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Explore AI generated designs, images, art and prompts by top community artists and designers.
A cinematic aerial , top-down view of Ahmedabad city sky during the Kite Flying Festival. The wide on terrace spreads below in graceful geometry , with clusters of local families and children arranged across the on terrace , their movements forming flowing patterns when seen from above. From this elevated perspective , hundreds of Ahmedabad kites and traditional Japanese kites rise into a dramatic , cloud-filled sky , their fine strings subtly visible , visually linking earth and sky. Gujarati kites appear sharp , agile , and dynamic , scattered with rhythmic energy , while Hamamatsu Japanese kites dominate in scale—larger forms carrying bold calligraphy and symbolic motifs that read clearly even from a distance. Layers of soft grey and blue clouds drift slowly , creating cinematic depth and atmospheric motion , while bursts of vivid colour from the kites cut through the muted sky. skyscraper buildings , Sabarmati riverfront , trees , and open lawns remain clearly legible below , reinforcing openness , learning , and community. The mood feels expansive , harmonious , and poetic—celebrating tradition , youth , and cross-cultural exchange from a bird’s-eye perspective. Vivid watercolour illustration style with expressive brushwork , layered washes , rich pigment textures , soft edges , subtle light falloff , wide-angle cinematic aerial composition , high detail , museum-quality finish. ,
A cinematic aerial , top-down view of Ahmedabad city sky during the Kite Flying Festival. The wide on terrace spreads below in graceful geometry , with clusters of local families and children arranged across the on terrace , their movements forming flowing patterns when seen from above. From this elevated perspective , hundreds of Ahmedabad kites and traditional Japanese kites rise into a dramatic , cloud-filled sky , their fine strings subtly visible , visually linking earth and sky. Gujarati kites appear sharp , agile , and dynamic , scattered with rhythmic energy , while Hamamatsu Japanese kites dominate in scale—larger forms carrying bold calligraphy and symbolic motifs that read clearly even from a distance. Layers of soft grey and blue clouds drift slowly , creating cinematic depth and atmospheric motion , while bursts of vivid colour from the kites cut through the muted sky. skyscraper buildings , Sabarmati riverfront , trees , and open lawns remain clearly legible below , reinforcing openness , learning , and community. The mood feels expansive , harmonious , and poetic—celebrating tradition , youth , and cross-cultural exchange from a bird’s-eye perspective. Vivid watercolour illustration style with expressive brushwork , layered washes , rich pigment textures , soft edges , subtle light falloff , wide-angle cinematic aerial composition , high detail , museum-quality finish. ,
A cinematic aerial , top-down view of Ahmedabad city sky during the Kite Flying Festival. The wide open school मैदान spreads below in graceful geometry , with clusters of local families and school children arranged across the grounds , their movements forming flowing patterns when seen from above. From this elevated perspective , hundreds of Ahmedabad kites and traditional Japanese kites rise into a dramatic , cloud-filled sky , their fine strings subtly visible , visually linking earth and sky. Gujarati kites appear sharp , agile , and dynamic , scattered with rhythmic energy , while Hamamatsu Japanese kites dominate in scale—larger forms carrying bold calligraphy and symbolic motifs that read clearly even from a distance. Layers of soft grey and blue clouds drift slowly , creating cinematic depth and atmospheric motion , while bursts of vivid colour from the kites cut through the muted sky. Kite Hotel buildings , Sabarmati riverfront , trees , and open lawns remain clearly legible below , reinforcing openness , learning , and community. The mood feels expansive , harmonious , and poetic—celebrating tradition , youth , and cross-cultural exchange from a bird’s-eye perspective. Vivid watercolour illustration style with expressive brushwork , layered washes , rich pigment textures , soft edges , subtle light falloff , wide-angle cinematic aerial composition , high detail , museum-quality finish. ,
A cozy room where the Christmas tree near wall looks like a giant paper illustration , flat ink lines and watercolor washes , yet a corner of the “paper wall” is peeled back , revealing a fully 3D city street behind it. The peeled edge curls outward like thick card-stock , casting a real shadow on the illustrated surface. The illusion: the 2D drawn objects (a drawn lamp , drawn shelf) cast realistic 3D shadows , while the 3D street casts faint “ink” shadows as if it’s becoming a drawing. A man wearing a classic Santa Claus outfit , with a red velvet coat with white trim , a wide black belt , and a Christmas hat , holds a heavy , full red sack of presents walk half-in , half-out: front paws in 3D street road , back body form , seamlessly blended. Soft morning light , gentle pastel palette , tactile paper fibers visible , high detail , whimsical but believable “mixed-dimension” realism. ,
сделай иллюстрации к этой истории Dann klopft er Luis anerkennend auf die Schulter und geht zurück zu seinen Freunden. Abends nimmt Mama Luis noch einmal ganz fest in den Arm. „Mein kleiner Schatz" , sagt sie , „ich bin froh , dass dir nichts Schlimmes passiert ist. Trotzdem bitte ich dich , ein bisschen vorsichtiger zu sein. Gott hat uns zwar versprochen , dass seine Engel bei uns sind und auf uns aufpassen , aber wir müssen auch vernünftig sein. Versprochen?" „Versprochen!" , murmelt Luis und kuschelt sich an Mama. „Was meint ihr" as meint ihr" , wendet Mama sich an die Zwillinge , „wollen wir Gott anke sagen , dass er Luis bei seinem Flug bewahrt hat?" Damit sind die beiden einverstanden. ,
A traditional Japanese ink wash painting of a vintage cottage kitchen with distressed turquoise walls , farmhouse table with colorful fruit and ceramic still life in warm window light , 48 year old adorable sensual indian wife , in indian traditional cloths , working in kitchen , orange window frame with pink-peachy sunlight flooding interior , created in expressive sumi-e style with flowing black ink lines and delicate blush red and soft gold watercolor tints. The pigments softly bleed into textured rice paper , evoking a sense of serenity and timeless beauty. ,
The 'Masterpiece Monday' prompt: A majestic whale , rendered in intricate , almost filigree-like detail , swims through a cosmic ocean where stars are replaced by glowing pearls and nebulae swirl like watercolor washes. The whale's form subtly abstracts into swirling patterns of light and color , evoking a sense of infinite , interconnected consciousness. ,
À giant muscular chubby femalebodybuilder , housewife woman BBW musclée , heavy weight bodybuildeuse géante et plantureuse with giant chest , imposante dame massive , beautiful make up Kerry Washington face , in a bedroom , avec de gros seins , énormes biceps musclés , in white laces transparent very short mini loose strapless nightgown with heels , exposant les seins , bras musclés exposés , dominante , jambes massives exposées , agressive , ,
A view into a dirty rubbish bin that has not been cleaned for years which contains a pair of stained and broken , stiletto heeled pink fluffy slippers surrounded by food waste that includes bones and rotting vegetables. The slippers are partly buried in the food waste , one slipper is on its side. ,
A view into a dirty outdoor Australian waste disposal bin containing a pair of stained and broken , well worn stiletto heeled pink fluffy slippers surrounded by food waste that includes cooked chicken and fish bones still with meat on them , small tufts of pink fluff from the slippers , and mouldy orange peel. ,
A surreal 3D isometric Mediterranean Coastal village clinging to a cliff-side and landmarks are made entirely from lego style. with terracotta roofs glowing under the warm , setting sun. Narrow , winding stone paths lead down to a tranquil harbor where small fishing boats are moored , tourist couple enjoy. Christmas trees over whitewashed walls , and lanterns begin to cast a soft , inviting light. A cobblestone path winds through the village is populated with LEGO figures. ,
A candid portrait of a smiling Indian man (use the subject from the reference photo) , shot on a smartphone. Aggressive noise reduction gives the photo a grainy , watercolor-like texture. The lighting is harsh and direct , with the built-in flash creating a noticeable highlight on the face and darkening the background. The composition is relaxed and slightly off-center , with the horizon slightly tilted. There are distracting objects and visual clutter in the background. The edges of the photo are slightly exaggerated , with chromatic aberrations visible on high-contrast lines. The color temperature is a bit warm , reminiscent of Samsung's processing. The focus is not perfectly sharp , resulting in a blurry hand-shake , as if the photo was taken in a hurry. There is digital bokeh , artificial depth of field , and some artifacts around the model's hair. ,
Extreme macro close-up , high contrast , low-key lighting portrait of a 48 years old Indian woman wearing a wide-brimmed cowboy hat with dark , slightly wet hair framing her face. She gazes forward , revealing blue eyes with winged eyeliner and rose eye-shadow. Vibrant blue , yellow , and red paint splatters adorn her face , left eye , nose , right shoulder , and chest. Her lips are bright red , skin smooth with a subtle sheen. A bright white orchid in her hair dripping with pink hints and washed ink mixed colors right. Paint also splatters the flower background is dark grey texture. Artistic , expressive , beauty and chaos. ,
And still Meriadoc stood there blinking through his tears , and no one spoke to him , indeed none seemed to heed him... And behold! there lay his weapon , but the blade was smoking like a dry branch that has been thrust in a fire; and as he watched , it writhed and withered and was consumed. So passed the sword of the Barrow-Downs , work of Westernesse. But glad would he have been to know its fate who wrought it slowly long ago in the North-Kingdom when the Dunedain were young , and chief among their foes was the dread realm of Angmar and its sorcerer king. No other blade , not though mightier hands had wielded it , would have dealt that foe a sore so bitter , cleaving the undead meat , breaking the spell that knit his unseen sinews to his will ar-9:16 ,
A petrified forest at night , bathed in the eerie glow of an ill wind and the distant lights of a passing milk train. Acorns lie scattered on the ground , remnants of what once was vibrant life. The scene evokes a sense of desolation and forgotten dreams , with a subtle hint of a dark , undertone in the viewer's implied imagination , inspired by the raw , expressive brushstrokes of Francis Bacon and the surreal vistas of Zdzisław Beksiński. The color palette is dark and moody , with pops of phosphorescent green and deep crimson. Cinematic lighting , volumetric fog , concept art. ar-9:16 ,
A cinematic black-and-white scene set in a desolate wasteland covered with the corpses of dead animals. The main character , a dark and shadowy crow , stands fully visible on top of an animal’s body , appearing sorrowful and contemplative. The atmosphere is bleak , melancholic , and emotionally heavy. Cinematic lighting with deep contrast and dramatic shadows enhances the somber mood , creating a haunting and emotional visual tone. ,
A cinematic black-and-white scene set in a desolate wasteland covered with the corpses of dead animals. The main character , a dark and shadowy crow , stands fully visible on top of an animal’s body , appearing sorrowful and contemplative. The atmosphere is bleak , melancholic , and emotionally heavy. Cinematic lighting with deep contrast and dramatic shadows enhances the somber mood , creating a haunting and emotional visual tone. ,
A cinematic black-and-white scene set in a desolate wasteland covered with the corpses of dead animals. The main character , a dark and shadowy crow , stands fully visible on top of an animal’s body , appearing sorrowful and contemplative. The atmosphere is bleak , melancholic , and emotionally heavy. Cinematic lighting with deep contrast and dramatic shadows enhances the somber mood , creating a haunting and emotional visual tone. ,
Artstation , Illustration , Graphic Novel , "Esbelta , elegante e graciosa (Slender , elegant , and graceful) , she possesses a timeless beauty that belies her true age. She appears to be in her late 20s to early 30s , with dark skin , long dark dreadlocks , and striking eyes that hold a captivating allure. Her eyes have a subtle reddish hue , a telltale sign of her vampiric nature , adding to her mystique. She carries herself with a quiet confidence and an air of sophistication , reflecting her long life and vast experiences. Her movements are fluid and graceful , like a dancer , and her presence commands attention without demanding it." , A panel showing a stylized tidal wave crashing over a city skyline. She is standing on a rooftop , her arms outstretched , as the wave of memories washes over her , her expression a mixture of joy and sorrow. ,
Artstation , Illustration , Graphic Novel , "Esbelta , elegante e graciosa (Slender , elegant , and graceful) , she possesses a timeless beauty that belies her true age. She appears to be in her late 20s to early 30s , with dark skin , long dark dreadlocks , and striking eyes that hold a captivating allure. Her eyes have a subtle reddish hue , a telltale sign of her vampiric nature , adding to her mystique. She carries herself with a quiet confidence and an air of sophistication , reflecting her long life and vast experiences. Her movements are fluid and graceful , like a dancer , and her presence commands attention without demanding it." , A panel showing a stylized tidal wave crashing over a city skyline. She is standing on a rooftop , her arms outstretched , as the wave of memories washes over her , her expression a mixture of joy and sorrow. ,
Artstation , Illustration , Graphic Novel , "Esbelta , elegante e graciosa (Slender , elegant , and graceful) , she possesses a timeless beauty that belies her true age. She appears to be in her late 20s to early 30s , with dark skin , long dark dreadlocks , and striking eyes that hold a captivating allure. Her eyes have a subtle reddish hue , a telltale sign of her vampiric nature , adding to her mystique. She carries herself with a quiet confidence and an air of sophistication , reflecting her long life and vast experiences. Her movements are fluid and graceful , like a dancer , and her presence commands attention without demanding it." , A panel showing a stylized tidal wave crashing over a city skyline. She is standing on a rooftop , her arms outstretched , as the wave of memories washes over her , her expression a mixture of joy and sorrow. ,
A female warrior standing face-to-face with the massive head of a mechanical Predator , (octopus motif) , green eyes , steampunk like creature. The warrior , wearing heavy battle-worn spartan armor with fur and metal engravings , holding a iPhone taking selfie with mythic energy , cinematic poster style , , her small frame dwarfed by the beast before her. The creature’s head , emerges from a chaotic wash of black splatters and dripping stains , its open jaws revealing jagged teeth that nearly graze the woman's forehead. The dark background is worn , creased , giving the entire composition the feel of a forgotten myth or an artifact of nightmare. ,
Lord Shiva saw that the wickedness of man was great in the earth , and that every imagination of the thoughts of his heart was only evil continually. Style: Celestial , ethereal , abstract , digital art Lighting: Dramatic backlighting , bright glowing particles , contrasting dark background Composition: dynamic diagonal composition , upward gaze Details: Sparkling white waves and smoke , streaking white light trails , sense of movement and wonder , magical atmosphere Quality: High detail , 4K , Masterpiece , Rendered in Octane. --ar 8:16 --v 6 ,
Bird eye long-distance view , Fantasy characters , techno organic , cybernetic , Electronic circuit pattern and wires , bone and metal grim dark , cybernetic muscular male Na'vi rider , a futuristic concept Drone , designed by Dr. Suess with a white shall covering the entire body and blue glow , main body is finished in smooth deep bronze with sharp copper filigree patterns that trace along the edges of moving propellers and body , at landscape of post-apocalyptic wasteland , in the style of original 1979 Mad Max. ,
Filmed before the creation of DI , 2001: A Space Odyssey relied on the good old fashioned techniques of the Hazeltine Collar Analyzer , which essentially was a calibrated color monitor that was connected to a scanner displaying a positive image from the negative , and adjustments would be made manually on there. Often commended for its likeness to realism , the sharp cutting shots of the illuminated space station set against the deep black of outer space is incredibly visibly sterile. And yet , not in a way that lacks any feeling – this sterility encompassed by a stripped back but deeply contrasting color palette feels unsettling , unnerving , uncomfortable. Not a word is said until 25 minutes in , so the visuals are entirely foregrounded and the suspense begins to feel unbearable. Then , in moments of great significance , the screen bursts into color. Camera: Canon EOS R5 Mark II with 45MP full-frame Dual Pixel CMOS sensor , full AF tracking , advanced (IBIS) Lens: Canon EF 85mm f/1.2L II USM Mode: Manual Aperture: f/2.8 Shutter Speed: 1/200th sec or faster ISO: 200-300 Image Quality: Masterpiece , 45MP Full-Resolution , HDR10+ , insane ultrahigh hyper-realistic breathtaking intricate details , RAW UHD 8K ,