Explore AI generated designs, images, art and prompts by top community artists and designers.

Masterpiece , photorealistic , full-length , natural skin , A slim very pale 21-years-old european woman , young girly face , little smile , long straight black hair(( busty flabby breast)) barefoot , wearing a black silky gothic lace swimsuit standing up lovely in a dark medieval cave with tombstone in background ,

Masterpiece , photorealistic , full-length , natural skin , A slim very pale 30-years-old european woman , young girly face , little smile , long straight black hair(( busty flabby breast)) , curvy hip , medium thigh , barefoot , wearing a black silky gothic lace swimsuit standing up lovely in a dark medieval cave with tombstone in background ,

Masterpiece , photorealistic , full-length , natural skin , A slim very pale 30-years-old european woman , young girly face , little smile , long straight black hair(( busty flabby breast)) , curvy hip , medium thigh , barefoot , wearing a black silky gothic lace swimsuit standing up lovely in a dark medieval cave with tombstone in background ,

Masterpiece , photorealistic , full-length , natural skin , A slim very pale 30-years-old european woman , young girly face , little smile , long straight black hair(( busty flabby breast)) , curvy hip , medium thigh , barefoot , wearing a black silky gothic lace swimsuit standing up lovely in a dark medieval cave with tombstone in background ,

Masterpiece , photorealistic , full-length , natural skin , A slim very pale 30-years-old european woman , young girly face , little smile , long straight black hair(( busty flabby breast)) , curvy hip , medium thigh , barefoot , wearing a black silky gothic lace swimsuit standing up lovely in a dark medieval cave with tombstone in background ,

cyber noir style , ultra realistic photography , high fashion editorial cover , monochrome black and white , selective crimson red accents , strict black white red palette , extreme noir contrast , deep blacks , waist up portrait of Daryl Dixon (Norman Reedus) from The Walking Dead , intense tactical focus , partially concealed taking cover behind a massive dark tree trunk , aiming his hunting crossbow directly towards the center of the frame , sharp crimson-tipped arrow bolt loaded and ready , wearing his signature distressed black leather biker vest with angel wings over a dark long-sleeve thermal shirt , 85mm portrait lens , f/1.4 aperture , razor-sharp focus on his eye and the crossbow scope , shallow depth of field rendering the dark misty woods into dramatic soft bokeh , dramatic high-contrast directional lighting with heavy shadows , volumetric smoke and haze drifting between the trees , matte leather and mechanical steel contrast , ultra-clean detail , 8k resolution editorial shoot. ar 9:16. ,

This is a full , detailed breakdown of the Ender King (or Ender Boy) Minecraft skin design shown in the image: ## ๐ Head and Crown * The Crown: A dark , blocky crown sits squarely on top of the character's head. It features a central crest embedded with a single , glowing purple diamond-shaped gemstone. * Hair: The hair is styled in a messy , jet-black fringe that hangs forward , framing the face. * Eyes: A prominent feature of the face is the glowing , vibrant violet eyes. They stretch horizontally , mimicking the signature look of an Enderman peering out from beneath the dark bangs. ## ๐งฅ Torso and Clothing * Outer Robe: The character wears an open , floor-length black coat or royal robe. The lapels and outer edges of the fabric are heavily accented with jagged , glowing purple energy details that resemble flames or magical static. * Inner Attire: Beneath the open robe is a solid black inner tunic or shirt , creating a sleek , layered aesthetic. * Necklace: Hanging over the chest is a thick , gray stone or silver chain link necklace. It supports a large , central purple jewel amulet that mirrors the gemstone on the crown. ## ๐งค Arms and Gloves * Sleeves: The robe features wide , oversized bell sleeves in deep black. * Cuffs: The forearms are wrapped in a thick band of bright purple energy patterns , leading down to exposed peach-toned skin at the hands. ## ๐ Legs and Boots * Lower Tunic: The bottom of the long black robe splits in the front , revealing matching black trousers or a pleated underskirt. * Footwear: The look is finished with chunky , dark gray or black boots. The lower trim of the pants and the top of the boots are lined with bright purple highlights to match the energetic glow of the rest of the outfit. ## โจ Special Effects (3D Layering) * Energy Aura: The skin makes extensive use of Minecraft's outer 3D skin layer to create a floating aura effect. Wisps of purple energy flare outward past the silhouette of the arms , lower coat tail , and shoulders , giving the appearance that the character is radiating dark magic. Would you like me to find a matching girl version of this skin , or would you like to explore other elemental variations (like a blue/ice or red/nether version) of this exact model? ,

Use the attached image(s) as the primary reference for character and visual continuit. Preserve the exact same character species , facial identity , anatomy , body proportions , distinctive physical features , clothing , materials , colors , scale , and overall visual identity. If multiple reference images contain different characters , preserve each character individually and accurately. You may bring them together in the same scene. **DO NOT ADD ANY CHARACTER NOT PRESENT IN THE REFERENCE IMAGE(S).** These are the SAME INDIVIDUALS from the reference images , not redesigned , altered , or newly invented versions. ## CREATE: CINEMATIC SCIENCE-FICTION PROMOTIONAL PORTRAIT Create a new ultra-cinematic , ultra-realistic promotional image featuring the referenced character(s). **IMPORTANT โ CREATE A DISTINCTLY DIFFERENT PROMOTIONAL POSE.** Do NOT reproduce or closely imitate the pose , stance , body orientation , hand position , head angle , camera relationship , or composition of the reference image. Preserve CHARACTER IDENTITY , but substantially change: * Body pose * Body orientation * Arm and hand placement * Head position * Direction of gaze * Weight distribution * Character placement within the frame * Relationship between characters * Relationship to the camera * Camera angle * Framing and composition The resulting image should immediately look like a DIFFERENT promotional photograph of the SAME character(s). Use confident , natural , visually expressive body language suitable for premium science-fiction promotional artwork. Possible promotional poses include: Standing upright , facing the camera commanding presence. Three-quarter body turn while looking toward camera. Side profile with head turned slightly toward camera. Low-angle heroic stance. Relaxed standing pose with hands naturally positioned. One hand resting against nearby architecture or machinery. Hands clasped behind the back while surveying the environment. Arms loosely crossed while facing slightly away from camera. Looking over one shoulder toward camera. Walking toward camera. Walking across the frame in side profile. Standing with back partially toward camera while looking into the distance. Leaning slightly against a structural element. Seated naturally while studying the surroundings. Standing at an observation point overlooking the environment. For multiple characters , create intentional ensemble promotional staging: stagger their positions , vary their poses , vary their orientation toward the camera , and create a balanced cast composition rather than placing everyone in identical poses. **DO NOT default to the pose shown in the reference image.** ## ENVIRONMENT Place the character(s) within an environment consistent with the reference world and visual language. The location may be a short distance from the reference setting , but it should feel like part of the same civilization , facility , vessel , city , landscape , or technological culture. The environment should support the character portrait rather than overpo it. ## CAMERA & COMPOSITION Treat this as premium promotional photography for a major science-fiction franchise. Choose a cinematic composition appropriate to the new pose , such as: Full-body promotional portrait Three-quarter character portrait Medium character portrait Low-angle hero composition Side-profile composition Over-the-shoulder environmental portrait Wide environmental character portrait Symmetrical ensemble portrait Asymmetrical ensemble portrait Elevated cinematic composition Frame the character(s) deliberately and dramatically. ## VISUAL QUALITY Ultra-realistic. Photorealistic materials. Premium streaming-series quality. Cinematic science-fiction production design. Realistic scale. High dynamic range. Believable cinematic lighting. Atmospheric perspective. Shallow depth of field when appropriate. Detailed environmental reflections. Subtle environmental storytelling. Professional promotional photography composition. ,

65 year old woman , sexy , good looking , beautiful , aged skin , aged face , green eyes , very heavy makeup , red lipstick , vivid eyeshadow , wrinkly skin , Kathy Griffin style face , chav , pikey , nasty , stern expression , style face , wrinkly face , saggy skin , saggy belly , saggy brests , council estate background , wearing green microkini , green thin strappy high arch heels , painted red finger and toe nails , long claw like finger and toe nails , full body shot , vergina. Whole body in frame ,

65 year old woman , sexy , good looking , beautiful , aged skin , aged face , green eyes , very heavy makeup , red lipstick , vivid eyeshadow , wrinkly skin , Kathy Griffin style face , chav , pikey , nasty , stern expression , style face , wrinkly face , saggy skin , saggy belly , saggy brests , council estate background , wearing green microkini , green thin strappy high arch heels , painted red finger and toe nails , long claw like finger and toe nails , full body shot , vergina ,

Create a new HBO-WB show M-Rated(18+/๐ด Strong language ๐ฉธ Graphic violence & gore ๐น Horror โ ๏ธ Threats/Abusive & disturbing situations ๐ Sexual references ๐Rape ๐ Sexual content ๐ง Nudity โ๏ธ Discrimination ๐ค Dark humour ๐ช Brutal deaths ๐๏ธ Cult themes ๐งฌ Incestuous themes ๐ง Psychological horror ๐ฉธ Ritual violence ๐ฏ๏ธ Religious/supernatural themes ๐บ Mature themes ๐ขSlavery ๐ฐColonial themes ๐ฐ๏ธ Nostalgic references) based off it called โ ๊ด๊๊๊๊ฉ๊ช๊ค๊:๊๊๊ฆ๊ฆ๊ธ ๊ฆ๊ ๊๊๊ ๊๊ช๊ธโ Starring Florence Pugh and Freddie Highmore and Jojo Siwa and Ingrid Bolsรธ Berdal and Zendaya and Jenna Ortega and Bhab Bhabie and Sophie Rain and Piper Rockelle and Joy Mei and Ice Spice and Iben Akerlie and Marita Traaen and Jenny Skavlan and Josefine Frida Pettersen and Frida Gustavsson and Thea Sofie Loch Naess and Josefin Asplund and Cecilia Loffredo and Anya Taylor-Joy and Mia Goth and Sophie Kennedy Clark and Jodie Tyack and Poppy Lee Friar and Sophie Kennedy Clark and Georgie Henley and Saoirse Ronan and Lily Cole and Dylan Conrique and Kyla Kennedy and Lizzy Greene and other actors(you do the rest/19yrs-35yrs). About a Norse Vikings Self-Religious(Chieftain/Chieftess or King/Queen and loyal circle are Gods/Celestials worshipped) Warer(Chieftain/Chieftess or King/Queen who was a great warrior of their time that no one could ever compete because they were their little bitches)Tribe-Cult Kingdom National Society where the one man(Freddie Highmore/Chieftain/21yrs/Nickname:Mufasa , Odin , Odinson , Sky Master/King Of The Gods/Omnipotent-Omnibenovlent) is being protected by the Valkyries(Royal Guard and National Security of warriors/Angels) and Yawol(nature nudist/tribal council/Press Secretary of the ruler giving him the best image/Royal Advisory Commission/Archangels)Sisters but all hell breaks loose when Joy Mei(wise witch/lead sorcerer of the Harald Hadrรฆda Order Of Asgardson/supreme tribal councillor of the Yawรถl Sisters/High Priestess /21yrs/nickname:Aphrodiรฏtรซ , Rafiki , Yasmina(means Friar in Norseลik) , Morphine/Pureblood Sucubbus Draugr Nymph Daywalker Red Feรฆ Fang Vampire from the Vลtรผrรฏ Clan) uses magic(it is illegal to not wield magical powers or face death) to make Florence Pugh(Freddies younger sister/married to Freddie(FYI Incest is legal and we listen and we donโt judge around here , inclusivity always rules over division)/Queen Of The Gods/19yrs/nickname:Freyja , Nala , Demelza/hates Zendaya(2nd High Supreme Valkyrie under Jojo Siwa(High Supreme Valkyrie/Freddies 1st cousin/21yrs/fierce warrior/nickname:Stormbreaker , รรพthรซnรฆ , Hela , Hollowman , Valลรผr , Taka , Scar)/20yrs/nickname:Zazi , รppรธลลรธ , Viลลรฆ/Siren from the Rusลkรฆ Clan/has a soft spot for Jojo/engaged to Jojo as a gift of training and friendship during fighting/always trying to help Florence)/Bisexual which is a celebration/Chieftess) pregnant(which is a very very very very very very very good thing for the family and bloodline as their will be an heir the throne which keeps the power imbalance safe and secure and stops foreign enemies and evil eyes). Choose names(different than the nicknames/very Viking and English(older than medieval) and Irish and Russian names like olden day names/no names like astrid or raven or tom or john etcโฆ.) and bios for the characters. Location:Norway-Scandinavia , Denmark , Netherlands , Ireland , Scotland , Wales , England , Germany , Italy , Russia , Greece , France , Romania , Serbia , Austria , Belgium , Iceland , Greenland , Mongolia , Kryzakstan , Ukraine , Ilse Of Man. Age:1289-1344. Set in a kingdom beginning with ฤฆ and ending with HรรR , very long and do the short version but do the imperial kingdom of so on and forth do you understand. ,

A crowned woman in a flowing gown rides a white horse forward through glowing golden dust spiraling into clouds into a Surreal Sgraffito Vision , where dreamlike elements emerge from unexpected layers of etched texture. The experimental combination of charcoal and amber deepens the enigmatic narrative --ar 2:3 --v 8.2 ,

Young Indian woman in bright pink mini skirt with red blouse & sheer matching dupatta , sitting on charpai inside village mud house , heavy tribal jewelry , maang tikka , bindi , anklet , long wavy hair , calm confident smile , rustic interior with hanging clothes , soft natural daylight , authentic ethnic portrait , warm cultural mood , photorealistic skin and jewelry detail , high detail. Please use my reference image face. ar 5:4. ,

1. ะัะพะดัะบั ะธ ะทะฐะดะฐัะฐ B2B-ัะฐะนั ะพะฟัะพะฒะพะณะพ ะฟะพััะฐะฒัะธะบะฐ ัะฐะฝัะตั ะฝะธัะตัะบะพะณะพ ะพะฑะพััะดะพะฒะฐะฝะธั , ัััะฑ ะธ ะบะพะผะฟะปะตะบััััะธั . ะะฐัะฝะฐัะป , ะะฐะฒะปะพะฒัะบะธะน ััะฐะบั 311. ะกะพะฑััะฒะตะฝะฝัะน ัะบะปะฐะด , ะพัะณััะทะบะฐ ะพั 1 ะบะพัะพะฑะฐ , ัะฐะฑะพัะฐ ั ะะะก , ะพัััะพัะบะฐ ะดะพ 30 ะดะฝะตะน. ะะปะธะตะฝัั: ะทะฐัััะพะนัะธะบะธ , ะฟะพะดััะดัะธะบะธ , ะฃะ ะฒ ะะปัะฐะนัะบะพะผ ะบัะฐะต , ะะพะฒะพัะธะฑะธััะบะพะน ะพะฑะปะฐััะธ ะธ ะดััะณะธั ัะตะณะธะพะฝะฐั ะกะธะฑะธัะธ. ะะฐ ััะฝะบะต ั 1997 ะณะพะดะฐ. ะะฐะดะฐัะฐ ะดะธะทะฐะนะฝะฐ: ะทะฐ 5 ัะตะบัะฝะด ะฟะตัะตะดะฐัั ยซัะตัััะทะฝัะน , ะฝะฐะดัะถะฝัะน , ัะพะฒัะตะผะตะฝะฝัะน ะฟะพััะฐะฒัะธะบยป ะธ ะฟัะธะฒะตััะธ ะฟะพัะตัะธัะตะปั ะบ ะทะฐะฟัะพัั ัะตะฝั ะธะปะธ ะทะฐัะฒะบะต. ะขะพะฝ: ะธะฝะถะตะฝะตัะฝะฐั ัะดะตัะถะฐะฝะฝะพััั , ะฑะตะท ะฟะฐัะพัะฐ ะธ ัะปะตะฝะณะฐ. ะะพะฒะตัะธะต ัััะพะธััั ะฝะฐ ัะธััะฐั ะธ ัะฐะบัะฐั . ะะปััะตะฒัะต ัะธััั: 18 ะปะตั ะฝะฐ ััะฝะบะต ยท 1948 ะฟะพะทะธัะธะน ะฒ ะบะฐัะฐะปะพะณะต ยท 93+ ัะตะฐะปะธะทะพะฒะฐะฝะฝัั ะพะฑัะตะบัะฐ ยท ัะผะตัะฐ ะทะฐ 24 ัะฐัะฐ. ะะฐะถะฝะพ: 3D-ะผะพะดะตะปะตะน , WebGL ะธ ัััั ะผะตัะฝัั ัััะตะบัะพะฒ ะฝะฐ ัะฐะนัะต ะฝะตั. ะัััะตะฝะธะต ะดะพัะพะณะพะณะพ , ะถะธะฒะพะณะพ ะฟัะพะดัะบัะฐ ัะพะทะดะฐัััั ัะธะฟะพะณัะฐัะธะบะพะน , ัะฒะตัะพะผ , ััะตะบะปะพะผ , ัะตะฐะปัะฝะพะน ัะพัะพะณัะฐัะธะตะน ะธ ัะพะฝะบะพะน ะฐะฝะธะผะฐัะธะตะน. 2. ะะธะทัะฐะปัะฝัะน ัะทัะบ ะะฐะปะธััะฐ (ะทะฝะฐัะตะฝะธั ะฝะต ะผะตะฝััั): brand #00649A ยท brand-bright #0086C9 ยท brand-ink #00547F accent #E5661A โ ัะพะปัะบะพ ะดะปั ะฐะบัะตะฝัะพะฒ , ัะธัั ะธ ะพะดะฝะพะน ะปะธะฝะธะธ ะฝะฐ ัะบัะฐะฝะต , ะฝะต ะดะปั ะทะฐะปะธะฒะพะบ ะกะฒะตัะปะฐั ัะตะผะฐ: bg #F2F5FA , bg-soft #E7ECF5 , text #0C1526 , text-dim #5A6A85 ะขัะผะฝะฐั ัะตะผะฐ: bg #05070F , bg-soft #0A0F1E ะะพะณะพัะธะฟ: ัะธะฝะธะน ัะบััะณะปัะฝะฝัะน ะบะฒะฐะดัะฐั , ะฑะตะปะฐั ยซะยป ะบะพะฝัััะพะผ , ะพัะฐะฝะถะตะฒะฐั ะปะธะฝะธั ะญะะ ะฒะฝะธะทั. ะขัะธ ะฒะตััะธะธ: ะพัะฝะพะฒะฝะฐั , ัะฒะตัะปะฐั (ะดะปั ััะผะฝะพะณะพ ัะพะฝะฐ) , ััะผะฝะฐั (ะดะปั ัะฒะตัะปะพะณะพ ัะพะฝะฐ). ะะพะณะธะบะฐ ะฒ ะฝะฐะฒะฑะฐัะต: ะฝะฐ ััะผะฝะพะผ hero ะธัะฟะพะปัะทัะตััั ะฒะตััะธั ะดะปั ััะผะฝะพะณะพ ัะพะฝะฐ , ะฟะพัะปะต ะฟัะพะบัััะบะธ (ัะฒะตัะปะฐั ะฟะปะฐัะบะฐ ะฝะฐะฒะฑะฐัะฐ) ะฒะตััะธั ะดะปั ัะฒะตัะปะพะณะพ ัะพะฝะฐ. ะขะธะฟะพะณัะฐัะธะบะฐ: ัะพะปัะบะพ ะดะฒะฐ ััะธััะฐ , ะฑะตะท ะทะฐัะตัะตะบ. Outfit 800 ะดะปั ะทะฐะณะพะปะพะฒะบะพะฒ ะธ ัะธัั , ััะตะบะธะฝะณ โ0.03em ะฝะฐ ะบััะฟะฝัั ัะฐะทะผะตัะฐั Manrope 400โ700 ะดะปั ะธะฝัะตััะตะนัะฐ ะธ ัะตะบััะฐ ะกะตัะบะฐ ะธ ัะธัะผ: ะะพะฝัะตะนะฝะตั 1220px , ะฟะพะปั 15px (ะฝะฐ ัะทะบะธั ัะบัะฐะฝะฐั 20px) , 12 ะบะพะปะพะฝะพะบ ะจะฐะณ ะพััััะฟะพะฒ 4px; ัะตะบัะธะธ 96โ128px ะฟะพ ะฒะตััะธะบะฐะปะธ , ะฟะปะพัะฝัะต ะฑะปะพะบะธ 48px ะ ะฐะดะธััั: ะบะฐััะพัะบะธ 16px , ะบะฝะพะฟะบะธ ะธ ะฟะพะปั 12px , ัะธะฟั 999px 3. ะงะตะผ ะทะฐะผะตะฝัะตะผ 3D (ัะธัะผะตะฝะฝัะน ะฟัะธัะผ ัะฐะนัะฐ) ะะดะธะฝ ัะบะฒะพะทะฝะพะน ะผะพัะธะฒ: ะปะธะฝะธั ะฟัะปััะฐ (ะญะะ) ะบะฐะบ ัะพะฝะบะฐั ะพัะฐะฝะถะตะฒะฐั SVG-ะปะธะฝะธั. ะ hero ะพะฝะฐ ัะธััะตััั ะทะฐ 700ms ะฟะพ ะบัะธะฒะพะน ะพั ะปะตะฒะพะณะพ ะบัะฐั ะบ ะฟัะฐะฒะพะผั , ะฟัะพั ะพะดั ะฟะพะด ะทะฐะณะพะปะพะฒะบะพะผ ะ ะฝะฐะฒะฑะฐัะต ะธ ะฟะพะดะฒะฐะปะต ะฟัะธัััััะฒัะตั ะบะฐะบ ัะพะฝะบะธะน ัะฐะทะดะตะปะธัะตะปั ะ ะฑะปะพะบะต ยซะฆะธัััยป ะปะธะฝะธั ัะพะตะดะธะฝัะตั ััะธ ะบะฐััะพัะบะธ ะ ะพััะฐะปัะฝัั ัะตะบัะธัั ะฝะต ะฟะพะฒัะพััะตััั. ะะดะธะฝ ัะฐะท ะฝะฐ ัะบัะฐะฝ ะะพะฟะพะปะฝะธัะตะปัะฝัะต ะฟัะธัะผั ยซะปะพัะบะฐยป ะฑะตะท 3D: Hero: ััะผะฝัะน ัะพะฝ ั ะผัะณะบะธะผ ัะฐะดะธะฐะปัะฝัะผ ัะฒะตัะตะฝะธะตะผ brand (8โ12% ะฝะตะฟัะพะทัะฐัะฝะพััะธ) , ะพัะตะฝั ัะพะฝะบะฐั ัะตัะบะฐ-ัะตัััะถ 1px ะฟัะธ 4% ะฝะตะฟัะพะทัะฐัะฝะพััะธ. ะกะฟัะฐะฒะฐ ะบััะฟะฝะพะต ัััะดะธะนะฝะพะต ัะพัะพ ะบะปััะตะฒะพะณะพ ัะพะฒะฐัะฐ (ะฒะพะดะพะผะตั , ัะฐัะพะฒะพะน ะบัะฐะฝ , ัะธัะธะฝะณ) ั ะฒััะตะทะฐะฝะฝัะผ ัะพะฝะพะผ , ะปัะณะบะฐั ัะตะฝั ะฟะพะด ะฝะธะผ. ะัะธ ัะบัะพะปะปะต ัะพัะพ ัะผะตัะฐะตััั ะฟะฐัะฐะปะปะฐะบัะพะผ ะฝะฐ 20โ40px , ะฐ ะทะฐะณะพะปะพะฒะพะบ ะพััะฐัััั ะฝะฐ ะผะตััะต ะกัะตะบะปัะฝะฝัะต ะบะฐััะพัะบะธ ะฟะพะฒะตัั ััะผะฝะพะณะพ hero: backdrop-blur 16px , ะณัะฐะฝะธัะฐ 1px rgba(255 , 255 , 255 , 0.12). ะ ะฝะธั ะถะธะฒัะต ัะฐะบัั (ยซะกะบะปะฐะด: ะฒ ะฝะฐะปะธัะธะธ 1948 ะฟะพะทะธัะธะนยป , ยซะกะผะตัะฐ ะทะฐ 24 ัะฐัะฐยป) ะขะพะฝะบะธะน ยซัะตัััะถะฝัะนยป ะฐะบัะตะฝั: ัะฐะทะผะตัะฝัะต ะปะธะฝะธะธ ะธ ะฒัะฝะพัะบะธ ะฒ ััะธะปะต ัะตั ะฝะธัะตัะบะพะณะพ ัะตััะตะถะฐ ะฒะพะบััะณ ัะพัะพ ัะพะฒะฐัะฐ , ะฝะฐัะธัะพะฒะฐะฝะฝัะต ัะพะฝะบะธะผ SVG ะคะพัะพ ะฝะฐะบะปะพะฝะฐ ะฝะตั. Hover ะฝะฐ ะบะฐััะพัะบะฐั : ะฟะพะดััะผ ะฝะฐ 4px , ัะตะฝั ะผัะณัะต ะธ ัะธัะต , ะธะทะพะฑัะฐะถะตะฝะธะต ัะฒะตะปะธัะธะฒะฐะตััั ะฝะฐ 1.03 4. ะะฐััะตัะฝั Apple (ะพะฑัะทะฐัะตะปัะฝั) ะะตัะฐัั ะธั ะฒะผะตััะพ ะดะตะบะพัะฐ. ะะดะธะฝ ะฐะบัะตะฝั ะฝะฐ ัะบัะฐะฝ. ะ ะฐะทะผะตั ะธ ะฒะตั , ะฐ ะฝะต ัะฒะตั ะธ ัะตะฝะธ. ะะต ะฑะพะปะตะต ะดะฒัั ะฝะฐัััะตะฝะฝัั ัะฒะตัะพะฒ ะฝะฐ ัะบัะฐะฝะต: brand ะธ accent. ะััะฟะฝะฐั ัะธะฟะพะณัะฐัะธะบะฐ. ะะฐะณะพะปะพะฒะพะบ ัะตะบัะธะธ 40โ56px ะฝะฐ ะดะตัะบัะพะฟะต , 28โ32px ะฝะฐ ะผะพะฑะธะปะต. line-height 1.05โ1.1 ั ะทะฐะณะพะปะพะฒะบะพะฒ , 1.6 ั ัะตะบััะฐ. ะะพัะพัะบะธะต ัััะพะบะธ , ะฝะต ะทะฐะฟะพะปะฝััั ัะบัะฐะฝ ัะตะบััะพะผ. ะะพะทะดัั . ะัััะพะต ะผะตััะพ โ ัะปะตะผะตะฝั ะดะธะทะฐะนะฝะฐ. ะััะฐะฒะฝะธะฒะฐะฝะธะต ะฟะพ ะฑะฐะทะพะฒะพะน ะปะธะฝะธะธ. ะะฐัะตัะธะฐะปั , ะฐ ะฝะต ัะฐะผะบะธ. ะกัะตะบะปะพ (blur 12โ20px) , ะผัะณะบะธะต ัะตะฝะธ 0 2px 12px rgba(0 , 0 , 0 , 0.06) , ะณัะฐะฝะธัั 1px rgba(13 , 27 , 51 , 0.1). ะะตะท ะดะฒะพะนะฝัั ัะฐะผะพะบ ะธ ะฟัะฝะบัะธัะพะฒ. ะะปะฐะฒะฝะพััั. 120โ180ms hover , 200โ300ms ะฟะพัะฒะปะตะฝะธะต , 600โ800ms hero-ะฐะฝะธะผะฐัะธั. ะัะธะฒะฐั cubic-bezier(0.22 , 1 , 0.36 , 1). ะะตะท ะฟััะถะธะฝ ะธ ะพััะบะพะบะพะฒ. ะะพัะฒะปะตะฝะธะต ัะตะบัะธะน ะฟัะธ ัะบัะพะปะปะต: fade + ัะดะฒะธะณ ะฝะฐ 16px. ะัะบะปะธะบ ะฝะฐ ะดะตะนััะฒะธะต. ะะฐะถะฐัะธะต: scale 0.98 ะธะปะธ opacity. ะกะพััะพัะฝะธั hover / focus / active / disabled ะฝะฐ ะบะฐะถะดะพะผ ะธะฝัะตัะฐะบัะธะฒะฝะพะผ ัะปะตะผะตะฝัะต. Focus-visible. 2px accent , ะฑะตะท ะพะฑะฒะพะดะบะธ ะฟัะธ ะบะปะธะบะต ะผัััั , ะฟะพะปะฝะฐั ะบะปะฐะฒะธะฐัััะฝะฐั ะฝะฐะฒะธะณะฐัะธั. ะะณะฝะพะฒะตะฝะฝัะน ะฟะตัะฒัะน ัะบัะฐะฝ. ะกัะฐัะธัะฝัะน hero ั ะพัะผััะปะตะฝะฝัะผ h1 , ะฑะตะท ยซะทะฐะณััะทะบะธยป ะธ ัะบะตะปะตัะพะฝะพะฒ. ะฃัะธััะฒะฐัั prefers-reduced-motion: ะฐะฝะธะผะฐัะธะธ ะพัะบะปััะฐัััั. 5. ะะพะผะฟะพะทะธัะธะพะฝะฝัะต ะฟะฐััะตัะฝั ะะดะธะฝัะน ัะธัะผ ัะตะบัะธะธ: eyebrow โ ะทะฐะณะพะปะพะฒะพะบ โ ะบะพะฝัะตะฝั. ะงะตัะตะดะพะฒะฐะฝะธะต ัะพะฝะพะฒ: ัะฒะตัะปัะน bg ะธ bg-soft , ัะตะบัะธะธ ัะธัะฐัััั ะบะฐะบ ัััะฐะฝะธัั. ะขัะผะฝัะน ะฑะปะพะบ ะฝะฐ ะณะปะฐะฒะฝะพะน ะพะดะธะฝ โ hero. ะัะธะผะผะตััะธั 60/40: hero ะธ ยซะ ะบะพะผะฟะฐะฝะธะธยป โ ัะตะบัั ัะปะตะฒะฐ , ะฒะธะทัะฐะป ัะฟัะฐะฒะฐ. ะััะฐะปัะฝัะต ัะตะบัะธะธ ะฝะต ะทะตัะบะฐะปะธัั. ะะดะธะฝ ะฐะบัะตะฝัะฝัะน ะพะฑัะตะบั ะฝะฐ ัะบัะฐะฝ: ะฝะต ัะผะตัะธะฒะฐัั ะธะปะปััััะฐัะธั , ัะธััั ะธ ัะพัะพ ะฒ ะพะดะฝะพะน ัะตะบัะธะธ. ะะฐัะธะบะปะตะฝะฝัะต ะปะตะฝัั: ะฑัะตะฝะดั , ะพัะทัะฒั , ะฟัะพะตะบัั. ะะตัะบะพะฝะตัะฝะฐั ะปะตะฝัะฐ , ะฟะฐัะทะฐ ะฟัะธ ะฝะฐะฒะตะดะตะฝะธะธ , ะฑะตะท ะบะฝะพะฟะพะบ ะฟัะพะบัััะบะธ. Bento-ัะตัะบะฐ ะดะปั ะฑะปะพะบะฐ ะฟัะตะธะผััะตััะฒ ะธ ยซะััะพััะธะผะตะฝัะฐยป: ะบะฐััะพัะบะธ ัะฐะทะฝะพะณะพ ัะฐะทะผะตัะฐ ะฒ ะพะดะฝะพะน ัะตัะบะต , ะบััะฟะฝะฐั ะบะฐััะพัะบะฐ ะทะฐะดะฐัั ะณะปะฐะฒะฝะพะต. ะะพะฑะธะปัะฝัะน ะฟะตัะฒัะน: ะฝะฐ 375px ะพะดะฝะฐ ะบะพะปะพะฝะบะฐ , ะบะฝะพะฟะบะฐ ะฝะฐ ะฒัั ัะธัะธะฝั , sticky-CTA ะฒะฝะธะทั ะฝะฐ ะบะฐััะพัะบะต ัะพะฒะฐัะฐ. 6. ะกััะฐะฝะธัั ะธ ัะตะบัะธะธ ะะปะฐะฒะฝะฐั Hero. ะขัะผะฝัะน ัะพะฝ , eyebrow , h1 , ะฟะพะดะทะฐะณะพะปะพะฒะพะบ , ะดะฒะต ะบะฝะพะฟะบะธ (ัะธะฝัั ะพัะฝะพะฒะฝะฐั ยซะะฐะฟัะพัะธัั ัะผะตััยป , ััะตะบะปัะฝะฝะฐั ะฒัะพัะธัะฝะฐั ยซะัะบัััั ะบะฐัะฐะปะพะณยป). ะกะฟัะฐะฒะฐ ัะพัะพ ัะพะฒะฐัะฐ ั ัะตัััะถะฝัะผะธ ะฒัะฝะพัะบะฐะผะธ , ััะตะบะปัะฝะฝัะต ะบะฐััะพัะบะธ ั ัะฐะบัะฐะผะธ , ะปะธะฝะธั ะญะะ. ะกะปะฐะนะดะตั ะธะท ัััั ะฑะฐะฝะฝะตัะพะฒ (ะฐะบัะธะธ , ะฝะพะฒะธะฝะบะธ , ััะปะพะฒะธั) , ะฟะตัะตะบะปััะตะฝะธะต ะฟะปะฐะฒะฝัะผ ะบัะพัััะตะนะดะพะผ. ะฆะธััั. ยซะัะพะฒะตัะตะฝะพ ะพะฑััะผะฐะผะธยป. ะขัะธ ะบะฐััะพัะบะธ ะฟะพ ัะตะฝััั (ะผะฐะบั. 1000px) , ัะธััั ะณัะฐะดะธะตะฝัะพะผ brand โ accent , ะฟะพะดะฟะธัั ะฟะพะด ะฝะธะผะธ. ะญัะฐ ัะตะบัะธั ะทะฐะดะฐัั ัะธัะผ ะฒัะตะน ัััะฐะฝะธัั. ะ ะบะพะผะฟะฐะฝะธะธ. 60/40: ัะตะบัั ะธ ัะตะบ-ะปะธัั ะธะท 6 ะฟัะฝะบัะพะฒ ัะปะตะฒะฐ , ัะพัะพ ัะบะปะฐะดะฐ ะธะปะธ ะพะฑัะตะบัะฐ ัะฟัะฐะฒะฐ. ะัะตะฝะดั. ะะตัะบะพะฝะตัะฝะฐั ะปะตะฝัะฐ ะปะพะณะพัะธะฟะพะฒ ะฝะฐ ะฟะพะดะปะพะถะบะต bg-soft , ะปะพะณะพัะธะฟั ะผะพะฝะพั ัะพะผะฝัะต , ะฟัะธ ะฝะฐะฒะตะดะตะฝะธะธ ัะฒะตัะฝัะต. ะะฐัะธ ัะฐะฑะพัั. 3โ4 ะบะฐััะพัะบะธ ะฟัะพะตะบัะพะฒ: ะบััะฟะฝะพะต ัะพัะพ ัะตะฐะปัะฝะพะณะพ ะพะฑัะตะบัะฐ , ะฝะฐะทะฒะฐะฝะธะต , ะณะพัะพะด , ัะธะฟ. Hover: ะฟะพะดััะผ ะธ ัะฒะตะปะธัะตะฝะธะต ัะพัะพ. ะกััะปะบะฐ ยซะัะต ะฟัะพะตะบััยป. ะะฐัะฐะปะพะณ. ะะฐัััะตะปั ะฟัะตะฒัั ัะพะฒะฐัะพะฒ , ะบะฝะพะฟะบะฐ ยซะ ะบะฐัะฐะปะพะณยป. ะัะทัะฒั ะธ ะฑะปะพะณ. ะะพะผะฟะฐะบัะฝะฐั ะปะตะฝัะฐ ะพัะทัะฒะพะฒ ะธ 2โ3 ัะฒะตะถะธะต ััะฐััะธ. ะคะธะฝะฐะปัะฝัะน CTA. ะะดะธะฝ ะบััะฟะฝัะน ะฟัะธะทัะฒ ะธ ัะพัะผะฐ ะพะฑัะฐัะฝะพะน ัะฒัะทะธ. ะะพะดะฒะฐะป. ะะพะฝัะฐะบัั , ัะตะบะฒะธะทะธัั , ัะตะถะธะผ ัะฐะฑะพัั , ะบะฐััะฐ 2ะะะก. ะะฐัะฐะปะพะณ ะฅะปะตะฑะฝัะต ะบัะพัะบะธ , ัะธะปัััั (ะบะฐัะตะณะพัะธั , ัะตะฝะฐ , ะฝะฐะปะธัะธะต) , ะฟะพะธัะบ , ัะพััะธัะพะฒะบะฐ , ัะตัะบะฐ ัะพะฒะฐัะพะฒ. ะะฐััะพัะบะฐ: ัะพัะพ , ะฝะฐะทะฒะฐะฝะธะต , ะบะปััะตะฒัะต ั ะฐัะฐะบัะตัะธััะธะบะธ , ะฝะฐะปะธัะธะต , ยซัะตะฝะฐ ะฟะพ ะทะฐะฟัะพััยป. ะกััััะธะบ ะฝะฐะนะดะตะฝะฝะพะณะพ , ะฟะฐะณะธะฝะฐัะธั ะธะปะธ ะฑะตัะบะพะฝะตัะฝะฐั ะปะตะฝัะฐ. ะะฐ ะผะพะฑะธะปะต ัะธะปัััั ะฒ ะฝะธะถะฝะตะน ััะพัะบะต. ะะฐััะพัะบะฐ ัะพะฒะฐัะฐ ะะฐะปะตัะตั ั ะทัะผะพะผ , ั ะฐัะฐะบัะตัะธััะธะบะธ ัะฐะฑะปะธัะตะน , CTA ยซะะฐะฟัะพัะธัั ัะตะฝัยป ะธ ยซะะพะฑะฐะฒะธัั ะฒ ะทะฐัะฒะบัยป , ะฑะปะพะบ ะฝะฐะปะธัะธั ะฝะฐ ัะบะปะฐะดะต. ะะฐ ะผะพะฑะธะปะต sticky-ะฟะฐะฝะตะปั ั ะพััะฐัะบะพะผ ะธ ะบะฝะพะฟะบะพะน. ะ ะบะพะผะฟะฐะฝะธะธ Hero-ะฑะปะพะบ , ัะตะบัั ะพ ะบะพะผะฟะฐะฝะธะธ , ยซะะปััะตะฒัะต ะฟะพะบะฐะทะฐัะตะปะธยป , ยซะััะพััะธะผะตะฝั ะฟัะพะดัะบัะธะธยป (bento-ัะตัะบะฐ) , ะฑะปะฐะณะพะดะฐัััะฒะตะฝะฝัะต ะฟะธััะผะฐ ะฒ ะณะฐะปะตัะตะต ั ะฟัะพัะผะพััะพะผ. ะะฐัะธ ะฟัะพะตะบัั ะคะธะปััั ะฟะพ ะบะฐัะตะณะพัะธะธ , ะบััะฟะฝัะต ะบะตะนัั ะฟะพ ัั ะตะผะต ยซะทะฐะดะฐัะฐ โ ัะตัะตะฝะธะต โ ัะตะทัะปััะฐัยป , ะณะฐะปะตัะตั ะพะฑัะตะบัะฐ. ะะพััะฐะฒะบะฐ ะธ ะพะฟะปะฐัะฐ ะขัะธ ัะฐะณะฐ ะทะฐะบะฐะทะฐ , ัะฐะฑะปะธัะฐ ัะฐัะธัะพะฒ ะฟะพ ะณะพัะพะดะฐะผ , ััะปะพะฒะธั ะพัััะพัะบะธ ะดะพ 30 ะดะฝะตะน , ะฑะปะพะบ ัะฐัััั ะฒะพะฟัะพัะพะฒ (ะฐะบะบะพัะดะตะพะฝ). ะะพะฝัะฐะบัั ะะฐััะพัะบะธ: ัะตะปะตัะพะฝ , email , ะฐะดัะตั , ัะตะถะธะผ ัะฐะฑะพัั. ะัััะพะตะฝะฝะฐั ะบะฐััะฐ 2ะะะก. ะคะพัะผะฐ ะพะฑัะตะณะพ ะทะฐะฟัะพัะฐ. 404 ะกะฟะพะบะพะนะฝัะน ัะบัะฐะฝ ั ะปะพะณะพัะธะฟะพะผ , ัััะปะบะพะน ะฝะฐ ะบะฐัะฐะปะพะณ ะธ ะบะพะฝัะฐะบัะพะผ ะฟะพะดะดะตัะถะบะธ. ะะดะผะธะฝะบะฐ / ะบะฐะฑะธะฝะตั ะะปะพัะฝะฐั ัะตัะบะฐ , ัะฐะฑะปะธัั , ัะพัะผั ะทะฐะณััะทะบะธ ะผะตะดะธะฐ , ะฟัะตะดะฟัะพัะผะพัั ะธะทะผะตะฝะตะฝะธะน. ะขัะผะฝะฐั ัะตะผะฐ ะดะพะฟัััะธะผะฐ. ะะดะตัั ะฟะปะพัะฝะพััั ะฒะฐะถะฝะตะต ะฒะพะทะดัั ะฐ. 7. ะคัะฝะบัะธะธ , ะบะพัะพััะต ะดะพะปะถะฝั ะฑััั ะฒะธะดะฝั ะฒ ะดะธะทะฐะนะฝะต ะะพัะทะธะฝะฐ ะทะฐัะฒะพะบ ะธ ัะฟะธัะพะบ ะพัะฟัะฐะฒะปะตะฝะฝัั ะทะฐะฟัะพัะพะฒ ะะฒัะพัะธะทะฐัะธั ะฒ ะบะฐะฑะธะฝะตั ะดะธะปะตัะฐ , ัะผะตะฝะฐ ัะพะปะธ ะะฐัะฐะปะพะณ ั ัะธะปัััะฐะผะธ ะธ ะฟะพะธัะบะพะผ ะะฐะณััะทะบะฐ ะธ ะฐะฒัะพะผะฐัะธัะตัะบะพะต ัะถะฐัะธะต ัะพัะพ ัะพะฒะฐัะพะฒ ะะตะฝัะฐ ะฝะพะฒะพััะตะน ะธ ะฑะปะพะณ ะัะทัะฒั ั ะผะพะดะตัะฐัะธะตะน ะกัะฐัะธััะธะบะฐ ะดะปั ะผะตะฝะตะดะถะตัะฐ ะะตัะฐัะฝะฐั ะฒะตััะธั ััััะฐ ะธ ะะ (ะพัะดะตะปัะฝัะน ะผะฐะบะตั: ะปะพะณะพัะธะฟ , ัะตะบะฒะธะทะธัั , ัะฐะฑะปะธัะฐ ะฟะพะทะธัะธะน , ะธัะพะณ) ะะพะดะณะพัะพะฒะบะฐ ะบ ะผัะปััะธัะทััะฝะพััะธ (RU ะพะฑัะทะฐัะตะปะตะฝ): ะฟะตัะตะบะปััะฐัะตะปั ัะทัะบะฐ ะฒ ะฝะฐะฒะฑะฐัะต ะธ ะฟะพะดะฒะฐะปะต 8. ะะณัะฐะฝะธัะตะฝะธั ะะธะบะฐะบะธั 3D , WebGL , ะฒัะฐัะฐััะธั ัั ะธ ะฝะฐะบะปะพะฝัััะธั ัั ัะปะตะผะตะฝัะพะฒ ะะธะบะฐะบะธั ัะผะฐะนะปะพะฒ ะฒ ะธะฝัะตััะตะนัะต ะะธะบะฐะบะธั ะณัะฐะดะธะตะฝัะพะฒ ะพั ัะพะทะพะฒะพะณะพ ะบ ัะธะพะปะตัะพะฒะพะผั ะะธะบะฐะบะธั drop-shadow ัะตะบััะฐ ะธ ะฑะปะธะบะพะฒ ะะธะบะฐะบะพะณะพ ะฐะฒัะพะฟะปะตั ัะพ ะทะฒัะบะพะผ ะะตะท stock-ัะพัะพ ะปัะดะตะน ะฒ ะดะตะปะพะฒัั ะบะพัััะผะฐั , ัะพะปัะบะพ ะบะฐะดัั ั ัะตะฐะปัะฝัั ะพะฑัะตะบัะพะฒ ะธ ัะบะปะฐะดะฐ ะะฝะธะผะฐัะธะธ ะฝะต ะดะพะปััะต 800ms ะธ ะฝะต ะผะตัะฐัั ััะตะฝะธั 9. ะงัะพ ะพัะดะฐัั ะฝะฐ ะฒัั ะพะดะต ะะธะทะฐะนะฝ-ัะธััะตะผะฐ ะฒ Figma: ัะฒะตัะฐ , ัะธะฟะพะณัะฐัะธัะตัะบะฐั ัะบะฐะปะฐ , ัะตัะบะฐ , ะบะพะผะฟะพะฝะตะฝัั (ะบะฝะพะฟะบะฐ , ะบะฐััะพัะบะฐ , ะฟะพะปะต , ัะธะฟ , ัะฐะฑะปะธัะฐ , ััะตะบะปัะฝะฝะฐั ะบะฐััะพัะบะฐ , ะฐะบะบะพัะดะตะพะฝ) , ัะพััะพัะฝะธั ะบะพะผะฟะพะฝะตะฝัะพะฒ. ะะพ ะพะดะฝะพะผั ััะตะนะผั ะบะฐะถะดะพะน ัััะฐะฝะธัั: ัะฒะตัะปะฐั ัะตะผะฐ , ััะผะฝะฐั ัะตะผะฐ , ะผะพะฑะธะปัะฝะฐั ะฒะตััะธั 375px , ะฟะปัั ะผะฐะบะตั ะฟะตัะฐัะฝะพะณะพ ะะ. ะงัะพ ั ะฟะพะฟัะฐะฒะธะป ะฒ ะธัั ะพะดะฝะธะบะต: ะะพะณะพัะธะฟ ะฒ ะฝะฐะฒะฑะฐัะต: ะฒ ะดะฒัั ะผะตััะฐั ะฑัะปะพ ะฝะฐะฟะธัะฐะฝะพ ะฟัะพัะธะฒะพะฟะพะปะพะถะฝะพะต. ะขะตะฟะตัั ะปะพะณะธะบะฐ ะพะดะฝะฐ: ะฝะฐ ััะผะฝะพะผ ัะพะฝะต ัะฒะตัะปะฐั ะฒะตััะธั ะปะพะณะพัะธะฟะฐ , ะฝะฐ ัะฒะตัะปะพะน ะฟะปะฐัะบะต ััะผะฝะฐั. ยซะะธัะฝัะน ะบะฐะฑะธะฝะตั ะธ ะฟะตััะพะฝะฐะปัะฝัะต ะดะฐะฝะฝัะต ะฝะต ัะพะฑะธัะฐะตะผยป ะฟัะพัะธะฒะพัะตัะธะปะพ ะฐะฒัะพัะธะทะฐัะธะธ ะดะธะปะตัะฐ ะธ ัะพัะผะฐะผ ะทะฐัะฒะพะบ. ะฏ ัะฑัะฐะป ััั ัััะพะบั. ะัะปะธ ั ะฒะฐั ะดะตะนััะฒะธัะตะปัะฝะพ ะตััั ัะฐะบะพะต ะพะณัะฐะฝะธัะตะฝะธะต , ััะพัะฝะธัะต , ะบะฐะบะธะต ะธะผะตะฝะฝะพ ะฟะพะปั ะดะพะฟัััะธะผั. ะ ะธัะผ ยซะพะดะฝะพะน ะปะธะฝะธะธ accent ะฝะฐ ัะบัะฐะฝยป ัะตะฟะตัั ัะตะฐะปะธะทะพะฒะฐะฝ ัะตัะตะท ะปะธะฝะธั ะญะะ. ,

1. ะัะพะดัะบั ะธ ะทะฐะดะฐัะฐ B2B-ัะฐะนั ะพะฟัะพะฒะพะณะพ ะฟะพััะฐะฒัะธะบะฐ ัะฐะฝัะตั ะฝะธัะตัะบะพะณะพ ะพะฑะพััะดะพะฒะฐะฝะธั , ัััะฑ ะธ ะบะพะผะฟะปะตะบััััะธั . ะะฐัะฝะฐัะป , ะะฐะฒะปะพะฒัะบะธะน ััะฐะบั 311. ะกะพะฑััะฒะตะฝะฝัะน ัะบะปะฐะด , ะพัะณััะทะบะฐ ะพั 1 ะบะพัะพะฑะฐ , ัะฐะฑะพัะฐ ั ะะะก , ะพัััะพัะบะฐ ะดะพ 30 ะดะฝะตะน. ะะปะธะตะฝัั: ะทะฐัััะพะนัะธะบะธ , ะฟะพะดััะดัะธะบะธ , ะฃะ ะฒ ะะปัะฐะนัะบะพะผ ะบัะฐะต , ะะพะฒะพัะธะฑะธััะบะพะน ะพะฑะปะฐััะธ ะธ ะดััะณะธั ัะตะณะธะพะฝะฐั ะกะธะฑะธัะธ. ะะฐ ััะฝะบะต ั 1997 ะณะพะดะฐ. ะะฐะดะฐัะฐ ะดะธะทะฐะนะฝะฐ: ะทะฐ 5 ัะตะบัะฝะด ะฟะตัะตะดะฐัั ยซัะตัััะทะฝัะน , ะฝะฐะดัะถะฝัะน , ัะพะฒัะตะผะตะฝะฝัะน ะฟะพััะฐะฒัะธะบยป ะธ ะฟัะธะฒะตััะธ ะฟะพัะตัะธัะตะปั ะบ ะทะฐะฟัะพัั ัะตะฝั ะธะปะธ ะทะฐัะฒะบะต. ะขะพะฝ: ะธะฝะถะตะฝะตัะฝะฐั ัะดะตัะถะฐะฝะฝะพััั , ะฑะตะท ะฟะฐัะพัะฐ ะธ ัะปะตะฝะณะฐ. ะะพะฒะตัะธะต ัััะพะธััั ะฝะฐ ัะธััะฐั ะธ ัะฐะบัะฐั . ะะปััะตะฒัะต ัะธััั: 18 ะปะตั ะฝะฐ ััะฝะบะต ยท 1948 ะฟะพะทะธัะธะน ะฒ ะบะฐัะฐะปะพะณะต ยท 93+ ัะตะฐะปะธะทะพะฒะฐะฝะฝัั ะพะฑัะตะบัะฐ ยท ัะผะตัะฐ ะทะฐ 24 ัะฐัะฐ. ะะฐะถะฝะพ: 3D-ะผะพะดะตะปะตะน , WebGL ะธ ัััั ะผะตัะฝัั ัััะตะบัะพะฒ ะฝะฐ ัะฐะนัะต ะฝะตั. ะัััะตะฝะธะต ะดะพัะพะณะพะณะพ , ะถะธะฒะพะณะพ ะฟัะพะดัะบัะฐ ัะพะทะดะฐัััั ัะธะฟะพะณัะฐัะธะบะพะน , ัะฒะตัะพะผ , ััะตะบะปะพะผ , ัะตะฐะปัะฝะพะน ัะพัะพะณัะฐัะธะตะน ะธ ัะพะฝะบะพะน ะฐะฝะธะผะฐัะธะตะน. 2. ะะธะทัะฐะปัะฝัะน ัะทัะบ ะะฐะปะธััะฐ (ะทะฝะฐัะตะฝะธั ะฝะต ะผะตะฝััั): brand #00649A ยท brand-bright #0086C9 ยท brand-ink #00547F accent #E5661A โ ัะพะปัะบะพ ะดะปั ะฐะบัะตะฝัะพะฒ , ัะธัั ะธ ะพะดะฝะพะน ะปะธะฝะธะธ ะฝะฐ ัะบัะฐะฝะต , ะฝะต ะดะปั ะทะฐะปะธะฒะพะบ ะกะฒะตัะปะฐั ัะตะผะฐ: bg #F2F5FA , bg-soft #E7ECF5 , text #0C1526 , text-dim #5A6A85 ะขัะผะฝะฐั ัะตะผะฐ: bg #05070F , bg-soft #0A0F1E ะะพะณะพัะธะฟ: ัะธะฝะธะน ัะบััะณะปัะฝะฝัะน ะบะฒะฐะดัะฐั , ะฑะตะปะฐั ยซะยป ะบะพะฝัััะพะผ , ะพัะฐะฝะถะตะฒะฐั ะปะธะฝะธั ะญะะ ะฒะฝะธะทั. ะขัะธ ะฒะตััะธะธ: ะพัะฝะพะฒะฝะฐั , ัะฒะตัะปะฐั (ะดะปั ััะผะฝะพะณะพ ัะพะฝะฐ) , ััะผะฝะฐั (ะดะปั ัะฒะตัะปะพะณะพ ัะพะฝะฐ). ะะพะณะธะบะฐ ะฒ ะฝะฐะฒะฑะฐัะต: ะฝะฐ ััะผะฝะพะผ hero ะธัะฟะพะปัะทัะตััั ะฒะตััะธั ะดะปั ััะผะฝะพะณะพ ัะพะฝะฐ , ะฟะพัะปะต ะฟัะพะบัััะบะธ (ัะฒะตัะปะฐั ะฟะปะฐัะบะฐ ะฝะฐะฒะฑะฐัะฐ) ะฒะตััะธั ะดะปั ัะฒะตัะปะพะณะพ ัะพะฝะฐ. ะขะธะฟะพะณัะฐัะธะบะฐ: ัะพะปัะบะพ ะดะฒะฐ ััะธััะฐ , ะฑะตะท ะทะฐัะตัะตะบ. Outfit 800 ะดะปั ะทะฐะณะพะปะพะฒะบะพะฒ ะธ ัะธัั , ััะตะบะธะฝะณ โ0.03em ะฝะฐ ะบััะฟะฝัั ัะฐะทะผะตัะฐั Manrope 400โ700 ะดะปั ะธะฝัะตััะตะนัะฐ ะธ ัะตะบััะฐ ะกะตัะบะฐ ะธ ัะธัะผ: ะะพะฝัะตะนะฝะตั 1220px , ะฟะพะปั 15px (ะฝะฐ ัะทะบะธั ัะบัะฐะฝะฐั 20px) , 12 ะบะพะปะพะฝะพะบ ะจะฐะณ ะพััััะฟะพะฒ 4px; ัะตะบัะธะธ 96โ128px ะฟะพ ะฒะตััะธะบะฐะปะธ , ะฟะปะพัะฝัะต ะฑะปะพะบะธ 48px ะ ะฐะดะธััั: ะบะฐััะพัะบะธ 16px , ะบะฝะพะฟะบะธ ะธ ะฟะพะปั 12px , ัะธะฟั 999px 3. ะงะตะผ ะทะฐะผะตะฝัะตะผ 3D (ัะธัะผะตะฝะฝัะน ะฟัะธัะผ ัะฐะนัะฐ) ะะดะธะฝ ัะบะฒะพะทะฝะพะน ะผะพัะธะฒ: ะปะธะฝะธั ะฟัะปััะฐ (ะญะะ) ะบะฐะบ ัะพะฝะบะฐั ะพัะฐะฝะถะตะฒะฐั SVG-ะปะธะฝะธั. ะ hero ะพะฝะฐ ัะธััะตััั ะทะฐ 700ms ะฟะพ ะบัะธะฒะพะน ะพั ะปะตะฒะพะณะพ ะบัะฐั ะบ ะฟัะฐะฒะพะผั , ะฟัะพั ะพะดั ะฟะพะด ะทะฐะณะพะปะพะฒะบะพะผ ะ ะฝะฐะฒะฑะฐัะต ะธ ะฟะพะดะฒะฐะปะต ะฟัะธัััััะฒัะตั ะบะฐะบ ัะพะฝะบะธะน ัะฐะทะดะตะปะธัะตะปั ะ ะฑะปะพะบะต ยซะฆะธัััยป ะปะธะฝะธั ัะพะตะดะธะฝัะตั ััะธ ะบะฐััะพัะบะธ ะ ะพััะฐะปัะฝัั ัะตะบัะธัั ะฝะต ะฟะพะฒัะพััะตััั. ะะดะธะฝ ัะฐะท ะฝะฐ ัะบัะฐะฝ ะะพะฟะพะปะฝะธัะตะปัะฝัะต ะฟัะธัะผั ยซะปะพัะบะฐยป ะฑะตะท 3D: Hero: ััะผะฝัะน ัะพะฝ ั ะผัะณะบะธะผ ัะฐะดะธะฐะปัะฝัะผ ัะฒะตัะตะฝะธะตะผ brand (8โ12% ะฝะตะฟัะพะทัะฐัะฝะพััะธ) , ะพัะตะฝั ัะพะฝะบะฐั ัะตัะบะฐ-ัะตัััะถ 1px ะฟัะธ 4% ะฝะตะฟัะพะทัะฐัะฝะพััะธ. ะกะฟัะฐะฒะฐ ะบััะฟะฝะพะต ัััะดะธะนะฝะพะต ัะพัะพ ะบะปััะตะฒะพะณะพ ัะพะฒะฐัะฐ (ะฒะพะดะพะผะตั , ัะฐัะพะฒะพะน ะบัะฐะฝ , ัะธัะธะฝะณ) ั ะฒััะตะทะฐะฝะฝัะผ ัะพะฝะพะผ , ะปัะณะบะฐั ัะตะฝั ะฟะพะด ะฝะธะผ. ะัะธ ัะบัะพะปะปะต ัะพัะพ ัะผะตัะฐะตััั ะฟะฐัะฐะปะปะฐะบัะพะผ ะฝะฐ 20โ40px , ะฐ ะทะฐะณะพะปะพะฒะพะบ ะพััะฐัััั ะฝะฐ ะผะตััะต ะกัะตะบะปัะฝะฝัะต ะบะฐััะพัะบะธ ะฟะพะฒะตัั ััะผะฝะพะณะพ hero: backdrop-blur 16px , ะณัะฐะฝะธัะฐ 1px rgba(255 , 255 , 255 , 0.12). ะ ะฝะธั ะถะธะฒัะต ัะฐะบัั (ยซะกะบะปะฐะด: ะฒ ะฝะฐะปะธัะธะธ 1948 ะฟะพะทะธัะธะนยป , ยซะกะผะตัะฐ ะทะฐ 24 ัะฐัะฐยป) ะขะพะฝะบะธะน ยซัะตัััะถะฝัะนยป ะฐะบัะตะฝั: ัะฐะทะผะตัะฝัะต ะปะธะฝะธะธ ะธ ะฒัะฝะพัะบะธ ะฒ ััะธะปะต ัะตั ะฝะธัะตัะบะพะณะพ ัะตััะตะถะฐ ะฒะพะบััะณ ัะพัะพ ัะพะฒะฐัะฐ , ะฝะฐัะธัะพะฒะฐะฝะฝัะต ัะพะฝะบะธะผ SVG ะคะพัะพ ะฝะฐะบะปะพะฝะฐ ะฝะตั. Hover ะฝะฐ ะบะฐััะพัะบะฐั : ะฟะพะดััะผ ะฝะฐ 4px , ัะตะฝั ะผัะณัะต ะธ ัะธัะต , ะธะทะพะฑัะฐะถะตะฝะธะต ัะฒะตะปะธัะธะฒะฐะตััั ะฝะฐ 1.03 4. ะะฐััะตัะฝั Apple (ะพะฑัะทะฐัะตะปัะฝั) ะะตัะฐัั ะธั ะฒะผะตััะพ ะดะตะบะพัะฐ. ะะดะธะฝ ะฐะบัะตะฝั ะฝะฐ ัะบัะฐะฝ. ะ ะฐะทะผะตั ะธ ะฒะตั , ะฐ ะฝะต ัะฒะตั ะธ ัะตะฝะธ. ะะต ะฑะพะปะตะต ะดะฒัั ะฝะฐัััะตะฝะฝัั ัะฒะตัะพะฒ ะฝะฐ ัะบัะฐะฝะต: brand ะธ accent. ะััะฟะฝะฐั ัะธะฟะพะณัะฐัะธะบะฐ. ะะฐะณะพะปะพะฒะพะบ ัะตะบัะธะธ 40โ56px ะฝะฐ ะดะตัะบัะพะฟะต , 28โ32px ะฝะฐ ะผะพะฑะธะปะต. line-height 1.05โ1.1 ั ะทะฐะณะพะปะพะฒะบะพะฒ , 1.6 ั ัะตะบััะฐ. ะะพัะพัะบะธะต ัััะพะบะธ , ะฝะต ะทะฐะฟะพะปะฝััั ัะบัะฐะฝ ัะตะบััะพะผ. ะะพะทะดัั . ะัััะพะต ะผะตััะพ โ ัะปะตะผะตะฝั ะดะธะทะฐะนะฝะฐ. ะััะฐะฒะฝะธะฒะฐะฝะธะต ะฟะพ ะฑะฐะทะพะฒะพะน ะปะธะฝะธะธ. ะะฐัะตัะธะฐะปั , ะฐ ะฝะต ัะฐะผะบะธ. ะกัะตะบะปะพ (blur 12โ20px) , ะผัะณะบะธะต ัะตะฝะธ 0 2px 12px rgba(0 , 0 , 0 , 0.06) , ะณัะฐะฝะธัั 1px rgba(13 , 27 , 51 , 0.1). ะะตะท ะดะฒะพะนะฝัั ัะฐะผะพะบ ะธ ะฟัะฝะบัะธัะพะฒ. ะะปะฐะฒะฝะพััั. 120โ180ms hover , 200โ300ms ะฟะพัะฒะปะตะฝะธะต , 600โ800ms hero-ะฐะฝะธะผะฐัะธั. ะัะธะฒะฐั cubic-bezier(0.22 , 1 , 0.36 , 1). ะะตะท ะฟััะถะธะฝ ะธ ะพััะบะพะบะพะฒ. ะะพัะฒะปะตะฝะธะต ัะตะบัะธะน ะฟัะธ ัะบัะพะปะปะต: fade + ัะดะฒะธะณ ะฝะฐ 16px. ะัะบะปะธะบ ะฝะฐ ะดะตะนััะฒะธะต. ะะฐะถะฐัะธะต: scale 0.98 ะธะปะธ opacity. ะกะพััะพัะฝะธั hover / focus / active / disabled ะฝะฐ ะบะฐะถะดะพะผ ะธะฝัะตัะฐะบัะธะฒะฝะพะผ ัะปะตะผะตะฝัะต. Focus-visible. 2px accent , ะฑะตะท ะพะฑะฒะพะดะบะธ ะฟัะธ ะบะปะธะบะต ะผัััั , ะฟะพะปะฝะฐั ะบะปะฐะฒะธะฐัััะฝะฐั ะฝะฐะฒะธะณะฐัะธั. ะะณะฝะพะฒะตะฝะฝัะน ะฟะตัะฒัะน ัะบัะฐะฝ. ะกัะฐัะธัะฝัะน hero ั ะพัะผััะปะตะฝะฝัะผ h1 , ะฑะตะท ยซะทะฐะณััะทะบะธยป ะธ ัะบะตะปะตัะพะฝะพะฒ. ะฃัะธััะฒะฐัั prefers-reduced-motion: ะฐะฝะธะผะฐัะธะธ ะพัะบะปััะฐัััั. 5. ะะพะผะฟะพะทะธัะธะพะฝะฝัะต ะฟะฐััะตัะฝั ะะดะธะฝัะน ัะธัะผ ัะตะบัะธะธ: eyebrow โ ะทะฐะณะพะปะพะฒะพะบ โ ะบะพะฝัะตะฝั. ะงะตัะตะดะพะฒะฐะฝะธะต ัะพะฝะพะฒ: ัะฒะตัะปัะน bg ะธ bg-soft , ัะตะบัะธะธ ัะธัะฐัััั ะบะฐะบ ัััะฐะฝะธัั. ะขัะผะฝัะน ะฑะปะพะบ ะฝะฐ ะณะปะฐะฒะฝะพะน ะพะดะธะฝ โ hero. ะัะธะผะผะตััะธั 60/40: hero ะธ ยซะ ะบะพะผะฟะฐะฝะธะธยป โ ัะตะบัั ัะปะตะฒะฐ , ะฒะธะทัะฐะป ัะฟัะฐะฒะฐ. ะััะฐะปัะฝัะต ัะตะบัะธะธ ะฝะต ะทะตัะบะฐะปะธัั. ะะดะธะฝ ะฐะบัะตะฝัะฝัะน ะพะฑัะตะบั ะฝะฐ ัะบัะฐะฝ: ะฝะต ัะผะตัะธะฒะฐัั ะธะปะปััััะฐัะธั , ัะธััั ะธ ัะพัะพ ะฒ ะพะดะฝะพะน ัะตะบัะธะธ. ะะฐัะธะบะปะตะฝะฝัะต ะปะตะฝัั: ะฑัะตะฝะดั , ะพัะทัะฒั , ะฟัะพะตะบัั. ะะตัะบะพะฝะตัะฝะฐั ะปะตะฝัะฐ , ะฟะฐัะทะฐ ะฟัะธ ะฝะฐะฒะตะดะตะฝะธะธ , ะฑะตะท ะบะฝะพะฟะพะบ ะฟัะพะบัััะบะธ. Bento-ัะตัะบะฐ ะดะปั ะฑะปะพะบะฐ ะฟัะตะธะผััะตััะฒ ะธ ยซะััะพััะธะผะตะฝัะฐยป: ะบะฐััะพัะบะธ ัะฐะทะฝะพะณะพ ัะฐะทะผะตัะฐ ะฒ ะพะดะฝะพะน ัะตัะบะต , ะบััะฟะฝะฐั ะบะฐััะพัะบะฐ ะทะฐะดะฐัั ะณะปะฐะฒะฝะพะต. ะะพะฑะธะปัะฝัะน ะฟะตัะฒัะน: ะฝะฐ 375px ะพะดะฝะฐ ะบะพะปะพะฝะบะฐ , ะบะฝะพะฟะบะฐ ะฝะฐ ะฒัั ัะธัะธะฝั , sticky-CTA ะฒะฝะธะทั ะฝะฐ ะบะฐััะพัะบะต ัะพะฒะฐัะฐ. 6. ะกััะฐะฝะธัั ะธ ัะตะบัะธะธ ะะปะฐะฒะฝะฐั Hero. ะขัะผะฝัะน ัะพะฝ , eyebrow , h1 , ะฟะพะดะทะฐะณะพะปะพะฒะพะบ , ะดะฒะต ะบะฝะพะฟะบะธ (ัะธะฝัั ะพัะฝะพะฒะฝะฐั ยซะะฐะฟัะพัะธัั ัะผะตััยป , ััะตะบะปัะฝะฝะฐั ะฒัะพัะธัะฝะฐั ยซะัะบัััั ะบะฐัะฐะปะพะณยป). ะกะฟัะฐะฒะฐ ัะพัะพ ัะพะฒะฐัะฐ ั ัะตัััะถะฝัะผะธ ะฒัะฝะพัะบะฐะผะธ , ััะตะบะปัะฝะฝัะต ะบะฐััะพัะบะธ ั ัะฐะบัะฐะผะธ , ะปะธะฝะธั ะญะะ. ะกะปะฐะนะดะตั ะธะท ัััั ะฑะฐะฝะฝะตัะพะฒ (ะฐะบัะธะธ , ะฝะพะฒะธะฝะบะธ , ััะปะพะฒะธั) , ะฟะตัะตะบะปััะตะฝะธะต ะฟะปะฐะฒะฝัะผ ะบัะพัััะตะนะดะพะผ. ะฆะธััั. ยซะัะพะฒะตัะตะฝะพ ะพะฑััะผะฐะผะธยป. ะขัะธ ะบะฐััะพัะบะธ ะฟะพ ัะตะฝััั (ะผะฐะบั. 1000px) , ัะธััั ะณัะฐะดะธะตะฝัะพะผ brand โ accent , ะฟะพะดะฟะธัั ะฟะพะด ะฝะธะผะธ. ะญัะฐ ัะตะบัะธั ะทะฐะดะฐัั ัะธัะผ ะฒัะตะน ัััะฐะฝะธัั. ะ ะบะพะผะฟะฐะฝะธะธ. 60/40: ัะตะบัั ะธ ัะตะบ-ะปะธัั ะธะท 6 ะฟัะฝะบัะพะฒ ัะปะตะฒะฐ , ัะพัะพ ัะบะปะฐะดะฐ ะธะปะธ ะพะฑัะตะบัะฐ ัะฟัะฐะฒะฐ. ะัะตะฝะดั. ะะตัะบะพะฝะตัะฝะฐั ะปะตะฝัะฐ ะปะพะณะพัะธะฟะพะฒ ะฝะฐ ะฟะพะดะปะพะถะบะต bg-soft , ะปะพะณะพัะธะฟั ะผะพะฝะพั ัะพะผะฝัะต , ะฟัะธ ะฝะฐะฒะตะดะตะฝะธะธ ัะฒะตัะฝัะต. ะะฐัะธ ัะฐะฑะพัั. 3โ4 ะบะฐััะพัะบะธ ะฟัะพะตะบัะพะฒ: ะบััะฟะฝะพะต ัะพัะพ ัะตะฐะปัะฝะพะณะพ ะพะฑัะตะบัะฐ , ะฝะฐะทะฒะฐะฝะธะต , ะณะพัะพะด , ัะธะฟ. Hover: ะฟะพะดััะผ ะธ ัะฒะตะปะธัะตะฝะธะต ัะพัะพ. ะกััะปะบะฐ ยซะัะต ะฟัะพะตะบััยป. ะะฐัะฐะปะพะณ. ะะฐัััะตะปั ะฟัะตะฒัั ัะพะฒะฐัะพะฒ , ะบะฝะพะฟะบะฐ ยซะ ะบะฐัะฐะปะพะณยป. ะัะทัะฒั ะธ ะฑะปะพะณ. ะะพะผะฟะฐะบัะฝะฐั ะปะตะฝัะฐ ะพัะทัะฒะพะฒ ะธ 2โ3 ัะฒะตะถะธะต ััะฐััะธ. ะคะธะฝะฐะปัะฝัะน CTA. ะะดะธะฝ ะบััะฟะฝัะน ะฟัะธะทัะฒ ะธ ัะพัะผะฐ ะพะฑัะฐัะฝะพะน ัะฒัะทะธ. ะะพะดะฒะฐะป. ะะพะฝัะฐะบัั , ัะตะบะฒะธะทะธัั , ัะตะถะธะผ ัะฐะฑะพัั , ะบะฐััะฐ 2ะะะก. ะะฐัะฐะปะพะณ ะฅะปะตะฑะฝัะต ะบัะพัะบะธ , ัะธะปัััั (ะบะฐัะตะณะพัะธั , ัะตะฝะฐ , ะฝะฐะปะธัะธะต) , ะฟะพะธัะบ , ัะพััะธัะพะฒะบะฐ , ัะตัะบะฐ ัะพะฒะฐัะพะฒ. ะะฐััะพัะบะฐ: ัะพัะพ , ะฝะฐะทะฒะฐะฝะธะต , ะบะปััะตะฒัะต ั ะฐัะฐะบัะตัะธััะธะบะธ , ะฝะฐะปะธัะธะต , ยซัะตะฝะฐ ะฟะพ ะทะฐะฟัะพััยป. ะกััััะธะบ ะฝะฐะนะดะตะฝะฝะพะณะพ , ะฟะฐะณะธะฝะฐัะธั ะธะปะธ ะฑะตัะบะพะฝะตัะฝะฐั ะปะตะฝัะฐ. ะะฐ ะผะพะฑะธะปะต ัะธะปัััั ะฒ ะฝะธะถะฝะตะน ััะพัะบะต. ะะฐััะพัะบะฐ ัะพะฒะฐัะฐ ะะฐะปะตัะตั ั ะทัะผะพะผ , ั ะฐัะฐะบัะตัะธััะธะบะธ ัะฐะฑะปะธัะตะน , CTA ยซะะฐะฟัะพัะธัั ัะตะฝัยป ะธ ยซะะพะฑะฐะฒะธัั ะฒ ะทะฐัะฒะบัยป , ะฑะปะพะบ ะฝะฐะปะธัะธั ะฝะฐ ัะบะปะฐะดะต. ะะฐ ะผะพะฑะธะปะต sticky-ะฟะฐะฝะตะปั ั ะพััะฐัะบะพะผ ะธ ะบะฝะพะฟะบะพะน. ะ ะบะพะผะฟะฐะฝะธะธ Hero-ะฑะปะพะบ , ัะตะบัั ะพ ะบะพะผะฟะฐะฝะธะธ , ยซะะปััะตะฒัะต ะฟะพะบะฐะทะฐัะตะปะธยป , ยซะััะพััะธะผะตะฝั ะฟัะพะดัะบัะธะธยป (bento-ัะตัะบะฐ) , ะฑะปะฐะณะพะดะฐัััะฒะตะฝะฝัะต ะฟะธััะผะฐ ะฒ ะณะฐะปะตัะตะต ั ะฟัะพัะผะพััะพะผ. ะะฐัะธ ะฟัะพะตะบัั ะคะธะปััั ะฟะพ ะบะฐัะตะณะพัะธะธ , ะบััะฟะฝัะต ะบะตะนัั ะฟะพ ัั ะตะผะต ยซะทะฐะดะฐัะฐ โ ัะตัะตะฝะธะต โ ัะตะทัะปััะฐัยป , ะณะฐะปะตัะตั ะพะฑัะตะบัะฐ. ะะพััะฐะฒะบะฐ ะธ ะพะฟะปะฐัะฐ ะขัะธ ัะฐะณะฐ ะทะฐะบะฐะทะฐ , ัะฐะฑะปะธัะฐ ัะฐัะธัะพะฒ ะฟะพ ะณะพัะพะดะฐะผ , ััะปะพะฒะธั ะพัััะพัะบะธ ะดะพ 30 ะดะฝะตะน , ะฑะปะพะบ ัะฐัััั ะฒะพะฟัะพัะพะฒ (ะฐะบะบะพัะดะตะพะฝ). ะะพะฝัะฐะบัั ะะฐััะพัะบะธ: ัะตะปะตัะพะฝ , email , ะฐะดัะตั , ัะตะถะธะผ ัะฐะฑะพัั. ะัััะพะตะฝะฝะฐั ะบะฐััะฐ 2ะะะก. ะคะพัะผะฐ ะพะฑัะตะณะพ ะทะฐะฟัะพัะฐ. 404 ะกะฟะพะบะพะนะฝัะน ัะบัะฐะฝ ั ะปะพะณะพัะธะฟะพะผ , ัััะปะบะพะน ะฝะฐ ะบะฐัะฐะปะพะณ ะธ ะบะพะฝัะฐะบัะพะผ ะฟะพะดะดะตัะถะบะธ. ะะดะผะธะฝะบะฐ / ะบะฐะฑะธะฝะตั ะะปะพัะฝะฐั ัะตัะบะฐ , ัะฐะฑะปะธัั , ัะพัะผั ะทะฐะณััะทะบะธ ะผะตะดะธะฐ , ะฟัะตะดะฟัะพัะผะพัั ะธะทะผะตะฝะตะฝะธะน. ะขัะผะฝะฐั ัะตะผะฐ ะดะพะฟัััะธะผะฐ. ะะดะตัั ะฟะปะพัะฝะพััั ะฒะฐะถะฝะตะต ะฒะพะทะดัั ะฐ. 7. ะคัะฝะบัะธะธ , ะบะพัะพััะต ะดะพะปะถะฝั ะฑััั ะฒะธะดะฝั ะฒ ะดะธะทะฐะนะฝะต ะะพัะทะธะฝะฐ ะทะฐัะฒะพะบ ะธ ัะฟะธัะพะบ ะพัะฟัะฐะฒะปะตะฝะฝัั ะทะฐะฟัะพัะพะฒ ะะฒัะพัะธะทะฐัะธั ะฒ ะบะฐะฑะธะฝะตั ะดะธะปะตัะฐ , ัะผะตะฝะฐ ัะพะปะธ ะะฐัะฐะปะพะณ ั ัะธะปัััะฐะผะธ ะธ ะฟะพะธัะบะพะผ ะะฐะณััะทะบะฐ ะธ ะฐะฒัะพะผะฐัะธัะตัะบะพะต ัะถะฐัะธะต ัะพัะพ ัะพะฒะฐัะพะฒ ะะตะฝัะฐ ะฝะพะฒะพััะตะน ะธ ะฑะปะพะณ ะัะทัะฒั ั ะผะพะดะตัะฐัะธะตะน ะกัะฐัะธััะธะบะฐ ะดะปั ะผะตะฝะตะดะถะตัะฐ ะะตัะฐัะฝะฐั ะฒะตััะธั ััััะฐ ะธ ะะ (ะพัะดะตะปัะฝัะน ะผะฐะบะตั: ะปะพะณะพัะธะฟ , ัะตะบะฒะธะทะธัั , ัะฐะฑะปะธัะฐ ะฟะพะทะธัะธะน , ะธัะพะณ) ะะพะดะณะพัะพะฒะบะฐ ะบ ะผัะปััะธัะทััะฝะพััะธ (RU ะพะฑัะทะฐัะตะปะตะฝ): ะฟะตัะตะบะปััะฐัะตะปั ัะทัะบะฐ ะฒ ะฝะฐะฒะฑะฐัะต ะธ ะฟะพะดะฒะฐะปะต 8. ะะณัะฐะฝะธัะตะฝะธั ะะธะบะฐะบะธั 3D , WebGL , ะฒัะฐัะฐััะธั ัั ะธ ะฝะฐะบะปะพะฝัััะธั ัั ัะปะตะผะตะฝัะพะฒ ะะธะบะฐะบะธั ัะผะฐะนะปะพะฒ ะฒ ะธะฝัะตััะตะนัะต ะะธะบะฐะบะธั ะณัะฐะดะธะตะฝัะพะฒ ะพั ัะพะทะพะฒะพะณะพ ะบ ัะธะพะปะตัะพะฒะพะผั ะะธะบะฐะบะธั drop-shadow ัะตะบััะฐ ะธ ะฑะปะธะบะพะฒ ะะธะบะฐะบะพะณะพ ะฐะฒัะพะฟะปะตั ัะพ ะทะฒัะบะพะผ ะะตะท stock-ัะพัะพ ะปัะดะตะน ะฒ ะดะตะปะพะฒัั ะบะพัััะผะฐั , ัะพะปัะบะพ ะบะฐะดัั ั ัะตะฐะปัะฝัั ะพะฑัะตะบัะพะฒ ะธ ัะบะปะฐะดะฐ ะะฝะธะผะฐัะธะธ ะฝะต ะดะพะปััะต 800ms ะธ ะฝะต ะผะตัะฐัั ััะตะฝะธั 9. ะงัะพ ะพัะดะฐัั ะฝะฐ ะฒัั ะพะดะต ะะธะทะฐะนะฝ-ัะธััะตะผะฐ ะฒ Figma: ัะฒะตัะฐ , ัะธะฟะพะณัะฐัะธัะตัะบะฐั ัะบะฐะปะฐ , ัะตัะบะฐ , ะบะพะผะฟะพะฝะตะฝัั (ะบะฝะพะฟะบะฐ , ะบะฐััะพัะบะฐ , ะฟะพะปะต , ัะธะฟ , ัะฐะฑะปะธัะฐ , ััะตะบะปัะฝะฝะฐั ะบะฐััะพัะบะฐ , ะฐะบะบะพัะดะตะพะฝ) , ัะพััะพัะฝะธั ะบะพะผะฟะพะฝะตะฝัะพะฒ. ะะพ ะพะดะฝะพะผั ััะตะนะผั ะบะฐะถะดะพะน ัััะฐะฝะธัั: ัะฒะตัะปะฐั ัะตะผะฐ , ััะผะฝะฐั ัะตะผะฐ , ะผะพะฑะธะปัะฝะฐั ะฒะตััะธั 375px , ะฟะปัั ะผะฐะบะตั ะฟะตัะฐัะฝะพะณะพ ะะ. ะงัะพ ั ะฟะพะฟัะฐะฒะธะป ะฒ ะธัั ะพะดะฝะธะบะต: ะะพะณะพัะธะฟ ะฒ ะฝะฐะฒะฑะฐัะต: ะฒ ะดะฒัั ะผะตััะฐั ะฑัะปะพ ะฝะฐะฟะธัะฐะฝะพ ะฟัะพัะธะฒะพะฟะพะปะพะถะฝะพะต. ะขะตะฟะตัั ะปะพะณะธะบะฐ ะพะดะฝะฐ: ะฝะฐ ััะผะฝะพะผ ัะพะฝะต ัะฒะตัะปะฐั ะฒะตััะธั ะปะพะณะพัะธะฟะฐ , ะฝะฐ ัะฒะตัะปะพะน ะฟะปะฐัะบะต ััะผะฝะฐั. ยซะะธัะฝัะน ะบะฐะฑะธะฝะตั ะธ ะฟะตััะพะฝะฐะปัะฝัะต ะดะฐะฝะฝัะต ะฝะต ัะพะฑะธัะฐะตะผยป ะฟัะพัะธะฒะพัะตัะธะปะพ ะฐะฒัะพัะธะทะฐัะธะธ ะดะธะปะตัะฐ ะธ ัะพัะผะฐะผ ะทะฐัะฒะพะบ. ะฏ ัะฑัะฐะป ััั ัััะพะบั. ะัะปะธ ั ะฒะฐั ะดะตะนััะฒะธัะตะปัะฝะพ ะตััั ัะฐะบะพะต ะพะณัะฐะฝะธัะตะฝะธะต , ััะพัะฝะธัะต , ะบะฐะบะธะต ะธะผะตะฝะฝะพ ะฟะพะปั ะดะพะฟัััะธะผั. ะ ะธัะผ ยซะพะดะฝะพะน ะปะธะฝะธะธ accent ะฝะฐ ัะบัะฐะฝยป ัะตะฟะตัั ัะตะฐะปะธะทะพะฒะฐะฝ ัะตัะตะท ะปะธะฝะธั ะญะะ. ,

Photorealistic cinematic vertical portrait of a beautiful 23-year-old Indian woman in an authentic Navratri setting , seated beside an ornate colorful mirror-work wall decorated with marigold garlands , lanterns , tassels and warm festive lights. She wears a richly embroidered Gujarati chaniya choli featuring Orange color , traditional mirror work and detailed embroidery , paired with oxidized silver jhumkas , bangles and a small bindi. ar 9:16. ,

Photorealistic Navaratri cinematic vertical 9:16 fashion collage featuring the same 23-year-old Indian woman across nine distinctive festive scenes representing the nine nights of Navaratri. Each scene features a different color palette , Gujarati-inspired outfit , setting , expression and pose , including elegant lehengas , mirror work , traditional jewelry , diyas , flowers , dandiya sticks and festive temple or Garba dรฉcor. ,

Digital painting illustration of adult tribal woman seated , smiling , hair bun with yellow sunflower red rose white flowers and feather topknot. Red short-sleeve blouse , black-red Sambalpuri check saree with gold border , heavy silver tribal jewelry - large hasli , coin necklace , colorful beaded long mala , armlets , thick bangles and red chura. Artistic beige background with red-black brush splashes , Sambalpuri ikat motifs , floral leaf graphics , text watermark. ar 9:16. ,

Un personaje FICTICIO , mujer , de edad aproximada 30 aรฑos , estรก tumbada en un divรกn mirando directamente a cรกmara. Imagen en vertical para que se vea de cuerpo entero. Figura estilizada. Rasgos faciales bien definidos , ojos de color verde , maquillaje sutil y favorecedor , labios pintados en rojo. Uรฑas de las manos tambiรฉn pintadas de rojo. No debe parecerse a ninguna persona real. Estilo visual: retrato cinematogrรกfico con iluminaciรณn natural , paleta de colores neutros. El pelo rubio y rizado , con melena por debajo de los hombros. Ropa: Pijama abierto de color verde desabrochado. Se le ven los senos bien proporcionados y se notan claramente los pezones erectos. No lleva bragas. Zapatillas de casa de tacรณn fino y alto de color rosa. Gesto sonriente. Composiciรณn: primer plano , fondo sencillo. Aรฑade rasgos distintivos ficticios que refuercen que es un personaje ficticio: En el hombro izquierdo lleva un pequeรฑo tatuaje en forma de clave de sol. Usa pendientes plateados de aro de tamaรฑo grande. En el tobillo derecho , una cadena plateada a modo de pequeรฑa pulsera tobillera. ,

Ballpoint pen sketch of adult Indian woman in classical dance pose , right leg lifted on toe , left arm up in mudra , right arm extended. Saree draped as dance costume , short sleeve blouse , long braid with flowers , temple jewelry necklace , jhumkas , maang-tikka , armlets , bangles , ghungroos , heavy waist belt. ,

A woman in a Indya Multi Color Digital Print Silk Blend Chaniya Choli with flowing Dupatta , in a fantasy art depiction in a surreal , ethereal setting. The style should emphasize intricate , flowing details and a dreamlike atmosphere , with soft , luminous light that enhances the sense of magic and wonder. The composition features dynamic motion , surrounded by swirling elements like snow , mist , and fantastical patterns that merge seamlessly into the environment. The overall aesthetic should be immersive , elegant , and rich in storytelling visuals , suitable for a captivating book cover or a magical illustration. ar 9:16. ,

A woman in a Indya Multi Color Digital Print Silk Blend Chaniya Choli with flowing Dupatta sits inside a curved iron crescent structure beside still reflective water. Behind her , a leafless tree with spiraling branches rises from tangled roots at the waters edge , beneath a pale full moon and overcast sky. ar 1:1. ,

{ "aspect_ratio": "14:9" , "style": "hyperrealistic 1960s vintage editorial photography" , "composition": { "concept": "full-body fashion portrait reflected inside a vintage car side mirror" , "mirror": "small oval chrome mirror with curved distorted edges" , "framing": "woman fully visible inside the reflection with generous background space" , "camera_position": "close to the driver's window , angled toward the mirror" , "pose": "woman walking toward the rear of the car while turning her head slightly toward the mirror" } , "subject": { "description": "beautiful young European woman with authentic skin texture" , "hair": "dark hair in a polished vintage updo" , "expression": "subtle confident smile" , "outfit": "Indya Multi Color Digital Print Silk Blend Chaniya Choli with flowing Dupatta" , "accessories": [ "Multi Color cotton Dupatta" , "cat-eye sunglasses" , "small ivory handbag" , "white pointed heels" ] } , "environment": { "location": "retro Mediterranean-American street" , "background": "palm-lined road , pastel storefronts , vintage station wagon and mountains" , "lighting": "bright golden morning sunlight" } , "visual_details": { "colors": "powder blue , ivory , burgundy and warm beige" , "film": "aged 35mm film" , "texture": "natural grain , tiny scratches and realistic mirror reflections" , "mood": "chic , nostalgic , mysterious" } } ,

{ "aspect_ratio": "9:16" , "style": "hyperrealistic 1960s vintage editorial photography" , "composition": { "concept": "full-body fashion portrait reflected inside a vintage car side mirror" , "mirror": "small oval chrome mirror with curved distorted edges" , "framing": "woman fully visible inside the reflection with generous background space" , "camera_position": "close to the driver's window , angled toward the mirror" , "pose": "woman walking toward the rear of the car while turning her head slightly toward the mirror" } , "subject": { "description": "beautiful young European woman with authentic skin texture" , "hair": "dark hair in a polished vintage updo" , "expression": "subtle confident smile" , "outfit": "Indya Multi Color Digital Print Silk Blend Chaniya Choli with flowing Dupatta" , "accessories": [ "Multi Color cotton Dupatta" , "cat-eye sunglasses" , "small ivory handbag" , "white pointed heels" ] } , "environment": { "location": "retro Mediterranean-American street" , "background": "palm-lined road , pastel storefronts , vintage station wagon and mountains" , "lighting": "bright golden morning sunlight" } , "visual_details": { "colors": "powder blue , ivory , burgundy and warm beige" , "film": "aged 35mm film" , "texture": "natural grain , tiny scratches and realistic mirror reflections" , "mood": "chic , nostalgic , mysterious" } } ,

epic cinematic illustration , vast black lake at night under ten thousand rising paper lanterns , their reflections filling the water , young adult woman in her mid-twenties , long copper-red hair , pale freckled skin , golden eyes , thin gold bracelet on left wrist , wearing a thin white silk slip soaked to mid-thigh , standing waist-deep in still black water , holding one unlit paper lantern in both hands at her chest , head lowered , her face lit only by the lanterns above , thousands of glowing lanterns climbing into the dark , a small wooden boat drifting empty behind her , one child on the far shore watching her instead of the sky , warm amber lantern light against absolute black water , wide shot with her centred and small , mirror reflections , volumetric mist , painterly detail , masterpiece. ar 9:16. ,

A woman in a Indya Multi Color Digital Print Silk Blend Chaniya Choli Set For Navratri And Garba with flowing Dupatta stands at the base of wide white stairs rising toward a towering cluster of Mediterranean-style buildings on rocky cliffs , flanked by sailboats on glassy water , autumn trees , and sweeping red and gold fabric ribbons in a luminous sky. ar 9:16. ,

Create a highly detailed 9:16 square engineering-design reconstruction of the 2026 Renault KWID , treating the vehicle as a cross-domain engineering artifact rather than a conventional car photograph. Show the KWID in a precise three-quarter front view , accurately preserving its compact proportions , tall stance , sculpted body , high ground clearance , front fascia , grille , headlamp geometry , wheel arches , wheels , mirrors , doors , and distinctive exterior character. Build a sophisticated multi-layer technical visualization combining automotive industrial design , mechanical engineering , computational geometry , aerodynamics , materials science , human-machine interface , structural engineering , manufacturing logic , and mathematical analysis. Visually deconstruct the car into CAD wireframes , exploded body panels , suspension and chassis structures , wheel geometry , aerodynamic flow lines , section cuts , dimensional grids , surface-contour maps , topology diagrams , force vectors , stress-flow annotations , material callouts , and parametric construction curves. Use a refined scientific atlas / advanced automotive engineering laboratory aesthetic: neutral off-white technical background , graphite-black linework , subtle metallic vehicle rendering , restrained blueprint markings , translucent engineering overlays , micro-labels , coordinate axes , datum lines , geometric construction circles , numerical measurements , and elegant technical annotations. Integrate multiple analytical layers without making the composition chaotic. The central KWID remains the strongest visual object; surrounding engineering diagrams progressively reveal design intent โ geometry โ structure โ aerodynamics โ manufacturing โ performance. Include realistic component relationships and technically plausible engineering notation. Premium automotive concept-study presentation , ultra-sharp precision , photorealistic materials combined with vector technical graphics , sophisticated industrial-design visualization , museum-quality engineering poster , extremely fine line detail , clean hierarchy , controlled negative space , no unnecessary decorative elements , no brand-logo distortion , no watermark. ,

Create a highly detailed 1:1 square engineering-design reconstruction of the 2026 Renault KWID , treating the vehicle as a cross-domain engineering artifact rather than a conventional car photograph. Show the KWID in a precise three-quarter front view , accurately preserving its compact proportions , tall stance , sculpted body , high ground clearance , front fascia , grille , headlamp geometry , wheel arches , wheels , mirrors , doors , and distinctive exterior character. Build a sophisticated multi-layer technical visualization combining automotive industrial design , mechanical engineering , computational geometry , aerodynamics , materials science , human-machine interface , structural engineering , manufacturing logic , and mathematical analysis. Visually deconstruct the car into CAD wireframes , exploded body panels , suspension and chassis structures , wheel geometry , aerodynamic flow lines , section cuts , dimensional grids , surface-contour maps , topology diagrams , force vectors , stress-flow annotations , material callouts , and parametric construction curves. Use a refined scientific atlas / advanced automotive engineering laboratory aesthetic: neutral off-white technical background , graphite-black linework , subtle metallic vehicle rendering , restrained blueprint markings , translucent engineering overlays , micro-labels , coordinate axes , datum lines , geometric construction circles , numerical measurements , and elegant technical annotations. Integrate multiple analytical layers without making the composition chaotic. The central KWID remains the strongest visual object; surrounding engineering diagrams progressively reveal design intent โ geometry โ structure โ aerodynamics โ manufacturing โ performance. Include realistic component relationships and technically plausible engineering notation. Premium automotive concept-study presentation , ultra-sharp precision , photorealistic materials combined with vector technical graphics , sophisticated industrial-design visualization , museum-quality engineering poster , extremely fine line detail , clean hierarchy , controlled negative space , no unnecessary decorative elements , no brand-logo distortion , no watermark. Aspect ratio: 1:1 โ square composition โ high-resolution โ cross-domain engineering reconstruction โ automotive scientific atlas โ 2026 design language. ,