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Explore AI generated designs, images, art and prompts by top community artists and designers.
Description of the visualization and control system of the automation complex The purpose of the system is to provide the operator with a single , intuitive interface for monitoring and managing all subsystems of the complex in real time. Architecture of the main window (Generalized Status Panel): The main screen is designed according to the principle of "from general to private". The center contains critical information about the power supply system , on which all other systems depend. The remaining subsystems are grouped logically around the center. 1. Central unit: Power supply system It is visualized as a circle divided into three sectors. Large left sector (≈45%): Transformer substations (TP) 5 blocks are displayed , one for each TP. Each block contains: TP number/name (for example , TP-1 , TP-2). The indicator of the active power line: The "Network" icon with backlight (green - main , yellow - backup). Transformer status: "Main" / "Standby" (or icons). Key parameters from accounting nodes: Current (I) , Voltage (U) , Power (P). The values are output for the active line. General TP status: Color indication (Green - Normal , Yellow - Warning , Red - Emergency). Large right sector (≈45%): Main switchboards 5 blocks are displayed , one for each storage unit. Each block contains: The number/name of the GRSH (for example , GRSH-1). Active power line indicator: Similar to TP. Key parameters from accounting nodes: I , U , P. The general status of the GRS: Color indication. Lower small sector (≈10%): Uninterruptible power supply (UPS) Large text or pictogram status indicator: "Mains operation" (Green) "Battery operation" (Yellow/Orange) Battery level indicator: Percentage scale (from 0% to 100%). The color varies depending on the level (green >50% , yellow 20-50% , red <20%). 2. Peripheral blocks around the center They are arranged around a central circle , forming a "rim". Upper and lower parts of the rim: Ventilation of the web blowing Upper part: 9 installations on top. The lower part: 9 installations from the bottom. There are 18 icons/blocks in total. Each icon represents one installation and has a color indication of the status.: Green: Enabled Gray: Turned off Red: An accident (for example , the differential pressure sensor on the filter went off , an error in the drive) Black/Blue: No power supply When hovering over the cursor , a tooltip appears with details (the condition of the fan , valve , filter blockage). Left and right sides of the rim: Indoor ventilation The left and right sides are divided equally to display the 12 settings on each side. There are 24 icons/blocks in total. The same color status indication for each installation. 3. Corner blocks: Other subsystems They are located in the four corners of the screen for easy and fast perception. Upper left corner: Roller shutters (48 pcs.) Summary information is displayed as an information block.: "Closed: XX / Open: XX" (numeric values). A graphical indicator (for example , a stripe divided into green and blue parts , proportional to the number). General status: Green icon "OK" or Red icon "Emergency" (if at least one roller shutter has an emergency status). Upper right corner: Elevators (2 pcs.) Two vertical blocks , one for each elevator. Each block contains: Elevator number (Elevator 1 , Elevator 2). Floor indicator: A large number (for example , 3). Motion indicator: Up/down arrow or Stop icon. General status: The background color of the block (Green - normal , Gray - power off , Red - emergency , Blue - no connection). Lower left corner: EVIL Lights (Roof lamps) A large indicator in the form of a stylized lamp or icon. Color status indication: Bright Yellow/White: Included Gray: Off Red: Crash Black/Blue: No power supply Lower right corner: Heated storm drains Similar in style to the "Fires of EVIL" block. Color status indication: Orange/Red: Enabled Gray: Off Red (flashing): Crash Black/Blue: No power supply Navigation and management: Main Screen: It is an overview map. All the elements on it are clickable. Details: Clicking on any sector (TP , GRS , ventilation group , roller shutter unit) opens a new window with detailed information: TP/GRS: Single-line network diagram , status of all feeders and sectional switches , detailed power parameters. Ventilation: Detailed status of each piece of equipment in the selected group (fan , valve , filter condition) , possibility of manual control. Roller shutters: A table or plan of the building with the condition of each of the 48 roller shutters , group and individual control buttons. Control: The control buttons (Start , Stop , Open , Close) are located on the detailed screens. On the main screen , quick action buttons ("Emergency activation") can be displayed for critical systems (for example , EVIL lights). Visual style: Color scheme: An intuitive color palette is used (Green is the norm , Yellow/Orange is a warning , Red is an accident , Gray/Blue - disabled/no data). Fonts: Clear , easy-to-read fonts. Critical information is displayed larger. Animation: Minimal and informative (for example , smooth change of values , flashing for emergency states). ,
A dystopian cityscape scene featuring a futuristic urban environment , packed with towering buildings and intricate structures adorned with neon signage. In the foreground , a solitary figure in a red cloak (color:1.5) stands with their back to the viewer , holding a weapon , suggesting a sense of mystery and tension. The setting is shrouded in a light snowfall , creating a stark contrast with the dark , metallic surfaces of the vehicles and architecture (atmosphere:1.3). The significant presence of a large , rugged transportation vehicle (vehicle:1.4) adds to the industrial ambiance. The lighting is dim , with hints of artificial illumination highlighting details in the shadows (lighting:1.2). The composition effectively portrays depth with figures milling about , emphasizing the bustling activity within this gritty , cyberpunk environment. Utilize a muted color palette with splashes of neon , ensuring realism while avoiding overly cartoonish elements (negative: cartoonish). ,
Imagine a dystopian Victorian-style cityscape (Victorian-style:1.2) , dominated by a large Victorian-style , rusty spacecraft (spaceship:1.2) hovering above the ground , shrouded in fog (fog:1.3) for an eerie atmosphere. The ship , adorned with flickering displays lights , displays the numbers '371' and '834' prominently on its side. In the foreground , figures in Victorian-style winter cloaks with fur (cloaked figures:1.2) , , stand on a snow-soaked platform , gazing up at the behemoth. The scene should capture the contrast between the warm yellow of the figure and the cold , metallic tones of the ship. The composition should emphasize depth , with the ship looming ominously in the background and the figures smaller in scale , creating a sense of insignificance. Utilize soft , diffused lighting to enhance the mysterious ambiance without harsh shadows (avoid harsh shadows:1.2). Include signs of decay and neglect—crumbling structures , scattered debris , and residual snows—to evoke a sense of abandonment and desolation. Avoid any vibrant colors outside the specified palette to maintain a cohesive grim aesthetic and incorporate a gritty texture (gritty texture:1.3) across the scene to enhance realism. ,
A dystopian (cyberpunk:1.2) , dominated by a complex massive , Anticipation 3D sculpture of an abstract Cylinder in air , made from various elements such as buildings and trees , all combined to create the shape of a UFO , shrouded in fog (fog:1.3) for an eerie atmosphere. The sculpture , adorned with flickering neon lights , displays with symbols and numbers prominently on its side. In the foreground , figures in winter cloaks with fur (cloaked figures:1.2) , one in a vibrant and the other in a , stand on a snow-soaked platform , gazing up at the behemoth. The scene should capture the contrast between the warm yellow of the figure and the cold , metallic tones of the ship. The composition should emphasize depth , with the ship looming ominously in the background and the figures smaller in scale , creating a sense of insignificance. Utilize soft , diffused lighting to enhance the mysterious ambiance without harsh shadows (avoid harsh shadows:1.2). ,
Imagine a dystopian cyberpunk cityscape dominated by a complex massive , rusty spacecraft hovering above the ground , with propulsion gases that escape from the engines and light up , shrouded in fog for an eerie atmosphere. The ship , adorned with flickering neon lights , displays with symbols and numbers prominently on its side. In the foreground , figures in winter cloaks with fur , one in a vibrant and the other in a , stand on a snow-soaked platform , gazing up at the behemoth. The scene should capture the contrast between the warm yellow of the figure and the cold , metallic tones of the ship. The composition should emphasize depth , with the ship looming ominously in the background and the figures smaller in scale , creating a sense of insignificance. Utilize soft , diffused lighting to enhance the mysterious ambiance without harsh shadows (avoid harsh shadows:1.2). Include signs of decay and neglect—crumbling structures , scattered debris , and residual snows—to evoke a sense of abandonment and desolation. Avoid any vibrant colors outside the specified palette to maintain a cohesive grim aesthetic and incorporate a gritty texture across the scene to enhance realism. , with steam and luminous propulsion gases , glowing windows and openings in the spaceship (with steam and luminous propulsion gases:1.3) style of Stålenhag ,
Imagine a dystopian cyberpunk mix with baroque cityscape dominated by a complex massive , rusty spacecraft hovering above the ground , with propulsion gases that escape from the engines and light up , shrouded in fog for an eerie atmosphere. The ship , adorned with flickering neon lights , displays with symbols and numbers prominently on its side. In the foreground , figures in winter cloaks with fur , one in a vibrant and the other in a , stand on a snow-soaked platform , gazing up at the behemoth. The scene should capture the contrast between the warm yellow of the figure and the cold , metallic tones of the ship. The composition should emphasize depth , with the ship looming ominously in the background and the figures smaller in scale , creating a sense of insignificance. Utilize soft , diffused lighting to enhance the mysterious ambiance without harsh shadows (avoid harsh shadows:1.2). Include signs of decay and neglect—crumbling structures , scattered debris , and residual snows—to evoke a sense of abandonment and desolation. Avoid any vibrant colors outside the specified palette to maintain a cohesive grim aesthetic and incorporate a gritty texture (gritty texture:1.3) across the scene to enhance realism. , with steam and luminous propulsion gases , glowing windows and openings in the spaceship (with steam and luminous propulsion gases:1.3) style of Stålenhag ,
Imagine a dystopian cyberpunk cityscape (cyberpunk:1.2) , dominated by a complex massive , rusty spacecraft (spaceship:1.2) hovering above the ground , with propulsion gases that escape from the engines and light up , shrouded in fog (fog:1.3) for an eerie atmosphere. The ship , adorned with flickering neon lights , displays with symbols and numbers prominently on its side. In the foreground , figures in winter cloaks with fur (cloaked figures:1.2) , one in a vibrant and the other in a , stand on a snow-soaked platform , gazing up at the behemoth. The scene should capture the contrast between the warm yellow of the figure and the cold , metallic tones of the ship. The composition should emphasize depth , with the ship looming ominously in the background and the figures smaller in scale , creating a sense of insignificance. Utilize soft , diffused lighting to enhance the mysterious ambiance without harsh shadows (avoid harsh shadows:1.2). Include signs of decay and neglect—crumbling structures , scattered debris , and residual snows—to evoke a sense of abandonment and desolation. Avoid any vibrant colors outside the specified palette to maintain a cohesive grim aesthetic and incorporate a gritty texture (gritty texture:1.3) across the scene to enhance realism. , with steam and luminous propulsion gases , glowing windows and openings in the spaceship (with steam and luminous propulsion gases:1.3) ,
Imagine a dystopian Victorian-style cityscape (Victorian-style:1.2) , dominated by a large Victorian-style , rusty spacecraft (spaceship:1.2) hovering above the ground , shrouded in fog (fog:1.3) for an eerie atmosphere. The ship , adorned with flickering displays lights , displays the numbers '371' and '834' prominently on its side. In the foreground , figures in Victorian-style winter cloaks with fur (cloaked figures:1.2) , , stand on a snow-soaked platform , gazing up at the behemoth. The scene should capture the contrast between the warm yellow of the figure and the cold , metallic tones of the ship. The composition should emphasize depth , with the ship looming ominously in the background and the figures smaller in scale , creating a sense of insignificance. Utilize soft , diffused lighting to enhance the mysterious ambiance without harsh shadows (avoid harsh shadows:1.2). Include signs of decay and neglect—crumbling structures , scattered debris , and residual snows—to evoke a sense of abandonment and desolation. Avoid any vibrant colors outside the specified palette to maintain a cohesive grim aesthetic and incorporate a gritty texture (gritty texture:1.3) across the scene to enhance realism. ,
Ultra-detailed portrait of a young rebel girl in a cyberpunk futuristic world , glowing neon tattoos across her skin. Painted with the dramatic chiaroscuro style of Rembrandt , combined with the vibrant textures of Josephine Wall and the romantic softness of Pino Daeni. Composition inspired by Steve McCurry’s cinematic photography and rendered with Octane Render for hyperrealism and global illumination. The girl is centered , wearing a flowing silk dress , her face showing gushy gills , soft blush , and a Björk-inspired surreal aesthetic. Her hair is decorated with twigs and flowers , giving an organic contrast to the cyberpunk setting. In the background , a vast dystopian sci-fi horizon with two massive planets of different sizes , painted with the cosmic atmosphere of Ivan Aivazovsky. The whole scene balances surreal beauty with dystopian intensity , glowing with neon , mystery , and painterly realism. ,
detailed portrait Young Rebel Girl cyberpunk futuristic ((neon)) tattoes , painting by Rembrandt , 2 biggest planets on the horizon of different sizes , steve mccurry , global illumination , Josephine Wall and Pino Daeni , bjork aesthetic , octane render - t , decorated with twigs and flowers , by Ivan Aivazovsky , centered , gushy gills and blush , wearing silk dress , dystopian sci-fi character ,
A gentle breeze stirs the water waves , the breeze grows into water waves , water waves merge into a storm , the storm transforms into a colossal hurricane shaking the earth , a massive ultra realistic alien star-ship , detailed tinted glass windows , pewter gray alloy shell , many lights high in the air , water cascading off its enormous pectoral fins and powerful fluke , ultra-realistic , cinematic , metaphor for momentum becoming unstoppable power Keywords: train , fog , canyon , boat , mist , surreal , birds , glowing light , cliffs , smoke , dreamscape , haunting atmosphere ,
Imagine a dystopian cyberpunk cityscape (cyberpunk:1.2) , dominated by a massive , rusty spacecraft (spaceship:1.2) hovering above the ground , shrouded in fog (fog:1.3) for an eerie atmosphere. The ship , adorned with flickering neon lights , displays the numbers '68' and '60' prominently on its side. In the foreground , figures in winter cloaks with fur (cloaked figures:1.2) , one in a vibrant and the other in a , stand on a snow-soaked platform , gazing up at the behemoth. The scene should capture the contrast between the warm yellow of the figure and the cold , metallic tones of the ship. The composition should emphasize depth , with the ship looming ominously in the background and the figures smaller in scale , creating a sense of insignificance. Utilize soft , diffused lighting to enhance the mysterious ambiance without harsh shadows (avoid harsh shadows:1.2). Include signs of decay and neglect—crumbling structures , scattered debris , and residual snows—to evoke a sense of abandonment and desolation. Avoid any vibrant colors outside the specified palette to maintain a cohesive grim aesthetic and incorporate a gritty texture (gritty texture:1.3) across the scene to enhance realism. , with steam and luminous propulsion gases , glowing windows and openings in the spaceship (with steam and luminous propulsion gases:1.3) ,
Imagine a dystopian cyberpunk cityscape (cyberpunk:1.2) , dominated by a massive , rusty spacecraft (spaceship:1.2) hovering above the ground , shrouded in fog (fog:1.3) for an eerie atmosphere. The ship , adorned with flickering neon lights , displays the numbers '68' and '60' prominently on its side. In the foreground , figures in winter cloaks with fur (cloaked figures:1.2) , one in a vibrant and the other in a , stand on a snow-soaked platform , gazing up at the behemoth. The scene should capture the contrast between the warm yellow of the figure and the cold , metallic tones of the ship. The composition should emphasize depth , with the ship looming ominously in the background and the figures smaller in scale , creating a sense of insignificance. Utilize soft , diffused lighting to enhance the mysterious ambiance without harsh shadows (avoid harsh shadows:1.2). Include signs of decay and neglect—crumbling structures , scattered debris , and residual snows—to evoke a sense of abandonment and desolation. Avoid any vibrant colors outside the specified palette to maintain a cohesive grim aesthetic and incorporate a gritty texture (gritty texture:1.3) across the scene to enhance realism. , with steam and luminous propulsion gases , glowing windows and openings in the spaceship ,
Imagine a dystopian cyberpunk cityscape (cyberpunk:1.2) , dominated by a massive , rusty spacecraft (spaceship:1.2) hovering above the ground , shrouded in fog (fog:1.3) for an eerie atmosphere. The ship , adorned with flickering neon lights , displays the numbers '68' and '60' prominently on its side. In the foreground , figures in winter cloaks with fur (cloaked figures:1.2) , one in a vibrant and the other in a , stand on a snow-soaked platform , gazing up at the behemoth. The scene should capture the contrast between the warm yellow of the figure and the cold , metallic tones of the ship. The composition should emphasize depth , with the ship looming ominously in the background and the figures smaller in scale , creating a sense of insignificance. Utilize soft , diffused lighting to enhance the mysterious ambiance without harsh shadows (avoid harsh shadows:1.2). Include signs of decay and neglect—crumbling structures , scattered debris , and residual snows—to evoke a sense of abandonment and desolation. Avoid any vibrant colors outside the specified palette to maintain a cohesive grim aesthetic and incorporate a gritty texture (gritty texture:1.3) across the scene to enhance realism. ,
Imagine a dystopian cyberpunk cityscape (cyberpunk:1.2) , dominated by a massive , rusty spacecraft (spaceship:1.2) hovering above the ground , shrouded in fog (fog:1.3) for an eerie atmosphere. The ship , adorned with flickering neon lights , displays the numbers '68' and '60' prominently on its side. In the foreground , two figures in weathered cloaks (cloaked figures:1.2) , one in a vibrant yellow and the other in a dark color , stand on a rain-soaked platform , gazing up at the behemoth. The scene should capture the contrast between the warm yellow of the figure and the cold , metallic tones of the ship. The composition should emphasize depth , with the ship looming ominously in the background and the figures smaller in scale , creating a sense of insignificance. Utilize soft , diffused lighting to enhance the mysterious ambiance without harsh shadows (avoid harsh shadows:1.2). Include signs of decay and neglect—crumbling structures , scattered debris , and residual water puddles—to evoke a sense of abandonment and desolation. Avoid any vibrant colors outside the specified palette to maintain a cohesive grim aesthetic and incorporate a gritty texture (gritty texture:1.3) across the scene to enhance realism. ,
Highly detailed , full-body portrait of Marvel’s Wolverine. Ultra-realistic , cinematic rendering. Jenn rosa , biting her lip , 48 years old , brown hair , Indian hair style , stands in a powerful and aggressive pose , exuding raw strength and an unstoppable warrior presence. Iconic brown and silver Saree , enhanced with realistic wear-and-tear , scratches , and fabric abrasions. Reinforced armor seamlessly integrated into his costume , maintaining a sleek yet battle-ready look. Rugged , scarred face with piercing , intense eyes , burning with fury and determination. Wrinkles , battle scars , and stubble add depth and realism. Wild , untamed hair , individually detailed for ultra-realistic rendering. Muscular physique highly defined , veins visible under the skin , showing raw power and resilience. ,
In a dystopian landscape , two figures clad in tattered , worn robes navigate a rugged , futuristic vehicle with intricate mechanical details. The vehicle , reminiscent of a sleek yet bulky motorcycle , is adorned with scuffed metal and earthy grime , hinting at treacherous conditions. The figures , one in a flowing white cloak (keyword:1.2) and the other in a dusty yellow garment (keyword:1.2) , both wear visors that obscure their identities. The atmosphere is moody , characterized by soft , diffused lighting that adds depth to the scene (keyword:1.2). Low-angle composition intensifies the grandeur of the vehicle as it charges through muddy terrain , sending splashes of dirt into the air. Foreboding dark clouds loom overhead , contrasting the muted colors of the landscape. Negative prompts: exclude bright colors , cheerful expressions , and urban settings to maintain the desolate , post-apocalyptic feel. ,
A dystopian urban scene depicting a massive , futuristic transport vessel (vessel:1.2) hovering above a bustling street filled with crowds of people in rugged attire. The setting is drenched in a moody , atmospheric haze , illuminated by neon signs (neon:1.2) in various languages. The composition focuses on the interplay between the imposing vessel and the crowd below , emphasizing scale and technology contrast. Use a desaturated color palette to enhance the grim ambience , with sharp focal depth highlighting both foreground and background details. Capture the essence of cyberpunk with intricate architectural elements and power lines (details:1.3). Avoid bright , cheerful colors or idyllic settings to maintain the atmospheric tension (negative: bright colors). ,
**"A hyper-detailed industrial cyberpunk assembly line mass-producing Terminator-style robotic endoskeletons , bathed in the eerie glow of flickering neon and cold factory lighting. Towering hydraulic presses , robotic arms , and conveyor belts dominate the scene , their metallic surfaces gleaming with oil and grime. Thick plumes of black smoke rise from overworked machinery , curling toward the high , rusted ceiling where exposed pipes and ventilation ducts crisscross like veins. The robots on the line are in various stages of assembly—some half-formed with exposed wiring and skeletal frames , others nearly complete , their red sensor eyes flickering to life. The atmosphere is oppressive , a mix of industrial noise , hissing steam , and the hum of electricity , with a dystopian tension hanging in the air. The art style blends hyper-realistic mechanical precision with a gritty , cinematic cyberpunk aesthetic—sharp metallic textures , dramatic lighting contrasts , and a moody , high-detail composition that evokes the dark , futuristic tone of the *Terminator* universe. Include intricate reflections on wet factory floors , scattered tools , and the occasional spark from malfunctioning equipment to enhance the immersive , high-stakes industrial environment."** ,
A hyper-detailed , photo-realistic futuristic metropolis at night , bathed in an eerie , pulsating crimson glow that casts long , jagged shadows across the cyberpunk skyline. The **Empire State Building** dominates the foreground , its art deco spire crackling with energy as a **colossal , jagged red lightning bolt** slams into its peak , illuminating the surrounding skyscrapers in a fiery , neon-reflective haze. The lightning’s electric tendrils snake down the building’s facade , fracturing into glitch-like distortions that warp the architecture into a surreal , digital nightmare—half-real , half-corrupted data stream. In the distance , a **secondary forked red lightning strike** tears through the horizon , hitting a towering , blade-like skyscraper , its impact rippling through the atmosphere like a visual echo. The city below is a labyrinth of **holographic billboards , flickering neon signs in Cyrillic and Kanji , and floating drone traffic** , all glitching intermittently as if caught in a malfunctioning simulation. Rain streaks the air , refracting the red light into bloody , pixelated smears , while **floating debris—shards of glass , fractured metal panels , and shattered holograms—drift lazily in the wind** , adding to the chaotic , dystopian aesthetic. The **glitch art** effect is pronounced: sections of the cityscape **flicker , stutter , and dissolve** into RGB noise , with **scan lines , datamoshing artifacts , and VHS-style distortion** warping the edges of buildings and streets. The lightning itself seems to **corrupt the air** , leaving behind trails of **digital static and fragmented code** that briefly overlay the scene like a broken HUD. The atmosphere is **oppressive yet hypnotic**—a fusion of **cyberpunk grit and digital decay** , where reality feels unstable , as if the city is on the verge of collapsing into a **black hole of glitching data**. The composition is **cinematic and immersive** , with a **deep depth of field** that draws the eye from the lightning-struck Empire State Building to the storm-wracked horizon , where the second strike pulses like a dying heartbeat. **Ultra-HD , 8K resolution , hyper-realistic textures , volumetric lighting , and atmospheric haze** enhance the surreal , dystopian grandeur. ,
"Create a surreal and dystopian image inspired by Stanley Kubrick's 'A Clockwork Orange' , but with a unique twist: the main characters (Alex and his droogs) are located in Plaza de Mayo in Buenos Aires , Argentina. Incorporate the following elements: - Alex , the protagonist , is at the center of Plaza de Mayo , wearing his iconic black and white outfit , with his characteristic hairstyle and defiant expression. - His droogs (Dim , Pete , Georgie , and Billyboy) are scattered around the plaza , also dressed in similar clothing , interacting with the environment in a menacing and challenging way. - Incorporate architectural elements of Plaza de Mayo , such as the Casa Rosada , the Cabildo , and the Pyramid of May , but with a dystopian and degraded touch , as if they were in ruins or under some kind of siege. - The sky should be dark and stormy , reflecting the ominous and violent tone of the movie. - Include details that reference Argentine culture and the history of the plaza , such as torn Argentine flags , graffiti with Cyrillic letters or symbols of urban subculture , mixed with futuristic and science fiction elements. The visual style should combine realism with surrealist and futuristic elements , similar to the work of Syd Mead or H.R. Giger. The image should convey a sense of chaos , rebellion , and decadence , capturing the essence of the movie but in a unique and surprising environment." ,
(by Ananta Mandal (and Andrew Biraj:0.5)) , (in the style of nihonga) , Style: Abstract , Medium: Digital illustration , Subject: An image of a love heart , made up of many little love heatrs and beautiful flowers , of all the vibrant colours of the rainbow , incorporated in the image are about half a dozen of magnificent looking bright neon butterflies , all airbound in or around the heart. Within the space of the heart itself , (the painter has rendered the word 'JESUS ') , (((THE NAME MUST BE RENDERED ACURATELY AND SPELT BEFORE any OTHER creative urge from this artificial intelligence , is STARTED))). The painter has used a bold script to spell JESUS script of the letters The writing is is alive with electric plasma neon , type charging through the letters of ' J E S U S ' , many stunningly beautiful neon of many colours beautiful flowers of many vibrant colours , cascading waterfalls , ornate churches stop near and distant plateaus , and vibrant flora and fauna. Camera Angle: Overhead shot capturing the v4. 6 stness and intricate details of the scene. The colors are saturated , and the lighting creates a warm and ethereal atmosphere. The painting is highly detailed , with every brushstroke capturing the complexity of the imaginary World. , (high quality) , (detailed) , (masterpiece) , (best quality) , (highres) , (extremely detailed) , (8k) , , JESUS , stabilised diffusion , land of legend , ,
(by Ananta Mandal (and Andrew Biraj:0.5)) , (in the style of nihonga) , Style: Abstract , Medium: Digital illustration , Subject: An image of a love heart , made up of many little love heatrs and beautiful flowers , of all the vibrant colours of the rainbow , incorporated in the image are about half a dozen of magnificent looking bright neon butterflies , all airbound in or around the heart. Within the space of the heart itself , (the painter has rendered the word 'JESUS ') , (((THE NAME MUST BE RENDERED ACURATELY AND SPELT BEFORE any OTHER creative urge from this artificial intelligence , is STARTED))). The painter has used a bold script to spell JESUS script of the letters The writing is is alive with electric plasma neon , type charging through the letters of ' J E S U S ' , many stunningly beautiful neon of many colours beautiful flowers of many vibrant colours , cascading waterfalls , ornate churches stop near and distant plateaus , and vibrant flora and fauna. Camera Angle: Overhead shot capturing the v4. 6 stness and intricate details of the scene. The colors are saturated , and the lighting creates a warm and ethereal atmosphere. The painting is highly detailed , with every brushstroke capturing the complexity of the imaginary World. , (high quality) , (detailed) , (masterpiece) , (best quality) , (highres) , (extremely detailed) , (8k) , , JESUS , stabilised diffusion , land of legend , ,
A **hyper-cinematic , apocalyptic flood disaster** unfolding in a **SimCity-inspired megacity** , where a **colossal , monstrous wall of dark , churning floodwater**—teeming with **twisted steel girders , shattered skyscraper glass , uprooted trees , and the wreckage of urban civilization**—**smashes through the heart of a once-pristine , grid-perfect metropolis** with terrifying , unstoppable force. The flood **engulfs towering skyscrapers in seconds** , **snaps elevated highways like brittle twigs** , and **erases entire city blocks in a single , devastating surge** , leaving only **chaos , ruin , and swirling vortices of destruction** in its wake. The city , once a **masterpiece of urban planning—symmetrical streets , sprawling suburbs , dense commercial hubs , and meticulously zoned industrial districts—**now **drowns in cataclysmic ruin** as the floodwater **carves a path of absolute devastation** , reducing decades of infrastructure to **floating debris**. **Cars , street signs , fragments of collapsed buildings , and uprooted lampposts** spin violently in the torrent , while **collapsing overpasses , crumbling bridges , and submerged highways** struggle against the relentless current. **Desperate survivors cling to rooftops , overturned vehicles , and the last remnants of high ground** , their faces illuminated by the **eerie , storm-choked light** of a dying city. The scene is rendered in a **blockbuster disaster movie aesthetic**—**hyper-dramatic , high-contrast lighting** casts **long , jagged shadows** across the ruin , while **explosive bursts of spray , mist , and flying debris** fill the air. The **atmosphere is thick with tension** , the **water’s murky depths hiding unseen horrors** , and the **last flickers of civilization**—**emergency sirens , distant screams , the groaning collapse of steel**—echo through the storm. The **composition is chaotic yet cinematic** , with **dynamic angles** capturing the **sheer scale of destruction**: **a skyscraper toppling in slow motion , a bridge snapping mid-collapse , a lone survivor reaching for a helicopter’s dangling rope**. Every detail screams **epic , high-stakes survival**—**the flood is not just water , but a living , consuming force** , and the city’s **once-orderly grid is now a nightmare of swirling currents , submerged streets , and the skeletal remains of urban life**. The **lighting is dramatic** , with **pockets of eerie glow**—**flickering streetlights beneath the water , the distant flare of explosions , the cold blue hue of the storm**—contrasting against the **crushing darkness of the flood’s depths**. This is **disaster on a biblical scale** , a **SimCity metropolis erased in minutes** , and the **last moments of a civilization swept away**. ,
(by Ananta Mandal (and Andrew Biraj:0.5)) , (in the style of nihonga) , Style: Abstract , Medium: Digital illustration , Subject: Happy Birthday Card for my friend Kay. An image of a love heart , made up of many little love heatrs and beautiful flowers , of all the vibrant colours of the rainbow , incorporated in the image are about half a dozen of magnificent looking bright neon butterflies , all airbound in or around the heart. Within the space of the heart itself , (the painter has rendered the word 'JESUS ') , (((THE NAME MUST BE RENDERED ACURATELY AND SPELT BEFORE any OTHER creative urge from this artificial intelligence , is STARTED))). The painter has used a bold script to spell JESUS script of the letters Ka , an A and ta Yyhis muse Kay , hThe writing is is alive with electric plasma neon , type charging through the letters of ' J E S U S ' , many stunningly beautiful neon of many colours beautiful flowers of many vibrant colours , cascading waterfalls , ornate churches stop near and distant plateaus , and vibrant flora and fauna. Camera Angle: Overhead shot capturing the v4. 6 stness and intricate details of the scene. The colors are saturated , and the lighting creates a warm and ethereal atmosphere. The painting is highly detailed , with every brushstroke capturing the complexity of the imaginary World. , (high quality) , (detailed) , (masterpiece) , (best quality) , (highres) , (extremely detailed) , (8k) , , JESUS , stabilised diffusion , land of legend , ,
(by Ananta Mandal (and Andrew Biraj:0.5)) , (in the style of nihonga) , Style: Abstract , Medium: Digital illustration , Subject: Happy Birthday Card for my friend Kay. An image of a love heart , made up of many little love heatrs and beautiful flowers , of all the vibrant colours of the rainbow , incorporated in the image are about half a dozen of magnificent looking bright neon butterflies , all airbound in or around the heart. Within the space of the heart itself , (the painter has rendered the word 'JESUS ') , (((THE NAME MUST BE RENDERED ACURATELY AND SPELT BEFORE any OTHER creative urge from this artificial intelligence , is STARTED))). The painter has used a bold script to spell JESUS script of the letters Ka , an A and ta Yyhis muse Kay , hThe writing is is alive with electric plasma neon , type charging through the letters of ' J E S U S ' , many stunningly beautiful neon of many colours beautiful flowers of many vibrant colours , cascading waterfalls , ornate churches stop near and distant plateaus , and vibrant flora and fauna. Camera Angle: Overhead shot capturing the v4. 6 stness and intricate details of the scene. The colors are saturated , and the lighting creates a warm and ethereal atmosphere. The painting is highly detailed , with every brushstroke capturing the complexity of the imaginary World. , (high quality) , (detailed) , (masterpiece) , (best quality) , (highres) , (extremely detailed) , (8k) , , JESUS , stabilised diffusion , land of legend , ,
(by Ananta Mandal (and Andrew Biraj:0.5)) , (in the style of nihonga) , Style: Abstract , Medium: Digital illustration , Subject: Happy Birthday Card for my friend Kay. An image of a love heart , made up of many little love heatrs and beautiful flowers , of all the vibrant colours of the rainbow , incorporated in the image are about half a dozen of magnificent looking bright neon butterflies , all airbound in or around the heart. Within the space of the heart itself , (the painter has rendered the word 'JESUS ') , (((THE NAME MUST BE RENDERED ACURATELY AND SPELT BEFORE any OTHER creative urge from this artificial intelligence , is STARTED))). The painter has used a bold script to spell JESUS script of the letters Ka , an A and ta Yyhis muse Kay , hThe writing is is alive with electric plasma neon , type charging through the letters of ' J E S U S ' , many stunningly beautiful neon of many colours beautiful flowers of many vibrant colours , cascading waterfalls , ornate churches stop near and distant plateaus , and vibrant flora and fauna. Camera Angle: Overhead shot capturing the v4. 6 stness and intricate details of the scene. The colors are saturated , and the lighting creates a warm and ethereal atmosphere. The painting is highly detailed , with every brushstroke capturing the complexity of the imaginary World. , (high quality) , (detailed) , (masterpiece) , (best quality) , (highres) , (extremely detailed) , (8k) , , JESUS , stabilised diffusion , land of legend , ,
(by Ananta Mandal (and Andrew Biraj:0.5)) , (in the style of nihonga) , Style: Abstract , Medium: Digital illustration , Subject: Happy Birthday Card for my friend Kay. An image of a love heart , made up of many little love heatrs and beautiful flowers , of all the vibrant colours of the rainbow , incorporated in the image are about half a dozen of magnificent looking bright neon butterflies , all airbound in or around the heart. Within the space of the heart itself , (the painter has rendered the word 'JESUS ') , (((THE NAME MUST BE RENDERED ACURATELY AND SPELT BEFORE any OTHER creative urge from this artificial intelligence , is STARTED))). The painter has used a bold script to spell JESUS script of the letters Ka , an A and ta Yyhis muse Kay , hThe writing is is alive with electric plasma neon , type charging through the letters of ' J E S U S ' , many stunningly beautiful neon of many colours beautiful flowers of many vibrant colours , cascading waterfalls , ornate churches stop near and distant plateaus , and vibrant flora and fauna. Camera Angle: Overhead shot capturing the v4. 6 stness and intricate details of the scene. The colors are saturated , and the lighting creates a warm and ethereal atmosphere. The painting is highly detailed , with every brushstroke capturing the complexity of the imaginary World. , (high quality) , (detailed) , (masterpiece) , (best quality) , (highres) , (extremely detailed) , (8k) , , JESUS , stabilised diffusion , land of legend , ,
A grim pixel art title screen for a dystopian strategy game , featuring a stern orc commissar standing on a ruined balcony overlooking a war-torn communist city , red flags waving in the wind , brutalist architecture , cracked concrete , glowing sickle and hammer in the background , menu options in pixelated Soviet-style font — 32-bit pixel art , cinematic composition , moody lighting , retro CRT filter ,
A grim pixel art title screen for a dystopian strategy game , featuring a stern orc commissar standing on a ruined balcony overlooking a war-torn communist city , red flags waving in the wind , brutalist architecture , cracked concrete , glowing sickle and hammer in the background , menu options in pixelated Soviet-style font — 32-bit pixel art , cinematic composition , moody lighting , retro CRT filter ,