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Hereโs a comprehensive description of Hercule Poirot as Agatha Christie wrote him โ with precise references to the novels , and comparisons to key screen portrayals (Finney , Suchet , Ustinov , Branagh , etc.). --- ๐ Hercule Poirot โ Literary Description (with Source Quotes) --- ๐งโโ๏ธ 1. Physical Appearance ๐น โA little man with an egg-shaped headโ โ The Murder of Roger Ackroyd (1926) Short stature Plump and compact build Head described as egg-shaped , often tilted slightly to one side > ๐ฅ Closest portrayals: ๐ธ David Suchet โ nails the โlittle manโ shape and tilting head ๐ธ Finney โ correct manner but taller ๐ธ Branagh โ too tall and lean ๐ธ Ustinov โ too broad and casual in posture --- ๐ฅธ 2. Moustache ๐น โThe finest moustache in all England โ and perhaps in all Europe.โ โ Death in the Clouds (1935) Immense , curled , waxed , perfectly symmetrical Poirot is extremely vain about it Wears a moustache net at night > โHe had a moustache guard to keep it neat in his sleep.โ โ The Mysterious Affair at Styles (1920) > ๐ฅ Closest portrayals: ๐ธ David Suchet โ accurate size and grooming ๐ธ Kenneth Branagh โ large but overly stylized (double-layered) ๐ธ Peter Ustinov โ too understated ๐ธ Finney โ neat , but not extravagant enough --- ๐ 3. Dress & Grooming ๐น โAlways immaculate. His clothes were faultless. His boots shone.โ โ The Mystery of the Blue Train (1928) Fussy and obsessive about cleanliness Well-tailored suits , gloves , polished shoes Takes pride in his appearance , symmetry , and neatness > ๐ฅ Closest portrayals: ๐ธ Suchet โ perfect suits , shoe polish , gloves ๐ธ Finney โ clean but not as fussy ๐ธ Branagh โ a bit too dramatic in grooming --- ๐ง 4. Intelligence & Method ๐น โI am not one to rely upon physical evidence. I use the little grey cells.โ โ The Big Four (1927) Psychology-based deductions Avoids fingerprint obsession or brute force Dismisses red herrings and goes after motive and psychology > ๐ฅ Closest portrayals: ๐ธ Suchet โ pure psychological method ๐ธ Finney โ sharp intellect , but less emphasized ๐ธ Ustinov โ more jovial , less โgrey cellโ driven ๐ธ Branagh โ mixes emotion and action unnecessarily --- ๐ฃ๏ธ 5. Speech & Accent ๐น โHis English was precise , but with a foreign accent.โ โ Peril at End House (1932) Belgian French accent , not French or British Always speaks in precise , formal English Often corrects others politely > ๐ฅ Closest portrayals: ๐ธ Suchet โ perfect subtle Belgian accent ๐ธ Finney โ formal , slight accent ๐ธ Branagh โ inconsistent Belgian-French tone ๐ธ Ustinov โ more laid-back , not authentic Belgian --- ๐งผ 6. Personality & Mannerisms ๐น โEverything must be tidy and symmetrical.โ โ The ABC Murders (1936) Fastidious , orderly Polite but proud Prone to mild arrogance , but never mean Occasionally flustered by disorder > ๐ฅ Closest portrayals: ๐ธ Suchet โ obsessive , neat , respectful ๐ธ Ustinov โ polite but too casual ๐ธ Finney โ more reserved , dignified ๐ธ Branagh โ too emotional at times (e.g. crying in Death on the Nile) --- ๐ฌ 7. Humor & Warmth ๐น โPoirot smiled โ that slow smile that came rarely , but lighted up his whole face.โ โ Five Little Pigs (1942) Not comedic , but dryly witty Charming in a subtle way , especially with women or children Rarely emotional , but has empathy > ๐ฅ Closest portrayals: ๐ธ Suchet โ subtle warmth and charm ๐ธ Ustinov โ more humorous , sometimes too light ๐ธ Branagh โ goes for modern emotion --- ๐ Summary: Who Comes Closest? Trait Best Portrayal Physical Build David Suchet Moustache Our Composite (Suchet + Branagh shape) Accent & Speech Suchet (with Finneyโs formality) Intelligence Suchet Mannerisms Suchet Humor Suchet with a dash of Ustinov Visual Style Suchet + Finney blend --- ๐ Verdict: David Suchet remains the gold standard overall. But a Finney base with Suchetโs mannerisms and moustache enhancements (as we created earlier) gives you a 100% faithful visual and behavioral Poirot. Would you like me to turn this into a printable profile or dossier for Poirot fans? ,
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A girl is curled up in the lower right corner of the picture , crying. We can only see her upper body. Behind her is a huge window. We can see both her crying face and the huge factory outside the window. The light inside the window is dim , and the light outside is overexposed.We can vaguely see the huge factory from the overexposed window. , Pencil Sketch ,
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