Search Results for Stop
Explore AI generated designs, images, art and prompts by top community artists and designers.
Imagine a dystopian cyberpunk cityscape (cyberpunk:1.2) , dominated by a massive , rusty spacecraft (spaceship:1.2) hovering above the ground , shrouded in fog (fog:1.3) for an eerie atmosphere. The ship , adorned with flickering neon lights , displays the numbers '68' and '60' prominently on its side. In the foreground , two figures in weathered cloaks (cloaked figures:1.2) , one in a vibrant yellow and the other in a dark color , stand on a rain-soaked platform , gazing up at the behemoth. The scene should capture the contrast between the warm yellow of the figure and the cold , metallic tones of the ship. The composition should emphasize depth , with the ship looming ominously in the background and the figures smaller in scale , creating a sense of insignificance. Utilize soft , diffused lighting to enhance the mysterious ambiance without harsh shadows (avoid harsh shadows:1.2). Include signs of decay and neglect—crumbling structures , scattered debris , and residual water puddles—to evoke a sense of abandonment and desolation. Avoid any vibrant colors outside the specified palette to maintain a cohesive grim aesthetic and incorporate a gritty texture (gritty texture:1.3) across the scene to enhance realism. ,
Highly detailed , full-body portrait of Marvel’s Wolverine. Ultra-realistic , cinematic rendering. Jenn rosa , biting her lip , 48 years old , brown hair , Indian hair style , stands in a powerful and aggressive pose , exuding raw strength and an unstoppable warrior presence. Iconic brown and silver Saree , enhanced with realistic wear-and-tear , scratches , and fabric abrasions. Reinforced armor seamlessly integrated into his costume , maintaining a sleek yet battle-ready look. Rugged , scarred face with piercing , intense eyes , burning with fury and determination. Wrinkles , battle scars , and stubble add depth and realism. Wild , untamed hair , individually detailed for ultra-realistic rendering. Muscular physique highly defined , veins visible under the skin , showing raw power and resilience. ,
In a dystopian landscape , two figures clad in tattered , worn robes navigate a rugged , futuristic vehicle with intricate mechanical details. The vehicle , reminiscent of a sleek yet bulky motorcycle , is adorned with scuffed metal and earthy grime , hinting at treacherous conditions. The figures , one in a flowing white cloak (keyword:1.2) and the other in a dusty yellow garment (keyword:1.2) , both wear visors that obscure their identities. The atmosphere is moody , characterized by soft , diffused lighting that adds depth to the scene (keyword:1.2). Low-angle composition intensifies the grandeur of the vehicle as it charges through muddy terrain , sending splashes of dirt into the air. Foreboding dark clouds loom overhead , contrasting the muted colors of the landscape. Negative prompts: exclude bright colors , cheerful expressions , and urban settings to maintain the desolate , post-apocalyptic feel. ,
A dystopian urban scene depicting a massive , futuristic transport vessel (vessel:1.2) hovering above a bustling street filled with crowds of people in rugged attire. The setting is drenched in a moody , atmospheric haze , illuminated by neon signs (neon:1.2) in various languages. The composition focuses on the interplay between the imposing vessel and the crowd below , emphasizing scale and technology contrast. Use a desaturated color palette to enhance the grim ambience , with sharp focal depth highlighting both foreground and background details. Capture the essence of cyberpunk with intricate architectural elements and power lines (details:1.3). Avoid bright , cheerful colors or idyllic settings to maintain the atmospheric tension (negative: bright colors). ,
**"A hyper-detailed industrial cyberpunk assembly line mass-producing Terminator-style robotic endoskeletons , bathed in the eerie glow of flickering neon and cold factory lighting. Towering hydraulic presses , robotic arms , and conveyor belts dominate the scene , their metallic surfaces gleaming with oil and grime. Thick plumes of black smoke rise from overworked machinery , curling toward the high , rusted ceiling where exposed pipes and ventilation ducts crisscross like veins. The robots on the line are in various stages of assembly—some half-formed with exposed wiring and skeletal frames , others nearly complete , their red sensor eyes flickering to life. The atmosphere is oppressive , a mix of industrial noise , hissing steam , and the hum of electricity , with a dystopian tension hanging in the air. The art style blends hyper-realistic mechanical precision with a gritty , cinematic cyberpunk aesthetic—sharp metallic textures , dramatic lighting contrasts , and a moody , high-detail composition that evokes the dark , futuristic tone of the *Terminator* universe. Include intricate reflections on wet factory floors , scattered tools , and the occasional spark from malfunctioning equipment to enhance the immersive , high-stakes industrial environment."** ,
A hyper-detailed , photo-realistic futuristic metropolis at night , bathed in an eerie , pulsating crimson glow that casts long , jagged shadows across the cyberpunk skyline. The **Empire State Building** dominates the foreground , its art deco spire crackling with energy as a **colossal , jagged red lightning bolt** slams into its peak , illuminating the surrounding skyscrapers in a fiery , neon-reflective haze. The lightning’s electric tendrils snake down the building’s facade , fracturing into glitch-like distortions that warp the architecture into a surreal , digital nightmare—half-real , half-corrupted data stream. In the distance , a **secondary forked red lightning strike** tears through the horizon , hitting a towering , blade-like skyscraper , its impact rippling through the atmosphere like a visual echo. The city below is a labyrinth of **holographic billboards , flickering neon signs in Cyrillic and Kanji , and floating drone traffic** , all glitching intermittently as if caught in a malfunctioning simulation. Rain streaks the air , refracting the red light into bloody , pixelated smears , while **floating debris—shards of glass , fractured metal panels , and shattered holograms—drift lazily in the wind** , adding to the chaotic , dystopian aesthetic. The **glitch art** effect is pronounced: sections of the cityscape **flicker , stutter , and dissolve** into RGB noise , with **scan lines , datamoshing artifacts , and VHS-style distortion** warping the edges of buildings and streets. The lightning itself seems to **corrupt the air** , leaving behind trails of **digital static and fragmented code** that briefly overlay the scene like a broken HUD. The atmosphere is **oppressive yet hypnotic**—a fusion of **cyberpunk grit and digital decay** , where reality feels unstable , as if the city is on the verge of collapsing into a **black hole of glitching data**. The composition is **cinematic and immersive** , with a **deep depth of field** that draws the eye from the lightning-struck Empire State Building to the storm-wracked horizon , where the second strike pulses like a dying heartbeat. **Ultra-HD , 8K resolution , hyper-realistic textures , volumetric lighting , and atmospheric haze** enhance the surreal , dystopian grandeur. ,
"Create a surreal and dystopian image inspired by Stanley Kubrick's 'A Clockwork Orange' , but with a unique twist: the main characters (Alex and his droogs) are located in Plaza de Mayo in Buenos Aires , Argentina. Incorporate the following elements: - Alex , the protagonist , is at the center of Plaza de Mayo , wearing his iconic black and white outfit , with his characteristic hairstyle and defiant expression. - His droogs (Dim , Pete , Georgie , and Billyboy) are scattered around the plaza , also dressed in similar clothing , interacting with the environment in a menacing and challenging way. - Incorporate architectural elements of Plaza de Mayo , such as the Casa Rosada , the Cabildo , and the Pyramid of May , but with a dystopian and degraded touch , as if they were in ruins or under some kind of siege. - The sky should be dark and stormy , reflecting the ominous and violent tone of the movie. - Include details that reference Argentine culture and the history of the plaza , such as torn Argentine flags , graffiti with Cyrillic letters or symbols of urban subculture , mixed with futuristic and science fiction elements. The visual style should combine realism with surrealist and futuristic elements , similar to the work of Syd Mead or H.R. Giger. The image should convey a sense of chaos , rebellion , and decadence , capturing the essence of the movie but in a unique and surprising environment." ,
(by Ananta Mandal (and Andrew Biraj:0.5)) , (in the style of nihonga) , Style: Abstract , Medium: Digital illustration , Subject: An image of a love heart , made up of many little love heatrs and beautiful flowers , of all the vibrant colours of the rainbow , incorporated in the image are about half a dozen of magnificent looking bright neon butterflies , all airbound in or around the heart. Within the space of the heart itself , (the painter has rendered the word 'JESUS ') , (((THE NAME MUST BE RENDERED ACURATELY AND SPELT BEFORE any OTHER creative urge from this artificial intelligence , is STARTED))). The painter has used a bold script to spell JESUS script of the letters The writing is is alive with electric plasma neon , type charging through the letters of ' J E S U S ' , many stunningly beautiful neon of many colours beautiful flowers of many vibrant colours , cascading waterfalls , ornate churches stop near and distant plateaus , and vibrant flora and fauna. Camera Angle: Overhead shot capturing the v4. 6 stness and intricate details of the scene. The colors are saturated , and the lighting creates a warm and ethereal atmosphere. The painting is highly detailed , with every brushstroke capturing the complexity of the imaginary World. , (high quality) , (detailed) , (masterpiece) , (best quality) , (highres) , (extremely detailed) , (8k) , , JESUS , stabilised diffusion , land of legend , ,
(by Ananta Mandal (and Andrew Biraj:0.5)) , (in the style of nihonga) , Style: Abstract , Medium: Digital illustration , Subject: An image of a love heart , made up of many little love heatrs and beautiful flowers , of all the vibrant colours of the rainbow , incorporated in the image are about half a dozen of magnificent looking bright neon butterflies , all airbound in or around the heart. Within the space of the heart itself , (the painter has rendered the word 'JESUS ') , (((THE NAME MUST BE RENDERED ACURATELY AND SPELT BEFORE any OTHER creative urge from this artificial intelligence , is STARTED))). The painter has used a bold script to spell JESUS script of the letters The writing is is alive with electric plasma neon , type charging through the letters of ' J E S U S ' , many stunningly beautiful neon of many colours beautiful flowers of many vibrant colours , cascading waterfalls , ornate churches stop near and distant plateaus , and vibrant flora and fauna. Camera Angle: Overhead shot capturing the v4. 6 stness and intricate details of the scene. The colors are saturated , and the lighting creates a warm and ethereal atmosphere. The painting is highly detailed , with every brushstroke capturing the complexity of the imaginary World. , (high quality) , (detailed) , (masterpiece) , (best quality) , (highres) , (extremely detailed) , (8k) , , JESUS , stabilised diffusion , land of legend , ,
A **hyper-cinematic , apocalyptic flood disaster** unfolding in a **SimCity-inspired megacity** , where a **colossal , monstrous wall of dark , churning floodwater**—teeming with **twisted steel girders , shattered skyscraper glass , uprooted trees , and the wreckage of urban civilization**—**smashes through the heart of a once-pristine , grid-perfect metropolis** with terrifying , unstoppable force. The flood **engulfs towering skyscrapers in seconds** , **snaps elevated highways like brittle twigs** , and **erases entire city blocks in a single , devastating surge** , leaving only **chaos , ruin , and swirling vortices of destruction** in its wake. The city , once a **masterpiece of urban planning—symmetrical streets , sprawling suburbs , dense commercial hubs , and meticulously zoned industrial districts—**now **drowns in cataclysmic ruin** as the floodwater **carves a path of absolute devastation** , reducing decades of infrastructure to **floating debris**. **Cars , street signs , fragments of collapsed buildings , and uprooted lampposts** spin violently in the torrent , while **collapsing overpasses , crumbling bridges , and submerged highways** struggle against the relentless current. **Desperate survivors cling to rooftops , overturned vehicles , and the last remnants of high ground** , their faces illuminated by the **eerie , storm-choked light** of a dying city. The scene is rendered in a **blockbuster disaster movie aesthetic**—**hyper-dramatic , high-contrast lighting** casts **long , jagged shadows** across the ruin , while **explosive bursts of spray , mist , and flying debris** fill the air. The **atmosphere is thick with tension** , the **water’s murky depths hiding unseen horrors** , and the **last flickers of civilization**—**emergency sirens , distant screams , the groaning collapse of steel**—echo through the storm. The **composition is chaotic yet cinematic** , with **dynamic angles** capturing the **sheer scale of destruction**: **a skyscraper toppling in slow motion , a bridge snapping mid-collapse , a lone survivor reaching for a helicopter’s dangling rope**. Every detail screams **epic , high-stakes survival**—**the flood is not just water , but a living , consuming force** , and the city’s **once-orderly grid is now a nightmare of swirling currents , submerged streets , and the skeletal remains of urban life**. The **lighting is dramatic** , with **pockets of eerie glow**—**flickering streetlights beneath the water , the distant flare of explosions , the cold blue hue of the storm**—contrasting against the **crushing darkness of the flood’s depths**. This is **disaster on a biblical scale** , a **SimCity metropolis erased in minutes** , and the **last moments of a civilization swept away**. ,
(by Ananta Mandal (and Andrew Biraj:0.5)) , (in the style of nihonga) , Style: Abstract , Medium: Digital illustration , Subject: Happy Birthday Card for my friend Kay. An image of a love heart , made up of many little love heatrs and beautiful flowers , of all the vibrant colours of the rainbow , incorporated in the image are about half a dozen of magnificent looking bright neon butterflies , all airbound in or around the heart. Within the space of the heart itself , (the painter has rendered the word 'JESUS ') , (((THE NAME MUST BE RENDERED ACURATELY AND SPELT BEFORE any OTHER creative urge from this artificial intelligence , is STARTED))). The painter has used a bold script to spell JESUS script of the letters Ka , an A and ta Yyhis muse Kay , hThe writing is is alive with electric plasma neon , type charging through the letters of ' J E S U S ' , many stunningly beautiful neon of many colours beautiful flowers of many vibrant colours , cascading waterfalls , ornate churches stop near and distant plateaus , and vibrant flora and fauna. Camera Angle: Overhead shot capturing the v4. 6 stness and intricate details of the scene. The colors are saturated , and the lighting creates a warm and ethereal atmosphere. The painting is highly detailed , with every brushstroke capturing the complexity of the imaginary World. , (high quality) , (detailed) , (masterpiece) , (best quality) , (highres) , (extremely detailed) , (8k) , , JESUS , stabilised diffusion , land of legend , ,
(by Ananta Mandal (and Andrew Biraj:0.5)) , (in the style of nihonga) , Style: Abstract , Medium: Digital illustration , Subject: Happy Birthday Card for my friend Kay. An image of a love heart , made up of many little love heatrs and beautiful flowers , of all the vibrant colours of the rainbow , incorporated in the image are about half a dozen of magnificent looking bright neon butterflies , all airbound in or around the heart. Within the space of the heart itself , (the painter has rendered the word 'JESUS ') , (((THE NAME MUST BE RENDERED ACURATELY AND SPELT BEFORE any OTHER creative urge from this artificial intelligence , is STARTED))). The painter has used a bold script to spell JESUS script of the letters Ka , an A and ta Yyhis muse Kay , hThe writing is is alive with electric plasma neon , type charging through the letters of ' J E S U S ' , many stunningly beautiful neon of many colours beautiful flowers of many vibrant colours , cascading waterfalls , ornate churches stop near and distant plateaus , and vibrant flora and fauna. Camera Angle: Overhead shot capturing the v4. 6 stness and intricate details of the scene. The colors are saturated , and the lighting creates a warm and ethereal atmosphere. The painting is highly detailed , with every brushstroke capturing the complexity of the imaginary World. , (high quality) , (detailed) , (masterpiece) , (best quality) , (highres) , (extremely detailed) , (8k) , , JESUS , stabilised diffusion , land of legend , ,
(by Ananta Mandal (and Andrew Biraj:0.5)) , (in the style of nihonga) , Style: Abstract , Medium: Digital illustration , Subject: Happy Birthday Card for my friend Kay. An image of a love heart , made up of many little love heatrs and beautiful flowers , of all the vibrant colours of the rainbow , incorporated in the image are about half a dozen of magnificent looking bright neon butterflies , all airbound in or around the heart. Within the space of the heart itself , (the painter has rendered the word 'JESUS ') , (((THE NAME MUST BE RENDERED ACURATELY AND SPELT BEFORE any OTHER creative urge from this artificial intelligence , is STARTED))). The painter has used a bold script to spell JESUS script of the letters Ka , an A and ta Yyhis muse Kay , hThe writing is is alive with electric plasma neon , type charging through the letters of ' J E S U S ' , many stunningly beautiful neon of many colours beautiful flowers of many vibrant colours , cascading waterfalls , ornate churches stop near and distant plateaus , and vibrant flora and fauna. Camera Angle: Overhead shot capturing the v4. 6 stness and intricate details of the scene. The colors are saturated , and the lighting creates a warm and ethereal atmosphere. The painting is highly detailed , with every brushstroke capturing the complexity of the imaginary World. , (high quality) , (detailed) , (masterpiece) , (best quality) , (highres) , (extremely detailed) , (8k) , , JESUS , stabilised diffusion , land of legend , ,
(by Ananta Mandal (and Andrew Biraj:0.5)) , (in the style of nihonga) , Style: Abstract , Medium: Digital illustration , Subject: Happy Birthday Card for my friend Kay. An image of a love heart , made up of many little love heatrs and beautiful flowers , of all the vibrant colours of the rainbow , incorporated in the image are about half a dozen of magnificent looking bright neon butterflies , all airbound in or around the heart. Within the space of the heart itself , (the painter has rendered the word 'JESUS ') , (((THE NAME MUST BE RENDERED ACURATELY AND SPELT BEFORE any OTHER creative urge from this artificial intelligence , is STARTED))). The painter has used a bold script to spell JESUS script of the letters Ka , an A and ta Yyhis muse Kay , hThe writing is is alive with electric plasma neon , type charging through the letters of ' J E S U S ' , many stunningly beautiful neon of many colours beautiful flowers of many vibrant colours , cascading waterfalls , ornate churches stop near and distant plateaus , and vibrant flora and fauna. Camera Angle: Overhead shot capturing the v4. 6 stness and intricate details of the scene. The colors are saturated , and the lighting creates a warm and ethereal atmosphere. The painting is highly detailed , with every brushstroke capturing the complexity of the imaginary World. , (high quality) , (detailed) , (masterpiece) , (best quality) , (highres) , (extremely detailed) , (8k) , , JESUS , stabilised diffusion , land of legend , ,
A grim pixel art title screen for a dystopian strategy game , featuring a stern orc commissar standing on a ruined balcony overlooking a war-torn communist city , red flags waving in the wind , brutalist architecture , cracked concrete , glowing sickle and hammer in the background , menu options in pixelated Soviet-style font — 32-bit pixel art , cinematic composition , moody lighting , retro CRT filter ,
A grim pixel art title screen for a dystopian strategy game , featuring a stern orc commissar standing on a ruined balcony overlooking a war-torn communist city , red flags waving in the wind , brutalist architecture , cracked concrete , glowing sickle and hammer in the background , menu options in pixelated Soviet-style font — 32-bit pixel art , cinematic composition , moody lighting , retro CRT filter ,
A grim pixel art title screen for a dystopian strategy game , featuring a stern orc commissar standing on a ruined balcony overlooking a war-torn communist city , red flags waving in the wind , brutalist architecture , cracked concrete , glowing sickle and hammer in the background , menu options in pixelated Soviet-style font — 32-bit pixel art , cinematic composition , moody lighting , retro CRT filter ,
A grim pixel art title screen for a dystopian strategy game , featuring a stern orc commissar standing on a ruined balcony overlooking a war-torn communist city , red flags waving in the wind , brutalist architecture , cracked concrete , glowing sickle and hammer in the background , menu options in pixelated Soviet-style font — 32-bit pixel art , cinematic composition , moody lighting , retro CRT filter ,
A grim pixel art title screen for a dystopian strategy game , featuring a stern orc commissar standing on a ruined balcony overlooking a war-torn communist city , red flags waving in the wind , brutalist architecture , cracked concrete , glowing sickle and hammer in the background , menu options in pixelated Soviet-style font — 32-bit pixel art , cinematic composition , moody lighting , retro CRT filter ,
A grim pixel art title screen for a dystopian strategy game , featuring a stern orc commissar standing on a ruined balcony overlooking a war-torn communist city , red flags waving in the wind , brutalist architecture , cracked concrete , glowing sickle and hammer in the background , menu options in pixelated Soviet-style font — 32-bit pixel art , cinematic composition , moody lighting , retro CRT filter ,
A grim pixel art title screen for a dystopian strategy game , featuring a stern orc commissar standing on a ruined balcony overlooking a war-torn communist city , red flags waving in the wind , brutalist architecture , cracked concrete , glowing sickle and hammer in the background , menu options in pixelated Soviet-style font — 32-bit pixel art , cinematic composition , moody lighting , retro CRT filter ,
Dystopia-to-utopia diptychon: [Left panel] Cityscape with smog-eating concrete walls absorbing pollution → output: diamond dust particles [Right panel] Same city with living coral walls converting CO2 → bioluminescent light rivers Hyperdetailed sci-fi art , style of Simon Stålenhag + Neri Oxman , cool/warm contrast , cinematic perspective --ar 21:9 --v 6.0 ,
Still standing stunned on the sand , Pamela Anderson stares down at her elongated legs and stretched frame , trying to process the impossible — but the growth isn’t over. Suddenly , her posture straightens again as a second wave surges through her body. She gasps audibly , arching her back slightly as her height increases once more — legs stretching taller , her toned abdomen lengthening , and her entire body rising higher above the beachgoers. Within seconds , she swells from 6 feet to a towering 7 feet tall. Her red Baywatch bikini — already hyper-tiny — now looks even more impossibly strained across her exaggerated curves. The fabric clings tightly to her immense chest , which remains fully contained but seems impossibly prominent and elevated due to her increased torso length and scale. Her long , tanned legs gleam under the sun , toned and extended , her powerful frame both graceful and overwhelming. Pamela’s face shows pure disbelief , caught between awe and curiosity as she looks over the beach from her new elevated perspective. Her iconic blonde hair flutters in the ocean breeze , while a few beachgoers nearby stop in their tracks — stunned by her dramatic increase in size. A seagull flies past just beneath her eye level , punctuating the surreal scale. She places her hands slowly on her hips , instinctively adjusting her stance as she balances at her new towering height — a living , breathing Amazon in a bikini designed for a far smaller body. Shot on Canon EOS R5 , 35mm lens , f/2.2 , ISO 100 , 1/1600 shutter , low angle composition to emphasize scale. 8K ultra-photorealistic , sunlight glinting off skin , tight fabric detail , deep shadows and background scale references , cinematic color tone , ultra-fine body texture. --no cartoon , anime , nudity , painting , blur , smoothing , distortion , uncanny rendering ,
"A futuristic cyberpunk megacity at night , drenched in neon purple and violet tones. Towering skyscrapers covered in animated holographic advertisements and Japanese/Chinese kanji glowing in magenta. Rain is falling , creating wet reflective streets that mirror the bright purple neon signs. The sky is dark but glowing with a haze of violet smog and distant lightning. Flying cars leave purple light trails as they move between buildings. The streets below are crowded with hooded figures , cyborgs with glowing violet eyes , and androids with chrome skin and purple LED circuitry. Steam rises from vents , casting shadows in dark alleyways lit only by flickering lavender lights. A central character stands in the foreground — a lone hacker with a high-tech visor emitting a soft purple glow , wearing a dark trench coat soaked by the rain. The entire scene feels cinematic , atmospheric , futuristic and dystopian , inspired by Blade Runner , Akira , and Ghost in the Shell. Use a purple-dominant color palette with accents of black and metallic silver. Ultra-realistic , 4K resolution , highly detailed lighting and textures." ,
Manabu Ikeda inspired realistic whole body photo of a aged and victorian half-human half-metallic posing on a magical hall made of crystals. Its ready for a battle. Its skin is made of glittering and mercury that covers the skin entirely. Its hair has rainbow coloured details. Eyes are ice blue coloured. The camera angle is a wide. Its legs are visible. Hyper realistic , sharpen details , detailed skin , sharpened eyes , cinematic , intricate details , (gorgeous face:1. 2) , masterpiece , full-backside angle , dystopian , microscopic , night , high quality , detailed , masterpiece , best quality , highres , extremely detailed , (8k) , (liquid mercury) , pins , ,
Manabu Ikeda inspired realistic whole body photo of a aged and victorian half-human half-metallic posing on a magical hall made of crystals. Its ready for a battle. Its skin is made of glittering and mercury that covers the skin entirely. Its hair has rainbow coloured details. Eyes are ice blue coloured. The camera angle is a wide. Its legs are visible. Hyper realistic , sharpen details , detailed skin , sharpened eyes , cinematic , intricate details , (gorgeous face:1. 2) , masterpiece , full-backside angle , dystopian , microscopic , night , high quality , detailed , masterpiece , best quality , highres , extremely detailed , (8k) , (liquid mercury) , pins , ,
Manabu Ikeda inspired realistic whole body photo of a aged and victorian half-human half-metallic posing on a magical hall made of crystals. Its ready for a battle. Its skin is made of glittering and mercury that covers the skin entirely. Its hair has rainbow coloured details. Eyes are ice blue coloured. The camera angle is a wide. Its legs are visible. Hyper realistic , sharpen details , detailed skin , sharpened eyes , cinematic , intricate details , (gorgeous face:1. 2) , masterpiece , full-backside angle , dystopian , microscopic , night , high quality , detailed , masterpiece , best quality , highres , extremely detailed , (8k) , (liquid mercury) , pins , ,