuristic city. The road transitions smoothly from a present-day cityscape with modern buildings in the foreground to a vibrant , futuristic skyline in the background. Warm , soft lighting bathes the scene , creating a hopeful , inspirational atmosphere , emphasizing growth , companionship , and the passage of time. Detailed digital illustration , cinematic wide shot , vibrant colors , ultra high definition. , ,
In the foreground , a small baby robot with a round , childlike design and a young student wearing glasses , short and youthful , are holding hands , walking together , seen from behind. Their proportions are small , with the baby robot’s head large relative to its body , and the student carrying a small backpack. On the same road , further ahead in the distance , a tall , mature robot with sleek , advanced features and a grown man wearing the same style of glasses , tall and confident , are also holding hands , their backs to the viewer , walking towards a futuristic city. The road transitions smoothly from a present-day cityscape with modern buildings in the foreground to a vibrant , futuristic skyline in the background. Warm , soft lighting bathes the scene , creating a hopeful , inspirational atmosphere , emphasizing growth , companionship , and the passage of time. Detailed digital illustration , cinematic wide shot , vibrant colors , ultra high definition. , ,
A silver fox with glowing golden eyes sits calmly by a small mystical pond in a deep blue forest under the moonlight. The pond does not reflect the forest , but instead shows glowing , magical visions hovering above the water: a laughing child , a warm embrace , a spinning toy — as if memories are coming alive. Mist swirls gently around the fox. No humans , no anthropomorphic animals. Ethereal , emotional , fantasy atmosphere , cinematic lighting , soft details. ,
A silver fox with glowing eyes stands in front of a small mystical pond in a deep blue forest. The pond reflects magical memories—soft glowing visions of a child laughing , a warm embrace , and a toy—floating above the water. The fox is natural and realistic , not humanoid. No humanoid creatures. Mist surrounds the scene , moonlight filters through tall trees. Ethereal atmosphere , fantasy forest , emotional tone , no people. ,
A silver fox with glowing eyes stands before a small hidden pond in a deep blue forest. The pond doesn’t reflect the forest , but instead shows glowing memories—images of a laughing child , a mother hugging her child , and a forgotten toy. The fox watches in silence as mist thickens around him. Ethereal , magical atmosphere , fantasy illustration , soft lighting and dreamlike mood. ,
A dynamic and colorful illustration showing the passage of time in youth. The image features a young person growing and changing through different stages — from childhood to adolescence to early adulthood. Around them , symbols like clocks , calendars , and fading shadows show time moving forward. The background blends bright , energetic colors with soft , dreamy tones , representing growth , learning , and the journey of life. The young person looks hopeful and curious , surrounded by floating memories and future dreams. In a more sadness ambient ,
A dynamic and colorful illustration showing the passage of time in youth. The image features a young person growing and changing through different stages — from childhood to adolescence to early adulthood. Around them , symbols like clocks , calendars , and fading shadows show time moving forward. The background blends bright , energetic colors with soft , dreamy tones , representing growth , learning , and the journey of life. The young person looks hopeful and curious , surrounded by floating memories and future dreams. ,
A dynamic and colorful illustration showing the passage of time in youth. The image features a young person growing and changing through different stages — from childhood to adolescence to early adulthood. Around them , symbols like clocks , calendars , and fading shadows show time moving forward. The background blends bright , energetic colors with soft , dreamy tones , representing growth , learning , and the journey of life. The young person looks hopeful and curious , surrounded by floating memories and future dreams. ,
we can see two 13 years old boys , lookig childish teenagers , presenting to the desk a wooden japanese massage salon. The first one has yellow hairs and eyes , he is rather short but rather muscular. He has very small size black tank top with a rainbow on it pulled up , revealing his abs , and tight white short. Has has a crescent moon collar on his neck. He smiles a lot and looks very happy. The other one is red hairs and eyes , a little bit taller than the other boy. He is a skater , with large outfits , but we can he has slim and nice body muscles. He looks anxious , in the unknown , and shy. They are both straight friends ,