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Explore AI generated designs, images, art and prompts by top community artists and designers.
A mysterious , technical Minecraft-style loading screen in Full HD – foreground shows three Minecraft characters from behind , gathered around a glowing command block with red and green lights – left character as shown in Image 1 , middle character as in Image 2 , right character as in Image 3 – background features a large Create mod construction with spinning gears , mechanical arms , and active machinery – night setting with starry sky , glowing machine lights (red , cyan , green) – strong depth , clear separation of foreground and background , detailed blocky textures ,
Genera imágenes en referencia a este texto. My nuclear family is made up of my parents , my sister and me. It is a small circle , but very close and full of contrasts. Then there is the rest of my family , which includes my aunt , my uncle , my grandmother , my great-grandmother and also my great uncle. Although we are united by blood and , in some cases , by certain physical traits , I think that in terms of personality we are quite different from each other. It is interesting to observe how within the same family such opposite ways of being can coexist , as if each one were a world of its own. For example , something that both of us — I mean most of us — share is having light eyes , which comes from my grandmother’s side. It is like a distinctive brand that has passed from generation to generation. My mom has blue eyes , my uncle has green eyes , my aunt also has light eyes , and I have hazel eyes , which although they are not as light as theirs , still count as light eyes and contrast with the darker ones of other family members. Even my sister , who physically looks more like my dad , has darker eyes , so she’s not as light-eyed as I am. But even though we all have similar eyes , that doesn’t mean we’re both pretty alike in personality. When it comes to personality , I think I’m more serious than most of my family members. Some even say I’m the most bitter. I’m not very expressive with my emotions , and I prefer to stay out of things in social situations. My aunt is more cheerful than me — she’s always laughing , making jokes and spreading her energy to everyone. My mom is pretty cheerful too. We’re both pretty quiet when it comes to deeper emotions , but while she shows joy easily , I don’t. I sometimes wonder why I’m so different , but then I see my dad and I realize: we’re both pretty calm and reserved. In that way , I’m more like him than like my mom. My sister and I are very different. She’s more impulsive than me and acts without thinking a lot of the time. She’s flexible about things , but I’m not — I like to think before acting , plan ahead and stay organized , even if I sometimes forget things or don’t do everything perfectly. I always try to be responsible , but she’s not as responsible as I am. She’s carefree in a way I kind of admire , because it gives her a fresh way of being , even if it can be frustrating sometimes. We’re both pretty determined when we want something , but we go about it in totally different ways. Physically , I look more like my mom than anyone else in my family. Both of us are pretty fair-skinned , with curly hair and lighter eyes. My sister and my dad , on the other hand , are not as fair as we are — they both have darker complexions , straight hair and dark eyes. These physical traits really affect how people see us. When we go out as a family , people often say I’m more like my mom , while my sister is more like my dad. It’s almost as if we were two pairs within one family. Interestingly , even though there are big personality differences , sometimes we surprise each other by acting in similar ways. For example , my dad and I are both pretty quiet , but we end up having deep conversations without even planning them. It’s like we share an unspoken bond. My mom and my aunt are more forgiving than me — I’m not as forgiving as they are. They always manage to see the bright side of things. And even my sister , though she’s very impulsive , can sometimes be surprisingly practical in solving problems , while I’d spend a long time overthinking them. There’s also a strong generational contrast. My grandmother is very traditional — she’s not as open-minded as my aunt or my sister , who are more relaxed about modern ways of thinking. My great-grandmother is even more old-fashioned , and listening to her talk about the past really shows how much life has changed. We’re both pretty respectful of her experiences , even if we don’t always agree. These differences in age and mindset help us grow — we learn from each other even when we see things differently. In conclusion , even though we share a family history , physical features and blood ties , our personalities are full of contrast. Both of us — meaning all of us — share some similarities , like eye color or family habits , but I think I’m more serious , more structured and less flexible than others in my family. And I like that. The variety of personalities in my family makes us stronger , because each person brings something different , something unique that completes the rest. ,
Design a clean , modern iOS-style mobile app icon for a Canadian corporate tax software called ‘SimpleTax’. Use a rounded square shape with flat colors and a minimalistic layout. Feature a maple leaf as the central element to reflect Canadian identity , and include green accents (such as a stripe , badge , or border) to suggest finance. Add a small version tag like ‘2024.1’ in a subtle but readable position. Avoid any glassy , glossy , or 3D effects — the style should be flat , balanced , professional , and App Store-ready. ,
Manga-style illustration of two samurai protagonists. One is dark-skinned with short hair , confident and intense , wielding a katana. The other is pale , short black hair , smoking a cigarette , with a melancholic yet sarcastic expression. Both wear traditional samurai clothing with a modern gritty twist. They stand side by side , ready for battle , dramatic lighting and dust in the air. ,
Back view of two men standing on a cliff at sunset: Left: Man in a long white tunic (barefoot , messy long brown hair). Right: Man in a perfect black victorian suit (polished shoes , pale hands with sharp nails). Background: Ancient stone city walls with ONE distant modern glass tower (futuristic design). Dark red sky , dramatic clouds. Ground with 7 ancient 'XX' coins and a broken thorn crown. Style: Hyperrealistic , Caravaggio lighting , cinematic , 8K. Negative prompts: 'faces , smiles , wings , blood , crowds , glowing effects , green tones , distorted buildings'."* *"Back view of two men standing on a cliff at sunset: Left: Man in a long white tunic (barefoot , messy long brown hair). Right: Man in a perfect black victorian suit (polished shoes , pale hands with sharp nails). Background: Ancient stone city walls with ONE distant modern glass tower (futuristic design). Dark red sky , dramatic clouds. Ground with 7 ancient 'XX' coins and a broken thorn crown. Style: Hyperrealistic , Caravaggio lighting , cinematic , 8K. Negative prompts: 'faces , smiles , wings , blood , crowds , glowing effects , green tones , distorted buildings'."* ,
*"Back view of two men standing on a cliff at sunset: Left: Man in a long white tunic (barefoot , messy long brown hair). Right: Man in a perfect black victorian suit (polished shoes , pale hands with sharp nails). Background: Ancient stone city walls with ONE distant modern glass tower (futuristic design). Dark red sky , dramatic clouds. Ground with 7 ancient 'XX' coins and a broken thorn crown. Style: Hyperrealistic , Caravaggio lighting , cinematic , 8K. Negative prompts: 'faces , smiles , wings , blood , crowds , glowing effects , green tones , distorted buildings'."* ,
"Back view of two men standing on a cliff: one in a white robe , one in a black victorian suit. Ancient city with a single modern glass tower in distance. Sunset with dark red clouds. Hyperrealism , cinematic lighting , 8K. Negative: 'faces , wings , crowds'." Si pide "estilo artístico" , añade: "Estilo: Pintura barroca oscura (como Caravaggio) mezclada con fotografía moderna". Si la torre no sale bien , cambia a: "torre futurista de metal y cristal" (evitando nombres comerciales). Usa el mismo prompt para todas las imágenes del corto (así mantienes coherencia visual). ,
A full body shot of a thick Latina woman lying on a king-size bed with silk sheets , wearing a white negligee. The background is a luxury penthouse suite with floor-to-ceiling windows , overlooking a glittering cityscape at night. The scene is bathed in dark , cinematic lighting , creating a sense of intimacy and allure. The style is reminiscent of a glamorous Hollywood film from the 1940s , with a touch of modern hyperrealism and cinematic lighting. ,
A full body shot of a thick Latina woman lying on a king-size bed with silk sheets , wearing a white negligee. The background is a luxury penthouse suite with floor-to-ceiling windows , overlooking a glittering cityscape at night. The scene is bathed in dark , cinematic lighting , creating a sense of intimacy and allure. The style is reminiscent of a glamorous Hollywood film from the 1940s , with a touch of modern hyperrealism and cinematic lighting. ,
A full body shot of a thick Latina woman lying on a king-size bed with silk sheets , wearing a white negligee. The background is a luxury penthouse suite with floor-to-ceiling windows , overlooking a glittering cityscape at night. The scene is bathed in dark , cinematic lighting , creating a sense of intimacy and allure. The style is reminiscent of a glamorous Hollywood film from the 1940s , with a touch of modern hyperrealism and cinematic lighting. ,
A full body shot of a thick Latina woman lying on a king-size bed with silk sheets , wearing a white negligee. The background is a luxury penthouse suite with floor-to-ceiling windows , overlooking a glittering cityscape at night. The scene is bathed in dark , cinematic lighting , creating a sense of intimacy and allure. The style is reminiscent of a glamorous Hollywood film from the 1940s , with a touch of modern hyperrealism and cinematic lighting. ,
A full body shot of a thick Latina woman lying on a king-size bed with silk sheets , wearing a white negligee. The background is a luxury penthouse suite with floor-to-ceiling windows , overlooking a glittering cityscape at night. The scene is bathed in dark , cinematic lighting , creating a sense of intimacy and allure. The style is reminiscent of a glamorous Hollywood film from the 1940s , with a touch of modern hyperrealism and cinematic lighting. ,
A curvy Latina woman with long , flowing hair , wearing a shimmering silver gown , stands in a grand ballroom with crystal chandeliers and marble floors. The scene is illuminated by soft , romantic lighting , highlighting her curves and the luxurious setting. The style is reminiscent of a glamorous Hollywood film from the 1940s , with a touch of modern sensuality , evoking the elegance of George Hurrell and the allure of Helmut Newton. Cinematic , luxurious , and captivating. ,
A curvy Latina woman with long , flowing hair , wearing a shimmering silver gown , stands in a grand ballroom with crystal chandeliers and marble floors. The scene is illuminated by soft , romantic lighting , highlighting her curves and the luxurious setting. The style is reminiscent of a glamorous Hollywood film from the 1940s , with a touch of modern sensuality , evoking the elegance of George Hurrell and the allure of Helmut Newton. Cinematic , luxurious , and captivating. ,
A curvy Latina woman with long , flowing hair , wearing a shimmering silver gown , stands in a grand ballroom with crystal chandeliers and marble floors. The scene is illuminated by soft , romantic lighting , highlighting her curves and the luxurious setting. The style is reminiscent of a glamorous Hollywood film from the 1940s , with a touch of modern sensuality , evoking the elegance of George Hurrell and the allure of Helmut Newton. Cinematic , luxurious , and captivating. ,
A curvy Latina woman with long , flowing hair , wearing a shimmering silver gown , stands in a grand ballroom with crystal chandeliers and marble floors. The scene is illuminated by soft , romantic lighting , highlighting her curves and the luxurious setting. The style is reminiscent of a glamorous Hollywood film from the 1940s , with a touch of modern sensuality , evoking the elegance of George Hurrell and the allure of Helmut Newton. Cinematic , luxurious , and captivating. ,
A curvy Latina woman with long , flowing hair , wearing a shimmering silver gown , stands in a grand ballroom with crystal chandeliers and marble floors. The scene is illuminated by soft , romantic lighting , highlighting her curves and the luxurious setting. The style is reminiscent of a glamorous Hollywood film from the 1940s , with a touch of modern sensuality , evoking the elegance of George Hurrell and the allure of Helmut Newton. Cinematic , luxurious , and captivating. ,
A full body shot of a voluptuous Latina woman with fiery red hair , reclining on a chaise lounge in a vintage jazz club , wearing a sequined flapper dress and holding a glass of champagne. The club is dimly lit with soft , romantic lighting , casting dramatic shadows on the walls. The style is inspired by the sensual paintings of Tom Wesselmann and the glamorous photography of Lillian Bassman , with a touch of modern hyperrealism and cinematic lighting. ,
A full body shot of a voluptuous Latina woman with fiery red hair , reclining on a chaise lounge in a vintage jazz club , wearing a sequined flapper dress and holding a glass of champagne. The club is dimly lit with soft , romantic lighting , casting dramatic shadows on the walls. The style is inspired by the sensual paintings of Tom Wesselmann and the glamorous photography of Lillian Bassman , with a touch of modern hyperrealism and cinematic lighting. ,
A full body shot of a voluptuous Latina woman with fiery red hair , reclining on a chaise lounge in a vintage jazz club , wearing a sequined flapper dress and holding a glass of champagne. The club is dimly lit with soft , romantic lighting , casting dramatic shadows on the walls. The style is inspired by the sensual paintings of Tom Wesselmann and the glamorous photography of Lillian Bassman , with a touch of modern hyperrealism and cinematic lighting. ,
A full body shot of a voluptuous Latina woman with fiery red hair , reclining on a chaise lounge in a vintage jazz club , wearing a sequined flapper dress and holding a glass of champagne. The club is dimly lit with soft , romantic lighting , casting dramatic shadows on the walls. The style is inspired by the sensual paintings of Tom Wesselmann and the glamorous photography of Lillian Bassman , with a touch of modern hyperrealism and cinematic lighting. ,
A full body shot of a voluptuous Latina woman with fiery red hair , reclining on a chaise lounge in a vintage jazz club , wearing a sequined flapper dress and holding a glass of champagne. The club is dimly lit with soft , romantic lighting , casting dramatic shadows on the walls. The style is inspired by the sensual paintings of Tom Wesselmann and the glamorous photography of Lillian Bassman , with a touch of modern hyperrealism and cinematic lighting. ,
back view , curvy Latina woman with long , dark hair , adorned with diamond jewelry , stands in a lavish casino , wearing a shimmering gold gown with a daringly high slit. The casino is alive with activity , featuring roulette tables and high-stakes poker games. The scene is bathed in warm , golden light , reminiscent of a vintage Hollywood film , with a touch of modern hyperrealism and cinematic lighting , inspired by the works of Helmut Newton and Lillian Bassman. ,
back view , A curvy Latina woman with long , dark hair , adorned with diamond jewelry , stands in a lavish casino , wearing a shimmering gold gown with a daringly high slit. The casino is alive with activity , featuring roulette tables and high-stakes poker games. The scene is bathed in warm , golden light , reminiscent of a vintage Hollywood film , with a touch of modern hyperrealism and cinematic lighting , inspired by the works of Helmut Newton and Lillian Bassman. ,
back view , curvy Latina woman with long , dark hair , adorned with diamond jewelry , stands in a lavish casino , wearing a shimmering gold gown with a daringly high slit. The casino is alive with activity , featuring roulette tables and high-stakes poker games. The scene is bathed in warm , golden light , reminiscent of a vintage Hollywood film , with a touch of modern hyperrealism and cinematic lighting , inspired by the works of Helmut Newton and Lillian Bassman. ,
A curvy Latina woman with long , dark hair , adorned with diamond jewelry , stands in a lavish casino , wearing a shimmering gold gown with a daringly high slit. The casino is alive with activity , featuring roulette tables and high-stakes poker games. The scene is bathed in warm , golden light , reminiscent of a vintage Hollywood film , with a touch of modern hyperrealism and cinematic lighting , inspired by the works of Helmut Newton and Lillian Bassman. ,
back view , A curvy Latina woman with long , dark hair , adorned with diamond jewelry , stands in a lavish casino , wearing a shimmering gold gown with a daringly high slit. The casino is alive with activity , featuring roulette tables and high-stakes poker games. The scene is bathed in warm , golden light , reminiscent of a vintage Hollywood film , with a touch of modern hyperrealism and cinematic lighting , inspired by the works of Helmut Newton and Lillian Bassman. ,
A curvy Latina woman with long , dark hair , adorned with diamond jewelry , stands in a lavish casino , wearing a shimmering gold gown with a daringly high slit. The casino is alive with activity , featuring roulette tables and high-stakes poker games. The scene is bathed in warm , golden light , reminiscent of a vintage Hollywood film , with a touch of modern hyperrealism and cinematic lighting , inspired by the works of Helmut Newton and Lillian Bassman. ,