Search Results for Turned
Explore AI generated designs, images, art and prompts by top community artists and designers.
https://arthub.ai/post/df00db9e-3681-4ed9-b3c2-25e9456ebe88 https://arthub.ai/post/b5b5d950-293c-4a87-b291-ecdb1b13d24d https://arthub.ai/post/af99f3e4-973c-4f50-b305-bad080a1faaa "Esbelta , elegante e graciosa (Slender , elegant , and graceful) , she possesses a timeless beauty that belies her true age. She appears to be in her late 20s to early 30s , with dark skin , long dark dreadlocks , and striking eyes that hold a captivating allure. Her eyes have a subtle reddish hue , a telltale sign of her vampiric nature , adding to her mystique. She carries herself with a quiet confidence and an air of sophistication , reflecting her long life and vast experiences. Her movements are fluid and graceful , like a dancer , and her presence commands attention without demanding it." , A detailed graphic novel illustration , in the distinct style of Artstation comics with heavy ink outlines , strong chiaroscuro , and a gritty texture. The scene unfolds within a once-luxurious apartment , now in controlled disarray after a fierce vampire attack. Debris is scattered precisely: shattered glass from broken windows and picture frames , splintered pieces of a high-end wooden coffee table , a torn velvet armchair overturned , and decorative vases in shards on the floor. Crucially , the structural elements like the ceiling and main walls are intact , showing only superficial damage , maintaining the illusion of a normal home to outsiders. At the center , Liaandra , a slender and elegant female vampire with dark skin , long , intricate dreadlocks , and striking carmine red eyes , lies defeated on the floor , her expression a mix of exhaustion and defiance. She is subjugated by a dominant male vampire , whose pale skin , long , flowing black hair , and piercing red eyes convey cold superiority. He is stepping on her in a gesture of absolute humiliation and triumph. Surrounding them , two or three additional male vampires (each with pale skin , dark hair , and red eyes , dressed in sharp , dark clothing) are positioned dynamically. One might be lunging forward , another observing with a smirk , creating a sense of menacing encirclement. Their movements should suggest precision and predatory grace. The lighting is intensely dramatic , with strong , focused light sources casting long , exaggerated shadows that enhance the tension and danger. The ambient light is low , creating stark contrasts. The color palette is dominated by deep , rich reds (evoking blood and danger) , dark grays , and blacks , with occasional muted browns and blues for the environment , all contributing to a violent , chaotic , and somber mood. The composition should draw the eye directly to Liaandra and her subjugator , with the surrounding vampires framing the central action , highlighting her unique features and the stark contrast between her and her captors. ,
https://arthub.ai/post/df00db9e-3681-4ed9-b3c2-25e9456ebe88 https://arthub.ai/post/b5b5d950-293c-4a87-b291-ecdb1b13d24d https://arthub.ai/post/af99f3e4-973c-4f50-b305-bad080a1faaa "Esbelta , elegante e graciosa (Slender , elegant , and graceful) , she possesses a timeless beauty that belies her true age. She appears to be in her late 20s to early 30s , with dark skin , long dark dreadlocks , and striking eyes that hold a captivating allure. Her eyes have a subtle reddish hue , a telltale sign of her vampiric nature , adding to her mystique. She carries herself with a quiet confidence and an air of sophistication , reflecting her long life and vast experiences. Her movements are fluid and graceful , like a dancer , and her presence commands attention without demanding it." , A detailed graphic novel illustration , in the distinct style of Artstation comics with heavy ink outlines , strong chiaroscuro , and a gritty texture. The scene unfolds within a once-luxurious apartment , now in controlled disarray after a fierce vampire attack. Debris is scattered precisely: shattered glass from broken windows and picture frames , splintered pieces of a high-end wooden coffee table , a torn velvet armchair overturned , and decorative vases in shards on the floor. Crucially , the structural elements like the ceiling and main walls are intact , showing only superficial damage , maintaining the illusion of a normal home to outsiders. At the center , Liaandra , a slender and elegant female vampire with dark skin , long , intricate dreadlocks , and striking carmine red eyes , lies defeated on the floor , her expression a mix of exhaustion and defiance. She is subjugated by a dominant male vampire , whose pale skin , long , flowing black hair , and piercing red eyes convey cold superiority. He is stepping on her in a gesture of absolute humiliation and triumph. Surrounding them , two or three additional male vampires (each with pale skin , dark hair , and red eyes , dressed in sharp , dark clothing) are positioned dynamically. One might be lunging forward , another observing with a smirk , creating a sense of menacing encirclement. Their movements should suggest precision and predatory grace. The lighting is intensely dramatic , with strong , focused light sources casting long , exaggerated shadows that enhance the tension and danger. The ambient light is low , creating stark contrasts. The color palette is dominated by deep , rich reds (evoking blood and danger) , dark grays , and blacks , with occasional muted browns and blues for the environment , all contributing to a violent , chaotic , and somber mood. The composition should draw the eye directly to Liaandra and her subjugator , with the surrounding vampires framing the central action , highlighting her unique features and the stark contrast between her and her captors. ,
https://arthub.ai/post/df00db9e-3681-4ed9-b3c2-25e9456ebe88 https://arthub.ai/post/b5b5d950-293c-4a87-b291-ecdb1b13d24d https://arthub.ai/post/af99f3e4-973c-4f50-b305-bad080a1faaa "Esbelta , elegante e graciosa (Slender , elegant , and graceful) , she possesses a timeless beauty that belies her true age. She appears to be in her late 20s to early 30s , with dark skin , long dark dreadlocks , and striking eyes that hold a captivating allure. Her eyes have a subtle reddish hue , a telltale sign of her vampiric nature , adding to her mystique. She carries herself with a quiet confidence and an air of sophistication , reflecting her long life and vast experiences. Her movements are fluid and graceful , like a dancer , and her presence commands attention without demanding it." , A detailed graphic novel illustration , in the distinct style of Artstation comics with heavy ink outlines , strong chiaroscuro , and a gritty texture. The scene unfolds within a once-luxurious apartment , now in controlled disarray after a fierce vampire attack. Debris is scattered precisely: shattered glass from broken windows and picture frames , splintered pieces of a high-end wooden coffee table , a torn velvet armchair overturned , and decorative vases in shards on the floor. Crucially , the structural elements like the ceiling and main walls are intact , showing only superficial damage , maintaining the illusion of a normal home to outsiders. At the center , Liaandra , a slender and elegant female vampire with dark skin , long , intricate dreadlocks , and striking carmine red eyes , lies defeated on the floor , her expression a mix of exhaustion and defiance. She is subjugated by a dominant male vampire , whose pale skin , long , flowing black hair , and piercing red eyes convey cold superiority. He is stepping on her in a gesture of absolute humiliation and triumph. Surrounding them , two or three additional male vampires (each with pale skin , dark hair , and red eyes , dressed in sharp , dark clothing) are positioned dynamically. One might be lunging forward , another observing with a smirk , creating a sense of menacing encirclement. Their movements should suggest precision and predatory grace. The lighting is intensely dramatic , with strong , focused light sources casting long , exaggerated shadows that enhance the tension and danger. The ambient light is low , creating stark contrasts. The color palette is dominated by deep , rich reds (evoking blood and danger) , dark grays , and blacks , with occasional muted browns and blues for the environment , all contributing to a violent , chaotic , and somber mood. The composition should draw the eye directly to Liaandra and her subjugator , with the surrounding vampires framing the central action , highlighting her unique features and the stark contrast between her and her captors. ,
https://arthub.ai/post/df00db9e-3681-4ed9-b3c2-25e9456ebe88 https://arthub.ai/post/b5b5d950-293c-4a87-b291-ecdb1b13d24d https://arthub.ai/post/af99f3e4-973c-4f50-b305-bad080a1faaa "Esbelta , elegante e graciosa (Slender , elegant , and graceful) , she possesses a timeless beauty that belies her true age. She appears to be in her late 20s to early 30s , with dark skin , long dark dreadlocks , and striking eyes that hold a captivating allure. Her eyes have a subtle reddish hue , a telltale sign of her vampiric nature , adding to her mystique. She carries herself with a quiet confidence and an air of sophistication , reflecting her long life and vast experiences. Her movements are fluid and graceful , like a dancer , and her presence commands attention without demanding it." , A detailed graphic novel illustration , in the distinct style of Artstation comics with heavy ink outlines , strong chiaroscuro , and a gritty texture. The scene unfolds within a once-luxurious apartment , now in controlled disarray after a fierce vampire attack. Debris is scattered precisely: shattered glass from broken windows and picture frames , splintered pieces of a high-end wooden coffee table , a torn velvet armchair overturned , and decorative vases in shards on the floor. Crucially , the structural elements like the ceiling and main walls are intact , showing only superficial damage , maintaining the illusion of a normal home to outsiders. At the center , Liaandra , a slender and elegant female vampire with dark skin , long , intricate dreadlocks , and striking carmine red eyes , lies defeated on the floor , her expression a mix of exhaustion and defiance. She is subjugated by a dominant male vampire , whose pale skin , long , flowing black hair , and piercing red eyes convey cold superiority. He is stepping on her in a gesture of absolute humiliation and triumph. Surrounding them , two or three additional male vampires (each with pale skin , dark hair , and red eyes , dressed in sharp , dark clothing) are positioned dynamically. One might be lunging forward , another observing with a smirk , creating a sense of menacing encirclement. Their movements should suggest precision and predatory grace. The lighting is intensely dramatic , with strong , focused light sources casting long , exaggerated shadows that enhance the tension and danger. The ambient light is low , creating stark contrasts. The color palette is dominated by deep , rich reds (evoking blood and danger) , dark grays , and blacks , with occasional muted browns and blues for the environment , all contributing to a violent , chaotic , and somber mood. The composition should draw the eye directly to Liaandra and her subjugator , with the surrounding vampires framing the central action , highlighting her unique features and the stark contrast between her and her captors. ,
A detailed graphic novel illustration , in the distinct style of Artstation comics with heavy ink outlines , strong chiaroscuro , and a gritty texture. The scene unfolds within a once-luxurious apartment , now in controlled disarray after a fierce vampire attack. Debris is scattered precisely: shattered glass from broken windows and picture frames , splintered pieces of a high-end wooden coffee table , a torn velvet armchair overturned , and decorative vases in shards on the floor. Crucially , the structural elements like the ceiling and main walls are intact , showing only superficial damage , maintaining the illusion of a normal home to outsiders. At the center , Liaandra , a slender and elegant female vampire with dark skin , long , intricate dreadlocks , and striking carmine red eyes , lies defeated on the floor , her expression a mix of exhaustion and defiance. She is subjugated by a dominant male vampire , whose pale skin , long , flowing black hair , and piercing red eyes convey cold superiority. He is stepping on her in a gesture of absolute humiliation and triumph. Surrounding them , two or three additional male vampires (each with pale skin , dark hair , and red eyes , dressed in sharp , dark clothing) are positioned dynamically. One might be lunging forward , another observing with a smirk , creating a sense of menacing encirclement. Their movements should suggest precision and predatory grace. The lighting is intensely dramatic , with strong , focused light sources casting long , exaggerated shadows that enhance the tension and danger. The ambient light is low , creating stark contrasts. The color palette is dominated by deep , rich reds (evoking blood and danger) , dark grays , and blacks , with occasional muted browns and blues for the environment , all contributing to a violent , chaotic , and somber mood. The composition should draw the eye directly to Liaandra and her subjugator , with the surrounding vampires framing the central action , highlighting her unique features and the stark contrast between her and her captors. ,
A detailed graphic novel illustration , in the distinct style of Artstation comics with heavy ink outlines , strong chiaroscuro , and a gritty texture. The scene unfolds within a once-luxurious apartment , now in controlled disarray after a fierce vampire attack. Debris is scattered precisely: shattered glass from broken windows and picture frames , splintered pieces of a high-end wooden coffee table , a torn velvet armchair overturned , and decorative vases in shards on the floor. Crucially , the structural elements like the ceiling and main walls are intact , showing only superficial damage , maintaining the illusion of a normal home to outsiders. At the center , Liaandra , a slender and elegant female vampire with dark skin , long , intricate dreadlocks , and striking carmine red eyes , lies defeated on the floor , her expression a mix of exhaustion and defiance. She is subjugated by a dominant male vampire , whose pale skin , long , flowing black hair , and piercing red eyes convey cold superiority. He is stepping on her in a gesture of absolute humiliation and triumph. Surrounding them , two or three additional male vampires (each with pale skin , dark hair , and red eyes , dressed in sharp , dark clothing) are positioned dynamically. One might be lunging forward , another observing with a smirk , creating a sense of menacing encirclement. Their movements should suggest precision and predatory grace. The lighting is intensely dramatic , with strong , focused light sources casting long , exaggerated shadows that enhance the tension and danger. The ambient light is low , creating stark contrasts. The color palette is dominated by deep , rich reds (evoking blood and danger) , dark grays , and blacks , with occasional muted browns and blues for the environment , all contributing to a violent , chaotic , and somber mood. The composition should draw the eye directly to Liaandra and her subjugator , with the surrounding vampires framing the central action , highlighting her unique features and the stark contrast between her and her captors. ,
A detailed graphic novel illustration , in the distinct style of Artstation comics with heavy ink outlines , strong chiaroscuro , and a gritty texture. The scene unfolds within a once-luxurious apartment , now in controlled disarray after a fierce vampire attack. Debris is scattered precisely: shattered glass from broken windows and picture frames , splintered pieces of a high-end wooden coffee table , a torn velvet armchair overturned , and decorative vases in shards on the floor. Crucially , the structural elements like the ceiling and main walls are intact , showing only superficial damage , maintaining the illusion of a normal home to outsiders. At the center , Liaandra , a slender and elegant female vampire with dark skin , long , intricate dreadlocks , and striking carmine red eyes , lies defeated on the floor , her expression a mix of exhaustion and defiance. She is subjugated by a dominant male vampire , whose pale skin , long , flowing black hair , and piercing red eyes convey cold superiority. He is stepping on her in a gesture of absolute humiliation and triumph. Surrounding them , two or three additional male vampires (each with pale skin , dark hair , and red eyes , dressed in sharp , dark clothing) are positioned dynamically. One might be lunging forward , another observing with a smirk , creating a sense of menacing encirclement. Their movements should suggest precision and predatory grace. The lighting is intensely dramatic , with strong , focused light sources casting long , exaggerated shadows that enhance the tension and danger. The ambient light is low , creating stark contrasts. The color palette is dominated by deep , rich reds (evoking blood and danger) , dark grays , and blacks , with occasional muted browns and blues for the environment , all contributing to a violent , chaotic , and somber mood. The composition should draw the eye directly to Liaandra and her subjugator , with the surrounding vampires framing the central action , highlighting her unique features and the stark contrast between her and her captors. ,
A detailed graphic novel illustration , in the distinct style of Artstation comics with heavy ink outlines , strong chiaroscuro , and a gritty texture. The scene unfolds within a once-luxurious apartment , now in controlled disarray after a fierce vampire attack. Debris is scattered precisely: shattered glass from broken windows and picture frames , splintered pieces of a high-end wooden coffee table , a torn velvet armchair overturned , and decorative vases in shards on the floor. Crucially , the structural elements like the ceiling and main walls are intact , showing only superficial damage , maintaining the illusion of a normal home to outsiders. At the center , Liaandra , a slender and elegant female vampire with dark skin , long , intricate dreadlocks , and striking carmine red eyes , lies defeated on the floor , her expression a mix of exhaustion and defiance. She is subjugated by a dominant male vampire , whose pale skin , long , flowing black hair , and piercing red eyes convey cold superiority. He is stepping on her in a gesture of absolute humiliation and triumph. Surrounding them , two or three additional male vampires (each with pale skin , dark hair , and red eyes , dressed in sharp , dark clothing) are positioned dynamically. One might be lunging forward , another observing with a smirk , creating a sense of menacing encirclement. Their movements should suggest precision and predatory grace. The lighting is intensely dramatic , with strong , focused light sources casting long , exaggerated shadows that enhance the tension and danger. The ambient light is low , creating stark contrasts. The color palette is dominated by deep , rich reds (evoking blood and danger) , dark grays , and blacks , with occasional muted browns and blues for the environment , all contributing to a violent , chaotic , and somber mood. The composition should draw the eye directly to Liaandra and her subjugator , with the surrounding vampires framing the central action , highlighting her unique features and the stark contrast between her and her captors. ,
A detailed graphic novel illustration , in the distinct style of Artstation comics with heavy ink outlines , strong chiaroscuro , and a gritty texture. The scene unfolds within a once-luxurious apartment , now in controlled disarray after a fierce vampire attack. Debris is scattered precisely: shattered glass from broken windows and picture frames , splintered pieces of a high-end wooden coffee table , a torn velvet armchair overturned , and decorative vases in shards on the floor. Crucially , the structural elements like the ceiling and main walls are intact , showing only superficial damage , maintaining the illusion of a normal home to outsiders. At the center , Liaandra , a slender and elegant female vampire with dark skin , long , intricate dreadlocks , and striking carmine red eyes , lies defeated on the floor , her expression a mix of exhaustion and defiance. She is subjugated by a dominant male vampire , whose pale skin , long , flowing black hair , and piercing red eyes convey cold superiority. He is stepping on her in a gesture of absolute humiliation and triumph. Surrounding them , two or three additional male vampires (each with pale skin , dark hair , and red eyes , dressed in sharp , dark clothing) are positioned dynamically. One might be lunging forward , another observing with a smirk , creating a sense of menacing encirclement. Their movements should suggest precision and predatory grace. The lighting is intensely dramatic , with strong , focused light sources casting long , exaggerated shadows that enhance the tension and danger. The ambient light is low , creating stark contrasts. The color palette is dominated by deep , rich reds (evoking blood and danger) , dark grays , and blacks , with occasional muted browns and blues for the environment , all contributing to a violent , chaotic , and somber mood. The composition should draw the eye directly to Liaandra and her subjugator , with the surrounding vampires framing the central action. ,
A detailed graphic novel illustration , in the distinct style of Artstation comics with heavy ink outlines , strong chiaroscuro , and a gritty texture. The scene unfolds within a once-luxurious apartment , now in controlled disarray after a fierce vampire attack. Debris is scattered precisely: shattered glass from broken windows and picture frames , splintered pieces of a high-end wooden coffee table , a torn velvet armchair overturned , and decorative vases in shards on the floor. Crucially , the structural elements like the ceiling and main walls are intact , showing only superficial damage , maintaining the illusion of a normal home to outsiders. At the center , Liaandra , a slender and elegant female vampire with dark skin , long , intricate dreadlocks , and striking carmine red eyes , lies defeated on the floor , her expression a mix of exhaustion and defiance. She is subjugated by a dominant male vampire , whose pale skin , long , flowing black hair , and piercing red eyes convey cold superiority. He is stepping on her in a gesture of absolute humiliation and triumph. Surrounding them , two or three additional male vampires (each with pale skin , dark hair , and red eyes , dressed in sharp , dark clothing) are positioned dynamically. One might be lunging forward , another observing with a smirk , creating a sense of menacing encirclement. Their movements should suggest precision and predatory grace. The lighting is intensely dramatic , with strong , focused light sources casting long , exaggerated shadows that enhance the tension and danger. The ambient light is low , creating stark contrasts. The color palette is dominated by deep , rich reds (evoking blood and danger) , dark grays , and blacks , with occasional muted browns and blues for the environment , all contributing to a violent , chaotic , and somber mood. The composition should draw the eye directly to Liaandra and her subjugator , with the surrounding vampires framing the central action. ,
A strong , imposing werewolf with dark skin , dreadlocks , and wolf-like eyes arrives at her home with some of his pack , only to find it destroyed. This illustration is rendered in a graphic novel style , with bold lines and dramatic shadows , reminiscent of Artstation illustrations. The house is in ruins , with shattered windows , broken doors , and overturned furniture. The werewolf and his pack stand amidst the wreckage , their expressions a mix of shock , grief , and rage. The overall color palette is dark and somber , with muted blues , purples , and blacks dominating , emphasizing the devastation and loss. ,
A strong , imposing werewolf with dark skin , dreadlocks , and wolf-like eyes arrives at her home with some of his pack , only to find it destroyed. This illustration is rendered in a graphic novel style , with bold lines and dramatic shadows , reminiscent of Artstation illustrations. The house is in ruins , with shattered windows , broken doors , and overturned furniture. The werewolf and his pack stand amidst the wreckage , their expressions a mix of shock , grief , and rage. The overall color palette is dark and somber , with muted blues , purples , and blacks dominating , emphasizing the devastation and loss. ,
A swarm of vampires violently invades her home , shattering windows and tearing down doors. This illustration is rendered in a graphic novel style , with bold lines and dramatic shadows , reminiscent of Artstation illustrations. Inside , furniture is overturned , and the air is thick with tension. The vampires , with their menacing eyes and sharp fangs , are relentless in their attack. The overall color palette is dark and chaotic , with deep reds , blues , and blacks dominating , emphasizing the violence and terror of the invasion. Shattered glass and splintered wood litter the scene , adding to the sense of destruction. The slender , graceful vampire is in the middle of the chaos , fighting back with determination. ,
A swarm of vampires violently invades her home , shattering windows and tearing down doors. This illustration is rendered in a graphic novel style , with bold lines and dramatic shadows , reminiscent of Artstation illustrations. Inside , furniture is overturned , and the air is thick with tension. The vampires , with their menacing eyes and sharp fangs , are relentless in their attack. The overall color palette is dark and chaotic , with deep reds , blues , and blacks dominating , emphasizing the violence and terror of the invasion. Shattered glass and splintered wood litter the scene , adding to the sense of destruction. The slender , graceful vampire is in the middle of the chaos , fighting back with determination. ,
A full-body illustration for a children's book. **FORMAT:** **Landscape orientation , aspect ratio 16:9. NO BORDER OR FRAME.** **STYLE:** **Crayon Texture and Colored Pencil Style** , highly reminiscent of the provided image reference. **COLOR PALETTE:** Dominantly soft and warm tones (creamy beige , warm yellow , creamy off-white , vibrant red from the headscarf) , with gentle light. **CHARACTERS (Little Miss Bug & Mr. Dog):** * **Little Miss Bug:** A **cute , anthropomorphic (bug-like/doll-like) character** wearing her **vibrant RED headscarf** and her elegant **creamy off-white traditional dress** with floral patterns. Her **ladybug wings are closed. NO TRANSPARENT OR UNDER-WINGS ARE VISIBLE.** She looks **disappointed but highly polite and composed** , waving a hand gently. * **Mr. Dog:** Anthropomorphic , with his usual simple yet now deeply **sad and dejected expression** , wearing traditional Iranian clothing. He is shown **actively in the process of leaving**. His body is positioned **halfway out of the doorway** , with one foot stepping outside and his back entirely turned towards the interior of the room. His head is **visibly bowed down with profound sadness and disappointment** , not looking back at Little Miss Bug , fully expressing his dejection as he exits. He is **holding the large , juicy bone sadly in one hand**. His **tail is clearly visible , hanging very low and limply between his legs** , typical of a sad dog. **ACTION/EMOTION:** **Mr. Dog is visibly making his exit through the open wooden doorway (He is halfway out) , his head lowered in deep defeat.** Little Miss Bug is standing slightly away from the door , **waving politely but firmly** towards him. The scene conveys a sense of quiet finality and gentle rejection , with clear , profound sorrow from Mr. Dog. **SETTING/ATMOSPHERE:** The cozy , warm traditional Iranian room is visible , with the **entrance doorway serving as a strong frame for Mr. Dog's energetic movement of departure.** The light is warm and poetic. **COMPOSITION:** A horizontal view , taken from an **angle slightly behind and to the side of Mr. Dog** , emphasizing his departing back and **his head bowed in profound sadness**. Little Miss Bug is in the mid-ground , waving goodbye. Full bodies are visible. ,
A full-body illustration for a children's book. **FORMAT:** **Landscape orientation , aspect ratio 16:9. NO BORDER OR FRAME.** **STYLE:** **Crayon Texture and Colored Pencil Style** , highly reminiscent of the provided image reference. **COLOR PALETTE:** Dominantly soft and warm tones (creamy beige , warm yellow , creamy off-white , vibrant red from the headscarf) , with gentle light. **CHARACTERS (Little Miss Bug & Mr. Dog):** * **Little Miss Bug:** A **cute , anthropomorphic (bug-like/doll-like) character** wearing her **vibrant RED headscarf** and her elegant **creamy off-white traditional dress** with floral patterns. Her **ladybug wings are closed. NO TRANSPARENT OR UNDER-WINGS ARE VISIBLE.** She looks **disappointed but highly polite and composed** , waving a hand gently. * **Mr. Dog:** Anthropomorphic , with his usual simple yet now deeply **sad and dejected expression** , wearing traditional Iranian clothing. He is shown **actively in the process of leaving**. His body is positioned **halfway out of the doorway** , with one foot stepping outside and his back entirely turned towards the interior of the room. His head is **visibly bowed down with profound sadness and disappointment** , not looking back at Little Miss Bug , fully expressing his dejection as he exits. He is **holding the large , juicy bone sadly in one hand**. His **tail is clearly visible , hanging very low and limply between his legs** , typical of a sad dog. **ACTION/EMOTION:** **Mr. Dog is visibly making his exit through the open wooden doorway (He is halfway out) , his head lowered in deep defeat.** Little Miss Bug is standing slightly away from the door , **waving politely but firmly** towards him. The scene conveys a sense of quiet finality and gentle rejection , with clear , profound sorrow from Mr. Dog. **SETTING/ATMOSPHERE:** The cozy , warm traditional Iranian room is visible , with the **entrance doorway serving as a strong frame for Mr. Dog's energetic movement of departure.** The light is warm and poetic. **COMPOSITION:** A horizontal view , taken from an **angle slightly behind and to the side of Mr. Dog** , emphasizing his departing back and **his head bowed in profound sadness**. Little Miss Bug is in the mid-ground , waving goodbye. Full bodies are visible. ,
A fairy tale book illustration of a book inside a book inside a book. The book is placed on a pedestal in a candle lit library. The pages look like very old tome pages. The pages use the very old illumination technique and design of early Anglo-Saxon scribes and monks (for example , the Domesday Book). The images depict animals. The illuminations are glowing with an ethereal golden-green light. The rays of light reach out from the pages of the book. The scribe standing in front of the pedestal has its back turned to the viewer. The scribe wearing a dirty white linen robe with a huge cloak. There is a quill in the scribe's hand and a pot of glowing golden ink next to the tome. ,
I can feel the heat rising , everything is on fire Today is a painful reminder of why We can only get brighter , the further you put it behind ya But right now I'm on the inside (looking out , cause) Yesterday was the tornado warning , today's like the morning after Your world is torn in half , you wake in its wake to start The mourning process and rebuilding , you're still a work in progress Today's a whole new chapter , it's like an enormous asthma Thunderstorm has passed ya , you weathered it and poked its eye out With the thorn bush that you used to smell the roses Stopped to inhale , can't even tell your nose is stuffed So focused on the bright side , then you floor the gas pedal And hit the corner fast , the more asserted , never looking back May hit the curb , but every day is a new learning curve , as you Steer through life , sometimes you might not wanna swerve But you have to , to avert a disaster , lucky , no permanent damage 'Cause they hurt you so bad , it's like they murdered your ass And threw dirt on your casket , but you've returned from the ashes And that hurt that you have , you just converted to gasoline And while you're burning the past , standing at inferno and chant ,
Description of the visualization and control system of the automation complex The purpose of the system is to provide the operator with a single , intuitive interface for monitoring and managing all subsystems of the complex in real time. Architecture of the main window (Generalized Status Panel): The main screen is designed according to the principle of "from general to private". The center contains critical information about the power supply system , on which all other systems depend. The remaining subsystems are grouped logically around the center. 1. Central unit: Power supply system It is visualized as a circle divided into three sectors. Large left sector (≈45%): Transformer substations (TP) 5 blocks are displayed , one for each TP. Each block contains: TP number/name (for example , TP-1 , TP-2). The indicator of the active power line: The "Network" icon with backlight (green - main , yellow - backup). Transformer status: "Main" / "Standby" (or icons). Key parameters from accounting nodes: Current (I) , Voltage (U) , Power (P). The values are output for the active line. General TP status: Color indication (Green - Normal , Yellow - Warning , Red - Emergency). Large right sector (≈45%): Main switchboards 5 blocks are displayed , one for each storage unit. Each block contains: The number/name of the GRSH (for example , GRSH-1). Active power line indicator: Similar to TP. Key parameters from accounting nodes: I , U , P. The general status of the GRS: Color indication. Lower small sector (≈10%): Uninterruptible power supply (UPS) Large text or pictogram status indicator: "Mains operation" (Green) "Battery operation" (Yellow/Orange) Battery level indicator: Percentage scale (from 0% to 100%). The color varies depending on the level (green >50% , yellow 20-50% , red <20%). 2. Peripheral blocks around the center They are arranged around a central circle , forming a "rim". Upper and lower parts of the rim: Ventilation of the web blowing Upper part: 9 installations on top. The lower part: 9 installations from the bottom. There are 18 icons/blocks in total. Each icon represents one installation and has a color indication of the status.: Green: Enabled Gray: Turned off Red: An accident (for example , the differential pressure sensor on the filter went off , an error in the drive) Black/Blue: No power supply When hovering over the cursor , a tooltip appears with details (the condition of the fan , valve , filter blockage). Left and right sides of the rim: Indoor ventilation The left and right sides are divided equally to display the 12 settings on each side. There are 24 icons/blocks in total. The same color status indication for each installation. 3. Corner blocks: Other subsystems They are located in the four corners of the screen for easy and fast perception. Upper left corner: Roller shutters (48 pcs.) Summary information is displayed as an information block.: "Closed: XX / Open: XX" (numeric values). A graphical indicator (for example , a stripe divided into green and blue parts , proportional to the number). General status: Green icon "OK" or Red icon "Emergency" (if at least one roller shutter has an emergency status). Upper right corner: Elevators (2 pcs.) Two vertical blocks , one for each elevator. Each block contains: Elevator number (Elevator 1 , Elevator 2). Floor indicator: A large number (for example , 3). Motion indicator: Up/down arrow or Stop icon. General status: The background color of the block (Green - normal , Gray - power off , Red - emergency , Blue - no connection). Lower left corner: EVIL Lights (Roof lamps) A large indicator in the form of a stylized lamp or icon. Color status indication: Bright Yellow/White: Included Gray: Off Red: Crash Black/Blue: No power supply Lower right corner: Heated storm drains Similar in style to the "Fires of EVIL" block. Color status indication: Orange/Red: Enabled Gray: Off Red (flashing): Crash Black/Blue: No power supply Navigation and management: Main Screen: It is an overview map. All the elements on it are clickable. Details: Clicking on any sector (TP , GRS , ventilation group , roller shutter unit) opens a new window with detailed information: TP/GRS: Single-line network diagram , status of all feeders and sectional switches , detailed power parameters. Ventilation: Detailed status of each piece of equipment in the selected group (fan , valve , filter condition) , possibility of manual control. Roller shutters: A table or plan of the building with the condition of each of the 48 roller shutters , group and individual control buttons. Control: The control buttons (Start , Stop , Open , Close) are located on the detailed screens. On the main screen , quick action buttons ("Emergency activation") can be displayed for critical systems (for example , EVIL lights). Visual style: Color scheme: An intuitive color palette is used (Green is the norm , Yellow/Orange is a warning , Red is an accident , Gray/Blue - disabled/no data). Fonts: Clear , easy-to-read fonts. Critical information is displayed larger. Animation: Minimal and informative (for example , smooth change of values , flashing for emergency states). ,
A candid street photo of an attractive 한국여성 sitting at the table in front , with her head turned to look out from behind and towards another man walking by on new york city sidewalk , outside cafe window , shot through glass reflection , natural lighting , natural colors , Fujifilm X100V camera , detail hands --ar 16:9 --raw --p cz2pqao ,
full body portrait photograph of Madison Beer as Pocahontas , young beautiful native american woman , perfect smooth symmetrical face , feather jewelry , traditional handmade biege dress , armed female hunter warrior , (((wild west))) plains , environment , Idaho landscape , ultra realistic , concept art , elegant , ((intricate)) , ((highly detailed)) , depth of field , ((professionally color graded)) , 8k , art by artgerm and greg rutkowski and alphonse mucha , 4k , clean , realistic face , realistic eyes , highest quality , realistic hands , trending on artstation , masterpiece , NSFW , five fingers , gigantic bossom , bombshell , curvy legs , smooth skin , smooth ribs , three-quarter turned pose ,
A **hyper-cinematic , apocalyptic flood disaster** unfolding in a **SimCity-inspired megacity** , where a **colossal , monstrous wall of dark , churning floodwater**—teeming with **twisted steel girders , shattered skyscraper glass , uprooted trees , and the wreckage of urban civilization**—**smashes through the heart of a once-pristine , grid-perfect metropolis** with terrifying , unstoppable force. The flood **engulfs towering skyscrapers in seconds** , **snaps elevated highways like brittle twigs** , and **erases entire city blocks in a single , devastating surge** , leaving only **chaos , ruin , and swirling vortices of destruction** in its wake. The city , once a **masterpiece of urban planning—symmetrical streets , sprawling suburbs , dense commercial hubs , and meticulously zoned industrial districts—**now **drowns in cataclysmic ruin** as the floodwater **carves a path of absolute devastation** , reducing decades of infrastructure to **floating debris**. **Cars , street signs , fragments of collapsed buildings , and uprooted lampposts** spin violently in the torrent , while **collapsing overpasses , crumbling bridges , and submerged highways** struggle against the relentless current. **Desperate survivors cling to rooftops , overturned vehicles , and the last remnants of high ground** , their faces illuminated by the **eerie , storm-choked light** of a dying city. The scene is rendered in a **blockbuster disaster movie aesthetic**—**hyper-dramatic , high-contrast lighting** casts **long , jagged shadows** across the ruin , while **explosive bursts of spray , mist , and flying debris** fill the air. The **atmosphere is thick with tension** , the **water’s murky depths hiding unseen horrors** , and the **last flickers of civilization**—**emergency sirens , distant screams , the groaning collapse of steel**—echo through the storm. The **composition is chaotic yet cinematic** , with **dynamic angles** capturing the **sheer scale of destruction**: **a skyscraper toppling in slow motion , a bridge snapping mid-collapse , a lone survivor reaching for a helicopter’s dangling rope**. Every detail screams **epic , high-stakes survival**—**the flood is not just water , but a living , consuming force** , and the city’s **once-orderly grid is now a nightmare of swirling currents , submerged streets , and the skeletal remains of urban life**. The **lighting is dramatic** , with **pockets of eerie glow**—**flickering streetlights beneath the water , the distant flare of explosions , the cold blue hue of the storm**—contrasting against the **crushing darkness of the flood’s depths**. This is **disaster on a biblical scale** , a **SimCity metropolis erased in minutes** , and the **last moments of a civilization swept away**. ,
NSFW , ((70 year old woman)) , full body shot , (UHD Image)) , ((massive breeder udders)) , messy grey and black hair , up in an untidy bun , one long strand of hair over her eyebrow to cheek , (( bad teeth)) , wearing short , low cut , blue and white daisy print dress) , ((long skinny legs)) , ((big belly)) , (she is standing side on to viewer with her head turned to face viewer) , in front of her trailer home , (((her head faces toward the viewer))) , ((her eyes are both open)) , ((long skinny legs)) , (((big belly))) (high quality) , (detailed) , (masterpiece) , (best quality) , (life like) , (highres) , (8k) , (3D) , photo realistic , blue sky , sunny , warm , ,
"A fictional , humorous royal parody scene inside a grand fantasy cathedral filled with nobles in elaborate British-style ceremonial clothing. An older fictional noblewoman—not based on any real person—is fully turned away from the camera. She completely bends over at the waist and with both hands actively pulls up the back of her royal blue knee-length skirt , revealing white panties and legs in a comedic and exaggerated manner. Her expression is cheeky and mischievous. The nobles in the background react with exaggerated gasps , laughter , and shocked expressions. The scene is lighthearted , theatrical , and satirical—like a farcical royal comedy. This is a completely fictional scene and does not depict or reference any real individuals or events."shes wearing royal hat and gloves bends over ,
Full-body , 3 : 2 horizontal frame , ultra-sharp 8 K , photorealistic style. Bright , cloud-brushed summer sky overhead , high-noon sunlight pouring across a luxury backyard. Foreground: pale-beige travertine pool deck leads to a crystal-clear rectangular swimming pool whose water glistens with sun-kissed ripples; subtle reflections flicker onto the surrounding surfaces. Behind the pool , a perfectly trimmed emerald hedge runs the width of the shot , punctuated by two tall , feathery royal-palm trunks that frame the subject symmetrically against the cobalt backdrop. Subject — solitary female bodybuilder , early-20s , Latina heritage Face & hair Radiant , sun-bronzed skin with a faint , healthy sheen. Long , silky chestnut-brown hair parted cleanly in the center , smooth and straight down to mid-back , a few strands caught gently in the breeze. Almond-shaped hazel eyes with long curled lashes; naturally arched brows; high cheekbones and a straight nose; full peach-tinted lips part in a dazzling , genuine smile that reveals straight white teeth. Minimal , natural makeup: luminous foundation , a whisper of bronzer , clear gloss , mascara , and subtle highlighter over the cheekbones. Wardrobe An impossibly tiny , metallic-sheen purple bikini top—triangle cups with a deep V-neck plunging between hyper-developed pectorals , and gargantuan , inhumanly large augmented bosom , thin halter strings tied behind the neck and mid-back. The glossy fabric strains dramatically , cupping a proud muscular chest , along with the massively augmented implant containing bosom , its edges curling slightly beneath gargantuan pectoral mass. (Frame crops above the waist , bottoms not visible.) Physique Surreally muscular yet athletic and feminine. • Left arm: raised to shoulder height in a front double-biceps pose , fist tight , forearm horizontal. Bicep peak larger than humanly possible , massive in every single way—veiny , granite-hard , ripped with deep striations; split between heads clearly visible. Triceps horseshoe eclipses the elbow joint. • Deltoids: triple-headed cannonballs , ridges etched by raking sunlight. • Right arm: relaxed but still colossal , veins snaking over thick forearm; hand grips a highball glass of pale lemonade , ice shards and condensation pearls visible. • Chest & torso: bikini top pushed outward by a dense , shelf-like chest; lats flare beneath , torso tapered to a startlingly narrow , defined waist with chiseled obliques and faint serratus lines. • Skin texture: subtle pores , fine baby hairs , micro-beads of perspiration catching the light. Accessories Simple black silicone smartwatch on right wrist; delicate silver stud earrings; fingernails manicured and coated in glossy lilac polish that complements the bikini. Pose & expression Body angled three-quarters to camera , shoulders back , core tight. Head turned toward the viewer , eyes locked onto the lens , expression friendly , confident , empowering. Lighting & atmosphere Golden-warm sunlight from camera left creates crisp highlights along the crest of the bicep , shoulder , and jawline; soft , directional shadows carve extra depth into every muscle striation. HDR balance preserves sky gradient and pool reflections. Background rendered with gentle f/2.8 bokeh so hedge and palm leaves blur into a vibrant green halo around the subject , emphasizing her silhouette. Camera & render details Canon EOS R5 , 85 mm f/1.2 prime , ISO 100 , 1/1600 s , aperture f/2.8. Global-illumination , physically based rendering , no lens distortion , slight film-grain realism , color grading toward vivid summer palette (cerulean , emerald , travertine beige , metallic purple accents). Mood Sun-soaked , celebratory , intoxicating mix of raw power and approachable beauty—an inspiring portrait of confidence , joy , and extreme strength. ,
Full-body , 3 : 2 horizontal frame , ultra-sharp 8 K , photorealistic style. Bright , cloud-brushed summer sky overhead , high-noon sunlight pouring across a luxury backyard. Foreground: pale-beige travertine pool deck leads to a crystal-clear rectangular swimming pool whose water glistens with sun-kissed ripples; subtle reflections flicker onto the surrounding surfaces. Behind the pool , a perfectly trimmed emerald hedge runs the width of the shot , punctuated by two tall , feathery royal-palm trunks that frame the subject symmetrically against the cobalt backdrop. Subject — solitary female bodybuilder , early-20s , Latina heritage Face & hair Radiant , sun-bronzed skin with a faint , healthy sheen. Long , silky chestnut-brown hair parted cleanly in the center , smooth and straight down to mid-back , a few strands caught gently in the breeze. Almond-shaped hazel eyes with long curled lashes; naturally arched brows; high cheekbones and a straight nose; full peach-tinted lips part in a dazzling , genuine smile that reveals straight white teeth. Minimal , natural makeup: luminous foundation , a whisper of bronzer , clear gloss , mascara , and subtle highlighter over the cheekbones. Wardrobe An impossibly tiny , metallic-sheen purple bikini top—triangle cups with a deep V-neck plunging between hyper-developed pectorals , and huge augmented bosom , thin halter strings tied behind the neck and mid-back. The glossy fabric strains dramatically , cupping a proud muscular chest , its edges curling slightly beneath gargantuan pectoral mass. (Frame crops above the waist , bottoms not visible.) Physique Surreally muscular yet athletic and feminine. • Left arm: raised to shoulder height in a front double-biceps pose , fist tight , forearm horizontal. Bicep peak larger than a basketball—veiny , granite-hard , ripped with deep striations; split between heads clearly visible. Triceps horseshoe eclipses the elbow joint. • Deltoids: triple-headed cannonballs , ridges etched by raking sunlight. • Right arm: relaxed but still colossal , veins snaking over thick forearm; hand grips a highball glass of pale lemonade , ice shards and condensation pearls visible. • Chest & torso: bikini top pushed outward by a dense , shelf-like chest; lats flare beneath , torso tapered to a startlingly narrow , defined waist with chiseled obliques and faint serratus lines. • Skin texture: subtle pores , fine baby hairs , micro-beads of perspiration catching the light. Accessories Simple black silicone smartwatch on right wrist; delicate silver stud earrings; fingernails manicured and coated in glossy lilac polish that complements the bikini. Pose & expression Body angled three-quarters to camera , shoulders back , core tight. Head turned toward the viewer , eyes locked onto the lens , expression friendly , confident , empowering. Lighting & atmosphere Golden-warm sunlight from camera left creates crisp highlights along the crest of the bicep , shoulder , and jawline; soft , directional shadows carve extra depth into every muscle striation. HDR balance preserves sky gradient and pool reflections. Background rendered with gentle f/2.8 bokeh so hedge and palm leaves blur into a vibrant green halo around the subject , emphasizing her silhouette. Camera & render details Canon EOS R5 , 85 mm f/1.2 prime , ISO 100 , 1/1600 s , aperture f/2.8. Global-illumination , physically based rendering , no lens distortion , slight film-grain realism , color grading toward vivid summer palette (cerulean , emerald , travertine beige , metallic purple accents). Mood Sun-soaked , celebratory , intoxicating mix of raw power and approachable beauty—an inspiring portrait of confidence , joy , and extreme strength. ,
Full-body , 3 : 2 horizontal frame , ultra-sharp 8 K , photorealistic style. Bright , cloud-brushed summer sky overhead , high-noon sunlight pouring across a luxury backyard. Foreground: pale-beige travertine pool deck leads to a crystal-clear rectangular swimming pool whose turquoise water glistens with sun-kissed ripples; subtle reflections flicker onto the surrounding surfaces. Behind the pool , a perfectly trimmed emerald hedge runs the width of the shot , punctuated by two tall , feathery royal-palm trunks that frame the subject symmetrically against the cobalt backdrop. Subject — solitary female bodybuilder , early-20s , Latina heritage Face & hair Radiant , sun-bronzed skin with a faint , healthy sheen. Long , silky chestnut-brown hair parted cleanly in the center , smooth and straight down to mid-back , a few strands caught gently in the breeze. Almond-shaped hazel eyes with long curled lashes; naturally arched brows; high cheekbones and a straight nose; full peach-tinted lips part in a dazzling , genuine smile that reveals straight white teeth. Minimal , natural makeup: luminous foundation , a whisper of bronzer , clear gloss , mascara , and subtle highlighter over the cheekbones. Wardrobe A tiny , metallic-sheen purple bikini top—triangle cups with a deep V-neck plunging between hyper-developed pectorals , thin halter strings tied behind the neck and mid-back. The glossy fabric strains dramatically , cupping a proud muscular chest , its edges curling slightly beneath gargantuan pectoral mass. (Frame crops above the waist , bottoms not visible.) Physique Surreally muscular yet athletic and feminine. • Left arm: raised to shoulder height in a front double-biceps pose , fist tight , forearm horizontal. Bicep peak larger than a basketball—veiny , granite-hard , ripped with deep striations; split between heads clearly visible. Triceps horseshoe eclipses the elbow joint. • Deltoids: triple-headed cannonballs , ridges etched by raking sunlight. • Right arm: relaxed but still colossal , veins snaking over thick forearm; hand grips a highball glass of pale lemonade , ice shards and condensation pearls visible. • Chest & torso: bikini top pushed outward by a dense , shelf-like chest; lats flare beneath , torso tapered to a startlingly narrow , defined waist with chiseled obliques and faint serratus lines. • Skin texture: subtle pores , fine baby hairs , micro-beads of perspiration catching the light. Accessories Simple black silicone smartwatch on right wrist; delicate silver stud earrings; fingernails manicured and coated in glossy lilac polish that complements the bikini. Pose & expression Body angled three-quarters to camera , shoulders back , core tight. Head turned toward the viewer , eyes locked onto the lens , expression friendly , confident , empowering. Lighting & atmosphere Golden-warm sunlight from camera left creates crisp highlights along the crest of the bicep , shoulder , and jawline; soft , directional shadows carve extra depth into every muscle striation. HDR balance preserves sky gradient and pool reflections. Background rendered with gentle f/2.8 bokeh so hedge and palm leaves blur into a vibrant green halo around the subject , emphasizing her silhouette. Camera & render details Canon EOS R5 , 85 mm f/1.2 prime , ISO 100 , 1/1600 s , aperture f/2.8. Global-illumination , physically based rendering , no lens distortion , slight film-grain realism , color grading toward vivid summer palette (cerulean , emerald , travertine beige , metallic purple accents). Mood Sun-soaked , celebratory , intoxicating mix of raw power and approachable beauty—an inspiring portrait of confidence , joy , and extreme strength. ,