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Explore AI generated designs, images, art and prompts by top community artists and designers.
"Big large King Kong with muscular body , rough dark fur , massive arms and fists , slamming his fist powerfully on the ground , smashing multiple cars around him , debris and dust flying , broken road cracks under impact , city buildings around , dramatic lighting , ultra realistic , cinematic destruction scene , high detail , real-world textures" ,
"Big large King Kong with muscular body , rough dark fur , massive arms and broad chest , standing tall in the middle of a modern city , surrounded by skyscrapers , many helicopters flying around him , dramatic sunset lighting , ultra realistic , cinematic angle , high detail , soft shadows , real-world texture" ,
A breathtaking eastern fantasy female cultivator stands with her back to the viewer before a traditional pavilion nestled deep within a lush , vibrant green forest. She exudes serene grace and quiet strength , her long , softly flowing hair cascading down her back. Her elegant , curvaceous figure is highlighted by a slender waist and prominently accentuated hips , with the clear outline of her shapely buttocks visible from behind. She wears an intricately designed greenish palace dress , now drenched and clinging to her body , subtly revealing her form while maintaining an air of mystique and refinement. Flowing layers of silk and delicate embroidery shimmer beneath the wet fabric , emphasizing her alluring silhouette. Soft sunlight filters through the forest canopy , casting a warm , golden glow across the scene. The composition is cinematic and highly detailed , with a richly textured background , capturing the enchanting atmosphere of an eastern fantasy world in stunning high resolution. ,
Genera imágenes en referencia a este texto. My nuclear family is made up of my parents , my sister and me. It is a small circle , but very close and full of contrasts. Then there is the rest of my family , which includes my aunt , my uncle , my grandmother , my great-grandmother and also my great uncle. Although we are united by blood and , in some cases , by certain physical traits , I think that in terms of personality we are quite different from each other. It is interesting to observe how within the same family such opposite ways of being can coexist , as if each one were a world of its own. For example , something that both of us — I mean most of us — share is having light eyes , which comes from my grandmother’s side. It is like a distinctive brand that has passed from generation to generation. My mom has blue eyes , my uncle has green eyes , my aunt also has light eyes , and I have hazel eyes , which although they are not as light as theirs , still count as light eyes and contrast with the darker ones of other family members. Even my sister , who physically looks more like my dad , has darker eyes , so she’s not as light-eyed as I am. But even though we all have similar eyes , that doesn’t mean we’re both pretty alike in personality. When it comes to personality , I think I’m more serious than most of my family members. Some even say I’m the most bitter. I’m not very expressive with my emotions , and I prefer to stay out of things in social situations. My aunt is more cheerful than me — she’s always laughing , making jokes and spreading her energy to everyone. My mom is pretty cheerful too. We’re both pretty quiet when it comes to deeper emotions , but while she shows joy easily , I don’t. I sometimes wonder why I’m so different , but then I see my dad and I realize: we’re both pretty calm and reserved. In that way , I’m more like him than like my mom. My sister and I are very different. She’s more impulsive than me and acts without thinking a lot of the time. She’s flexible about things , but I’m not — I like to think before acting , plan ahead and stay organized , even if I sometimes forget things or don’t do everything perfectly. I always try to be responsible , but she’s not as responsible as I am. She’s carefree in a way I kind of admire , because it gives her a fresh way of being , even if it can be frustrating sometimes. We’re both pretty determined when we want something , but we go about it in totally different ways. Physically , I look more like my mom than anyone else in my family. Both of us are pretty fair-skinned , with curly hair and lighter eyes. My sister and my dad , on the other hand , are not as fair as we are — they both have darker complexions , straight hair and dark eyes. These physical traits really affect how people see us. When we go out as a family , people often say I’m more like my mom , while my sister is more like my dad. It’s almost as if we were two pairs within one family. Interestingly , even though there are big personality differences , sometimes we surprise each other by acting in similar ways. For example , my dad and I are both pretty quiet , but we end up having deep conversations without even planning them. It’s like we share an unspoken bond. My mom and my aunt are more forgiving than me — I’m not as forgiving as they are. They always manage to see the bright side of things. And even my sister , though she’s very impulsive , can sometimes be surprisingly practical in solving problems , while I’d spend a long time overthinking them. There’s also a strong generational contrast. My grandmother is very traditional — she’s not as open-minded as my aunt or my sister , who are more relaxed about modern ways of thinking. My great-grandmother is even more old-fashioned , and listening to her talk about the past really shows how much life has changed. We’re both pretty respectful of her experiences , even if we don’t always agree. These differences in age and mindset help us grow — we learn from each other even when we see things differently. In conclusion , even though we share a family history , physical features and blood ties , our personalities are full of contrast. Both of us — meaning all of us — share some similarities , like eye color or family habits , but I think I’m more serious , more structured and less flexible than others in my family. And I like that. The variety of personalities in my family makes us stronger , because each person brings something different , something unique that completes the rest. ,
design" , World of warcraft , no text , logo , whit blood , and raid horde , dungeon , vanilla colors ,
A colossal brutalpunk spacecraft , angular and massive , constructed from raw concrete slabs and rusted steel , is captured from a high rear angle as it plunges nose-first into the thick upper atmosphere of Jötunheim. The ship’s leading edges blaze with intense plasma and fiery streaks , glowing bright orange and white from atmospheric friction , with rivets and armored plating visible beneath the flames. Below , the vast , hostile planet curves prominently , its icy surface covered in jagged mountains , brutalist megastructures , and swirling storm clouds shrouded in mist. The thick atmospheric layers glow faintly around the ship’s entry path , with shockwaves rippling ahead. The perspective looks down over the ship’s back and nose , emphasizing the descent and violent penetration into the planet’s atmosphere , with no space visible above-only the cold , stormy sky and the looming world below. Hyper-realistic , 8K , masterpiece , brutalpunk , cinematic , focus on dynamic atmospheric entry and descending trajectory toward Jötunheim. ,
The camera follows a team of explorers as they venture to the edge of the ice wall , using specialized technology to peer through the thick ice. Suddenly , a beam of light pierces the ice , revealing an alien landscape beyond. Lush , green forests , strange bioluminescent plants , and towering mountains unlike anything seen before unfold before their eyes. The explorers stare in awe , their faces a mixture of wonder and fear , as they contemplate the unknown world that lies beyond the ice. ,
A hyper-detailed portrait of a beautiful female elf with ethereal , otherworldly features. She has long , flowing silver-white hair that shimmers like moonlight , and glowing violet eyes that seem ancient and wise. Her skin is pale with a subtle iridescent sheen , and she has high cheekbones , delicate facial features , and elegantly pointed ears adorned with silver jewelry. She wears a deep midnight blue velvet cloak , embroidered with glowing silver runes and celestial symbols. Under the cloak , her elven armor glows faintly with magical energy. She stands in front of a mist-covered , enchanted forest bathed in moonlight. Floating particles of light swirl gently around her , hinting at her magical power. Her expression is calm , confident , and mysterious. The lighting is cinematic and mystical , with soft blue and silver tones. Fantasy realism style , 4K ultra high detail , focused on her face and upper body. ,
A hyper-detailed portrait of a beautiful female elf with ethereal , otherworldly features. She has long , flowing silver-white hair that shimmers like moonlight , and glowing violet eyes that seem ancient and wise. Her skin is pale with a subtle iridescent sheen , and she has high cheekbones , delicate facial features , and elegantly pointed ears adorned with silver jewelry. She wears a deep midnight blue velvet cloak , embroidered with glowing silver runes and celestial symbols. Under the cloak , her elven armor glows faintly with magical energy. She stands in front of a mist-covered , enchanted forest bathed in moonlight. Floating particles of light swirl gently around her , hinting at her magical power. Her expression is calm , confident , and mysterious. The lighting is cinematic and mystical , with soft blue and silver tones. Fantasy realism style , 4K ultra high detail , focused on her face and upper body. ,
Create this image: The scene depicts a sci-fi post-apocalyptic environment in an inhospitable , snow-covered region. The climate is cold , dark , and foggy , suggesting freezing temperatures and low visibility. At the center of the image stands a massive structure resembling an rusty metal and ship that has been rebuilt with wooden parts. The construction combines metallic materials with aged wood and windows , with light emanating from inside through the windows , indicating that the interior is illuminated. Icicles hang along the edges of the roof , and the surroundings are lit by small orange lights distributed along the outer walls. The base of the structure is elevated , resting and surrounded by the ice , with the main access provided by one external staircase. At the top of the structure , a rusty chimney emits smoke , while to the right , a large metal tower resembling an industrial elevator or cargo system It features suspended ramps or metal walkways linking different levels of the installation , with yellow lights connecting it to the rear of the structure connects to the building. A medium tower above the main building contains antenna , sensors and platforms , suggesting surveillance functions. In the foreground , on the snowy ground , two clocked figures stand in the entrance of the structure. Wooden and metal crates are stacked in front of the structure , below the windows , and a cable sprawls across the ground , emerging from the structure itself. The lighting should emphasize the contrast between the cold , shadowy exterior and the warmth radiating from the internal lights , as well as the orange and yellow lights of the structure. The foggy atmosphere should create a sense of isolation and mystery , reinforcing the post-apocalyptic tone. The scene should evoke an atmosphere of tension , exploration , and survival , where this lone structure exists as the only sign of civilization in a desolate world. ,
Young , confident photographer on a vibrant alien planet , capturing images from a sleek , hovering vehicle. Lush , otherworldly vegetation surrounds her , bathed in the warm glow of a binary sunset. Focus on her determined expression and the advanced technology of her equipment , emphasising the spirit of exploration and discovery. ,
A stylized render of a fictional futuristic building in the center of the image , located in an industrial society set in a cold wasteland or tundra. The building should resemble a school , house , or hospital — with an unusual , semi-toy-like architecture , not seen in real life. The design is geometric , slightly chunky , and colorful , with glowing windows and matte blue or grey metallic walls. The style resembles graphics from a city-building strategy game — not isometric , but direct front-facing , with simplified shapes , soft shadows and subtle lighting. In the background , show simplified city structures like warehouses , modular containers , strange mining machines , and monorail tracks. No visible roads , vehicles or neon signs. The scene feels atmospheric , artificial , and slightly dystopian — like SimCity BuildIt reimagined in a colder industrial world. ,
Overhead strategic game screenshot set in a semi-stylized industrial society. The terrain is a dry wasteland or tundra , with soft brown and grey tones under nighttime lighting. The architecture features simple , modular blue housing pods with glowing yellow windows , shaped like rounded containers. Around them are scattered crates , mining equipment , warehouses , cargo containers , and large industrial structures with bold geometric forms. Monorail systems connect various sectors , elevated on thin supports. The design is non-photorealistic , somewhat cartoonish yet grounded , resembling graphics from a city-building strategy game. Lighting is soft but moody , with scattered lampposts and faint glowing lights from buildings. Small human characters are visible , giving a sense of life and scale. The overall look is atmospheric and functional — a believable , toy-like world focused on logistics , mining , and survival. ,
Overhead strategic game screenshot set in a semi-stylized industrial society. The terrain is a dry wasteland or tundra , with soft brown and grey tones under nighttime lighting. The architecture features simple , modular blue housing pods with glowing yellow windows , shaped like rounded containers. Around them are scattered crates , mining equipment , warehouses , cargo containers , and large industrial structures with bold geometric forms. Monorail systems connect various sectors , elevated on thin supports. The design is non-photorealistic , somewhat cartoonish yet grounded , resembling graphics from a city-building strategy game. Lighting is soft but moody , with scattered lampposts and faint glowing lights from buildings. Small human characters are visible , giving a sense of life and scale. The overall look is atmospheric and functional — a believable , toy-like world focused on logistics , mining , and survival. ,
the end of the world by DELWIN , tank , team , art by Jean-michel Basquiat , art by Jenny Saville , pastell yellow tones , houses , daytime , abstract , art by Hilma Af Klint , art by Francis Bacon , art by Johannes Vermeer , art by Claude Monet , real life , majestic , art by Leonardo Da Vinci , hyper detailed , dirty and ruined image , art by Francis Bacon , black grass ,
Appearance: inside of the "Derby - Bar & Restaurant" , The bartender is a stout and robust Dwarf , a natural fit for the role with their love of a good drink and merriment. Standing behind the bar with a barrel chest and muscular arms , they exude an air of confidence and competence. Their thick , braided beard is impeccably groomed , and their fiery red hair matches the gleam in their eyes. Despite their short stature , they carry themselves with pride and authority , ensuring that the tavern runs smoothly. Features: This Dwarf bartender is an expert in the art of brewing and mixing drinks , boasting an impressive knowledge of beverages from all corners of the realm. They take pride in their craft and are eager to share their expertise with curious patrons. Their boisterous laughter can be heard throughout the establishment , setting the tone for a lively and convivial atmosphere. Habitat: This Dwarf bartender can be found in renowned taverns across the land , often in the heart of bustling cities or near mines and trade routes where Dwarves congregate. They may run an alehouse famous for its signature brew or manage an inn that welcomes travelers from near and far. In your DND world , this Dwarf bartender might be part of a close-knit Dwarven community or one of the few Dwarves venturing outside their mountain homes. Behavior: True to their Dwarven heritage , this bartender is hardworking , reliable , and fiercely loyal to their patrons. THE Derby - Bar & Restaurant values tradition and history , always eager to regale customers with tales of legendary heroes or the exploits of their ancestors. Their hearty demeanor and ability to hold their liquor make them the perfect drinking companions for those seeking camaraderie and mirth. Role in the World: In your DND world , this Dwarf bartender embodies the spirit of celebration and unity. They serve as a symbol of the joys of life , bringing people together to share stories and forge new friendships. Adventurers may find solace in their familiar presence , knowing that even in the farthest reaches of the realm , they can always find a friendly face in this Dwarf tavernkeeper. Encountering a Dwarf bartender in your campaign can be a delightful and memorable experience for players. It provides an opportunity to explore the rich cultural traditions of Dwarves and appreciate the sense of community and kinship they foster. The interactions with this lively bartender can lead to jovial role-playing moments , creating a sense of camaraderie among the players and their characters. The presence of a Dwarf bartender in your campaign world adds depth and authenticity to the portrayal of Dwarven culture. It showcases the Dwarves' love of craftsmanship , storytelling , and hearty revelry , painting a vivid picture of a race known for their lively spirits and strong bonds. This NPC can become a cherished and endearing character in your DND campaign , making the tavern they run a beloved location where players can find respite and warmth amidst the adventures that lie ahead. ,