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Explore AI generated designs, images, art and prompts by top community artists and designers.
Ultra-realistic photograph of a printed book. The cover shows a loving mother breastfeeding her baby. The mother has long brown hair , soft facial features , and a peaceful smile while gently cradling the baby in her arms. The baby is wearing a pink onesie and is peacefully nursing. The background is soft and warm , with pastel tones of peach , orange , and blue , and subtle heart-shaped splashes around the mother and baby. The lighting is gentle and dreamy , evoking a tender and emotional atmosphere. At the top of the cover , in bold , all-uppercase , dark blue font , it says: "LACTANCIA PASO A PASO" Below , in smaller font but the same style: "GUÍA PARA UNA EXPERIENCIA FELIZ" At the bottom of the cover , the author’s name appears in smaller dark blue font: "Mhj/t. Iván Valenzuela Mella" The layout must be exactly like a real printed book cover: centered composition , professionally designed , preserving all typography and graphic details exactly as described. ,
photorealistic image A happy family in a cozy living room: a mother reading a book , a child playing on the floor , a grandmother drinking tea by the window. The windows are closed , but the room is fresh and bright. A compact breezer is barely visible on the wall. Style: warm realism , soft light , an atmosphere of comfort and safety ,
A cosmic-scale giant sexy grandmother , 67 years old , with a large bust , wearing a revealing golden swimsuit , elegantly made up , and reclining on the ground. Her immense form spans the size of a continent , with tiny cities scattered across her body like intricate tattoos. The scene captures her entire figure , including her legs , in a breathtaking panoramic view. The setting is a surreal landscape , with her presence dominating the horizon , under a starry night sky that adds a mystical glow to the scene. The cities on her skin are illuminated , creating a mesmerizing contrast against her golden attire and the deep blues of the cosmos. ,
A cosmic-scale giant sexy grandmother , 77 years old , with a large bust , wearing a revealing golden swimsuit , elegantly made up , and reclining on the ground. Her immense form spans the size of a continent , with tiny cities scattered across her body like intricate tattoos. The scene captures her entire figure , including her legs , in a breathtaking panoramic view. The setting is a surreal landscape , with her presence dominating the horizon , under a starry night sky that adds a mystical glow to the scene. The cities on her skin are illuminated , creating a mesmerizing contrast against her golden attire and the deep blues of the cosmos. ,
A cosmic-scale giant sexy grandmother , 90 years old , with a large bust , wearing a revealing golden swimsuit , elegantly made up , and reclining on the ground. Her immense form spans the size of a continent , with tiny cities scattered across her body like intricate tattoos. The scene captures her entire figure , including her legs , in a breathtaking panoramic view. The setting is a surreal landscape , with her presence dominating the horizon , under a starry night sky that adds a mystical glow to the scene. The cities on her skin are illuminated , creating a mesmerizing contrast against her golden attire and the deep blues of the cosmos. ,
A silver fox with glowing eyes stands before a small hidden pond in a deep blue forest. The pond doesn’t reflect the forest , but instead shows glowing memories—images of a laughing child , a mother hugging her child , and a forgotten toy. The fox watches in silence as mist thickens around him. Ethereal , magical atmosphere , fantasy illustration , soft lighting and dreamlike mood. ,
Genera imágenes en referencia a este texto. My nuclear family is made up of my parents , my sister and me. It is a small circle , but very close and full of contrasts. Then there is the rest of my family , which includes my aunt , my uncle , my grandmother , my great-grandmother and also my great uncle. Although we are united by blood and , in some cases , by certain physical traits , I think that in terms of personality we are quite different from each other. It is interesting to observe how within the same family such opposite ways of being can coexist , as if each one were a world of its own. For example , something that both of us — I mean most of us — share is having light eyes , which comes from my grandmother’s side. It is like a distinctive brand that has passed from generation to generation. My mom has blue eyes , my uncle has green eyes , my aunt also has light eyes , and I have hazel eyes , which although they are not as light as theirs , still count as light eyes and contrast with the darker ones of other family members. Even my sister , who physically looks more like my dad , has darker eyes , so she’s not as light-eyed as I am. But even though we all have similar eyes , that doesn’t mean we’re both pretty alike in personality. When it comes to personality , I think I’m more serious than most of my family members. Some even say I’m the most bitter. I’m not very expressive with my emotions , and I prefer to stay out of things in social situations. My aunt is more cheerful than me — she’s always laughing , making jokes and spreading her energy to everyone. My mom is pretty cheerful too. We’re both pretty quiet when it comes to deeper emotions , but while she shows joy easily , I don’t. I sometimes wonder why I’m so different , but then I see my dad and I realize: we’re both pretty calm and reserved. In that way , I’m more like him than like my mom. My sister and I are very different. She’s more impulsive than me and acts without thinking a lot of the time. She’s flexible about things , but I’m not — I like to think before acting , plan ahead and stay organized , even if I sometimes forget things or don’t do everything perfectly. I always try to be responsible , but she’s not as responsible as I am. She’s carefree in a way I kind of admire , because it gives her a fresh way of being , even if it can be frustrating sometimes. We’re both pretty determined when we want something , but we go about it in totally different ways. Physically , I look more like my mom than anyone else in my family. Both of us are pretty fair-skinned , with curly hair and lighter eyes. My sister and my dad , on the other hand , are not as fair as we are — they both have darker complexions , straight hair and dark eyes. These physical traits really affect how people see us. When we go out as a family , people often say I’m more like my mom , while my sister is more like my dad. It’s almost as if we were two pairs within one family. Interestingly , even though there are big personality differences , sometimes we surprise each other by acting in similar ways. For example , my dad and I are both pretty quiet , but we end up having deep conversations without even planning them. It’s like we share an unspoken bond. My mom and my aunt are more forgiving than me — I’m not as forgiving as they are. They always manage to see the bright side of things. And even my sister , though she’s very impulsive , can sometimes be surprisingly practical in solving problems , while I’d spend a long time overthinking them. There’s also a strong generational contrast. My grandmother is very traditional — she’s not as open-minded as my aunt or my sister , who are more relaxed about modern ways of thinking. My great-grandmother is even more old-fashioned , and listening to her talk about the past really shows how much life has changed. We’re both pretty respectful of her experiences , even if we don’t always agree. These differences in age and mindset help us grow — we learn from each other even when we see things differently. In conclusion , even though we share a family history , physical features and blood ties , our personalities are full of contrast. Both of us — meaning all of us — share some similarities , like eye color or family habits , but I think I’m more serious , more structured and less flexible than others in my family. And I like that. The variety of personalities in my family makes us stronger , because each person brings something different , something unique that completes the rest. ,
Create a black and white comic-style storyboard consisting of 10 linear panels , illustrating a futuristic retelling of "Little Red Riding Hood" titled Caperucita Roja 3025. Each panel should be cinematic and sequential , with dramatic lighting and dynamic compositions. Panel 1: A sprawling futuristic city called "Neónpolis" with flying cars , robots , and glowing skyscrapers. Panel 2: Little Red Riding Hood wearing a glowing LED red cape , jetpack , and high-tech visor. Panel 3: She receives a holographic message from her mother with a mission to bring nanobot-soup to her grandmother on a space station. Panel 4: She flies over the bioluminescent Galactic Forest on her hoverboard. Panel 5: A cybernetic wolf with robotic limbs and a glowing red eye appears from the shadows. Panel 6: The wolf races on a rocket-bike toward the grandmother’s space station. Panel 7: The wolf locks the grandmother in a cryo-tube and uses a holographic disguise to pose as her. Panel 8: Red enters the space station and begins to notice strange features on her "grandmother." Panel 9: A security drone detects the wolf and exposes him. Panel 10: The grandmother is freed and they celebrate with 3D-printed cookies in space. Style: Clean black-and-white ink lines , comic layout , no color , expressive faces , futuristic sci-fi elements with a retro twist. Include subtle panel borders and cinematic flow from left to right. ,
A warm and cozy family scene inside a charming steampunk-inspired home. A father , mother , and three children—Boris , Ariana , and Liana—are together in their living room. The room has floating lanterns , mechanical clocks , and bookshelves filled with old tomes and trinkets. The atmosphere is inviting , filled with warm light and intricate details , resembling a classic children's book illustration. ,