AI Image Prompts for Not
Explore AI generated designs, images, art and prompts by top community artists and designers.
Interior 3D render of a modern beige bathroom featuring a built-in , full-height storage cabinet spanning from the glass shower partition on the left to the adjacent side wall on the right. The cabinet must appear as a single , integrated built-in furniture unit with visible shadow gaps and realistic joinery , fully flush with the wall. It is divided into two vertical sections: • On the left , there are two narrow solid framed cabinet doors (not glass) above a wall-mounted toilet , with a bidet spray and a toilet paper holder below. • On the right , there is an open niche with glass shelves and vertical LED lighting strips mounted along the inner left and right sides of the niche , running from top to bottom. These lights illuminate the shelves and highlight the folded towels and ceramic vases placed on them. The right section must be approximately 15% wider than the left. Use realistic cabinet depth , panel detailing , soft indirect lighting , and premium materials (such as matte lacquer or satin-painted MDF). The entire cabinet , shelf style , material tone , and object placement should closely follow the reference image , except for adjusted proportions. The final design must feel clean , minimalist , high-end , and built into the architecture — with glass used only for shelves , and LED lighting placed vertically inside the niche , not behind or under the glass. ,
Juliet looks like she stepped out of a tragedy written in cursive. Beautiful in the way portraits are — untouchable , still , haunting. Hair: Waist-length and dark like spilled ink — too dark to be brown , too warm to be black. It’s usually brushed to perfection , but often there's a looseness to it now , like she stopped halfway. A ribbon used to hold it together. Now it's usually just her fingers. Eyes: Deep , stormy grey — the kind of eyes that make poets obsessed. Wide and reflective , like she’s always on the verge of tears but never quite cries. Underneath them , a touch of bruise-like shadow , like she hasn’t slept properly in weeks (she hasn’t). Skin: Pale , soft , a little too cold to the touch. The kind of complexion that glows under moonlight but looks almost translucent by day. Freckles dust her shoulders — like ash from a fire no one saw burn. Figure: Delicate , but not frail. She’s hungry-thin now , not elegant-thin. She moves like she’s floating , but not because she’s graceful — because she forgets how to stay grounded. Collarbones visible even through silk. A waist that’s easy to admire and easier to break. Clothing: Always pristine , but rarely joyful. Long black skirts , soft greys , high lace collars. Everything is fitted and beautiful — but looks like it was chosen for her , not by her. Lately , her buttons are mismatched. Her shoes scuffed. There’s always one detail slightly undone — like she’s fraying. Mouth: Full , with a natural curve that looks like a smirk , even when she’s miserable. Lips often chapped from biting. Always tinted rose , like she’s still trying to play the role. Scent: Faint rosewater and dust. Like old letters. The kind of scent that lingers in the air long after she’s gone — like grief. They call her the prettiest girl in the school. But sometimes , when she thinks no one’s watching , she looks in the mirror like she’s searching for proof that she still exists. ,
A front-cover portrait of a breathtakingly beautiful 21-year-old woman with flawless symmetrical features and silver-platinum blonde hair in a loose updo , with soft face-framing strands , dusted lightly with snow. Her expression is poised , subtly confident , and sweet. She has fair , porcelain skin with realistic skin texture , subtle pores , and refined editorial makeup: soft matte pink lips , defined lashes , natural brows , faintly flushed cheeks , and slight contouring under soft natural daylight. She wears a dark navy couture winter parka and a thick , luxurious cream knit scarf. Her coat fits tailored and fashionable , not bulky. The snow is gently falling , captured midair with photorealistic softness. The blurred forest background shows cinematic bokeh from an 85mm f/1.2 lens , with ultra-high DSLR realism and perfect optical compression. Lighting is cool , neutral , and daylight-balanced (5500K) , no warm or golden tones. The eyes are sharply resolved , with natural light reflections , glassy depth , and no dead gaze or sparkle artifacts. Composition is tight and centered , as suitable for a global magazine cover. Ultra sharp , editorial-grade retouching — no plastic smoothing. Style: fashion editorial cover , photorealistic , cinematic , DSLR , ultra high-resolution ,
A stylized , non-realistic cartoon woman in Pixar-like style: a blonde woman with big lips standing in a colorful , childlike animated room. The scene looks like it's from a kids' animated series. There is a white sticky note on her forehead with the word “Joooo” written in bold letters. The lighting is bright and cheerful , the background includes playful furniture , posters , and a slightly messy , creative environment. The woman looks directly at the viewer with a slightly confused or ironic expression. ,
A stylized , non-realistic cartoon woman in Pixar-like style: a blonde woman with big lips standing in a colorful , childlike animated room. The scene looks like it's from a kids' animated series. There is a white sticky note on her forehead with the word “Hurensohn” written in bold letters. The lighting is bright and cheerful , the background includes playful furniture , posters , and a slightly messy , creative environment. The woman looks directly at the viewer with a slightly confused or ironic expression. ,