Search Results for elf
Explore AI generated designs, images, art and prompts by top community artists and designers.
I want the images of a storyboard from a short script I have. Here is the Script: In a desolate place , at a time we couldn`t tell due to the erosion of years of decay , where nature had overgrown any type of human civilization , there is a boy , about 14 years of age running. He`s running from something that produces a huge cloud of dust while it throttles. It`s not sure if it`s organic or mechanical; it is completely shrouded of dust and mayhem , and its only visible feature are a couple of lights in its very core. It is not inmensely big but it certainly looks at least twice as big as the boy , but it is not agile , not like the boy , that looks quite useded to doing things like fleeing on a daily base. You can tell the boy is not as scared as he looks excited. The boy is jumping over leftovers of barren buildings , hips of garbage , sliding under tumbled things , makeshift tunnels , broken windows , etc , tracing a line that is blindly followed by its chaser. All the way guiding it to an intersection of two collapsed buildings upon each other , leaving enough space for a slim figure to squeeze itself through , knowing that the chaser will follow through the boy slid in , and right behind him the chaser came forcefully , but it got stucked. I`d like this in the first panel: Panel 1: Wide Shot – The Desolate Landscape Prompt : "A desolate , overgrown wasteland at dusk , filled with crumbling buildings overtaken by vines and debris. A boy , about 14 years old , runs in the distance , pursued by a massive cloud of dust. The scene is rendered in minimalistic line art style , with clean lines and muted tones. Wide shot from low angle , emphasizing scale and atmosphere. Stylized , semi-realistic , cinematic composition." ,
Cinematic hyperrealism. Seville , Spain , 1970. During Holy Week , a majestic religious float (“paso”) moves slowly through a narrow street lit by flickering candlelight , surrounded by hooded nazarenos in traditional robes. The balconies are filled with onlookers in 1970s formalwear: men in suits , women in lace veils , all watching in reverent silence. On one of the balconies , a striking woman stands out. She wears a traditional black mantilla and peineta over her long , dark wavy hair. Unlike the others , she turns her back to the procession and faces the camera. Her black trench coat is slightly parted by the breeze , revealing glimpses of a vintage lace outfit and sheer stockings beneath , paired with retro 70s heels. Her lips are painted deep red , her gaze steady and self-assured beneath the delicate veil. The candlelight reflects off her mantilla and the golden details of the float behind her , casting dramatic chiaroscuro across the scene. The atmosphere blends sacred tradition with silent rebellion —a quiet cry for freedom in late Francoist Spain , where appearances were everything and defying them meant more. Emotional contrast , historical accuracy , dramatic lighting , sensuality and symbolism in perfect balance. ,
Hel looks at herself in a large , cracked mirror. The right side is decomposed and skeletal , while the left is a beautiful Nordic woman with soft , human , pale blue eyes. The transition between the two sides is a natural one. The icy mirror reflects her divided nature , and cold , luminous runes encircle its edges. The background is filled with mist and the faint glow of distant frost-covered trees. The lighting is dramatic , casting long shadows that emphasize the contrast between life and death. ,
Hel looks at herself in a large , cracked mirror. The right side is decomposed and skeletal , while the left is a beautiful Nordic woman with soft , human , pale blue eyes. The transition between the two sides is a natural one. The icy mirror reflects her divided nature , and cold , luminous runes encircle its edges. The background is filled with mist and the faint glow of distant frost-covered trees. The lighting is dramatic , casting long shadows that emphasize the contrast between life and death. ,
Hel looks at herself in a large , cracked mirror. The right side is decomposed and skeletal , while the left is a beautiful Nordic woman with soft , human , pale blue eyes. The transition between the two sides is a natural one. The icy mirror reflects her divided nature , and cold , luminous runes encircle its edges. The background is filled with mist and the faint glow of distant frost-covered trees. The lighting is dramatic , casting long shadows that emphasize the contrast between life and death. ,
Hel looks at herself in a large , cracked mirror. The right side is decomposed and skeletal , while the left is a beautiful Nordic woman with soft , human , pale blue eyes. The transition between the two sides is a natural one. The icy mirror reflects her divided nature , and cold , luminous runes encircle its edges. The background is filled with mist and the faint glow of distant frost-covered trees. The lighting is dramatic , casting long shadows that emphasize the contrast between life and death. ,
Orc Queen: A majestic and powerful figure , adorned with a crown made of bones and wearing ornate armor. She is seated on a throne constructed from the skulls and weapons of her enemies. Her posture exudes authority and dominance , with a fierce expression that commands respect. The throne itself is intricately designed , showcasing the brutality and strength of her reign. The armor she wears is decorated with symbols of her victories , and her crown is a testament to her ruthless leadership. The scene is set in a dark , foreboding environment , emphasizing the fearsome nature of the Orc Queen and her domain. This figure is mounted on a base , typical of wargame miniatures , adding to its stability and display value. The base enhances the overall presentation , making it a striking centerpiece for any collection. ,
Orc Queen: A majestic and powerful figure , adorned with a crown made of bones and wearing ornate armor. She is seated on a throne constructed from the skulls and weapons of her enemies. Her posture exudes authority and dominance , with a fierce expression that commands respect. The throne itself is intricately designed , showcasing the brutality and strength of her reign. The armor she wears is decorated with symbols of her victories , and her crown is a testament to her ruthless leadership. The scene is set in a dark , foreboding environment , emphasizing the fearsome nature of the Orc Queen and her domain. ,
Mujer de 22 años , la llamaremos Xavia , se está tomando una selfie ella misma , con el móvil levantado arriba de su cabeza con en palo de selfie , con una mirada linda , maquillaje perfecto , en ropa de dormir pero muy descubierta , todo perfecto y hermoso , atuendo muy llamativo que resalta su figura ,
A highly realistic , photorealistic 20-year-old woman with long , wavy blonde hair and fair skin. She has a slim-thick body with a large bust and curvy hips. Her skin has natural texture , subtle imperfections , and a soft glow. She is wearing a black sleeveless top made of slightly textured fabric and large gold hoop earrings. A gold necklace with a seahorse pendant hangs around her neck , reflecting light naturally. She has a warm , slightly smiling expression , and her eyes are a mix of light blue and green with realistic reflections and depth. She is positioned in the center of the image , facing the viewer. The background features a light gray fabric-textured couch , and visible through a window are softly blurred green trees and bamboo. The lighting is soft and natural , casting realistic shadows and highlights on her face and body. The overall composition is informal and casual , appearing as a high-quality , well-lit selfie. The colors are natural and muted , with a strong focus on realistic skin tones , hair details , and depth of field. The atmosphere is relaxed and friendly. The perspective is from a slightly elevated angle , close-up , enhancing facial details and realism ,
Create a highly exaggerated animated scene of Don Quixote riding his horse Rocinante across a dry , windy field. Don Quixote is an extremely gaunt and haggard knight , with a skeletal frame , sunken cheeks , and a scraggly long beard under his chin , wearing a rusty , oversized knight's armor and a matching rusty knight's helmet that comically slips over his eyes every few seconds. His expression is wildly exaggerated , with bulging , manic eyes and a toothy grin , showing his delusional enthusiasm as he imagines himself a heroic knight. He leans forward dramatically on the horse , his bony frame bouncing and flailing with each step , holding the reins loosely with his left hand while his right hand wildly waves a bent , makeshift lance in the air , shouting with exaggerated bravado. His armor clanks loudly , and his movements are comically uncoordinated , with his helmet slipping and his body nearly falling off the horse. Rocinante is an absurdly skinny , cartoonish horse , with a skeletal body , knobby knees , and a drooping neck , looking like it might collapse at any moment. Its large , googly eyes are filled with fear , its ears flop comically , and its steps are slow , wobbly , and uneven , kicking up tiny clouds of dust as it stumbles forward. The field has patchy , dry grass swaying in the wind , with a crooked windmill in the background under a bright blue sky. Add exaggerated cartoon effects like stretchy limbs , bouncing motion lines , and sweat drops around Rocinante to emphasize the humor and animated style ,
A tall dark skin elf girl wearing a cropped hoodie , sports bra , and tight leggings. One of her hands is gently pulling the waistband of her leggings down showing a v taper. Black hair , yellow highlights , techwear cropped jacket , blue/gray eyes , large hips , thick thighs , hourglass waist , toned midriff , soft body ,
Create a black marker drawing on a white sheet of paper in the style of Banksy’s graffiti. The image depicts Banksy himself , wearing a hoodie and partially obscured , as he paints the word "Freedom" on a wall. The composition should have sharp contrasts , a stencil-like street-art aesthetic , and a raw , rebellious atmosphere , staying true to Banksy’s signature style. The drawing should feel like a sketch or concept piece , emphasizing the act of artistic expression and protest. ,
Create an image of a muscular and arrogant man , with a derogatory and confident attitude. He has short , dark-colored , slightly tousled hair. His face is strong , with a light beard and a challenging expression. He wears light leather armor that gives him a warrior air , with metallic details on his shoulders and wrists. In his hands he holds double axes that appear to be spinning or thrown into the air. The image must capture a dynamic environment , as if in full action , launching its axes. Deep down , there may be a dark stage , with a combat atmosphere. The predominant colors should be red and gold , to reflect their arrogant attitude and high impact nature. The character must reflect a sense of power , confidence , and superiority , like a proud champion who believes himself better than others. similar style league of legends ,
Create an image of a muscular and arrogant man , with a derogatory and confident attitude. He has short , dark-colored , slightly tousled hair. His face is strong , with a light beard and a challenging expression. He wears light leather armor that gives him a warrior air , with metallic details on his shoulders and wrists. In his hands he holds double axes that appear to be spinning or thrown into the air. The image must capture a dynamic environment , as if in full action , launching its axes. Deep down , there may be a dark stage , with a combat atmosphere. The predominant colors should be red and gold , to reflect their arrogant attitude and high impact nature. The character must reflect a sense of power , confidence , and superiority , like a proud champion who believes himself better than others. ,
“And He who sits on the throne said , “Behold , I am making all things new.” Also He said , “Write , for these words are faithful and true [they are accurate , incorruptible , and trustworthy].” [Is 43:19] And He said to me , “It is done. I am the Alpha and the Omega , the Beginning and the End. To the one who thirsts I will give [water] from the fountain of the water of life without cost. [Is 55:1] He who overcomes [the world by adhering faithfully to Christ Jesus as Lord and Savior] will inherit these things , and I will be his God and he will be My son. [2 Sam 7:14; 1 John 5:5] And he carried me away in the Spirit to a vast and lofty mountain , and showed me the holy (sanctified) city of Jerusalem coming down out of heaven from God , [Ezek 40:2] having God’s glory [filled with His radiant light]. The brilliance of it resembled a rare and very precious jewel , like jasper , shining and clear as crystal. It had a massive and high wall , with twelve [large] gates , and at the gates [were stationed] twelve angels; and on the gates the names of the twelve tribes of the sons of Israel were written. [Ex 28:21; Ezek 48:30-34] On the east side [there were] three gates , on the north three gates , on the south three gates , and on the west three gates. And the wall of the city had twelve foundation stones , and on them the twelve names of the twelve apostles of the Lamb (Christ). The wall was built of jasper; and the city was pure gold , transparent like clear crystal. [1 Kin 6:30] The foundation stones of the wall of the city were adorned with every kind of precious stone. The first foundation stone was jasper; the second , sapphire; the third , chalcedony; the fourth , emerald; [Ex 28:17-20; Is 54:11 , 12] the fifth , sardonyx; the sixth , sardius; the seventh , chrysolite (yellow topaz); the eighth , beryl; the ninth , topaz; the tenth , chrysoprase; the eleventh , jacinth; the twelfth , amethyst. And the twelve gates were twelve pearls; each separate gate was of one single pearl. And the street (broad way) of the city was pure gold , like transparent crystal. And the city has no need of the sun nor of the moon to give light to it , for the glory (splendor , radiance) of God has illumined it , and the Lamb is its lamp and light. [Is 24:23; 60:19 , 20] The nations [the redeemed people from the earth] will walk by its light , and the kings of the earth will bring into it their glory. [Is 60:1-5] By day (for there will be no night there) its gates will never be closed [in fear of evil]; [Is 60:11] and they will bring the glory (splendor , majesty) and the honor of the nations into it; and nothing that defiles or profanes or is unwashed will ever enter it , nor anyone who practices abominations [detestable , morally repugnant things] and lying , but only those [will be admitted] whose names have been written in the Lamb’s Book of Life. [Dan 12:1]” Revelation 21:5-7 , 10-14 , 18-21 , 23-27 AMP https://bible.com/bible/1588/rev.21.5-27.AMP ,
“And He who sits on the throne said , “Behold , I am making all things new.” Also He said , “Write , for these words are faithful and true [they are accurate , incorruptible , and trustworthy].” And He said to me , “It is done. I am the Alpha and the Omega , the Beginning and the End. To the one who thirsts I will give [water] from the fountain of the water of life without cost. He who overcomes [the world by adhering faithfully to Christ Jesus as Lord and Savior] will inherit these things , and I will be his God and he will be My son. And he carried me away in the Spirit to a vast and lofty mountain , and showed me the holy (sanctified) city of Jerusalem coming down out of heaven from God , having God’s glory [filled with His radiant light]. The brilliance of it resembled a rare and very precious jewel , like jasper , shining and clear as crystal. It had a massive and high wall , with twelve [large] gates , and at the gates [were stationed] twelve angels; and on the gates the names of the twelve tribes of the sons of Israel were written. On the east side [there were] three gates , on the north three gates , on the south three gates , and on the west three gates. And the wall of the city had twelve foundation stones , and on them the twelve names of the twelve apostles of the Lamb (Christ). The wall was built of jasper; and the city was pure gold , transparent like clear crystal. The foundation stones of the wall of the city were adorned with every kind of precious stone. The first foundation stone was jasper; the second , sapphire; the third , chalcedony; the fourth , emerald; the fifth , sardonyx; the sixth , sardius; the seventh , chrysolite (yellow topaz); the eighth , beryl; the ninth , topaz; the tenth , chrysoprase; the eleventh , jacinth; the twelfth , amethyst. And the twelve gates were twelve pearls; each separate gate was of one single pearl. And the street (broad way) of the city was pure gold , like transparent crystal. And the city has no need of the sun nor of the moon to give light to it , for the glory (splendor , radiance) of God has illumined it , and the Lamb is its lamp and light. The nations [the redeemed people from the earth] will walk by its light , and the kings of the earth will bring into it their glory. By day (for there will be no night there) its gates will never be closed [in fear of evil]; and they will bring the glory (splendor , majesty) and the honor of the nations into it; and nothing that defiles or profanes or is unwashed will ever enter it , nor anyone who practices abominations [detestable , morally repugnant things] and lying , but only those [will be admitted] whose names have been written in the Lamb’s Book of Life. ,
"A mystical griffin with the body of a lion and the head of an eagle , soaring through a dreamy , enchanted forest. Its wings are expansive and glowing with soft , ethereal light , casting gentle , shimmering shadows on the surrounding trees. The forest is bathed in soft twilight hues , with bioluminescent plants and flowers illuminating the path below. Mist curls around the griffin’s talons as it glides effortlessly through the mist-filled air. The trees are ancient and twisted , their branches stretching toward the sky like skeletal hands , some covered in glowing moss and faintly sparkling crystals. The atmosphere is surreal and otherworldly , with gentle beams of moonlight piercing through the canopy , adding a soft , magical glow to the entire scene. The griffin's feathers are delicate and translucent , giving it a spectral , dreamlike quality , as if it is part of the forest itself." ,