Search Results for able
Explore AI generated designs, images, art and prompts by top community artists and designers.
Masterpiece realism , a 40-year-old beautiful pale european female long wavy brown hair in blue and white spandex space opened zipper minidress and her teenage daughter short wavy brown hair , little freckled and combisuit same colors , are exploring an abandoned rusty space station . Computers and broken cables on walls and floor . looking toward us . Science fiction cinematic style ,
Masterpiece realism , a 40-year-old beautiful pale european female long wavy brown hair in blue and white spandex space opened zipper minidress and her teenage daughter short wavy brown hair , little freckled and combisuit same colors , are exploring an abandoned rusty space station . Computers and broken cables on walls and floor . looking toward us . Science fiction cinematic style ,
masterpiece , a futuristic city in ruins. Tall skyscrapers partially collapsed , covered in soft vegetation , moss and fog. Smooth and stable camera movement , no shaking , no distortions. Soft diffused lighting , floating dust particles , atmospheric mist between the buildings. Overgrown structures with clean edges and no warped geometry. Futuristic , elegant , calm post-apocalyptic ambiance. Ultra-detailed vegetation with a soft breeze , perfect depth of field , no artifacts , no visual noise. a beautiful european pale long brown wavy hair 30yo woman wearing rag mini dress , barefoot , standing up masterpiece , a futuristic city in ruins. Tall skyscrapers partially collapsed , covered in soft vegetation , moss and fog. Smooth and stable camera movement , no shaking , no distortions. Soft diffused lighting , floating dust particles , atmospheric mist between the buildings. Overgrown structures with clean edges and no warped geometry. Futuristic , elegant , calm post-apocalyptic ambiance. Ultra-detailed vegetation with a soft breeze , perfect depth of field , no artifacts , no visual noise. a beautiful european pale long brown wavy hair 30yo woman wearing rag mini dress , barefoot , standing up ,
masterpiece , a futuristic city in ruins. Tall skyscrapers partially collapsed , covered in soft vegetation , moss and fog. Smooth and stable camera movement , no shaking , no distortions. Soft diffused lighting , floating dust particles , atmospheric mist between the buildings. Overgrown structures with clean edges and no warped geometry. Futuristic , elegant , calm post-apocalyptic ambiance. Ultra-detailed vegetation with a soft breeze , perfect depth of field , no artifacts , no visual noise. a beautiful european pale long brown wavy hair 30yo woman wearing rag mini dress , barefoot , standing up masterpiece , a futuristic city in ruins. Tall skyscrapers partially collapsed , covered in soft vegetation , moss and fog. Smooth and stable camera movement , no shaking , no distortions. Soft diffused lighting , floating dust particles , atmospheric mist between the buildings. Overgrown structures with clean edges and no warped geometry. Futuristic , elegant , calm post-apocalyptic ambiance. Ultra-detailed vegetation with a soft breeze , perfect depth of field , no artifacts , no visual noise. a beautiful european pale long brown wavy hair 30yo woman wearing rag mini dress , barefoot , standing up ,
minimalist line drawing of a beautiful woman's face is created by laying gold threads one by one on a black board. The gold threads are bent to create a shape without overlapping or intersecting , leaving a consistent gap of approximately 1mm. This work is meticulously crafted by a world-class craftsman , drawing lines with a pen. The woman's long , wavy hair is truly admirable. With her S-line figure , a world-class work of art is born , evoking exclamations. The contrast with the black background and the metallic sheen reflecting light are truly astonishing. ,
A colossal , ancient Egyptian pharaoh's mask , carved from obsidian and inlaid with glowing hieroglyphs , floats ominously in the void of deep space. Nebulae swirl around it like cosmic dust , and distant , alien stars cast an eerie , phosphorescent light. The mask's eyes seem to gaze into the viewer's soul , hinting at unfathomable cosmic horrors. Rendered in a hyperrealistic cinematic style with dramatic lighting and a deep , unsettling atmosphere , reminiscent of H.R. Giger's biomechanical surrealism. ,
Realistic commercial photograph of a smiling Mexican taquero slicing al pastor meat from a vertical spit in a small taqueria. Warm , natural light , shallow depth of field. The taquero wears a red polo shirt and black apron , holding a large knife and fork as he slices the meat onto a metal tray. The background shows seated , slightly out-of-focus customers looking at their cell phones. The atmosphere feels authentic , informal , and warm , with tiled walls and wooden tables. High level of detail , soft cinematic tones , sharp subject , and natural textures. ,
A whimsical and detailed illustration of three anthropomorphic forest animals sitting at a wooden table playing cards in a cozy woodland cabin. A large bear sits on one side , holding his cards with a furrowed brow and glaring angrily at his hand. Opposite him , a clever-looking fox smirks mischievously while holding her cards and glancing sideways at the bear. Next to her , a nervous-looking rabbit clutches his cards tightly , his wide eyes staring fearfully at the fox. The table is cluttered with cards and wooden mugs , and the warm cabin is lit by a glowing lantern. Expressive characters , cozy lighting , cartoonish but rich detail , 16:9 aspect ratio. ,
A whimsical and detailed illustration of three anthropomorphic forest animals sitting at a wooden table playing cards in a cozy woodland cabin. A large bear sits on one side , holding his cards with a furrowed brow and glaring angrily at his hand. Opposite him , a clever-looking fox smirks mischievously while holding her cards and glancing sideways at the bear. Next to her , a nervous-looking rabbit clutches his cards tightly , his wide eyes staring fearfully at the fox. The table is cluttered with cards and wooden mugs , and the warm cabin is lit by a glowing lantern. Expressive characters , cozy lighting , cartoonish but rich detail ,
{ "intent": "Generate a photorealistic Apple iPhone 16 Pro Max ProRAW-style image featuring an elegant mature Indian woman in a modern book-cafΓ© environment." , "frame": { "aspect_ratio": "9:16" , "composition": "Vertical lifestyle portrait with a three-quarter seated angle. Slight smartphone wide-angle distortion with a natural emphasis on the foreground beverage." , "style_mode": "raw_mobile_photography , Apple ProRAW , Smart HDR 5 aesthetic" } , "subject": { "identity": "A mature Indian woman in her mid-forty , conveying a warm , educated , and relaxed presence." , "physical_attributes": "Medium tan complexion with warm golden undertones. Softly defined cheekbones , expressive deep-brown almond-shaped eyes , natural eyeliner , long curled lashes , and well-defined brows. Full lips with a soft rose tint. Hair is long , thick , dark brown , styled in loose waves with a subtle sun-kissed highlight typical of Mexican mestiza aesthetics." , "expression": "Calm , welcoming smile with a thoughtful , slightly dreamy gaze directed just past the camera." , "wardrobe": "A intricate embroidery and head covered from traditional Saree with jewelry." , "accessories": "A slim black leather watch on her left wrist and a delicate brass ring on the right index finger." , "pose": "Relaxed posture at a wooden cafΓ© table. Right hand resting on an open hardcover book; left hand holding a ceramic coffee mug near the chest." } , "environment": { "location": "A warm , modern book-cafΓ© with subtle Mexican-inspired dΓ©cor touches." , "architecture": "Walnut bookshelves filled with books , soft plaster walls , warm concrete textures , geometric pendant lighting. Soft background blur with visible plants." , "atmosphere": "Cozy , intellectual , and warmly lit with golden ambiance." , "details": "Visible book titles , small potted greenery , scattered stationery items , a faint glow from a desk lamp." } , "props": { "food_main": "A plate of matcha shortbread cookies dusted with powdered sugar." , "food_side": "A small bowl of roasted almond mix." , "beverage": "A ceramic mug of flat white coffee with smooth latte-art microfoam." } , "lighting": { "type": "Warm ambient cafΓ© lighting supported by subtle Adaptive True Tone smartphone flash." , "source": "Primary: 3000K overhead warm diffused lights. Secondary: Soft frontal iPhone flash for subject clarity." , "color_temperature": "Subject illuminated at ~4800K; background glows at ~3000K for depth and warmth." , "quality": "Soft natural contrast , warm highlights catching the texture of her wavy hair , gentle shadows defining facial contours." } , "camera": { "model": "Apple iPhone 16 Pro Max" , "sensor_format": "48MP Fusion Camera (1/1.28-inch sensor simulation)." , "lens": "24mm equivalent , f/1.6 aperture." , "settings": "ISO 250 , Shutter Speed 1/80s , handheld capture." , "processing": "Photonic Engine + Deep Fusion enhancement with crisp micro-detail and subtle noise reduction in the background." } , "negative": { "style": "No studio photography , no glam retouching , no CGI , no illustration , no extreme blur." , "content": "No text , no distortions , no blemishes , no incorrect clothing colors." } } ,
A candid portrait of a smiling Indian man (use the subject from the reference photo) , shot on a smartphone. Aggressive noise reduction gives the photo a grainy , watercolor-like texture. The lighting is harsh and direct , with the built-in flash creating a noticeable highlight on the face and darkening the background. The composition is relaxed and slightly off-center , with the horizon slightly tilted. There are distracting objects and visual clutter in the background. The edges of the photo are slightly exaggerated , with chromatic aberrations visible on high-contrast lines. The color temperature is a bit warm , reminiscent of Samsung's processing. The focus is not perfectly sharp , resulting in a blurry hand-shake , as if the photo was taken in a hurry. There is digital bokeh , artificial depth of field , and some artifacts around the model's hair. ,
A captivating artistic rendering , like a classical Korean painting or a master's oil portrait , of an incredibly beautiful Korean woman. Her face , pure and delicate , is gently kissed by a bright , warm light that casts a soft , inviting glow upon her forehead and cheeks , imbuing her with a tender radiance. Her expression carries a blend of ethereal innocence , a touch of gentle vulnerability , and a subtly captivating charm that emanates from her deep , soulful eyes. She is elegantly dressed in a meticulously detailed traditional Joseon Dynasty Hanbok , adorned with soft , refined colors , and gracefully holds a classic Korean flute (νΌλ¦¬) in her hands. The setting is an authentic Joseon Dynasty street scene , featuring quaint traditional wooden buildings with tiled roofs and perhaps a subtle hint of everyday life in the background , all bathed in a warm , diffused daylight. The composition is captured from a low wide-angle perspective , emphasizing her dignified yet gently vulnerable presence against the intricate historical cityscape. The art style should evoke the timeless beauty of traditional Korean aesthetics combined with classical painting techniques , using a gentle and warm color palette and delicate brushstrokes to create a scene of poetic tranquility and serene , yet alluring , beauty. ,
A breathtaking low wide-angle , hyperrealistic 8K ultra-high-definition cinematic photograph of a magnificent Indian woman set against the iconic , pristine white marble of the Taj Mahal at dawn or dusk. A single , powerful beam of golden sunlight strikes from behind , creating a dazzling silhouette effect that emphasizes the elegant contours of her intricate , traditional Indian attire. Her vibrant , jewel-toned garment is richly detailed , yet designed to create a striking , captivating silhouette against the luminous background of the Taj Mahal. Her face is beautifully innocent and radiant , exuding a serene and pure expression. Her most striking features are her captivating , luminous purple eyes , which sparkle with an ethereal glow , holding a deep , contemplative and utterly enchanting gaze. Her facial features retain a distinctly Indian elegance and charm , harmoniously blending with her pristine aesthetic. Her elaborate jewelry and flowing dark hair are caught by the light , adding to her ethereal aura. The Taj Mahal looms grandly in the background , its exquisite Mughal architecture and majestic dome bathed in the soft , magical light of the golden hour. The reflection of the monument in the surrounding water features (if applicable) adds to the dreamlike quality. The low wide-angle perspective elevates both the woman and the monument , making them appear awe-inspiring and timeless , blending reality with fantastical splendor. The atmosphere is calm yet imbued with a sense of profound beauty , cultural richness , and an otherworldly grace. ,
A breathtaking low wide-angle , hyperrealistic 8K ultra-high-definition cinematic photograph of a magnificent Indian woman set against the iconic , pristine white marble of the Taj Mahal at dawn or dusk. A single , powerful beam of golden sunlight strikes from behind , creating a dazzling silhouette effect that emphasizes the elegant contours of her intricate , traditional Indian attire. Her vibrant , jewel-toned garment is richly detailed , yet designed to create a striking , captivating silhouette against the luminous background of the Taj Mahal. Her face is beautifully innocent and radiant , exuding a serene and pure expression. Her most striking features are her captivating , luminous purple eyes , which sparkle with an ethereal glow , holding a deep , contemplative and utterly enchanting gaze. Her facial features retain a distinctly Indian elegance and charm , harmoniously blending with her pristine aesthetic. Her elaborate jewelry and flowing dark hair are caught by the light , adding to her ethereal aura. The Taj Mahal looms grandly in the background , its exquisite Mughal architecture and majestic dome bathed in the soft , magical light of the golden hour. The reflection of the monument in the surrounding water features (if applicable) adds to the dreamlike quality. The low wide-angle perspective elevates both the woman and the monument , making them appear awe-inspiring and timeless , blending reality with fantastical splendor. The atmosphere is calm yet imbued with a sense of profound beauty , cultural richness , and an otherworldly grace. ,
Full-body celestial horse in motion , glowing with magical energy. The horse must be entirely visible from head to hooves , with a flowing mane and tail made of luminous particles or flames. Its body should feature intricate constellations or magical light patterns. Use vibrant blue , gold , or fiery orange hues. The background should be dark and atmospheric to enhance the glow. Format: PSD with organized layers (horse , effects , background) , 300 DPI , RGB color mode , suitable for professional print. ,
A majestic , glowing celestial horse in motion , inspired by fantasy and cosmic themes. The horse should appear ethereal and powerful , with flowing mane and tail made of luminous particles or flames. Its body should feature intricate constellations or light patterns , rendered in high resolution with vibrant blue , gold , or fiery orange hues. The background should be dark and atmospheric , enhancing the magical glow of the horse. The composition must be layered and editable , suitable for professional print use. Format: PSD with organized layers (horse , effects , background) , minimum 300 DPI , RGB color mode. ,
A hyperrealistic , 8K ultra-high-definition , cinematic portrait of an unimaginably beautiful woman , focusing on her upper body. Her beauty is so profound it transcends reality , possessing both pristine purity and captivating sensuality. Facial Features: Her flawless face features perfectly symmetrical , ethereal contours. Her eyes are large , crystal-clear , and intensely expressive , holding a mysterious , serene gaze that seems to reflect ancient wisdom and innocence simultaneously. They sparkle with an otherworldly luminescence. Her lips are full and subtly curved into a gentle , enigmatic smile , naturally pink , conveying both purity and soft allure. Hair: Long , flowing hair of an indescribable , luminous color (e.g. , iridescent silver-gold , deep starlit blue-black) cascading over her shoulders. The hair seems to subtly glow or shimmer with an ethereal light , as if touched by magic , creating a delicate halo effect around her head. Skin Tone & Texture: Her skin is utterly flawless , impossibly smooth , and luminous , appearing to emit a soft , pearlescent glow. Every pore , subtle blush , and minute detail is rendered with photorealistic precision , yet it retains a dreamlike , porcelain quality that seems almost translucent. Attire & Form: She wears a flowing , ethereal garment (e.g. , made of liquid light , iridescent silk , or translucent celestial fabric) that drapes softly over her shoulders and dΓ©colletage , enhancing her graceful silhouette without revealing too much. The fabric might shimmer with colors of a nebula or moonlight. Her posture is elegant and serene , subtly conveying her innate grace and power. Lighting & Atmosphere: Bathed in soft , diffused , magical lighting that originates from an unseen , fantastical source (e.g. , ethereal starlight , soft aurora borealis glow). This lighting sculpts her features perfectly , casting subtle , artistic shadows that emphasize her otherworldly beauty. The background is minimalistic and blurred , composed of soft , swirling , luminous colors or faint , indistinct fantastical elements (e.g. , distant nebulae , soft misty light) , ensuring the focus remains entirely on her captivating presence. The overall atmosphere is one of profound serenity , divine beauty , and fantastical wonder , like a masterpiece seen in a dream. ,
A graphic illustration featuring three stylized icons of document files. The central icon is a rectangle with horizontal lines inside , representing a text document. To the left is a acrobat logo , recognizable by the "pdf" designation , colored in red. To the right is another document icon , labeled "3b , " suggesting a numbered or titled file. The files are slightly overlapping , and positioned against a plain , white background. The style is clean and minimalist , using bold black outlines for the icons. The composition is straightforward , emphasizing clarity and ease of recognition. The lighting is neutral , with no shadows or special effects. The overall impression is one of simple , digital document representation. ,
An ultra-realistic miniature Genie emerges from a swirling , celestial vortex , threads of stardust weaving through its ephemeral form. The genie gestures with an ethereal hand with cigarette , summoning a cosmic storm of iridescent energy. Below , a desolate , alien landscape is cast in dramatic , hyper-detailed shadows. inside a large open wine glass placed on a wooden table near a window at night-bar. ,
An ultra-realistic miniature ((bar layout: the top shelf filled with miniature liquor bottles , crystal-clear glassware , warm golden reflections; the middle counter featuring glossy black surface with gold accents , tiny cocktail glasses , whiskey bottles , shakers , and detailed bar tools; the bottom layer featuring three cream-white bar stools with gold metal legs arranged in a curved layout)) night-bar landscape is cast in dramatic inside a large open wine glass placed on a wooden table near a window at night-bar , astray on table. ,
An ultra-realistic miniature ((Belly dancer with big things emerges from a swirling , celestial vortex , threads of stardust weaving through its ephemeral form. She wears a flowing yellow and red dress in circular motion like a blooming flower. The dancer gestures with an ethereal hand , summoning a cosmic storm of iridescent energy)) night-bar landscape is cast in dramatic inside a large open wine glass placed on a wooden table near a window at night-bar , astray on table. ,
An ultra-realistic miniature ((Belly dancer with big things emerges from a swirling , celestial vortex , threads of stardust weaving through its ephemeral form. She wears a flowing yellow and red dress in circular motion like a blooming flower. The dancer gestures with an ethereal hand , summoning a cosmic storm of iridescent energy)) night-bar landscape is cast in dramatic inside a large open wine glass placed on a wooden table near a window at night-bar , astray on table. ,
A cozy miniature 3D scene featuring a stylized figure of a man with glasses working on a laptop with an DELL logo , sitting beside a red and white vintage Mercedes van indoors. Warm lighting , wooden floor and furniture , a cup of coffee on a small table , bookshelf in the background , soft shadows , detailed textures. Neon sign 'Dan Ciufu' glowing in the background. High-quality , cinematic , toy-like aesthetic ,
Terminator art deco movie poster , Brian Sum , art by Joseph-mallord William Turner , hive , De-Noise , Wide-angle shot , art by Henri Matisse , art by Magdalena Carmen Frida Kahlo Claderón , voronoi pattern , art by Sir Peter Paul Rubens , art by Hilma Af Klint , art by Eugène Delacroix , levying a path of clouds behind her. Dragon ball z style high detailed anime tv show , adorable , art by Leonardo Da Vinci , Brian Sum , octane render , Bokeh blur , art by Albrecht Dürer , symmetrical face ,
ΠΡΠ»ΠΈΡΠ½ΠΎ , Π΄Π°Π²Π°ΠΉΡΠ΅ ΡΠ°Π·ΡΠ°Π±ΠΎΡΠ°Π΅ΠΌ ΠΊΠΎΠ½ΡΠ΅ΠΏΡΠΈΡ ΠΊΡΠ°ΡΠΈΠ²ΠΎΠ³ΠΎ ΠΈ ΠΈΠ½ΡΡΠΈΡΠΈΠ²Π½ΠΎ ΠΏΠΎΠ½ΡΡΠ½ΠΎΠ³ΠΎ ΠΈΠ½ΡΠ΅ΡΡΠ΅ΠΉΡΠ° Π΄Π»Ρ ΠΊΠΎΠΌΠΏΠ»Π΅ΠΊΡΠ½ΠΎΠ³ΠΎ ΠΌΠΎΠ½ΠΈΡΠΎΡΠΈΠ½Π³Π°. Π― ΡΠ°Π·ΠΎΠ±ΡΡ ΡΠ΅ΡΠ΅Π½ΠΈΠ΅ Π½Π° Π½Π΅ΡΠΊΠΎΠ»ΡΠΊΠΎ ΡΡΠ°ΠΏΠΎΠ² , ΠΎΠΏΠΈΡΡΠ²Π°Ρ ΡΡΡΡΠΊΡΡΡΡ , ΡΠ»Π΅ΠΌΠ΅Π½ΡΡ ΠΈ Π²ΠΎΠ·ΠΌΠΎΠΆΠ½ΡΠ΅ ΡΠ΅Ρ Π½ΠΎΠ»ΠΎΠ³ΠΈΠΈ.1. ΠΠ±ΡΠ°Ρ ΡΡΡΡΠΊΡΡΡΠ° ΠΈ ΠΏΡΠΈΠ½ΡΠΈΠΏΡ Π΄ΠΈΠ·Π°ΠΉΠ½Π°:ΠΠ»ΠΈΠ΅Π½Ρ-ΠΎΡΠΈΠ΅Π½ΡΠΈΡΠΎΠ²Π°Π½Π½ΠΎΡΡΡ: ΠΠ°ΠΆΠ΄ΡΠΉ Π·Π°ΠΊΠ°Π·ΡΠΈΠΊ Π²ΠΈΠ΄ΠΈΡ ΡΠΎΠ»ΡΠΊΠΎ ΡΠ²ΠΎΠΈ ΡΠΈΡΡΠ΅ΠΌΡ.ΠΠΎΠ΄ΡΠ»ΡΠ½ΠΎΡΡΡ: Π Π°Π·Π΄Π΅Π»Π΅Π½ΠΈΠ΅ Π½Π° ΡΠΈΡΡΠ΅ΠΌΡ , Π³ΡΡΠΏΠΏΡ ΠΌΠ΅ΡΡΠΈΠΊ (Π±ΠΈΠ·Π½Π΅Ρ , ΠΈΠ½ΡΡΠ°ΡΡΡΡΠΊΡΡΡΠ° , ΠΏΡΠΈΠ»ΠΎΠΆΠ΅Π½ΠΈΡ) ΠΈ Π΄Π΅ΡΠ°Π»ΠΈΠ·ΠΈΡΠΎΠ²Π°Π½Π½ΡΠ΅ Π³ΡΠ°ΡΠΈΠΊΠΈ.ΠΠΈΠ·ΡΠ°Π»ΡΠ½Π°Ρ ΠΈΠ΅ΡΠ°ΡΡ ΠΈΡ: Π§Π΅ΡΠΊΠΎΠ΅ ΡΠ°Π·Π΄Π΅Π»Π΅Π½ΠΈΠ΅ ΡΠ»Π΅ΠΌΠ΅Π½ΡΠΎΠ² , ΠΈΡΠΏΠΎΠ»ΡΠ·ΠΎΠ²Π°Π½ΠΈΠ΅ ΡΠ°Π·ΠΌΠ΅ΡΠΎΠ² , ΡΠ²Π΅ΡΠΎΠ² ΠΈ ΠΎΡΡΡΡΠΏΠΎΠ² Π΄Π»Ρ ΡΠΊΠ°Π·Π°Π½ΠΈΡ Π²Π°ΠΆΠ½ΠΎΡΡΠΈ.ΠΠ½ΡΠ΅ΡΠ°ΠΊΡΠΈΠ²Π½ΠΎΡΡΡ: ΠΠ»Π°Π²Π½ΡΠ΅ ΠΏΠ΅ΡΠ΅Ρ ΠΎΠ΄Ρ , Π²ΡΠΏΠ»ΡΠ²Π°ΡΡΠΈΠ΅ ΠΏΠΎΠ΄ΡΠΊΠ°Π·ΠΊΠΈ , ΡΠΈΠ»ΡΡΡΡ ΠΈ Π²ΠΎΠ·ΠΌΠΎΠΆΠ½ΠΎΡΡΡ ΠΊΠ°ΡΡΠΎΠΌΠΈΠ·Π°ΡΠΈΠΈ.ΠΠ΄Π°ΠΏΡΠΈΠ²Π½ΠΎΡΡΡ: ΠΠΎΡΡΠ΅ΠΊΡΠ½ΠΎΠ΅ ΠΎΡΠΎΠ±ΡΠ°ΠΆΠ΅Π½ΠΈΠ΅ Π½Π° ΡΠ°Π·Π½ΡΡ ΡΡΡΡΠΎΠΉΡΡΠ²Π°Ρ (Π΄Π΅ΡΠΊΡΠΎΠΏΡ , ΠΏΠ»Π°Π½ΡΠ΅ΡΡ , ΠΌΠΎΠ±ΠΈΠ»ΡΠ½ΡΠ΅).2. ΠΡΠ½ΠΎΠ²Π½ΡΠ΅ ΡΠΊΡΠ°Π½Ρ ΠΈ ΡΠ»Π΅ΠΌΠ΅Π½ΡΡ ΠΈΠ½ΡΠ΅ΡΡΠ΅ΠΉΡΠ°:ΠΠΊΡΠ°Π½ Π°Π²ΡΠΎΡΠΈΠ·Π°ΡΠΈΠΈ/Π²ΡΠ±ΠΎΡΠ° Π·Π°ΠΊΠ°Π·ΡΠΈΠΊΠ°:ΠΡΠΎΡΡΠ°Ρ ΡΠΎΡΠΌΠ° Π°Π²ΡΠΎΡΠΈΠ·Π°ΡΠΈΠΈ.ΠΠΎΡΠ»Π΅ Π°Π²ΡΠΎΡΠΈΠ·Π°ΡΠΈΠΈ β ΡΠΏΠΈΡΠΎΠΊ Π΄ΠΎΡΡΡΠΏΠ½ΡΡ Π·Π°ΠΊΠ°Π·ΡΠΈΠΊΠΎΠ² (Π΅ΡΠ»ΠΈ Ρ ΠΏΠΎΠ»ΡΠ·ΠΎΠ²Π°ΡΠ΅Π»Ρ Π΅ΡΡΡ Π΄ΠΎΡΡΡΠΏ ΠΊ Π½Π΅ΡΠΊΠΎΠ»ΡΠΊΠΈΠΌ).ΠΠ»Π°Π²Π½Π°Ρ ΠΏΠ°Π½Π΅Π»Ρ (Dashboard) Π΄Π»Ρ Π·Π°ΠΊΠ°Π·ΡΠΈΠΊΠ°:ΠΠ±Π·ΠΎΡ: ΠΡΠ°ΡΠΊΠ°Ρ ΡΠ²ΠΎΠ΄ΠΊΠ° ΠΏΠΎ Π²ΡΠ΅ΠΌ ΡΠΈΡΡΠ΅ΠΌΠ°ΠΌ Π·Π°ΠΊΠ°Π·ΡΠΈΠΊΠ°:ΠΠ½Π΄ΠΈΠΊΠ°ΡΠΎΡΡ ΡΠΎΡΡΠΎΡΠ½ΠΈΡ (Π·Π΅Π»Π΅Π½ΡΠΉ/ΠΆΠ΅Π»ΡΡΠΉ/ΠΊΡΠ°ΡΠ½ΡΠΉ) Π΄Π»Ρ ΠΊΠ°ΠΆΠ΄ΠΎΠΉ ΡΠΈΡΡΠ΅ΠΌΡ.ΠΠ»ΡΡΠ΅Π²ΡΠ΅ ΠΌΠ΅ΡΡΠΈΠΊΠΈ (Π½Π°ΠΏΡΠΈΠΌΠ΅Ρ , ΠΊΠΎΠ»ΠΈΡΠ΅ΡΡΠ²ΠΎ Π°ΠΊΡΠΈΠ²Π½ΡΡ ΠΏΠΎΠ»ΡΠ·ΠΎΠ²Π°ΡΠ΅Π»Π΅ΠΉ , ΡΡΠ΅Π΄Π½Π΅Π΅ Π²ΡΠ΅ΠΌΡ ΠΎΡΠ²Π΅ΡΠ°) Π² Π²ΠΈΠ΄Π΅ Π½Π΅Π±ΠΎΠ»ΡΡΠΈΡ ΠΊΠ°ΡΡΠΎΡΠ΅ΠΊ ΠΈΠ»ΠΈ Π³ΡΠ°ΡΠΈΠΊΠΎΠ².Π‘ΠΏΠΈΡΠΎΠΊ ΡΠΈΡΡΠ΅ΠΌ: ΠΠΈΠ·ΡΠ°Π»ΡΠ½ΠΎΠ΅ ΠΏΡΠ΅Π΄ΡΡΠ°Π²Π»Π΅Π½ΠΈΠ΅ ΡΠΈΡΡΠ΅ΠΌ Π·Π°ΠΊΠ°Π·ΡΠΈΠΊΠ°. ΠΠ°ΡΠΈΠ°Π½ΡΡ:ΠΠ°ΡΡΠΎΡΠΊΠΈ: ΠΠ°ΠΆΠ΄Π°Ρ ΡΠΈΡΡΠ΅ΠΌΠ° β ΠΎΡΠ΄Π΅Π»ΡΠ½Π°Ρ ΠΊΠ°ΡΡΠΎΡΠΊΠ° Ρ Π½Π°Π·Π²Π°Π½ΠΈΠ΅ΠΌ , ΠΊΡΠ°ΡΠΊΠΈΠΌ ΠΎΠΏΠΈΡΠ°Π½ΠΈΠ΅ΠΌ , ΠΈΠ½Π΄ΠΈΠΊΠ°ΡΠΎΡΠΎΠΌ ΡΠΎΡΡΠΎΡΠ½ΠΈΡ ΠΈ ΡΡΡΠ»ΠΊΠΎΠΉ Π½Π° Π΄Π΅ΡΠ°Π»ΠΈ.Π‘Π΅ΡΠΊΠ° (Grid): ΠΠΊΠΎΠ½ΠΊΠΈ ΡΠΈΡΡΠ΅ΠΌ Π² ΡΠ΅ΡΠΊΠ΅.Π‘ΠΏΠΈΡΠΎΠΊ: ΠΡΠΎΡΡΠΎΠΉ ΡΠΏΠΈΡΠΎΠΊ ΡΠΈΡΡΠ΅ΠΌ Ρ ΠΎΡΠ½ΠΎΠ²Π½ΡΠΌΠΈ Π΄Π°Π½Π½ΡΠΌΠΈ.ΠΠΎΠΈΡΠΊ: ΠΠΎΠ·Π²ΠΎΠ»ΡΠ΅Ρ Π±ΡΡΡΡΠΎ Π½Π°ΠΉΡΠΈ Π½ΡΠΆΠ½ΡΡ ΡΠΈΡΡΠ΅ΠΌΡ ΠΏΠΎ Π½Π°Π·Π²Π°Π½ΠΈΡ.Π‘ΡΡΠ°Π½ΠΈΡΠ° ΡΠΈΡΡΠ΅ΠΌΡ (System View):ΠΠ°Π³ΠΎΠ»ΠΎΠ²ΠΎΠΊ: ΠΠ°Π·Π²Π°Π½ΠΈΠ΅ ΡΠΈΡΡΠ΅ΠΌΡ , ΠΎΠΏΠΈΡΠ°Π½ΠΈΠ΅ , Π²Π»Π°Π΄Π΅Π»Π΅Ρ (ΠΊΠΎΠ½ΡΠ°ΠΊΡΠ½Π°Ρ ΠΈΠ½ΡΠΎΡΠΌΠ°ΡΠΈΡ).ΠΠΊΠ»Π°Π΄ΠΊΠΈ/ΠΠ°Π²ΠΈΠ³Π°ΡΠΈΡ: Π Π°Π·Π΄Π΅Π»Π΅Π½ΠΈΠ΅ Π½Π° Π³ΡΡΠΏΠΏΡ ΠΌΠ΅ΡΡΠΈΠΊ:ΠΠΈΠ·Π½Π΅Ρ-ΠΌΠ΅ΡΡΠΈΠΊΠΈ: ΠΠΎΠΊΠ°Π·Π°ΡΠ΅Π»ΠΈ , Π²Π°ΠΆΠ½ΡΠ΅ Π΄Π»Ρ Π±ΠΈΠ·Π½Π΅ΡΠ° (Π½Π°ΠΏΡΠΈΠΌΠ΅Ρ , Π²ΡΡΡΡΠΊΠ° , ΠΊΠΎΠ½Π²Π΅ΡΡΠΈΡ , ΠΊΠΎΠ»ΠΈΡΠ΅ΡΡΠ²ΠΎ Π·Π°ΠΊΠ°Π·ΠΎΠ²).ΠΠ½ΡΡΠ°ΡΡΡΡΠΊΡΡΡΠ½ΡΠ΅ ΠΌΠ΅ΡΡΠΈΠΊΠΈ: ΠΠΎΠΊΠ°Π·Π°ΡΠ΅Π»ΠΈ , ΡΠ²ΡΠ·Π°Π½Π½ΡΠ΅ Ρ ΠΈΠ½ΡΡΠ°ΡΡΡΡΠΊΡΡΡΠΎΠΉ (Π½Π°ΠΏΡΠΈΠΌΠ΅Ρ , Π·Π°Π³ΡΡΠ·ΠΊΠ° CPU , ΠΈΡΠΏΠΎΠ»ΡΠ·ΠΎΠ²Π°Π½ΠΈΠ΅ ΠΏΠ°ΠΌΡΡΠΈ , Π΄ΠΈΡΠΊΠΎΠ²ΠΎΠ΅ ΠΏΡΠΎΡΡΡΠ°Π½ΡΡΠ²ΠΎ).ΠΠ΅ΡΡΠΈΠΊΠΈ ΠΏΡΠΈΠ»ΠΎΠΆΠ΅Π½ΠΈΠΉ: ΠΠΎΠΊΠ°Π·Π°ΡΠ΅Π»ΠΈ , ΡΠ²ΡΠ·Π°Π½Π½ΡΠ΅ Ρ ΠΏΡΠΈΠ»ΠΎΠΆΠ΅Π½ΠΈΡΠΌΠΈ (Π½Π°ΠΏΡΠΈΠΌΠ΅Ρ , Π²ΡΠ΅ΠΌΡ ΠΎΡΠ²Π΅ΡΠ° API , ΠΊΠΎΠ»ΠΈΡΠ΅ΡΡΠ²ΠΎ ΠΎΡΠΈΠ±ΠΎΠΊ , ΠΊΠΎΠ»ΠΈΡΠ΅ΡΡΠ²ΠΎ Π·Π°ΠΏΡΠΎΡΠΎΠ²).ΠΠΎΠ³ΠΈ: ΠΡΠΎΠ±ΡΠ°ΠΆΠ΅Π½ΠΈΠ΅ Π»ΠΎΠ³ΠΎΠ² ΡΠΈΡΡΠ΅ΠΌΡΠ‘ΠΏΠΈΡΠΎΠΊ ΠΌΠ΅ΡΡΠΈΠΊ Π² ΠΊΠ°ΠΆΠ΄ΠΎΠΉ Π³ΡΡΠΏΠΏΠ΅: Π‘ΠΏΠΈΡΠΎΠΊ Π΄ΠΎΡΡΡΠΏΠ½ΡΡ ΠΌΠ΅ΡΡΠΈΠΊ Ρ Π²ΠΎΠ·ΠΌΠΎΠΆΠ½ΠΎΡΡΡΡ ΡΠΈΠ»ΡΡΡΠ°ΡΠΈΠΈ ΠΈ ΠΏΠΎΠΈΡΠΊΠ°. ΠΠ»Ρ ΠΊΠ°ΠΆΠ΄ΠΎΠΉ ΠΌΠ΅ΡΡΠΈΠΊΠΈ:ΠΠ°Π·Π²Π°Π½ΠΈΠ΅.Π’Π΅ΠΊΡΡΠ΅Π΅ Π·Π½Π°ΡΠ΅Π½ΠΈΠ΅.ΠΠΈΠ½ΠΈ-Π³ΡΠ°ΡΠΈΠΊ (sparkline) Π·Π° ΠΏΠΎΡΠ»Π΅Π΄Π½ΠΈΠΉ ΠΏΠ΅ΡΠΈΠΎΠ΄.ΠΠ½Π΄ΠΈΠΊΠ°ΡΠΎΡ ΡΡΠ΅Π½Π΄Π° (Π²Π²Π΅ΡΡ /Π²Π½ΠΈΠ·/ΡΡΠ°Π±ΠΈΠ»ΡΠ½ΠΎ).ΠΠ½ΠΎΠΏΠΊΠ° "ΠΠΎΠ΄ΡΠΎΠ±Π½Π΅Π΅ Π² Grafana": ΠΠ΅ΡΠ΅Ρ ΠΎΠ΄ ΠΊ Π΄Π΅ΡΠ°Π»ΡΠ½ΡΠΌ Π³ΡΠ°ΡΠΈΠΊΠ°ΠΌ Π² Grafana Π΄Π»Ρ Π²ΡΠ±ΡΠ°Π½Π½ΠΎΠΉ ΠΌΠ΅ΡΡΠΈΠΊΠΈ. (ΠΠ°ΠΆΠ½ΠΎ: ΠΠ΅ΡΠ΅Π΄Π°ΡΠ° ΠΊΠΎΠ½ΡΠ΅ΠΊΡΡΠ° Π² Grafana β ΡΠΌ. ΡΠ°Π·Π΄Π΅Π» "ΠΠ½ΡΠ΅Π³ΡΠ°ΡΠΈΡ Ρ Grafana").Π‘ΡΡΠ°Π½ΠΈΡΠ° Π΄Π΅ΡΠ°Π»ΠΈΠ·ΠΈΡΠΎΠ²Π°Π½Π½ΠΎΠΉ ΠΌΠ΅ΡΡΠΈΠΊΠΈ (Metric Detail): (ΠΠ±ΡΡΠ½ΠΎ ΡΡΠΎ Grafana , Π½ΠΎ ΠΌΠΎΠΆΠ΅Ρ Π±ΡΡΡ ΠΈ ΠΎΡΠ΄Π΅Π»ΡΠ½Π°Ρ ΡΡΡΠ°Π½ΠΈΡΠ° Π² Π²Π°ΡΠ΅ΠΌ ΠΏΡΠΈΠ»ΠΎΠΆΠ΅Π½ΠΈΠΈ , Π΅ΡΠ»ΠΈ Π½Π΅ΠΎΠ±Ρ ΠΎΠ΄ΠΈΠΌΠΎ).ΠΡΠ°ΡΠΈΠΊ ΠΌΠ΅ΡΡΠΈΠΊΠΈ Π·Π° Π²ΡΠ±ΡΠ°Π½Π½ΡΠΉ ΠΏΠ΅ΡΠΈΠΎΠ΄ Π²ΡΠ΅ΠΌΠ΅Π½ΠΈ.ΠΠΎΠ·ΠΌΠΎΠΆΠ½ΠΎΡΡΡ Π²ΡΠ±ΠΎΡΠ° ΠΏΠ΅ΡΠΈΠΎΠ΄Π° Π²ΡΠ΅ΠΌΠ΅Π½ΠΈ (ΠΏΠΎΡΠ»Π΅Π΄Π½ΠΈΠΉ ΡΠ°Ρ , Π΄Π΅Π½Ρ , Π½Π΅Π΄Π΅Π»Ρ , ΠΌΠ΅ΡΡΡ , ΠΏΡΠΎΠΈΠ·Π²ΠΎΠ»ΡΠ½ΡΠΉ Π΄ΠΈΠ°ΠΏΠ°Π·ΠΎΠ½).ΠΠΎΠ·ΠΌΠΎΠΆΠ½ΠΎΡΡΡ ΠΌΠ°ΡΡΡΠ°Π±ΠΈΡΠΎΠ²Π°Π½ΠΈΡ Π³ΡΠ°ΡΠΈΠΊΠ°.ΠΠΎΠ·ΠΌΠΎΠΆΠ½ΠΎΡΡΡ Π΄ΠΎΠ±Π°Π²Π»Π΅Π½ΠΈΡ Π°Π½Π½ΠΎΡΠ°ΡΠΈΠΉ (Π½Π°ΠΏΡΠΈΠΌΠ΅Ρ , Π΄Π»Ρ ΠΎΡΠΌΠ΅ΡΠΊΠΈ Π²Π°ΠΆΠ½ΡΡ ΡΠΎΠ±ΡΡΠΈΠΉ).ΠΠΎΠ·ΠΌΠΎΠΆΠ½ΠΎΡΡΡ ΡΠΊΡΠΏΠΎΡΡΠ° Π΄Π°Π½Π½ΡΡ .3. Π’Π΅Ρ Π½ΠΎΠ»ΠΎΠ³ΠΈΠΈ (ΠΏΡΠΈΠΌΠ΅ΡΠ½ΡΠΉ ΡΡΠ΅ΠΊ):Frontend:React , Angular , Vue.js: Π‘ΠΎΠ²ΡΠ΅ΠΌΠ΅Π½Π½ΡΠ΅ JavaScript-ΡΡΠ΅ΠΉΠΌΠ²ΠΎΡΠΊΠΈ Π΄Π»Ρ ΡΠΎΠ·Π΄Π°Π½ΠΈΡ ΠΈΠ½ΡΠ΅ΡΠ°ΠΊΡΠΈΠ²Π½ΡΡ ΠΏΠΎΠ»ΡΠ·ΠΎΠ²Π°ΡΠ΅Π»ΡΡΠΊΠΈΡ ΠΈΠ½ΡΠ΅ΡΡΠ΅ΠΉΡΠΎΠ². React β Π½Π°ΠΈΠ±ΠΎΠ»Π΅Π΅ ΠΏΠΎΠΏΡΠ»ΡΡΠ½ΡΠΉ ΠΈ Π³ΠΈΠ±ΠΊΠΈΠΉ Π²Π°ΡΠΈΠ°Π½Ρ.TypeScript: Π‘ΡΠ°ΡΠΈΡΠ΅ΡΠΊΠ°Ρ ΡΠΈΠΏΠΈΠ·Π°ΡΠΈΡ Π΄Π»Ρ ΠΏΠΎΠ²ΡΡΠ΅Π½ΠΈΡ Π½Π°Π΄Π΅ΠΆΠ½ΠΎΡΡΠΈ ΠΊΠΎΠ΄Π°.UI-Π±ΠΈΠ±Π»ΠΈΠΎΡΠ΅ΠΊΠΈ: Material UI , Ant Design , Chakra UI β Π³ΠΎΡΠΎΠ²ΡΠ΅ ΠΊΠΎΠΌΠΏΠΎΠ½Π΅Π½ΡΡ Π΄Π»Ρ Π±ΡΡΡΡΠΎΠ³ΠΎ ΡΠΎΠ·Π΄Π°Π½ΠΈΡ ΠΊΡΠ°ΡΠΈΠ²ΠΎΠ³ΠΎ ΠΈΠ½ΡΠ΅ΡΡΠ΅ΠΉΡΠ°.ΠΡΠ°ΡΠΈΠΊΠΈ: Chart.js , Recharts , Nivo β Π±ΠΈΠ±Π»ΠΈΠΎΡΠ΅ΠΊΠΈ Π΄Π»Ρ ΠΏΠΎΡΡΡΠΎΠ΅Π½ΠΈΡ Π³ΡΠ°ΡΠΈΠΊΠΎΠ².Backend:Node.js (Express) , Python (Flask/Django) , Java (Spring Boot): ΠΠ»Ρ ΠΎΠ±ΡΠ°Π±ΠΎΡΠΊΠΈ Π·Π°ΠΏΡΠΎΡΠΎΠ² , Π°Π²ΡΠΎΡΠΈΠ·Π°ΡΠΈΠΈ , Π΄ΠΎΡΡΡΠΏΠ° ΠΊ Π΄Π°Π½Π½ΡΠΌ. ΠΡΠ±ΠΎΡ Π·Π°Π²ΠΈΡΠΈΡ ΠΎΡ Π²Π°ΡΠΈΡ Π½Π°Π²ΡΠΊΠΎΠ² ΠΈ ΠΏΡΠ΅Π΄ΠΏΠΎΡΡΠ΅Π½ΠΈΠΉ.ΠΠ°Π·Π° Π΄Π°Π½Π½ΡΡ : PostgreSQL , MySQL , MongoDB β Π΄Π»Ρ Ρ ΡΠ°Π½Π΅Π½ΠΈΡ Π΄Π°Π½Π½ΡΡ ΠΎ ΡΠΈΡΡΠ΅ΠΌΠ°Ρ , ΠΌΠ΅ΡΡΠΈΠΊΠ°Ρ ΠΈ Π½Π°ΡΡΡΠΎΠΉΠΊΠ°Ρ ΠΏΠΎΠ»ΡΠ·ΠΎΠ²Π°ΡΠ΅Π»Π΅ΠΉ.ΠΠΎΠ½ΠΈΡΠΎΡΠΈΠ½Π³ ΠΈ ΡΠ±ΠΎΡ ΠΌΠ΅ΡΡΠΈΠΊ:Prometheus: ΠΠΎΠΏΡΠ»ΡΡΠ½Π°Ρ ΡΠΈΡΡΠ΅ΠΌΠ° ΠΌΠΎΠ½ΠΈΡΠΎΡΠΈΠ½Π³Π° ΠΈ ΡΠ±ΠΎΡΠ° ΠΌΠ΅ΡΡΠΈΠΊ.Grafana: ΠΠ»Ρ Π²ΠΈΠ·ΡΠ°Π»ΠΈΠ·Π°ΡΠΈΠΈ ΠΌΠ΅ΡΡΠΈΠΊ ΠΈ ΡΠΎΠ·Π΄Π°Π½ΠΈΡ Π΄Π°ΡΠ±ΠΎΡΠ΄ΠΎΠ².Telegraf , Collectd: ΠΠ³Π΅Π½ΡΡ Π΄Π»Ρ ΡΠ±ΠΎΡΠ° ΠΌΠ΅ΡΡΠΈΠΊ Ρ ΡΠ°Π·Π»ΠΈΡΠ½ΡΡ ΡΠΈΡΡΠ΅ΠΌ.ΠΠΎΠΌΠΌΡΠ½ΠΈΠΊΠ°ΡΠΈΡ:REST API: ΠΠ»Ρ Π²Π·Π°ΠΈΠΌΠΎΠ΄Π΅ΠΉΡΡΠ²ΠΈΡ ΠΌΠ΅ΠΆΠ΄Ρ frontend ΠΈ backend.WebSockets: ΠΠ»Ρ ΠΎΠ±Π½ΠΎΠ²Π»Π΅Π½ΠΈΡ Π΄Π°Π½Π½ΡΡ Π² ΡΠ΅Π°Π»ΡΠ½ΠΎΠΌ Π²ΡΠ΅ΠΌΠ΅Π½ΠΈ (Π½Π°ΠΏΡΠΈΠΌΠ΅Ρ , Π΄Π»Ρ ΠΆΠΈΠ²ΡΡ Π³ΡΠ°ΡΠΈΠΊΠΎΠ²).4. ΠΠ½ΡΠ΅Π³ΡΠ°ΡΠΈΡ Ρ Grafana:URL-ΡΠ°Π±Π»ΠΎΠ½Ρ: Π‘ΠΎΠ·Π΄Π°ΠΉΡΠ΅ URL-ΡΠ°Π±Π»ΠΎΠ½Ρ Π΄Π»Ρ ΠΏΠ΅ΡΠ΅Ρ ΠΎΠ΄Π° Π² Grafana Ρ ΠΏΠ΅ΡΠ΅Π΄Π°ΡΠ΅ΠΉ ΠΏΠ°ΡΠ°ΠΌΠ΅ΡΡΠΎΠ² , ΡΠ°ΠΊΠΈΡ ΠΊΠ°ΠΊ:datasource: ΠΠΌΡ ΠΈΡΡΠΎΡΠ½ΠΈΠΊΠ° Π΄Π°Π½Π½ΡΡ Π² Grafana.query: ΠΠ°ΠΏΡΠΎΡ Π΄Π»Ρ ΠΏΠΎΠ»ΡΡΠ΅Π½ΠΈΡ ΠΌΠ΅ΡΡΠΈΠΊΠΈ.variables: ΠΠ½Π°ΡΠ΅Π½ΠΈΡ ΠΏΠ΅ΡΠ΅ΠΌΠ΅Π½Π½ΡΡ Grafana (Π½Π°ΠΏΡΠΈΠΌΠ΅Ρ , ΠΏΠ΅ΡΠΈΠΎΠ΄ Π²ΡΠ΅ΠΌΠ΅Π½ΠΈ).Single Sign-On (SSO): ΠΡΠ»ΠΈ Π²ΠΎΠ·ΠΌΠΎΠΆΠ½ΠΎ , Π½Π°ΡΡΡΠΎΠΉΡΠ΅ SSO ΠΌΠ΅ΠΆΠ΄Ρ Π²Π°ΡΠΈΠΌ ΠΏΡΠΈΠ»ΠΎΠΆΠ΅Π½ΠΈΠ΅ΠΌ ΠΈ Grafana , ΡΡΠΎΠ±Ρ ΠΏΠΎΠ»ΡΠ·ΠΎΠ²Π°ΡΠ΅Π»ΡΠΌ Π½Π΅ ΠΏΡΠΈΡ ΠΎΠ΄ΠΈΠ»ΠΎΡΡ Π²Π²ΠΎΠ΄ΠΈΡΡ Π»ΠΎΠ³ΠΈΠ½ ΠΈ ΠΏΠ°ΡΠΎΠ»Ρ ΠΏΠΎΠ²ΡΠΎΡΠ½ΠΎ.ΠΡΡΡΠ°ΠΈΠ²Π°Π½ΠΈΠ΅ Grafana (iFrame): Π Π½Π΅ΠΊΠΎΡΠΎΡΡΡ ΡΠ»ΡΡΠ°ΡΡ ΠΌΠΎΠΆΠ½ΠΎ Π²ΡΡΡΠΎΠΈΡΡ Grafana-Π΄Π°ΡΠ±ΠΎΡΠ΄ Π² Π²Π°ΡΠ΅ ΠΏΡΠΈΠ»ΠΎΠΆΠ΅Π½ΠΈΠ΅ Ρ ΠΏΠΎΠΌΠΎΡΡΡ iFrame , Π½ΠΎ ΡΡΠΎ ΠΌΠΎΠΆΠ΅Ρ Π±ΡΡΡ ΠΌΠ΅Π½Π΅Π΅ Π³ΠΈΠ±ΠΊΠΈΠΌ ΠΈ Π±Π΅Π·ΠΎΠΏΠ°ΡΠ½ΡΠΌ ΡΠ΅ΡΠ΅Π½ΠΈΠ΅ΠΌ.5. ΠΠΎΠΏΠΎΠ»Π½ΠΈΡΠ΅Π»ΡΠ½ΡΠ΅ ΡΠ΅ΠΊΠΎΠΌΠ΅Π½Π΄Π°ΡΠΈΠΈ:Π ΠΎΠ»Π΅Π²Π°Ρ ΠΌΠΎΠ΄Π΅Π»Ρ Π΄ΠΎΡΡΡΠΏΠ°: ΠΠΏΡΠ΅Π΄Π΅Π»ΠΈΡΠ΅ ΡΠΎΠ»ΠΈ ΠΏΠΎΠ»ΡΠ·ΠΎΠ²Π°ΡΠ΅Π»Π΅ΠΉ (Π½Π°ΠΏΡΠΈΠΌΠ΅Ρ , Π°Π΄ΠΌΠΈΠ½ΠΈΡΡΡΠ°ΡΠΎΡ , ΠΎΠΏΠ΅ΡΠ°ΡΠΎΡ , Π·ΡΠΈΡΠ΅Π»Ρ) ΠΈ Π½Π°ΡΡΡΠΎΠΉΡΠ΅ ΠΏΡΠ°Π²Π° Π΄ΠΎΡΡΡΠΏΠ° ΠΊ ΡΠΈΡΡΠ΅ΠΌΠ°ΠΌ ΠΈ ΠΌΠ΅ΡΡΠΈΠΊΠ°ΠΌ.Π£Π²Π΅Π΄ΠΎΠΌΠ»Π΅Π½ΠΈΡ ΠΈ Π°Π»Π΅ΡΡΡ: Π Π΅Π°Π»ΠΈΠ·ΡΠΉΡΠ΅ ΡΠΈΡΡΠ΅ΠΌΡ ΡΠ²Π΅Π΄ΠΎΠΌΠ»Π΅Π½ΠΈΠΉ ΠΎ ΠΊΡΠΈΡΠΈΡΠ΅ΡΠΊΠΈΡ ΡΠΎΠ±ΡΡΠΈΡΡ (Π½Π°ΠΏΡΠΈΠΌΠ΅Ρ , ΠΏΡΠ΅Π²ΡΡΠ΅Π½ΠΈΠ΅ ΠΏΠΎΡΠΎΠ³ΠΎΠ²ΡΡ Π·Π½Π°ΡΠ΅Π½ΠΈΠΉ).ΠΠ°ΡΡΠΎΠΌΠΈΠ·Π°ΡΠΈΡ: ΠΡΠ΅Π΄ΠΎΡΡΠ°Π²ΡΡΠ΅ ΠΏΠΎΠ»ΡΠ·ΠΎΠ²Π°ΡΠ΅Π»ΡΠΌ Π²ΠΎΠ·ΠΌΠΎΠΆΠ½ΠΎΡΡΡ Π½Π°ΡΡΡΠ°ΠΈΠ²Π°ΡΡ Π΄Π°ΡΠ±ΠΎΡΠ΄Ρ , Π²ΡΠ±ΠΈΡΠ°ΡΡ ΠΌΠ΅ΡΡΠΈΠΊΠΈ ΠΈ ΡΠΎΠ·Π΄Π°Π²Π°ΡΡ ΡΠΎΠ±ΡΡΠ²Π΅Π½Π½ΡΠ΅ Π³ΡΠ°ΡΠΈΠΊΠΈ.ΠΠΎΠΊΡΠΌΠ΅Π½ΡΠ°ΡΠΈΡ: ΠΠ°ΠΏΠΈΡΠΈΡΠ΅ ΠΏΠΎΠ΄ΡΠΎΠ±Π½ΡΡ Π΄ΠΎΠΊΡΠΌΠ΅Π½ΡΠ°ΡΠΈΡ Π΄Π»Ρ ΠΏΠΎΠ»ΡΠ·ΠΎΠ²Π°ΡΠ΅Π»Π΅ΠΉ ΠΈ Π°Π΄ΠΌΠΈΠ½ΠΈΡΡΡΠ°ΡΠΎΡΠΎΠ².Π’Π΅ΡΡΠΈΡΠΎΠ²Π°Π½ΠΈΠ΅: ΠΡΠΎΠ²Π΅Π΄ΠΈΡΠ΅ ΡΡΠ°ΡΠ΅Π»ΡΠ½ΠΎΠ΅ ΡΠ΅ΡΡΠΈΡΠΎΠ²Π°Π½ΠΈΠ΅ ΠΈΠ½ΡΠ΅ΡΡΠ΅ΠΉΡΠ° , ΡΡΠΎΠ±Ρ ΡΠ±Π΅Π΄ΠΈΡΡΡΡ Π² Π΅Π³ΠΎ ΡΠ΄ΠΎΠ±ΡΡΠ²Π΅ ΠΈ ΡΡΠ½ΠΊΡΠΈΠΎΠ½Π°Π»ΡΠ½ΠΎΡΡΠΈ.ΠΡΠΈΠΌΠ΅ΡΠ½Π°Ρ ΡΡΡΡΠΊΡΡΡΠ° ΠΏΠ°ΠΏΠΎΠΊ frontend (React):src/ components/ ,
In a clinical veterinary corridor staffed by technicians wearing teal protective smocks and digital tablets , each ostrich pauses briefly within a transparent scanning arch that emits soft blue light as sensors capture heart rate , gait patterns , and temperature. A conveyor-like walkway gently moves the birds forward while robotic arms with padded ends perform non-contact feather sampling for DNA and disease checks. Stainless steel testing stations line the walls , with sample tubes , sealed containers , and diagnostic screens displaying real-time data under sharp industrial LED lighting. An overhead crane-mounted camera angle surveys the entire corridor , capturing the synchronized precision of staff and machines as the screening process flows without interruption. ultra-realistic , cinematic , professional , high-detail 4K , documentary style ,
Telegraf , Collectd: ΠΠ³Π΅Π½ΡΡ Π΄Π»Ρ ΡΠ±ΠΎΡΠ° ΠΌΠ΅ΡΡΠΈΠΊ Ρ ΡΠ°Π·Π»ΠΈΡΠ½ΡΡ ΡΠΈΡΡΠ΅ΠΌ. ΠΠΎΠΌΠΌΡΠ½ΠΈΠΊΠ°ΡΠΈΡ: REST API: ΠΠ»Ρ Π²Π·Π°ΠΈΠΌΠΎΠ΄Π΅ΠΉΡΡΠ²ΠΈΡ ΠΌΠ΅ΠΆΠ΄Ρ frontend ΠΈ backend. WebSockets: ΠΠ»Ρ ΠΎΠ±Π½ΠΎΠ²Π»Π΅Π½ΠΈΡ Π΄Π°Π½Π½ΡΡ Π² ΡΠ΅Π°Π»ΡΠ½ΠΎΠΌ Π²ΡΠ΅ΠΌΠ΅Π½ΠΈ (Π½Π°ΠΏΡΠΈΠΌΠ΅Ρ , Π΄Π»Ρ ΠΆΠΈΠ²ΡΡ Π³ΡΠ°ΡΠΈΠΊΠΎΠ²). 4. ΠΠ½ΡΠ΅Π³ΡΠ°ΡΠΈΡ Ρ Grafana: URL-ΡΠ°Π±Π»ΠΎΠ½Ρ: Π‘ΠΎΠ·Π΄Π°ΠΉΡΠ΅ URL-ΡΠ°Π±Π»ΠΎΠ½Ρ Π΄Π»Ρ ΠΏΠ΅ΡΠ΅Ρ ΠΎΠ΄Π° Π² Grafana Ρ ΠΏΠ΅ΡΠ΅Π΄Π°ΡΠ΅ΠΉ ΠΏΠ°ΡΠ°ΠΌΠ΅ΡΡΠΎΠ² , ΡΠ°ΠΊΠΈΡ ΠΊΠ°ΠΊ: datasource: ΠΠΌΡ ΠΈΡΡΠΎΡΠ½ΠΈΠΊΠ° Π΄Π°Π½Π½ΡΡ Π² Grafana. query: ΠΠ°ΠΏΡΠΎΡ Π΄Π»Ρ ΠΏΠΎΠ»ΡΡΠ΅Π½ΠΈΡ ΠΌΠ΅ΡΡΠΈΠΊΠΈ. variables: ΠΠ½Π°ΡΠ΅Π½ΠΈΡ ΠΏΠ΅ΡΠ΅ΠΌΠ΅Π½Π½ΡΡ Grafana (Π½Π°ΠΏΡΠΈΠΌΠ΅Ρ , ΠΏΠ΅ΡΠΈΠΎΠ΄ Π²ΡΠ΅ΠΌΠ΅Π½ΠΈ). Single Sign-On (SSO): ΠΡΠ»ΠΈ Π²ΠΎΠ·ΠΌΠΎΠΆΠ½ΠΎ , Π½Π°ΡΡΡΠΎΠΉΡΠ΅ SSO ΠΌΠ΅ΠΆΠ΄Ρ Π²Π°ΡΠΈΠΌ ΠΏΡΠΈΠ»ΠΎΠΆΠ΅Π½ΠΈΠ΅ΠΌ ΠΈ Grafana , ΡΡΠΎΠ±Ρ ΠΏΠΎΠ»ΡΠ·ΠΎΠ²Π°ΡΠ΅Π»ΡΠΌ Π½Π΅ ΠΏΡΠΈΡ ΠΎΠ΄ΠΈΠ»ΠΎΡΡ Π²Π²ΠΎΠ΄ΠΈΡΡ Π»ΠΎΠ³ΠΈΠ½ ΠΈ ΠΏΠ°ΡΠΎΠ»Ρ ΠΏΠΎΠ²ΡΠΎΡΠ½ΠΎ. ΠΡΡΡΠ°ΠΈΠ²Π°Π½ΠΈΠ΅ Grafana (iFrame): Π Π½Π΅ΠΊΠΎΡΠΎΡΡΡ ΡΠ»ΡΡΠ°ΡΡ ΠΌΠΎΠΆΠ½ΠΎ Π²ΡΡΡΠΎΠΈΡΡ Grafana-Π΄Π°ΡΠ±ΠΎΡΠ΄ Π² Π²Π°ΡΠ΅ ΠΏΡΠΈΠ»ΠΎΠΆΠ΅Π½ΠΈΠ΅ Ρ ΠΏΠΎΠΌΠΎΡΡΡ iFrame , Π½ΠΎ ΡΡΠΎ ΠΌΠΎΠΆΠ΅Ρ Π±ΡΡΡ ΠΌΠ΅Π½Π΅Π΅ Π³ΠΈΠ±ΠΊΠΈΠΌ ΠΈ Π±Π΅Π·ΠΎΠΏΠ°ΡΠ½ΡΠΌ ΡΠ΅ΡΠ΅Π½ΠΈΠ΅ΠΌ. 5. ΠΠΎΠΏΠΎΠ»Π½ΠΈΡΠ΅Π»ΡΠ½ΡΠ΅ ΡΠ΅ΠΊΠΎΠΌΠ΅Π½Π΄Π°ΡΠΈΠΈ: Π ΠΎΠ»Π΅Π²Π°Ρ ΠΌΠΎΠ΄Π΅Π»Ρ Π΄ΠΎΡΡΡΠΏΠ°: ΠΠΏΡΠ΅Π΄Π΅Π»ΠΈΡΠ΅ ΡΠΎΠ»ΠΈ ΠΏΠΎΠ»ΡΠ·ΠΎΠ²Π°ΡΠ΅Π»Π΅ΠΉ (Π½Π°ΠΏΡΠΈΠΌΠ΅Ρ , Π°Π΄ΠΌΠΈΠ½ΠΈΡΡΡΠ°ΡΠΎΡ , ΠΎΠΏΠ΅ΡΠ°ΡΠΎΡ , Π·ΡΠΈΡΠ΅Π»Ρ) ΠΈ Π½Π°ΡΡΡΠΎΠΉΡΠ΅ ΠΏΡΠ°Π²Π° Π΄ΠΎΡΡΡΠΏΠ° ΠΊ ΡΠΈΡΡΠ΅ΠΌΠ°ΠΌ ΠΈ ΠΌΠ΅ΡΡΠΈΠΊΠ°ΠΌ. Π£Π²Π΅Π΄ΠΎΠΌΠ»Π΅Π½ΠΈΡ ΠΈ Π°Π»Π΅ΡΡΡ: Π Π΅Π°Π»ΠΈΠ·ΡΠΉΡΠ΅ ΡΠΈΡΡΠ΅ΠΌΡ ΡΠ²Π΅Π΄ΠΎΠΌΠ»Π΅Π½ΠΈΠΉ ΠΎ ΠΊΡΠΈΡΠΈΡΠ΅ΡΠΊΠΈΡ ΡΠΎΠ±ΡΡΠΈΡΡ (Π½Π°ΠΏΡΠΈΠΌΠ΅Ρ , ΠΏΡΠ΅Π²ΡΡΠ΅Π½ΠΈΠ΅ ΠΏΠΎΡΠΎΠ³ΠΎΠ²ΡΡ Π·Π½Π°ΡΠ΅Π½ΠΈΠΉ). ΠΠ°ΡΡΠΎΠΌΠΈΠ·Π°ΡΠΈΡ: ΠΡΠ΅Π΄ΠΎΡΡΠ°Π²ΡΡΠ΅ ΠΏΠΎΠ»ΡΠ·ΠΎΠ²Π°ΡΠ΅Π»ΡΠΌ Π²ΠΎΠ·ΠΌΠΎΠΆΠ½ΠΎΡΡΡ Π½Π°ΡΡΡΠ°ΠΈΠ²Π°ΡΡ Π΄Π°ΡΠ±ΠΎΡΠ΄Ρ , Π²ΡΠ±ΠΈΡΠ°ΡΡ ΠΌΠ΅ΡΡΠΈΠΊΠΈ ΠΈ ΡΠΎΠ·Π΄Π°Π²Π°ΡΡ ΡΠΎΠ±ΡΡΠ²Π΅Π½Π½ΡΠ΅ Π³ΡΠ°ΡΠΈΠΊΠΈ. ΠΠΎΠΊΡΠΌΠ΅Π½ΡΠ°ΡΠΈΡ: ΠΠ°ΠΏΠΈΡΠΈΡΠ΅ ΠΏΠΎΠ΄ΡΠΎΠ±Π½ΡΡ Π΄ΠΎΠΊΡΠΌΠ΅Π½ΡΠ°ΡΠΈΡ Π΄Π»Ρ ΠΏΠΎΠ»ΡΠ·ΠΎΠ²Π°ΡΠ΅Π»Π΅ΠΉ ΠΈ Π°Π΄ΠΌΠΈΠ½ΠΈΡΡΡΠ°ΡΠΎΡΠΎΠ². Π’Π΅ΡΡΠΈΡΠΎΠ²Π°Π½ΠΈΠ΅: ΠΡΠΎΠ²Π΅Π΄ΠΈΡΠ΅ ΡΡΠ°ΡΠ΅Π»ΡΠ½ΠΎΠ΅ ΡΠ΅ΡΡΠΈΡΠΎΠ²Π°Π½ΠΈΠ΅ ΠΈΠ½ΡΠ΅ΡΡΠ΅ΠΉΡΠ° , ΡΡΠΎΠ±Ρ ΡΠ±Π΅Π΄ΠΈΡΡΡΡ Π² Π΅Π³ΠΎ ΡΠ΄ΠΎΠ±ΡΡΠ²Π΅ ΠΈ ΡΡΠ½ΠΊΡΠΈΠΎΠ½Π°Π»ΡΠ½ΠΎΡΡΠΈ. ΠΡΠΈΠΌΠ΅ΡΠ½Π°Ρ ΡΡΡΡΠΊΡΡΡΠ° ΠΏΠ°ΠΏΠΎΠΊ frontend (React): src/ components/ # ΠΠ΅ΡΠ΅ΠΈΡΠΏΠΎΠ»ΡΠ·ΡΠ΅ΠΌΡΠ΅ ΠΊΠΎΠΌΠΏΠΎΠ½Π΅Π½ΡΡ UI SystemCard.js MetricItem.js ... pages/ # Π‘ΡΡΠ°Π½ΠΈΡΡ ΠΏΡΠΈΠ»ΠΎΠΆΠ΅Π½ΠΈΡ Dashboard.js SystemView.js MetricDetail.js services/ # ΠΠΎΠ³ΠΈΠΊΠ° Π²Π·Π°ΠΈΠΌΠΎΠ΄Π΅ΠΉΡΡΠ²ΠΈΡ Ρ backend api.js utils/ # ΠΡΠΏΠΎΠΌΠΎΠ³Π°ΡΠ΅Π»ΡΠ½ΡΠ΅ ΡΡΠ½ΠΊΡΠΈΠΈ App.js index.jsΠΡΠΈΠΌΠ΅ΡΠ½Π°Ρ ΡΡΡΡΠΊΡΡΡΠ° backend (Node.js/Express): routes/ systems.js metrics.js users.js controllers/ systemController.js metricController.js userController.js models/ System.js Metric.js User.js app.jsΠΠ°ΠΊ Π½Π°ΡΠ°ΡΡ: 1. ΠΠΏΡΠ΅Π΄Π΅Π»ΠΈΡΠ΅ MVP (Minimum Viable Product): Π‘ΠΎΡΡΠ΅Π΄ΠΎΡΠΎΡΡΡΠ΅ΡΡ Π½Π° ΠΎΡΠ½ΠΎΠ²Π½ΡΡ ΡΡΠ½ΠΊΡΠΈΡΡ ΠΈ ΡΠ΅Π°Π»ΠΈΠ·ΡΠΉΡΠ΅ ΠΈΡ Π² ΠΏΠ΅ΡΠ²ΡΡ ΠΎΡΠ΅ΡΠ΅Π΄Ρ. 2. Π‘ΠΎΠ·Π΄Π°ΠΉΡΠ΅ ΠΌΠ°ΠΊΠ΅ΡΡ (wireframes) ΠΈ ΠΏΡΠΎΡΠΎΡΠΈΠΏΡ: ΠΡΠΎΡΠ΅ΡΡΠΈΡΡΠΉΡΠ΅ ΠΈΠ½ΡΠ΅ΡΡΠ΅ΠΉΡ Ρ ΠΏΠΎΠ»ΡΠ·ΠΎΠ²Π°ΡΠ΅Π»ΡΠΌΠΈ Π½Π° ΡΠ°Π½Π½ΠΈΡ ΡΡΠ°ΠΏΠ°Ρ ΡΠ°Π·ΡΠ°Π±ΠΎΡΠΊΠΈ. 3. ΠΡΠΏΠΎΠ»ΡΠ·ΡΠΉΡΠ΅ Π³ΠΈΠ±ΠΊΠΈΠ΅ ΠΌΠ΅ΡΠΎΠ΄ΠΎΠ»ΠΎΠ³ΠΈΠΈ ΡΠ°Π·ΡΠ°Π±ΠΎΡΠΊΠΈ (Agile/Scrum): Π Π°Π·Π±ΠΈΠ²Π°ΠΉΡΠ΅ ΠΏΡΠΎΠ΅ΠΊΡ Π½Π° Π½Π΅Π±ΠΎΠ»ΡΡΠΈΠ΅ ΠΈΡΠ΅ΡΠ°ΡΠΈΠΈ ΠΈ ΠΏΠΎΡΡΠΎΡΠ½Π½ΠΎ ΡΠΎΠ±ΠΈΡΠ°ΠΉΡΠ΅ ΠΎΠ±ΡΠ°ΡΠ½ΡΡ ΡΠ²ΡΠ·Ρ. ΠΠ°Π΄Π΅ΡΡΡ , ΡΡΠΎ ΠΏΠΎΠΌΠΎΠΆΠ΅Ρ Π²Π°ΠΌ ΡΠΎΠ·Π΄Π°ΡΡ ΠΎΡΠ»ΠΈΡΠ½ΡΠΉ ΠΈΠ½ΡΠ΅ΡΡΠ΅ΠΉΡ Π΄Π»Ρ ΠΊΠΎΠΌΠΏΠ»Π΅ΠΊΡΠ½ΠΎΠ³ΠΎ ΠΌΠΎΠ½ΠΈΡΠΎΡΠΈΠ½Π³Π°! ΠΡΠ»ΠΈ Ρ Π²Π°Ρ Π΅ΡΡΡ ΠΊΠ°ΠΊΠΈΠ΅-Π»ΠΈΠ±ΠΎ Π²ΠΎΠΏΡΠΎΡΡ , Π½Π΅ ΡΡΠ΅ΡΠ½ΡΠΉΡΠ΅ΡΡ ΡΠΏΡΠ°ΡΠΈΠ²Π°ΡΡ. Π― Π³ΠΎΡΠΎΠ² ΠΏΠΎΠΌΠΎΡΡ Π²Π°ΠΌ Π½Π° ΠΊΠ°ΠΆΠ΄ΠΎΠΌ ΡΡΠ°ΠΏΠ΅ ΡΠ°Π·ΡΠ°Π±ΠΎΡΠΊΠΈ. ,
ΠΡΠ»ΠΈΡΠ½ΠΎ , Π΄Π°Π²Π°ΠΉΡΠ΅ ΡΠ°Π·ΡΠ°Π±ΠΎΡΠ°Π΅ΠΌ ΠΊΠΎΠ½ΡΠ΅ΠΏΡΠΈΡ ΠΊΡΠ°ΡΠΈΠ²ΠΎΠ³ΠΎ ΠΈ ΠΈΠ½ΡΡΠΈΡΠΈΠ²Π½ΠΎ ΠΏΠΎΠ½ΡΡΠ½ΠΎΠ³ΠΎ ΠΈΠ½ΡΠ΅ΡΡΠ΅ΠΉΡΠ° Π΄Π»Ρ ΠΊΠΎΠΌΠΏΠ»Π΅ΠΊΡΠ½ΠΎΠ³ΠΎ ΠΌΠΎΠ½ΠΈΡΠΎΡΠΈΠ½Π³Π°. Π― ΡΠ°Π·ΠΎΠ±ΡΡ ΡΠ΅ΡΠ΅Π½ΠΈΠ΅ Π½Π° Π½Π΅ΡΠΊΠΎΠ»ΡΠΊΠΎ ΡΡΠ°ΠΏΠΎΠ² , ΠΎΠΏΠΈΡΡΠ²Π°Ρ ΡΡΡΡΠΊΡΡΡΡ , ΡΠ»Π΅ΠΌΠ΅Π½ΡΡ ΠΈ Π²ΠΎΠ·ΠΌΠΎΠΆΠ½ΡΠ΅ ΡΠ΅Ρ Π½ΠΎΠ»ΠΎΠ³ΠΈΠΈ. 1. ΠΠ±ΡΠ°Ρ ΡΡΡΡΠΊΡΡΡΠ° ΠΈ ΠΏΡΠΈΠ½ΡΠΈΠΏΡ Π΄ΠΈΠ·Π°ΠΉΠ½Π°: ΠΠ»ΠΈΠ΅Π½Ρ-ΠΎΡΠΈΠ΅Π½ΡΠΈΡΠΎΠ²Π°Π½Π½ΠΎΡΡΡ: ΠΠ°ΠΆΠ΄ΡΠΉ Π·Π°ΠΊΠ°Π·ΡΠΈΠΊ Π²ΠΈΠ΄ΠΈΡ ΡΠΎΠ»ΡΠΊΠΎ ΡΠ²ΠΎΠΈ ΡΠΈΡΡΠ΅ΠΌΡ. ΠΠΎΠ΄ΡΠ»ΡΠ½ΠΎΡΡΡ: Π Π°Π·Π΄Π΅Π»Π΅Π½ΠΈΠ΅ Π½Π° ΡΠΈΡΡΠ΅ΠΌΡ , Π³ΡΡΠΏΠΏΡ ΠΌΠ΅ΡΡΠΈΠΊ (Π±ΠΈΠ·Π½Π΅Ρ , ΠΈΠ½ΡΡΠ°ΡΡΡΡΠΊΡΡΡΠ° , ΠΏΡΠΈΠ»ΠΎΠΆΠ΅Π½ΠΈΡ) ΠΈ Π΄Π΅ΡΠ°Π»ΠΈΠ·ΠΈΡΠΎΠ²Π°Π½Π½ΡΠ΅ Π³ΡΠ°ΡΠΈΠΊΠΈ. ΠΠΈΠ·ΡΠ°Π»ΡΠ½Π°Ρ ΠΈΠ΅ΡΠ°ΡΡ ΠΈΡ: Π§Π΅ΡΠΊΠΎΠ΅ ΡΠ°Π·Π΄Π΅Π»Π΅Π½ΠΈΠ΅ ΡΠ»Π΅ΠΌΠ΅Π½ΡΠΎΠ² , ΠΈΡΠΏΠΎΠ»ΡΠ·ΠΎΠ²Π°Π½ΠΈΠ΅ ΡΠ°Π·ΠΌΠ΅ΡΠΎΠ² , ΡΠ²Π΅ΡΠΎΠ² ΠΈ ΠΎΡΡΡΡΠΏΠΎΠ² Π΄Π»Ρ ΡΠΊΠ°Π·Π°Π½ΠΈΡ Π²Π°ΠΆΠ½ΠΎΡΡΠΈ. ΠΠ½ΡΠ΅ΡΠ°ΠΊΡΠΈΠ²Π½ΠΎΡΡΡ: ΠΠ»Π°Π²Π½ΡΠ΅ ΠΏΠ΅ΡΠ΅Ρ ΠΎΠ΄Ρ , Π²ΡΠΏΠ»ΡΠ²Π°ΡΡΠΈΠ΅ ΠΏΠΎΠ΄ΡΠΊΠ°Π·ΠΊΠΈ , ΡΠΈΠ»ΡΡΡΡ ΠΈ Π²ΠΎΠ·ΠΌΠΎΠΆΠ½ΠΎΡΡΡ ΠΊΠ°ΡΡΠΎΠΌΠΈΠ·Π°ΡΠΈΠΈ. ΠΠ΄Π°ΠΏΡΠΈΠ²Π½ΠΎΡΡΡ: ΠΠΎΡΡΠ΅ΠΊΡΠ½ΠΎΠ΅ ΠΎΡΠΎΠ±ΡΠ°ΠΆΠ΅Π½ΠΈΠ΅ Π½Π° ΡΠ°Π·Π½ΡΡ ΡΡΡΡΠΎΠΉΡΡΠ²Π°Ρ (Π΄Π΅ΡΠΊΡΠΎΠΏΡ , ΠΏΠ»Π°Π½ΡΠ΅ΡΡ , ΠΌΠΎΠ±ΠΈΠ»ΡΠ½ΡΠ΅). 2. ΠΡΠ½ΠΎΠ²Π½ΡΠ΅ ΡΠΊΡΠ°Π½Ρ ΠΈ ΡΠ»Π΅ΠΌΠ΅Π½ΡΡ ΠΈΠ½ΡΠ΅ΡΡΠ΅ΠΉΡΠ°: ΠΠΊΡΠ°Π½ Π°Π²ΡΠΎΡΠΈΠ·Π°ΡΠΈΠΈ/Π²ΡΠ±ΠΎΡΠ° Π·Π°ΠΊΠ°Π·ΡΠΈΠΊΠ°: ΠΡΠΎΡΡΠ°Ρ ΡΠΎΡΠΌΠ° Π°Π²ΡΠΎΡΠΈΠ·Π°ΡΠΈΠΈ. ΠΠΎΡΠ»Π΅ Π°Π²ΡΠΎΡΠΈΠ·Π°ΡΠΈΠΈ β ΡΠΏΠΈΡΠΎΠΊ Π΄ΠΎΡΡΡΠΏΠ½ΡΡ Π·Π°ΠΊΠ°Π·ΡΠΈΠΊΠΎΠ² (Π΅ΡΠ»ΠΈ Ρ ΠΏΠΎΠ»ΡΠ·ΠΎΠ²Π°ΡΠ΅Π»Ρ Π΅ΡΡΡ Π΄ΠΎΡΡΡΠΏ ΠΊ Π½Π΅ΡΠΊΠΎΠ»ΡΠΊΠΈΠΌ). ΠΠ»Π°Π²Π½Π°Ρ ΠΏΠ°Π½Π΅Π»Ρ (Dashboard) Π΄Π»Ρ Π·Π°ΠΊΠ°Π·ΡΠΈΠΊΠ°: ΠΠ±Π·ΠΎΡ: ΠΡΠ°ΡΠΊΠ°Ρ ΡΠ²ΠΎΠ΄ΠΊΠ° ΠΏΠΎ Π²ΡΠ΅ΠΌ ΡΠΈΡΡΠ΅ΠΌΠ°ΠΌ Π·Π°ΠΊΠ°Π·ΡΠΈΠΊΠ°: ΠΠ½Π΄ΠΈΠΊΠ°ΡΠΎΡΡ ΡΠΎΡΡΠΎΡΠ½ΠΈΡ (Π·Π΅Π»Π΅Π½ΡΠΉ/ΠΆΠ΅Π»ΡΡΠΉ/ΠΊΡΠ°ΡΠ½ΡΠΉ) Π΄Π»Ρ ΠΊΠ°ΠΆΠ΄ΠΎΠΉ ΡΠΈΡΡΠ΅ΠΌΡ. ΠΠ»ΡΡΠ΅Π²ΡΠ΅ ΠΌΠ΅ΡΡΠΈΠΊΠΈ (Π½Π°ΠΏΡΠΈΠΌΠ΅Ρ , ΠΊΠΎΠ»ΠΈΡΠ΅ΡΡΠ²ΠΎ Π°ΠΊΡΠΈΠ²Π½ΡΡ ΠΏΠΎΠ»ΡΠ·ΠΎΠ²Π°ΡΠ΅Π»Π΅ΠΉ , ΡΡΠ΅Π΄Π½Π΅Π΅ Π²ΡΠ΅ΠΌΡ ΠΎΡΠ²Π΅ΡΠ°) Π² Π²ΠΈΠ΄Π΅ Π½Π΅Π±ΠΎΠ»ΡΡΠΈΡ ΠΊΠ°ΡΡΠΎΡΠ΅ΠΊ ΠΈΠ»ΠΈ Π³ΡΠ°ΡΠΈΠΊΠΎΠ². Π‘ΠΏΠΈΡΠΎΠΊ ΡΠΈΡΡΠ΅ΠΌ: ΠΠΈΠ·ΡΠ°Π»ΡΠ½ΠΎΠ΅ ΠΏΡΠ΅Π΄ΡΡΠ°Π²Π»Π΅Π½ΠΈΠ΅ ΡΠΈΡΡΠ΅ΠΌ Π·Π°ΠΊΠ°Π·ΡΠΈΠΊΠ°. ΠΠ°ΡΠΈΠ°Π½ΡΡ: ΠΠ°ΡΡΠΎΡΠΊΠΈ: ΠΠ°ΠΆΠ΄Π°Ρ ΡΠΈΡΡΠ΅ΠΌΠ° β ΠΎΡΠ΄Π΅Π»ΡΠ½Π°Ρ ΠΊΠ°ΡΡΠΎΡΠΊΠ° Ρ Π½Π°Π·Π²Π°Π½ΠΈΠ΅ΠΌ , ΠΊΡΠ°ΡΠΊΠΈΠΌ ΠΎΠΏΠΈΡΠ°Π½ΠΈΠ΅ΠΌ , ΠΈΠ½Π΄ΠΈΠΊΠ°ΡΠΎΡΠΎΠΌ ΡΠΎΡΡΠΎΡΠ½ΠΈΡ ΠΈ ΡΡΡΠ»ΠΊΠΎΠΉ Π½Π° Π΄Π΅ΡΠ°Π»ΠΈ. Π‘Π΅ΡΠΊΠ° (Grid): ΠΠΊΠΎΠ½ΠΊΠΈ ΡΠΈΡΡΠ΅ΠΌ Π² ΡΠ΅ΡΠΊΠ΅. Π‘ΠΏΠΈΡΠΎΠΊ: ΠΡΠΎΡΡΠΎΠΉ ΡΠΏΠΈΡΠΎΠΊ ΡΠΈΡΡΠ΅ΠΌ Ρ ΠΎΡΠ½ΠΎΠ²Π½ΡΠΌΠΈ Π΄Π°Π½Π½ΡΠΌΠΈ. ΠΠΎΠΈΡΠΊ: ΠΠΎΠ·Π²ΠΎΠ»ΡΠ΅Ρ Π±ΡΡΡΡΠΎ Π½Π°ΠΉΡΠΈ Π½ΡΠΆΠ½ΡΡ ΡΠΈΡΡΠ΅ΠΌΡ ΠΏΠΎ Π½Π°Π·Π²Π°Π½ΠΈΡ. Π‘ΡΡΠ°Π½ΠΈΡΠ° ΡΠΈΡΡΠ΅ΠΌΡ (System View): ΠΠ°Π³ΠΎΠ»ΠΎΠ²ΠΎΠΊ: ΠΠ°Π·Π²Π°Π½ΠΈΠ΅ ΡΠΈΡΡΠ΅ΠΌΡ , ΠΎΠΏΠΈΡΠ°Π½ΠΈΠ΅ , Π²Π»Π°Π΄Π΅Π»Π΅Ρ (ΠΊΠΎΠ½ΡΠ°ΠΊΡΠ½Π°Ρ ΠΈΠ½ΡΠΎΡΠΌΠ°ΡΠΈΡ). ΠΠΊΠ»Π°Π΄ΠΊΠΈ/ΠΠ°Π²ΠΈΠ³Π°ΡΠΈΡ: Π Π°Π·Π΄Π΅Π»Π΅Π½ΠΈΠ΅ Π½Π° Π³ΡΡΠΏΠΏΡ ΠΌΠ΅ΡΡΠΈΠΊ: ΠΠΈΠ·Π½Π΅Ρ-ΠΌΠ΅ΡΡΠΈΠΊΠΈ: ΠΠΎΠΊΠ°Π·Π°ΡΠ΅Π»ΠΈ , Π²Π°ΠΆΠ½ΡΠ΅ Π΄Π»Ρ Π±ΠΈΠ·Π½Π΅ΡΠ° (Π½Π°ΠΏΡΠΈΠΌΠ΅Ρ , Π²ΡΡΡΡΠΊΠ° , ΠΊΠΎΠ½Π²Π΅ΡΡΠΈΡ , ΠΊΠΎΠ»ΠΈΡΠ΅ΡΡΠ²ΠΎ Π·Π°ΠΊΠ°Π·ΠΎΠ²). ΠΠ½ΡΡΠ°ΡΡΡΡΠΊΡΡΡΠ½ΡΠ΅ ΠΌΠ΅ΡΡΠΈΠΊΠΈ: ΠΠΎΠΊΠ°Π·Π°ΡΠ΅Π»ΠΈ , ΡΠ²ΡΠ·Π°Π½Π½ΡΠ΅ Ρ ΠΈΠ½ΡΡΠ°ΡΡΡΡΠΊΡΡΡΠΎΠΉ (Π½Π°ΠΏΡΠΈΠΌΠ΅Ρ , Π·Π°Π³ΡΡΠ·ΠΊΠ° CPU , ΠΈΡΠΏΠΎΠ»ΡΠ·ΠΎΠ²Π°Π½ΠΈΠ΅ ΠΏΠ°ΠΌΡΡΠΈ , Π΄ΠΈΡΠΊΠΎΠ²ΠΎΠ΅ ΠΏΡΠΎΡΡΡΠ°Π½ΡΡΠ²ΠΎ). ΠΠ΅ΡΡΠΈΠΊΠΈ ΠΏΡΠΈΠ»ΠΎΠΆΠ΅Π½ΠΈΠΉ: ΠΠΎΠΊΠ°Π·Π°ΡΠ΅Π»ΠΈ , ΡΠ²ΡΠ·Π°Π½Π½ΡΠ΅ Ρ ΠΏΡΠΈΠ»ΠΎΠΆΠ΅Π½ΠΈΡΠΌΠΈ (Π½Π°ΠΏΡΠΈΠΌΠ΅Ρ , Π²ΡΠ΅ΠΌΡ ΠΎΡΠ²Π΅ΡΠ° API , ΠΊΠΎΠ»ΠΈΡΠ΅ΡΡΠ²ΠΎ ΠΎΡΠΈΠ±ΠΎΠΊ , ΠΊΠΎΠ»ΠΈΡΠ΅ΡΡΠ²ΠΎ Π·Π°ΠΏΡΠΎΡΠΎΠ²). ΠΠΎΠ³ΠΈ: ΠΡΠΎΠ±ΡΠ°ΠΆΠ΅Π½ΠΈΠ΅ Π»ΠΎΠ³ΠΎΠ² ΡΠΈΡΡΠ΅ΠΌΡ Π‘ΠΏΠΈΡΠΎΠΊ ΠΌΠ΅ΡΡΠΈΠΊ Π² ΠΊΠ°ΠΆΠ΄ΠΎΠΉ Π³ΡΡΠΏΠΏΠ΅: Π‘ΠΏΠΈΡΠΎΠΊ Π΄ΠΎΡΡΡΠΏΠ½ΡΡ ΠΌΠ΅ΡΡΠΈΠΊ Ρ Π²ΠΎΠ·ΠΌΠΎΠΆΠ½ΠΎΡΡΡΡ ΡΠΈΠ»ΡΡΡΠ°ΡΠΈΠΈ ΠΈ ΠΏΠΎΠΈΡΠΊΠ°. ΠΠ»Ρ ΠΊΠ°ΠΆΠ΄ΠΎΠΉ ΠΌΠ΅ΡΡΠΈΠΊΠΈ: ΠΠ°Π·Π²Π°Π½ΠΈΠ΅. Π’Π΅ΠΊΡΡΠ΅Π΅ Π·Π½Π°ΡΠ΅Π½ΠΈΠ΅. ΠΠΈΠ½ΠΈ-Π³ΡΠ°ΡΠΈΠΊ (sparkline) Π·Π° ΠΏΠΎΡΠ»Π΅Π΄Π½ΠΈΠΉ ΠΏΠ΅ΡΠΈΠΎΠ΄. ΠΠ½Π΄ΠΈΠΊΠ°ΡΠΎΡ ΡΡΠ΅Π½Π΄Π° (Π²Π²Π΅ΡΡ /Π²Π½ΠΈΠ·/ΡΡΠ°Π±ΠΈΠ»ΡΠ½ΠΎ). ΠΠ½ΠΎΠΏΠΊΠ° "ΠΠΎΠ΄ΡΠΎΠ±Π½Π΅Π΅ Π² Grafana": ΠΠ΅ΡΠ΅Ρ ΠΎΠ΄ ΠΊ Π΄Π΅ΡΠ°Π»ΡΠ½ΡΠΌ Π³ΡΠ°ΡΠΈΠΊΠ°ΠΌ Π² Grafana Π΄Π»Ρ Π²ΡΠ±ΡΠ°Π½Π½ΠΎΠΉ ΠΌΠ΅ΡΡΠΈΠΊΠΈ. (ΠΠ°ΠΆΠ½ΠΎ: ΠΠ΅ΡΠ΅Π΄Π°ΡΠ° ΠΊΠΎΠ½ΡΠ΅ΠΊΡΡΠ° Π² Grafana β ΡΠΌ. ΡΠ°Π·Π΄Π΅Π» "ΠΠ½ΡΠ΅Π³ΡΠ°ΡΠΈΡ Ρ Grafana"). Π‘ΡΡΠ°Π½ΠΈΡΠ° Π΄Π΅ΡΠ°Π»ΠΈΠ·ΠΈΡΠΎΠ²Π°Π½Π½ΠΎΠΉ ΠΌΠ΅ΡΡΠΈΠΊΠΈ (Metric Detail): (ΠΠ±ΡΡΠ½ΠΎ ΡΡΠΎ Grafana , Π½ΠΎ ΠΌΠΎΠΆΠ΅Ρ Π±ΡΡΡ ΠΈ ΠΎΡΠ΄Π΅Π»ΡΠ½Π°Ρ ΡΡΡΠ°Π½ΠΈΡΠ° Π² Π²Π°ΡΠ΅ΠΌ ΠΏΡΠΈΠ»ΠΎΠΆΠ΅Π½ΠΈΠΈ , Π΅ΡΠ»ΠΈ Π½Π΅ΠΎΠ±Ρ ΠΎΠ΄ΠΈΠΌΠΎ). ΠΡΠ°ΡΠΈΠΊ ΠΌΠ΅ΡΡΠΈΠΊΠΈ Π·Π° Π²ΡΠ±ΡΠ°Π½Π½ΡΠΉ ΠΏΠ΅ΡΠΈΠΎΠ΄ Π²ΡΠ΅ΠΌΠ΅Π½ΠΈ. ΠΠΎΠ·ΠΌΠΎΠΆΠ½ΠΎΡΡΡ Π²ΡΠ±ΠΎΡΠ° ΠΏΠ΅ΡΠΈΠΎΠ΄Π° Π²ΡΠ΅ΠΌΠ΅Π½ΠΈ (ΠΏΠΎΡΠ»Π΅Π΄Π½ΠΈΠΉ ΡΠ°Ρ , Π΄Π΅Π½Ρ , Π½Π΅Π΄Π΅Π»Ρ , ΠΌΠ΅ΡΡΡ , ΠΏΡΠΎΠΈΠ·Π²ΠΎΠ»ΡΠ½ΡΠΉ Π΄ΠΈΠ°ΠΏΠ°Π·ΠΎΠ½). ΠΠΎΠ·ΠΌΠΎΠΆΠ½ΠΎΡΡΡ ΠΌΠ°ΡΡΡΠ°Π±ΠΈΡΠΎΠ²Π°Π½ΠΈΡ Π³ΡΠ°ΡΠΈΠΊΠ°. ΠΠΎΠ·ΠΌΠΎΠΆΠ½ΠΎΡΡΡ Π΄ΠΎΠ±Π°Π²Π»Π΅Π½ΠΈΡ Π°Π½Π½ΠΎΡΠ°ΡΠΈΠΉ (Π½Π°ΠΏΡΠΈΠΌΠ΅Ρ , Π΄Π»Ρ ΠΎΡΠΌΠ΅ΡΠΊΠΈ Π²Π°ΠΆΠ½ΡΡ ΡΠΎΠ±ΡΡΠΈΠΉ). ΠΠΎΠ·ΠΌΠΎΠΆΠ½ΠΎΡΡΡ ΡΠΊΡΠΏΠΎΡΡΠ° Π΄Π°Π½Π½ΡΡ . 3. Π’Π΅Ρ Π½ΠΎΠ»ΠΎΠ³ΠΈΠΈ (ΠΏΡΠΈΠΌΠ΅ΡΠ½ΡΠΉ ΡΡΠ΅ΠΊ): Frontend: React , Angular , Vue.js: Π‘ΠΎΠ²ΡΠ΅ΠΌΠ΅Π½Π½ΡΠ΅ JavaScript-ΡΡΠ΅ΠΉΠΌΠ²ΠΎΡΠΊΠΈ Π΄Π»Ρ ΡΠΎΠ·Π΄Π°Π½ΠΈΡ ΠΈΠ½ΡΠ΅ΡΠ°ΠΊΡΠΈΠ²Π½ΡΡ ΠΏΠΎΠ»ΡΠ·ΠΎΠ²Π°ΡΠ΅Π»ΡΡΠΊΠΈΡ ΠΈΠ½ΡΠ΅ΡΡΠ΅ΠΉΡΠΎΠ². React β Π½Π°ΠΈΠ±ΠΎΠ»Π΅Π΅ ΠΏΠΎΠΏΡΠ»ΡΡΠ½ΡΠΉ ΠΈ Π³ΠΈΠ±ΠΊΠΈΠΉ Π²Π°ΡΠΈΠ°Π½Ρ. TypeScript: Π‘ΡΠ°ΡΠΈΡΠ΅ΡΠΊΠ°Ρ ΡΠΈΠΏΠΈΠ·Π°ΡΠΈΡ Π΄Π»Ρ ΠΏΠΎΠ²ΡΡΠ΅Π½ΠΈΡ Π½Π°Π΄Π΅ΠΆΠ½ΠΎΡΡΠΈ ΠΊΠΎΠ΄Π°. UI-Π±ΠΈΠ±Π»ΠΈΠΎΡΠ΅ΠΊΠΈ: Material UI , Ant Design , Chakra UI β Π³ΠΎΡΠΎΠ²ΡΠ΅ ΠΊΠΎΠΌΠΏΠΎΠ½Π΅Π½ΡΡ Π΄Π»Ρ Π±ΡΡΡΡΠΎΠ³ΠΎ ΡΠΎΠ·Π΄Π°Π½ΠΈΡ ΠΊΡΠ°ΡΠΈΠ²ΠΎΠ³ΠΎ ΠΈΠ½ΡΠ΅ΡΡΠ΅ΠΉΡΠ°. ΠΡΠ°ΡΠΈΠΊΠΈ: Chart.js , Recharts , Nivo β Π±ΠΈΠ±Π»ΠΈΠΎΡΠ΅ΠΊΠΈ Π΄Π»Ρ ΠΏΠΎΡΡΡΠΎΠ΅Π½ΠΈΡ Π³ΡΠ°ΡΠΈΠΊΠΎΠ². Backend: Node.js (Express) , Python (Flask/Django) , Java (Spring Boot): ΠΠ»Ρ ΠΎΠ±ΡΠ°Π±ΠΎΡΠΊΠΈ Π·Π°ΠΏΡΠΎΡΠΎΠ² , Π°Π²ΡΠΎΡΠΈΠ·Π°ΡΠΈΠΈ , Π΄ΠΎΡΡΡΠΏΠ° ΠΊ Π΄Π°Π½Π½ΡΠΌ. ΠΡΠ±ΠΎΡ Π·Π°Π²ΠΈΡΠΈΡ ΠΎΡ Π²Π°ΡΠΈΡ Π½Π°Π²ΡΠΊΠΎΠ² ΠΈ ΠΏΡΠ΅Π΄ΠΏΠΎΡΡΠ΅Π½ΠΈΠΉ. ΠΠ°Π·Π° Π΄Π°Π½Π½ΡΡ : PostgreSQL , MySQL , MongoDB β Π΄Π»Ρ Ρ ΡΠ°Π½Π΅Π½ΠΈΡ Π΄Π°Π½Π½ΡΡ ΠΎ ΡΠΈΡΡΠ΅ΠΌΠ°Ρ , ΠΌΠ΅ΡΡΠΈΠΊΠ°Ρ ΠΈ Π½Π°ΡΡΡΠΎΠΉΠΊΠ°Ρ ΠΏΠΎΠ»ΡΠ·ΠΎΠ²Π°ΡΠ΅Π»Π΅ΠΉ. ΠΠΎΠ½ΠΈΡΠΎΡΠΈΠ½Π³ ΠΈ ΡΠ±ΠΎΡ ΠΌΠ΅ΡΡΠΈΠΊ: Prometheus: ΠΠΎΠΏΡΠ»ΡΡΠ½Π°Ρ ΡΠΈΡΡΠ΅ΠΌΠ° ΠΌΠΎΠ½ΠΈΡΠΎΡΠΈΠ½Π³Π° ΠΈ ΡΠ±ΠΎΡΠ° ΠΌΠ΅ΡΡΠΈΠΊ. Grafana: ΠΠ»Ρ Π²ΠΈΠ·ΡΠ°Π»ΠΈΠ·Π°ΡΠΈΠΈ ΠΌΠ΅ΡΡΠΈΠΊ ΠΈ ΡΠΎΠ·Π΄Π°Π½ΠΈΡ Π΄Π°ΡΠ±ΠΎΡΠ΄ΠΎΠ². Telegraf , Collectd: ΠΠ³Π΅Π½ΡΡ Π΄Π»Ρ ΡΠ±ΠΎΡΠ° ΠΌΠ΅ΡΡΠΈΠΊ Ρ ΡΠ°Π·Π»ΠΈΡΠ½ΡΡ ΡΠΈΡΡΠ΅ΠΌ. ΠΠΎΠΌΠΌΡΠ½ΠΈΠΊΠ°ΡΠΈΡ: REST API: ΠΠ»Ρ Π²Π·Π°ΠΈΠΌΠΎΠ΄Π΅ΠΉΡΡΠ²ΠΈΡ ΠΌΠ΅ΠΆΠ΄Ρ frontend ΠΈ backend. WebSockets: ΠΠ»Ρ ΠΎΠ±Π½ΠΎΠ²Π»Π΅Π½ΠΈΡ Π΄Π°Π½Π½ΡΡ Π² ΡΠ΅Π°Π»ΡΠ½ΠΎΠΌ Π²ΡΠ΅ΠΌΠ΅Π½ΠΈ (Π½Π°ΠΏΡΠΈΠΌΠ΅Ρ , Π΄Π»Ρ ΠΆΠΈΠ²ΡΡ Π³ΡΠ°ΡΠΈΠΊΠΎΠ²). 4. ΠΠ½ΡΠ΅Π³ΡΠ°ΡΠΈΡ Ρ Grafana: URL-ΡΠ°Π±Π»ΠΎΠ½Ρ: Π‘ΠΎΠ·Π΄Π°ΠΉΡΠ΅ URL-ΡΠ°Π±Π»ΠΎΠ½Ρ Π΄Π»Ρ ΠΏΠ΅ΡΠ΅Ρ ΠΎΠ΄Π° Π² Grafana Ρ ΠΏΠ΅ΡΠ΅Π΄Π°ΡΠ΅ΠΉ ΠΏΠ°ΡΠ°ΠΌΠ΅ΡΡΠΎΠ² , ΡΠ°ΠΊΠΈΡ ΠΊΠ°ΠΊ: datasource: ΠΠΌΡ ΠΈΡΡΠΎΡΠ½ΠΈΠΊΠ° Π΄Π°Π½Π½ΡΡ Π² Grafana. query: ΠΠ°ΠΏΡΠΎΡ Π΄Π»Ρ ΠΏΠΎΠ»ΡΡΠ΅Π½ΠΈΡ ΠΌΠ΅ΡΡΠΈΠΊΠΈ. variables: ΠΠ½Π°ΡΠ΅Π½ΠΈΡ ΠΏΠ΅ΡΠ΅ΠΌΠ΅Π½Π½ΡΡ Grafana (Π½Π°ΠΏΡΠΈΠΌΠ΅Ρ , ΠΏΠ΅ΡΠΈΠΎΠ΄ Π²ΡΠ΅ΠΌΠ΅Π½ΠΈ). Single Sign-On (SSO): ΠΡΠ»ΠΈ Π²ΠΎΠ·ΠΌΠΎΠΆΠ½ΠΎ , Π½Π°ΡΡΡΠΎΠΉΡΠ΅ SSO ΠΌΠ΅ΠΆΠ΄Ρ Π²Π°ΡΠΈΠΌ ΠΏΡΠΈΠ»ΠΎΠΆΠ΅Π½ΠΈΠ΅ΠΌ ΠΈ Grafana , ΡΡΠΎΠ±Ρ ΠΏΠΎΠ»ΡΠ·ΠΎΠ²Π°ΡΠ΅Π»ΡΠΌ Π½Π΅ ΠΏΡΠΈΡ ΠΎΠ΄ΠΈΠ»ΠΎΡΡ Π²Π²ΠΎΠ΄ΠΈΡΡ Π»ΠΎΠ³ΠΈΠ½ ΠΈ ΠΏΠ°ΡΠΎΠ»Ρ ΠΏΠΎΠ²ΡΠΎΡΠ½ΠΎ. ΠΡΡΡΠ°ΠΈΠ²Π°Π½ΠΈΠ΅ Grafana (iFrame): Π Π½Π΅ΠΊΠΎΡΠΎΡΡΡ ΡΠ»ΡΡΠ°ΡΡ ΠΌΠΎΠΆΠ½ΠΎ Π²ΡΡΡΠΎΠΈΡΡ Grafana-Π΄Π°ΡΠ±ΠΎΡΠ΄ Π² Π²Π°ΡΠ΅ ΠΏΡΠΈΠ»ΠΎΠΆΠ΅Π½ΠΈΠ΅ Ρ ΠΏΠΎΠΌΠΎΡΡΡ iFrame , Π½ΠΎ ΡΡΠΎ ΠΌΠΎΠΆΠ΅Ρ Π±ΡΡΡ ΠΌΠ΅Π½Π΅Π΅ Π³ΠΈΠ±ΠΊΠΈΠΌ ΠΈ Π±Π΅Π·ΠΎΠΏΠ°ΡΠ½ΡΠΌ ΡΠ΅ΡΠ΅Π½ΠΈΠ΅ΠΌ. 5. ΠΠΎΠΏΠΎΠ»Π½ΠΈΡΠ΅Π»ΡΠ½ΡΠ΅ ΡΠ΅ΠΊΠΎΠΌΠ΅Π½Π΄Π°ΡΠΈΠΈ: Π ΠΎΠ»Π΅Π²Π°Ρ ΠΌΠΎΠ΄Π΅Π»Ρ Π΄ΠΎΡΡΡΠΏΠ°: ΠΠΏΡΠ΅Π΄Π΅Π»ΠΈΡΠ΅ ΡΠΎΠ»ΠΈ ΠΏΠΎΠ»ΡΠ·ΠΎΠ²Π°ΡΠ΅Π»Π΅ΠΉ (Π½Π°ΠΏΡΠΈΠΌΠ΅Ρ , Π°Π΄ΠΌΠΈΠ½ΠΈΡΡΡΠ°ΡΠΎΡ , ΠΎΠΏΠ΅ΡΠ°ΡΠΎΡ , Π·ΡΠΈΡΠ΅Π»Ρ) ΠΈ Π½Π°ΡΡΡΠΎΠΉΡΠ΅ ΠΏΡΠ°Π²Π° Π΄ΠΎΡΡΡΠΏΠ° ΠΊ ΡΠΈΡΡΠ΅ΠΌΠ°ΠΌ ΠΈ ΠΌΠ΅ΡΡΠΈΠΊΠ°ΠΌ. Π£Π²Π΅Π΄ΠΎΠΌΠ»Π΅Π½ΠΈΡ ΠΈ Π°Π»Π΅ΡΡΡ: Π Π΅Π°Π»ΠΈΠ·ΡΠΉΡΠ΅ ΡΠΈΡΡΠ΅ΠΌΡ ΡΠ²Π΅Π΄ΠΎΠΌΠ»Π΅Π½ΠΈΠΉ ΠΎ ΠΊΡΠΈΡΠΈΡΠ΅ΡΠΊΠΈΡ ΡΠΎΠ±ΡΡΠΈΡΡ (Π½Π°ΠΏΡΠΈΠΌΠ΅Ρ , ΠΏΡΠ΅Π²ΡΡΠ΅Π½ΠΈΠ΅ ΠΏΠΎΡΠΎΠ³ΠΎΠ²ΡΡ Π·Π½Π°ΡΠ΅Π½ΠΈΠΉ). ΠΠ°ΡΡΠΎΠΌΠΈΠ·Π°ΡΠΈΡ: ΠΡΠ΅Π΄ΠΎΡΡΠ°Π²ΡΡΠ΅ ΠΏΠΎΠ»ΡΠ·ΠΎΠ²Π°ΡΠ΅Π»ΡΠΌ Π²ΠΎΠ·ΠΌΠΎΠΆΠ½ΠΎΡΡΡ Π½Π°ΡΡΡΠ°ΠΈΠ²Π°ΡΡ Π΄Π°ΡΠ±ΠΎΡΠ΄Ρ , Π²ΡΠ±ΠΈΡΠ°ΡΡ ΠΌΠ΅ΡΡΠΈΠΊΠΈ ΠΈ ΡΠΎΠ·Π΄Π°Π²Π°ΡΡ ΡΠΎΠ±ΡΡΠ²Π΅Π½Π½ΡΠ΅ Π³ΡΠ°ΡΠΈΠΊΠΈ. ΠΠΎΠΊΡΠΌΠ΅Π½ΡΠ°ΡΠΈΡ: ΠΠ°ΠΏΠΈΡΠΈΡΠ΅ ΠΏΠΎΠ΄ΡΠΎΠ±Π½ΡΡ Π΄ΠΎΠΊΡΠΌΠ΅Π½ΡΠ°ΡΠΈΡ Π΄Π»Ρ ΠΏΠΎΠ»ΡΠ·ΠΎΠ²Π°ΡΠ΅Π»Π΅ΠΉ ΠΈ Π°Π΄ΠΌΠΈΠ½ΠΈΡΡΡΠ°ΡΠΎΡΠΎΠ². Π’Π΅ΡΡΠΈΡΠΎΠ²Π°Π½ΠΈΠ΅: ΠΡΠΎΠ²Π΅Π΄ΠΈΡΠ΅ ΡΡΠ°ΡΠ΅Π»ΡΠ½ΠΎΠ΅ ΡΠ΅ΡΡΠΈΡΠΎΠ²Π°Π½ΠΈΠ΅ ΠΈΠ½ΡΠ΅ΡΡΠ΅ΠΉΡΠ° , ΡΡΠΎΠ±Ρ ΡΠ±Π΅Π΄ΠΈΡΡΡΡ Π² Π΅Π³ΠΎ ΡΠ΄ΠΎΠ±ΡΡΠ²Π΅ ΠΈ ΡΡΠ½ΠΊΡΠΈΠΎΠ½Π°Π»ΡΠ½ΠΎΡΡΠΈ. ΠΡΠΈΠΌΠ΅ΡΠ½Π°Ρ ΡΡΡΡΠΊΡΡΡΠ° ΠΏΠ°ΠΏΠΎΠΊ frontend (React): src/ components/ # ΠΠ΅ΡΠ΅ΠΈΡΠΏΠΎΠ»ΡΠ·ΡΠ΅ΠΌΡΠ΅ ΠΊΠΎΠΌΠΏΠΎΠ½Π΅Π½ΡΡ UI SystemCard.js MetricItem.js ... pages/ # Π‘ΡΡΠ°Π½ΠΈΡΡ ΠΏΡΠΈΠ»ΠΎΠΆΠ΅Π½ΠΈΡ Dashboard.js SystemView.js MetricDetail.js services/ # ΠΠΎΠ³ΠΈΠΊΠ° Π²Π·Π°ΠΈΠΌΠΎΠ΄Π΅ΠΉΡΡΠ²ΠΈΡ Ρ backend api.js utils/ # ΠΡΠΏΠΎΠΌΠΎΠ³Π°ΡΠ΅Π»ΡΠ½ΡΠ΅ ΡΡΠ½ΠΊΡΠΈΠΈ App.js index.jsΠΡΠΈΠΌΠ΅ΡΠ½Π°Ρ ΡΡΡΡΠΊΡΡΡΠ° backend (Node.js/Express): routes/ systems.js metrics.js users.js controllers/ systemController.js metricController.js userController.js models/ System.js Metric.js User.js app.jsΠΠ°ΠΊ Π½Π°ΡΠ°ΡΡ: 1. ΠΠΏΡΠ΅Π΄Π΅Π»ΠΈΡΠ΅ MVP (Minimum Viable Product): Π‘ΠΎΡΡΠ΅Π΄ΠΎΡΠΎΡΡΡΠ΅ΡΡ Π½Π° ΠΎΡΠ½ΠΎΠ²Π½ΡΡ ΡΡΠ½ΠΊΡΠΈΡΡ ΠΈ ΡΠ΅Π°Π»ΠΈΠ·ΡΠΉΡΠ΅ ΠΈΡ Π² ΠΏΠ΅ΡΠ²ΡΡ ΠΎΡΠ΅ΡΠ΅Π΄Ρ. 2. Π‘ΠΎΠ·Π΄Π°ΠΉΡΠ΅ ΠΌΠ°ΠΊΠ΅ΡΡ (wireframes) ΠΈ ΠΏΡΠΎΡΠΎΡΠΈΠΏΡ: ΠΡΠΎΡΠ΅ΡΡΠΈΡΡΠΉΡΠ΅ ΠΈΠ½ΡΠ΅ΡΡΠ΅ΠΉΡ Ρ ΠΏΠΎΠ»ΡΠ·ΠΎΠ²Π°ΡΠ΅Π»ΡΠΌΠΈ Π½Π° ΡΠ°Π½Π½ΠΈΡ ΡΡΠ°ΠΏΠ°Ρ ΡΠ°Π·ΡΠ°Π±ΠΎΡΠΊΠΈ. 3. ΠΡΠΏΠΎΠ»ΡΠ·ΡΠΉΡΠ΅ Π³ΠΈΠ±ΠΊΠΈΠ΅ ΠΌΠ΅ΡΠΎΠ΄ΠΎΠ»ΠΎΠ³ΠΈΠΈ ΡΠ°Π·ΡΠ°Π±ΠΎΡΠΊΠΈ (Agile/Scrum): Π Π°Π·Π±ΠΈΠ²Π°ΠΉΡΠ΅ ΠΏΡΠΎΠ΅ΠΊΡ Π½Π° Π½Π΅Π±ΠΎΠ»ΡΡΠΈΠ΅ ΠΈΡΠ΅ΡΠ°ΡΠΈΠΈ ΠΈ ΠΏΠΎΡΡΠΎΡΠ½Π½ΠΎ ΡΠΎΠ±ΠΈΡΠ°ΠΉΡΠ΅ ΠΎΠ±ΡΠ°ΡΠ½ΡΡ ΡΠ²ΡΠ·Ρ. ΠΠ°Π΄Π΅ΡΡΡ , ΡΡΠΎ ΠΏΠΎΠΌΠΎΠΆΠ΅Ρ Π²Π°ΠΌ ΡΠΎΠ·Π΄Π°ΡΡ ΠΎΡΠ»ΠΈΡΠ½ΡΠΉ ΠΈΠ½ΡΠ΅ΡΡΠ΅ΠΉΡ Π΄Π»Ρ ΠΊΠΎΠΌΠΏΠ»Π΅ΠΊΡΠ½ΠΎΠ³ΠΎ ΠΌΠΎΠ½ΠΈΡΠΎΡΠΈΠ½Π³Π°! ΠΡΠ»ΠΈ Ρ Π²Π°Ρ Π΅ΡΡΡ ΠΊΠ°ΠΊΠΈΠ΅-Π»ΠΈΠ±ΠΎ Π²ΠΎΠΏΡΠΎΡΡ , Π½Π΅ ΡΡΠ΅ΡΠ½ΡΠΉΡΠ΅ΡΡ ΡΠΏΡΠ°ΡΠΈΠ²Π°ΡΡ. Π― Π³ΠΎΡΠΎΠ² ΠΏΠΎΠΌΠΎΡΡ Π²Π°ΠΌ Π½Π° ΠΊΠ°ΠΆΠ΄ΠΎΠΌ ΡΡΠ°ΠΏΠ΅ ΡΠ°Π·ΡΠ°Π±ΠΎΡΠΊΠΈ. ,
A futuristic , sculptural seating unit is designed for a beach area , echoing the forms of crab structures in its load-bearing elements. The unit features curved , smooth surfaces and an open framework that weaves together to create a light , airy appearance. Inspired by nature , the organic design is crafted from sustainable materials with a minimalist approach to minimize material usage , while ensuring structural integrity. Placed near a tranquil sea , the seating unit's earthy maroon color blends harmoniously with the surroundings , as the gentle rustling of leaves from nearby coconut trees and the soft collisions of beach-goers create a soothing ambiance. The large glass top allows lush greenery to ketchup against its underside , mirroring the dappled sea nearby , thus blurring the lines between nature and structure. ,