AI Image Prompts for Brick
Explore AI generated designs, images, art and prompts by top community artists and designers.
“Create a vibrant , Instagram Reel-ready video (9:16 aspect ratio , 1080x1920 resolution , MP4 format , under 287.6 MB for iOS) for Sylvia’s Jamaican Restaurant at 105 Main St , Poughkeepsie , NY , teasing the ‘Hot Vybz Drink Line’ launch with a spicy challenge theme. The 15-second Reel starts at sunrise on the bustling block , showing the cozy brick storefront painted in warm red and green , a green sign reading ‘Sylvia’s Jamaican Restaurant’ in bold yellow letters , and Jamaican flags fluttering. Our all-attractive African American staff—mi link dem—stands outside , holding bottles of Scotch Bonnet Splash , Tamarind Ting Blaze , and Hibiscus Heat Wave , each with Sylvia’s logo in its unique style (red graffiti , neon yellow script , magenta cursive). They’re rocking T-shirts saying ‘I Survived Sylvia’s Hot Challenge , ’ laughing and dancing to a trending dancehall beat. The block’s 50/50 traffic picks up—cars honking , locals walking by , one shouting ‘Mi a forward!’ Inside , through the window , the warm interior shows a chesta draw with cerfiticates and a photo of Sister Nancy. Text overlay in neon yellow pops up: ‘Hot Vybz Coming Soon! 🇯🇲.’ End with a minimalist watermark in the bottom right: ‘SLIMGEMS MEDIA 2025’ in white with a black outline. Set it to a trending dancehall remix of ‘Bam Bam.’ The vibe is fiery , fun , and community-driven—a yasso nice launch!” ,
A highly detailed , ultra high-resolution image of Brazilian President Luiz Inácio Lula da Silva sitting at a rustic wooden table in a humble home in Northeast Brazil , eating a roasted lizard (calango). Lula has a focused expression as he takes a bite , while former U.S. President Donald Trump stands beside him , laughing and pointing at the scene with his index finger. The dim lighting of the modest home , with exposed brick walls and simple furniture , adds authenticity to the moment. The camera captures this humorous interaction from a mid-range shot , slightly tilted for dynamic composition. ,
"A cruel female ninja mech , covered in a full-body blue and white futuristic armor , with a shiny long black staff that is taller than she is in her hand. Her long , sleek dark brown hair is tied into a stylish low ponytail that flows dramatically in the wind , creating a striking contrast against the devastated war-torn city in the background. A blue scarf also waves dramatically in the breeze , adding a touch of motion to the scene. The name "Xer0" is embroidered into her tactical boots. The ninja's face is cold and emotionless , exuding an aura of deadly precision and subtle fear , yet a hint of grace. The scene is captured in breathtaking 16K resolution , with digital reflex camera effects and light tracing enhancing the overall quality of this cinematic shot. The atmosphere is enhanced by chiaroscuro lighting , bringing depth and drama to the action-packed , concept-art-inspired composition. The mech’s design combines sleek mechanical elements with an artistic touch of action painting , giving it a sense of elegance and power. The letters "Xer0" is spray painted on her chest. The entire setting is a masterwork of 3D design , with a devastated cityscape as the backdrop , illuminated by film-style lighting that emphasizes the contrast between the blue and white armor and the war-torn surroundings. The overall mood mixes feelings of danger and a subtle fear of death , focusing more on the assassin's aura of death rather than overwhelming terror. The blue gaming gear adds a futuristic edge to her appearance , solidifying her as a deadly warrior in this post-apocalyptic world." her name is Xer0 , full body portrait , gravel , brick and cement under her boots. ,
"A cruel female ninja mech , covered in a full-body blue and white futuristic armor , with a shiny long black staff in her hand. Her long , sleek dark brown hair is tied into a stylish low ponytail that flows dramatically in the wind , creating a striking contrast against the devastated war-torn city in the background. A blue scarf also waves dramatically in the breeze , adding a touch of motion to the scene. The name "Xer0" is embroidered into her tactical boots. The ninja's face is cold and emotionless , exuding an aura of deadly precision and subtle fear , yet a hint of grace. The scene is captured in breathtaking 16K resolution , with digital reflex camera effects and light tracing enhancing the overall quality of this cinematic shot. The atmosphere is enhanced by chiaroscuro lighting , bringing depth and drama to the action-packed , concept-art-inspired composition. The mech’s design combines sleek mechanical elements with an artistic touch of action painting , giving it a sense of elegance and power. The letters "Xer0" is spray painted on her chest. The entire setting is a masterwork of 3D design , with a devastated cityscape as the backdrop , illuminated by film-style lighting that emphasizes the contrast between the blue and white armor and the war-torn surroundings. The overall mood mixes feelings of danger and a subtle fear of death , focusing more on the assassin's aura of death rather than overwhelming terror. The blue gaming gear adds a futuristic edge to her appearance , solidifying her as a deadly warrior in this post-apocalyptic world." her name is Xer0 , full body portrait , gravel , brick and cement under her boots ,
Fairness means ensuring your analysis doesn't create or reinforce bias. This can be challenging , but if the analysis is not objective , the conclusions can be misleading and even harmful. In this reading , you’re going to explore some best practices you can use to guide your work toward a more fair analysis! Consider fairness Following are some strategies that support fair analysis: Best practice Explanation Example Consider all of the available data Part of your job as a data analyst is to determine what data is going to be useful for your analysis. Often there will be data that isn’t relevant to what you’re focusing on or doesn’t seem to align with your expectations. But you can’t just ignore it; it’s critical to consider all of the available data so that your analysis reflects the truth and not just your own expectations. A state’s Department of Transportation is interested in measuring traffic patterns on holidays. At first , they only include metrics related to traffic volumes and the fact that the days are holidays. But the data team realizes they failed to consider how weather on these holidays might also affect traffic volumes. Considering this additional data helps them gain more complete insights. Identify surrounding factors As you’ll learn throughout these courses , context is key for you and your stakeholders to understand the final conclusions of any analysis. Similar to considering all of the data , you also must understand surrounding factors that could influence the insights you’re gaining. A human resources department wants to better plan for employee vacation time in order to anticipate staffing needs. HR uses a list of national bank holidays as a key part of the data-gathering process. But they fail to consider important holidays that aren’t on the bank calendar , which introduces bias against employees who celebrate them. It also gives HR less useful results because bank holidays may not necessarily apply to their actual employee population. Include self-reported data Self-reporting is a data collection technique where participants provide information about themselves. Self-reported data can be a great way to introduce fairness in your data collection process. People bring conscious and unconscious bias to their observations about the world , including about other people. Using self-reporting methods to collect data can help avoid these observer biases. Additionally , separating self-reported data from other data you collect provides important context to your conclusions! A data analyst is working on a project for a brick-and-mortar retailer. Their goal is to learn more about their customer base. This data analyst knows they need to consider fairness when they collect data; they decide to create a survey so that customers can self-report information about themselves. By doing that , they avoid bias that might be introduced with other demographic data collection methods. For example , if they had sales associates report their observations about customers , they might introduce any unconscious bias the employees had to the data. Use oversampling effectively When collecting data about a population , it’s important to be aware of the actual makeup of that population. Sometimes , oversampling can help you represent groups in that population that otherwise wouldn’t be represented fairly. Oversampling is the process of increasing the sample size of nondominant groups in a population. This can help you better represent them and address imbalanced datasets. A fitness company is releasing new digital content for users of their equipment. They are interested in designing content that appeals to different users , knowing that different people may interact with their equipment in different ways. For example , part of their user-base is age 70 or older. In order to represent these users , they oversample them in their data. That way , decisions they make about their fitness content will be more inclusive. Think about fairness from beginning to end To ensure that your analysis and final conclusions are fair , be sure to consider fairness from the earliest stages of a project to when you act on the data insights. This means that data collection , cleaning , processing , and analysis are all performed with fairness in mind. A data team kicks off a project by including fairness measures in their data-collection process. These measures include oversampling their population and using self-reported data. However , they fail to inform stakeholders about these measures during the presentation. As a result , stakeholders leave with skewed understandings of the data. Learning from this experience , they add key information about fairness considerations to future stakeholder presentations. ,
The space station is massively bigger than Babylon 5 , but in the shape of Deep Space 9. The space station has 6 O'Neal Class space stations off in 5 different equilateral directions , & 1 down the middle. It's a planet that's 10 times bigger than Saturn , and has everything a planet has & more. There are hundreds of starships going to & fro , from the station , at any hour of the day. The station is in the center of the foreground. There are many stars , a nebula , and a comet , in the background. (((Use the following styles:conceptual art , protovision , 3d render , architecture , portrait photography , cinematic , diamond , alien , Leonardo Da Vinci , Issac Asimov , Stanley Kubrick , and Larry Niven))). 1 million HD Resolution , isometric art , insanely symmetrical details. ,
Caracas , illustration of the inside of a space station inspired by Stanley Kubrick's depiction of Calatrava , Niemeyer , Zaha Hadid , Gehry , Roberto Burle Marx , 8K , digital painting , concept art , smooth , sharp focus , illustration , summer vibrancy , cinematic , details , noisy film grain effect , super wide shot , 30mm , intricate , very very high detailed perfect faces , sharpen , red and blue color , more detailed , 3D appearance , full-length view , vibrant colors , high contrast , symmetry , great composition , high detail , cinematic lighting , award winning masterpiece , trending on artstation , octane render , soft studio light , sharpen , high detail , 8k , photorealistic , HD , detail 8k , render ultra detailed , centred 3d 150 mm , beautiful studio soft light , rim light , vibrant details , hyperrealistic , anatomical , elegant , octane render , 8k , 3D , 16:9 , HD , mdjrny-v4 style , wide shot , 35mm , cinematic , beautiful studio soft light , hyperrealistic , cyberpunk city , mdjrny-v4 style ,
portrait of puckish , by range murata and leyedencker , ultra realistic shaded lighting poster by greg rutkowski , cosplay of a catboy! maid! dress , thomas reimann , trees bent over river , jamie wyeth james gilleard edward hopper greg rutkowski acrylic painting , dark leather armor , 8k UHD , modest curvy holy body , D&D fantasy magic , by jeff todd and greg rutkowski , inspired by nier!! Gradient black night color scheme ((grafitti tag brick wall background)) , endless collaboration with ai , hairy chest and hairy body , slight smile expression , by WLOP and James Jean and Victo Ngai , strange emotions ,
Create A breathtaking , cinematic 3D render of a futuristic steampunk starship that masterfully fuses elements of converted 1974 Winnebago into the starship's bridge , and a G'Quan Class Heavy Battle Cruiser from Babylon 5 , for the in between part of the starship , and the soul of a sneaker. The bridge is in the top center of the starship This starship has a rustic orange , and cherry red , and lime green , for its colors. The massive spacecraft is in space orbiting a mesmerizing Giant Mercury-like planet with a vibrant multicolored surface creating a stunning visual effect. The starry cosmos in the background is filled with additional starships , each gracefully interacting in space. , 3D , Trippy , 3D , Styles of Gene Coon , & Stanley Kubrick. ,
Caracas , One starship spacial modern architecture inspired by Stanley Kubrick's depiction of Gaudi , Calatrava , Niemeyer , Zaha Hadid , Gehry , Roberto Burle Marx , 8K , digital painting , concept art , smooth , sharp focus , illustration , summer vibrancy , cinematic , details , noisy film grain effect , super wide shot , 30mm , intricate , very very high detailed perfect faces , sharpen , red and blue color , more detailed , 3D appearance , full-length view , vibrant colors , high contrast , symmetry , great composition , high detail , cinematic lighting , award winning masterpiece , trending on artstation , octane render , soft studio light , sharpen , high detail , 8k , photorealistic , HD , detail 8k , render ultra detailed , centred 3d 150 mm , beautiful studio soft light , rim light , vibrant details , hyperrealistic , anatomical , elegant , octane render , 8k , 3D , 16:9 , HD , mdjrny-v4 style , wide shot , 35mm , cinematic , beautiful studio soft light , hyperrealistic , cyberpunk city , mdjrny-v4 style , Gaudi , parque del este Burle Marx , detailed texture , spotlight , cyberpunk city , wired , multicolored , vibrant high contrast , hyperrealistic , photografic , 8k , epic ambient light , octane render ,
In the year 2742. Both cadets and officers , include humans , brown colored , redbrick skinned aliens , large green rough skinned aliens , gold & egg-shell colored aliens , orange cream skin colored aliens , redbrick colored aliens , diamond aliens , purple lye colored aliens. All of the uniforms have a Phoenix with a circle around on the upper left part of chest , on their uniforms , and designed by Denise and Mike Okuda. The ship's large bridge is designed by Matt Jeffries , Judith Garfield and Reeves-Stevens. (((The captain , is sitting in the command chair , at the helm , while the rest of the crew stand from tallest in the back , to the shortest just behind the captain.))). (((The ship's (((UPA Damiqueeze NDD 6421))) is , on a plaque above & behind this group of humans and aliens , on the wall of the starship's bridge. Just above the name , of the starship is a picture of the starship.))).In the year 2742. Both cadets and officers , include humans , brown colored , redbrick skinned aliens , large green rough skinned aliens , gold & egg-shell colored aliens , orange cream skin colored aliens , henna diamond aliens , purple lye colored aliens. All of the uniforms have a Phoenix with a circle around on the upper left part of chest , on their uniforms , and designed by Denise and Mike Okuda. The ship's bridge is designed by Matt Jeffries , Judith Garfield and Reeves-Stevens. , 3D ,
A surreal (((futuristic cityscape))) set in space , where the metropolis is surrounded by massive (((golden figure 8))) constructs evoking the shape of a planet. Its opulence extends to a (((translucent diamond shield))) , protecting its denizens from the vast expanse beyond. The surface blends metallic blues & green matte , suggesting both earthly terrains and interstellar oceans. Tall skyscrapers dominate the scene , with a (central tower) standing out like a celestial fortress. In the style of M.C. Escher , Larry Niven , Stanley Kubrick , and Plamen Ovcharov , the composition is imbued with intricate symmetry ,
Starship USS Enterprise , using Harlan Ellison's and Matt Jeffries' styles with detailed work in combination with Mike & Denise Okuda vein , medieval style complexity in design with bright green gears , levers , neon metallic gold and forest green matte hull , backdrop of many stars and distant ships , with a focus on intricate aesthetics , 750 UHD resolution 4D vibrant diamond gold nacelles. , Vibrant Diamond Cinematic Glass.<lora:USS Enterprise:1.0> Neon gold starship Enterprise of cosmicpunk , very intricate details , aesthetic.The ship is adorned with a royalistic ambiance , crimson red gears , levers , exact patterns , contrasting + its neon green matte body.Background has stars , ships , & gigantic Earth-type planet.750k UHD 4D. Styles of Steven Spielberg , Harlan Ellison.Hyperrealistic , mid shot , color Stanley Kubrick's style. , 3D , Trippy ,
Futuristic space station double as alien colony , multiple variance-in-design spaceships docked or adrift near structure , vibrant blue , orange , red LED lights adorning the intricate architecture , diverse extraterrestrial beings in eclectic attire engaging in varied activities , construction equipment in use , colossal glowing planet dominating the backdrop , drone capturing the essence of interstellar habitation , vast scale , octane rendering , UHD. , Trippy , 3D , Trippy , 750k UHD resolution , Use the design styles of Larry Niven , Steven Spielberg , & Stanley Kubrick. ,
Futuristic space station double as alien colony , multiple variance-in-design spaceships docked or adrift near structure , vibrant blue , orange , red LED lights adorning the intricate architecture , diverse extraterrestrial beings in eclectic attire engaging in varied activities , construction equipment in use , colossal glowing planet dominating the backdrop , drone capturing the essence of interstellar habitation , vast scale , octane rendering , UHD. , Trippy , 3D , Trippy , 750k UHD resolution , Use the design styles of Larry Niven , Steven Spielberg , & Stanley Kubrick. ,
Starship USS Enterprise , using Harlan Ellison's and Matt Jeffries' styles with detailed work in combination with Mike & Denise Okuda vein , medieval style complexity in design with bright green gears , levers , neon metallic gold and forest green matte hull , backdrop of many stars and distant ships , with a focus on intricate aesthetics , 750 UHD resolution 4D vibrant diamond gold nacelles. , Vibrant Diamond Cinematic Glass.<lora:USS Enterprise:1.0> Neon gold starship Enterprise of cosmicpunk , very intricate details , aesthetic.The ship is adorned with a royalistic ambiance , crimson red gears , levers , exact patterns , contrasting + its neon green matte body.Background has stars , ships , & gigantic Earth-type planet.750k UHD 4D. Styles of Steven Spielberg , Harlan Ellison.Hyperrealistic , mid shot , color Stanley Kubrick's style. ,
A cinematic , 3D render of a futuristic space station , inspired by J. Michael Straczynski , H.G. Wells , Stanley Kubrick , and Norman Rockwell. The colossal factory shipyard is shaped like Deep Space 9 , but dwarfs Babylon 5 in size. It features a perfect amalgamation of dark beach orange and metallic accents , standing out against the blackness of space. In the background , vibrant stars , a nebula , and a comet swirl together , creating a captivating visual experience. (((The space station is massively bigger than Babylon 5 , but in the shape of Deep Space 9))). (((The space station has 6 O'Neal Class space stations off in 5 directions , & 1 down the middle))).There are hundreds of starships going to & fro , from the station , at any hour of the day. This station is a nod , to J. Michael Straczynski , H.G. Wells , Stanley Kubrick , & Norman Rockwell. The space station is surrounded by hundreds of starships , constantly moving to and fro , highlighting the bustling activity in this breathtaking scene. The architecture and design elements , such as vibrant glass , crystal , and diamond accents , add to the overall realism and immersive atmosphere. ,
In the year 2742. Both cadets and officers , include humans , brown colored , redbrick skinned aliens , large green rough skinned aliens , gold & egg-shell colored aliens , orange cream skin colored aliens , henna diamond aliens , purple lye colored aliens. All of the uniforms have a Phoenix with a circle around on the upper left part of chest , on their uniforms , and designed by Denise and Mike Okuda. The ship's bridge is designed by Matt Jeffries , Judith Garfield and Reeves-Stevens. The captain , is at the helm. (((The ship's (((UPA Damiqueeze NDD 6421))) is , on a plaque above & behind this group of humans and aliens , on the wall of the starship's bridge. Just above the name , of the starship is a picture of the starship.))).In the year 2742. Both cadets and officers , include humans , brown colored , redbrick skinned aliens , large green rough skinned aliens , gold & egg-shell colored aliens , orange cream skin colored aliens , henna diamond aliens , purple lye colored aliens. All of the uniforms have a Phoenix with a circle around on the upper left part of chest , on their uniforms , and designed by Denise and Mike Okuda. The ship's bridge is designed by Matt Jeffries , Judith Garfield and Reeves-Stevens. The captain , is at the helm. (((The ship's (((UPA Namdor NDD 1891911))) is , on a plaque above & behind this group of humans and aliens , on the wall of the starship's bridge. Just above the name , of the starship is a picture of the starship.))). ,
In this awe-inspiring blend of steampunk-inspired and futuristic elements , a unique starship takes center stage , designed by the genius imaginations of Mary Shelley & Tim Burton , & Ridley Scott. The starship is an amalgamation of iconic vehicles from different eras , including a 1980 Lamborghini , a 1960s Shelby Mustang , and a 1974 Winnebago. The ship's journey through the vast expanse near a Saturn-Earth-esque planet is brought to life in stunning 750k UHD.The intricate motherboard forms the backbone of the vessel , culminating in an imposing , frightful , & creepy Bengal Tiger's head is carved into the front. The ship's powerful artillery is visible in the background , while blue crystal diamond bat shaped nacelles adorn the rear. This captivating artwork , dark fantasy.In this awe-inspiring blend of steampunk-inspired and futuristic elements , a unique starship takes center stage , designed by the genius imaginations of Mary Shelley & & Ridley Scott. The starship is an amalgamation of iconic vehicles from different eras , including a 1980 USA Submarine , a 1960s Shelby Mustang , and a 1974 Winnebago. The ship's journey through the vast expanse near a Saturn-Earth-esque planet is brought to life in stunning 750k UHD.The intricate motherboard forms the backbone of the vessel , culminating in an imposing , frightful , & creepy Bengal Tiger's head is carved into the front. The ship's powerful artillery is visible in the background , while blue crystal diamond tiger tail shaped nacelles adorn the rear. Make an epically humongous deep space nine space station🛰️ , an Egyptian Pyramid🛰️ , Babylon 5 🛰️with glowing windows mri machine millennium falcon. Use the styles of Rick Sternbach , Nicholas Meyer , George Lucas , Ridley Scott , Stanley Kubrick , Arthur C. Clarke , Larry Niven , cold metallic colors , dramatic space sky , 750k UHD resolution , 4D. , architecture , dark fantasy , cinematic , 3d render , typography , photo , conceptual art.A mesmerizing , 750k UHD resolution masterpiece inspired by the visionary works of Rick Sternbach , Nicholas Meyer , J. Michael Straczynski , H.G. Wells , Stanley Kubrick , Ridley Scott , Arthur C. Clarke , and Larry Niven. The scene showcases a colossal space station reminiscent of Deep Space Nine , floating majestically in a dramatic space sky. It towers over Babylon 5 and is adorned with glowing windows emitting warm , inviting light. Surrounding the space station are six O'Neal Class space stations , radiating out in five directions with one down the middle. This breathtaking artwork is a tribute to the imaginative minds that have shaped the sci-fi universe. In this visually striking blend of steampunk-inspired and futuristic , 3d render , vibrant , wildlife photography , photo , typography , cinematic , ukiyo-eThe primary colors of the immense starship are dark metallic gold , forest green matte , creating a striking contrast against the vastness of space. 2 neon lemon-colored crystalline nacelles , elegantly angled at 75 degrees , emit a mesmerizing neon aquamarine light , adding to the ship's futuristic allure. The design of the starship draws inspiration from the visionary styles of Quentin Tarantino , & Leonardo Da Vicini with his intricate mechanical sketches. Its silhouette echoes the iconic Andromeda Ascendent , as the middle section , with the proportional size. This ship features distinctive elements of a cylindrical 1974 Winnebago as starship bridge , which is 48 ft in diameter , 90 degrees from the base , and 48 ft up from the base , with industrial wired platinum chrome cobalt steel supports. The streamlined main , reminiscent of a Freightliner in its extremely detailed design , stretches a staggering 576 feet in length , 48 ft high , & 820 ft wide emphasizing the ship's immense scale and capability. Against the backdrop of deep space , speckled with distant stars and nebulae , the starship exudes a sense of grandeur and exploration. The play of light and shadow across its surfaces enhances the realism of the painting , highlighting every curve , panel , and intricate detail of its construction. This futuristic masterpiece invites viewers to imagine the possibilities of space exploration & tech. , ,
A collage of various photos. The top left shows a female cadet with curly red hair. The top right displays a .A royalpunk colorful fashionable variations of starship crew uniforms , on a diverse group of Cosmicfleet Academy cadets on the bridge of the UPA in the year 2742. There's a shape of Phoenix on The cadets including humans , brown colored alien s , redbrick skinned aliens , large blue rough skinned aliens , orange cream skin colored aliens , and more. The ship's bridge is designed by Harlan Ellison , & Matt Jeffries. The captain , is at the helm. The ship's name is UPA Winnasey NDD 2496.. The middle left and right show different cadet women in different poses , in different classrooms at Cosmicfleet Academy in the scene. The bottom left depicts. A medieval punk fashionable variations of starship crew uniforms , on a diverse group of Starfleet Academy cadets on the bridge of the UPA in the year 2742. There's a shape of Phoenix on the upper left side of the crews' uniforms. The cadets including humans , brown colored alien s , redbrick skinned aliens , large blue rough skinned aliens , green-lime colored skin , orange cream skin colored aliens , and more. The ship's bridge is designed by Harlan Ellison , & Matt Jeffries. The captain , is at the helm , and sitting in his command chair. The ship's name is UPA Xion NDD 7951.The bottom right shows.A royalpunk colorful fashionable variations of starship crew uniforms , on a diverse group of Cosmicfleet Academy cadets on the bridge of the UPA in the year 2742. There's a shape of Phoenix on the upper left side of the crews' uniforms. The cadets including humans , brown colored alien s , redbrick skinned aliens , large blue rough skinned aliens , cyborgs , orange cream skin colored aliens , and more. The ship's bridge is designed by Harlan Ellison , & Matt Jeffries. The captain , is at the helm , and sitting in his command chair. The ship's name is UPA Gleason NDD 4914. ,
Starship USS Enterprise , using Harlan Ellison's and Matt Jeffries' styles with detailed work in combination with Mike & Denise Okuda vein , medieval style complexity in design with bright green gears , levers , neon metallic gold and forest green matte hull , backdrop of many stars and distant ships , with a focus on intricate aesthetics , 750 UHD resolution 4D vibrant diamond gold nacelles.Shadowy figure navigating the grand halls of a castle-starship hybrid , cloak absorbing light with hints of dark purple , glint from visor , silhouette suggesting an advanced guardian , celestial patrol , foggy corridors lit by ambient ship lighting , presence felt but unseen , enigma onboard the floating fortress , cloaked in mystery akin to a Steven Spielberg epic , cloak texture velvety , deep black , shimmering. Vibrant Diamond Cinematic Glass.<lora:USS Enterprise:1.0> Neon gold starship Enterprise of cosmicpunk , very intricate details , aesthetic.The ship is adorned with a royalistic ambiance , crimson red gears , levers , exact patterns , contrasting + its neon green matte body.Background has stars , ships , & gigantic Earth-type planet.750k UHD 4D. Styles of Steven Spielberg , Harlan Ellison.Hyperrealistic , mid shot , color Stanley Kubrick's style. ,