Search Results for lamp
Explore AI generated designs, images, art and prompts by top community artists and designers.
Overhead strategic game screenshot set in a semi-stylized industrial society. The terrain is a dry wasteland or tundra , with soft brown and grey tones under nighttime lighting. The architecture features simple , modular blue housing pods with glowing yellow windows , shaped like rounded containers. Around them are scattered crates , mining equipment , warehouses , cargo containers , and large industrial structures with bold geometric forms. Monorail systems connect various sectors , elevated on thin supports. The design is non-photorealistic , somewhat cartoonish yet grounded , resembling graphics from a city-building strategy game. Lighting is soft but moody , with scattered lampposts and faint glowing lights from buildings. Small human characters are visible , giving a sense of life and scale. The overall look is atmospheric and functional — a believable , toy-like world focused on logistics , mining , and survival. ,
Overhead strategic game screenshot set in a semi-stylized industrial society. The terrain is a dry wasteland or tundra , with soft brown and grey tones under nighttime lighting. The architecture features simple , modular blue housing pods with glowing yellow windows , shaped like rounded containers. Around them are scattered crates , mining equipment , warehouses , cargo containers , and large industrial structures with bold geometric forms. Monorail systems connect various sectors , elevated on thin supports. The design is non-photorealistic , somewhat cartoonish yet grounded , resembling graphics from a city-building strategy game. Lighting is soft but moody , with scattered lampposts and faint glowing lights from buildings. Small human characters are visible , giving a sense of life and scale. The overall look is atmospheric and functional — a believable , toy-like world focused on logistics , mining , and survival. ,
Strategic game render of a futuristic settlement in a dry , brown industrial zone. Blue prefab buildings labeled with white serial numbers form living quarters. Tall lamp posts cast industrial yellow lighting , while a suspended monorail system glows in the distance. The ground is dusty , and there's visible mining equipment , storage tanks , and stacked cargo containers. ,
Strategic game render of a futuristic settlement in a dry , brown industrial zone. Blue prefab buildings labeled with white serial numbers form living quarters. Tall lamp posts cast industrial yellow lighting , while a suspended monorail system glows in the distance. The ground is dusty , and there's visible mining equipment , storage tanks , and stacked cargo containers. ,
Strategic game render of a futuristic settlement in a dry , brown industrial zone. Blue prefab buildings labeled with white serial numbers form living quarters. Tall lamp posts cast industrial yellow lighting , while a suspended monorail system glows in the distance. The ground is dusty , and there's visible mining equipment , storage tanks , and stacked cargo containers. ,
Strategic game render of a futuristic settlement in a dry , brown industrial zone. Blue prefab buildings labeled with white serial numbers form living quarters. Tall lamp posts cast industrial yellow lighting , while a suspended monorail system glows in the distance. The ground is dusty , and there's visible mining equipment , storage tanks , and stacked cargo containers. ,
She exudes an air of vintage elegance and confidence , perfectly capturing the decopunk femme fatale aesthetic: Hair: Long , luxurious black hair styled in soft waves , cascading over her shoulders. Makeup: Striking , with bold red lips and defined brows , highlighting her poised , sultry expression. Outfit: A tailored , white button up unbuttoned , revealing a lace red bra under. She has glasses , and a tight miniskirt Stockings and Heels: A provocative touch—she reveals a glimpse of her thigh-high stockings and glittering blue heels beneath the parted gown , combining class and allure. Setting: A warm , vintage interior with art deco wall patterns , golden lighting from a floor lamp , and an elegant chair—suggesting wealth , refinement , and a private conversation waiting to happen. ,
A tall , graceful , and slim Punjabi grandma stands confidently at the center of an intimate , dimly lit room adorned with flowing velvet curtains , golden candlelight , and intricately embroidered cushions. She wears a modernized traditional Punjabi outfit — a sheer , deep-cut blouse and a flowing lehenga that reveals her smooth , toned stomach and a prominently deep navel. Her posture is regal yet inviting , radiating both wisdom and sensuality. Surrounding her are several elegant and expressive transgender women , each dressed in vibrant , revealing outfits that expose their own slim waists and well-defined navels. Their clothing features bold colors , golden embroidery , and delicate fabrics that shimmer in the soft light. Each of them has one or both hands gently placed on the grandma’s stomach — some softly tracing her belly , others resting just beneath her navel — creating a sense of intimacy , admiration , and unity. The atmosphere is warm , sacred , and sensual. Golden oil lamps flicker on the floor , casting glowing reflections on their skin. The room is filled with rich cultural textures — silk drapes , antique wooden carvings , mirrored wall hangings , and fragrant marigold garlands. The scene blends the elegance of Indian tradition with the raw energy of body positivity , feminine power , and deep human connection. ,
A tall , graceful , and slim Punjabi grandma stands confidently at the center of an intimate , dimly lit room adorned with flowing velvet curtains , golden candlelight , and intricately embroidered cushions. She wears a modernized traditional Punjabi outfit — a sheer , deep-cut blouse and a flowing lehenga that reveals her smooth , toned stomach and a prominently deep navel. Her posture is regal yet inviting , radiating both wisdom and sensuality. Surrounding her are several elegant and expressive transgender women , each dressed in vibrant , revealing outfits that expose their own slim waists and well-defined navels. Their clothing features bold colors , golden embroidery , and delicate fabrics that shimmer in the soft light. Each of them has one or both hands gently placed on the grandma’s stomach — some softly tracing her belly , others resting just beneath her navel — creating a sense of intimacy , admiration , and unity. The atmosphere is warm , sacred , and sensual. Golden oil lamps flicker on the floor , casting glowing reflections on their skin. The room is filled with rich cultural textures — silk drapes , antique wooden carvings , mirrored wall hangings , and fragrant marigold garlands. The scene blends the elegance of Indian tradition with the raw energy of body positivity , feminine power , and deep human connection. ,
“And He who sits on the throne said , “Behold , I am making all things new.” Also He said , “Write , for these words are faithful and true [they are accurate , incorruptible , and trustworthy].” [Is 43:19] And He said to me , “It is done. I am the Alpha and the Omega , the Beginning and the End. To the one who thirsts I will give [water] from the fountain of the water of life without cost. [Is 55:1] He who overcomes [the world by adhering faithfully to Christ Jesus as Lord and Savior] will inherit these things , and I will be his God and he will be My son. [2 Sam 7:14; 1 John 5:5] And he carried me away in the Spirit to a vast and lofty mountain , and showed me the holy (sanctified) city of Jerusalem coming down out of heaven from God , [Ezek 40:2] having God’s glory [filled with His radiant light]. The brilliance of it resembled a rare and very precious jewel , like jasper , shining and clear as crystal. It had a massive and high wall , with twelve [large] gates , and at the gates [were stationed] twelve angels; and on the gates the names of the twelve tribes of the sons of Israel were written. [Ex 28:21; Ezek 48:30-34] On the east side [there were] three gates , on the north three gates , on the south three gates , and on the west three gates. And the wall of the city had twelve foundation stones , and on them the twelve names of the twelve apostles of the Lamb (Christ). The wall was built of jasper; and the city was pure gold , transparent like clear crystal. [1 Kin 6:30] The foundation stones of the wall of the city were adorned with every kind of precious stone. The first foundation stone was jasper; the second , sapphire; the third , chalcedony; the fourth , emerald; [Ex 28:17-20; Is 54:11 , 12] the fifth , sardonyx; the sixth , sardius; the seventh , chrysolite (yellow topaz); the eighth , beryl; the ninth , topaz; the tenth , chrysoprase; the eleventh , jacinth; the twelfth , amethyst. And the twelve gates were twelve pearls; each separate gate was of one single pearl. And the street (broad way) of the city was pure gold , like transparent crystal. And the city has no need of the sun nor of the moon to give light to it , for the glory (splendor , radiance) of God has illumined it , and the Lamb is its lamp and light. [Is 24:23; 60:19 , 20] The nations [the redeemed people from the earth] will walk by its light , and the kings of the earth will bring into it their glory. [Is 60:1-5] By day (for there will be no night there) its gates will never be closed [in fear of evil]; [Is 60:11] and they will bring the glory (splendor , majesty) and the honor of the nations into it; and nothing that defiles or profanes or is unwashed will ever enter it , nor anyone who practices abominations [detestable , morally repugnant things] and lying , but only those [will be admitted] whose names have been written in the Lamb’s Book of Life. [Dan 12:1]” Revelation 21:5-7 , 10-14 , 18-21 , 23-27 AMP https://bible.com/bible/1588/rev.21.5-27.AMP ,
“And He who sits on the throne said , “Behold , I am making all things new.” Also He said , “Write , for these words are faithful and true [they are accurate , incorruptible , and trustworthy].” And He said to me , “It is done. I am the Alpha and the Omega , the Beginning and the End. To the one who thirsts I will give [water] from the fountain of the water of life without cost. He who overcomes [the world by adhering faithfully to Christ Jesus as Lord and Savior] will inherit these things , and I will be his God and he will be My son. And he carried me away in the Spirit to a vast and lofty mountain , and showed me the holy (sanctified) city of Jerusalem coming down out of heaven from God , having God’s glory [filled with His radiant light]. The brilliance of it resembled a rare and very precious jewel , like jasper , shining and clear as crystal. It had a massive and high wall , with twelve [large] gates , and at the gates [were stationed] twelve angels; and on the gates the names of the twelve tribes of the sons of Israel were written. On the east side [there were] three gates , on the north three gates , on the south three gates , and on the west three gates. And the wall of the city had twelve foundation stones , and on them the twelve names of the twelve apostles of the Lamb (Christ). The wall was built of jasper; and the city was pure gold , transparent like clear crystal. The foundation stones of the wall of the city were adorned with every kind of precious stone. The first foundation stone was jasper; the second , sapphire; the third , chalcedony; the fourth , emerald; the fifth , sardonyx; the sixth , sardius; the seventh , chrysolite (yellow topaz); the eighth , beryl; the ninth , topaz; the tenth , chrysoprase; the eleventh , jacinth; the twelfth , amethyst. And the twelve gates were twelve pearls; each separate gate was of one single pearl. And the street (broad way) of the city was pure gold , like transparent crystal. And the city has no need of the sun nor of the moon to give light to it , for the glory (splendor , radiance) of God has illumined it , and the Lamb is its lamp and light. The nations [the redeemed people from the earth] will walk by its light , and the kings of the earth will bring into it their glory. By day (for there will be no night there) its gates will never be closed [in fear of evil]; and they will bring the glory (splendor , majesty) and the honor of the nations into it; and nothing that defiles or profanes or is unwashed will ever enter it , nor anyone who practices abominations [detestable , morally repugnant things] and lying , but only those [will be admitted] whose names have been written in the Lamb’s Book of Life. ,
A rugged , muscular steampunk adventurer with a brass-plated mechanical arm , visible gears , and intricate hydraulic systems embedded into his skin , stands tall with an air of authority. His dark leather trench coat is unbuttoned , revealing a fitted vest over his strong frame , while a brass whip , coiled at his side , hints at his command over both man and machine. His piercing green eyes burn with a determined gaze as he leans against a massive , steam-powered automaton , his well-groomed beard giving him a sharp , confident look. His sturdy boots press firmly against the cobblestone streets as steam hisses around him. The industrial city behind him is alive with towering gears , airships floating in the mist , and dark alleys glowing under an intricate network of gas lamps and neon lights. His powerful presence is accentuated by the intricate mechanical elements adorning his form—brass gears turning at his wrist , the hydraulic hum of his arm as he grips his cane with hidden blades. He exudes confidence , resilience , and a mastery of the mechanical world around him , a true product of an era where innovation and ambition drive the course of history. ,
A person studying at a desk Cozy study scene Minimalist interior design Person wearing a pink sweater and white pants Light coming from a desk lamp Coffee cup on the desk A stack of books and a pen Simple and clean room , with natural light coming from the window Cartoon style with soft , warm colors Young woman with dark hair tied in a bun ,
male , skinny , long black haired , aasimar , holding genie lamp , radiating light , front , Pencil Sketch ,
In the midst of the storm , a man shrouded in a long black cloak walked through the deserted streets. Suddenly , he came across a beautiful lady of the night , standing by a lamppost , illuminated as if by an angel. The hooded man approached her and pulled out a white rose from his cloak. He offered it to her , and then walked away into the darkness. The lady took the flower with admiration and curiosity , but as she held it , a single thorn pricked her finger and a few drops of blood fell. The drops turned into a stream , and before long , a pool of blood surrounded her. But as suddenly as it appeared , the blood vanished , leaving only her body and a red flower. A young girl in a long white cloak skipped over , picked up the flower , and snipped off the thorn. She placed it in a bouquet of red roses. "It looks very pretty , " she said with a sweet and enchanting smile. "I'm sure my beloved will love it , " she said , turning to the hooded man. "You know me so well , " he said , chuckling and biting the petals in one bite. , Water Color ,