Search Results for two
Explore AI generated designs, images, art and prompts by top community artists and designers.
A sensual , emotionally intimate NSFW illustration of two 18-year-old boys , Hal and Caleb , in the middle of a vulnerable and passionate sex scene in Hal’s dimly lit bedroom. The mood is raw and tender , with soft golden light coming from a lamp , casting a glow over their intertwined bodies and highlighting the sheen of sweat on their skin.Hal is a lean trans boy with long , dirty blond hair spilling messily over his flushed face. His soft , boyish features are twisted in pleasure — mouth parted , a slight bite to his bottom lip. His expressive blue eyes are half-lidded as he arches his hips up toward Caleb , whose fingers are buried between Hal’s thighs. Binding tape is visible across Hal’s chest , slightly wrinkled from movement , and his oversized band tee is pulled up just beneath his ribs.Caleb is kneeling between Hal’s spread legs , one hand cupping Hal’s thigh while the other is stroking his wet clit slowly and deliberately , coaxing desperate moans. Caleb has a wiry , toned build , messy dark brown hair falling over his sweat-dampened forehead , and warm hazel eyes locked on Hal’s face with an intense , loving gaze. His sweatpants are pushed down just enough to free his hard cock , slick with precum , visibly aching as it presses against Hal’s inner thigh.The illustration should capture the connection between them — Hal’s hand tugging Caleb closer by his waistband , their bodies tangled , fingers gripping , flushed skin on flushed skin. Caleb’s lips are just inches from Hal’s neck , like he was mid-kiss or about to bite. Hal’s thighs are parted wide , completely vulnerable but trusting , and his toes are curling into the bedsheets.The bed is messy with discarded clothes , used lube packets , and rumpled blankets , adding to the raw , real energy. Show sweat on their skin , flushed cheeks , and honest body detail — stretch marks , hair , texture. No censorship. The vibe is emotional , messy , loving , and real.Style should be semi-realistic or painterly — warm tones , rich detail , and expressive anatomy. ,
The Refueling Station: Generate an image of an abandoned refueling station , hovering above the turbulent , colorful clouds of a gas giant planet. The station is designed to refuel spacecraft and has large fuel storage tanks connected to a network of pipelines and hoses. The abandoned base is surrounded by a dense , thick mist , and the image should convey a sense of isolation and desolation. The station should feature intricate details such as rusted metal grates , leaking pipes , and discarded equipment. ,
The Refueling Station: Generate an image of an abandoned refueling station , hovering above the turbulent , colorful clouds of a gas giant planet. The station is designed to refuel spacecraft and has large fuel storage tanks connected to a network of pipelines and hoses. The abandoned base is surrounded by a dense , thick mist , and the image should convey a sense of isolation and desolation. The station should feature intricate details such as rusted metal grates , leaking pipes , and discarded equipment. The sky above sparkles with cosmic kinetic energy. ,
A stylized , pop-art inspired cartoon artwork featuring the back view of a female figure wearing fishnet and thigh-high socks , with a red lipstick kiss mark on her hip. The image is abstracted and colorful , focusing on bold lines and smooth gradients. The background is a vibrant blue with graphic textures. No nudity , suggestive but artistic. ,
Wide-angle shot of two immortal cultivator armies clashing on a vast battlefield. One side wears black robes , the other wears flowing azure garments. The sky is lit with explosions of sword light , spiritual spells , and elemental techniques. Cultivators are engaged in intense combat , some battling mid-air with glowing swords and swirling energy. The atmosphere is chaotic yet majestic , filled with streaks of light , flying debris , and a mystical battlefield aura. High detail , dynamic composition , Eastern dark fantasy style. ,
Genera imágenes en referencia a este texto. My nuclear family is made up of my parents , my sister and me. It is a small circle , but very close and full of contrasts. Then there is the rest of my family , which includes my aunt , my uncle , my grandmother , my great-grandmother and also my great uncle. Although we are united by blood and , in some cases , by certain physical traits , I think that in terms of personality we are quite different from each other. It is interesting to observe how within the same family such opposite ways of being can coexist , as if each one were a world of its own. For example , something that both of us — I mean most of us — share is having light eyes , which comes from my grandmother’s side. It is like a distinctive brand that has passed from generation to generation. My mom has blue eyes , my uncle has green eyes , my aunt also has light eyes , and I have hazel eyes , which although they are not as light as theirs , still count as light eyes and contrast with the darker ones of other family members. Even my sister , who physically looks more like my dad , has darker eyes , so she’s not as light-eyed as I am. But even though we all have similar eyes , that doesn’t mean we’re both pretty alike in personality. When it comes to personality , I think I’m more serious than most of my family members. Some even say I’m the most bitter. I’m not very expressive with my emotions , and I prefer to stay out of things in social situations. My aunt is more cheerful than me — she’s always laughing , making jokes and spreading her energy to everyone. My mom is pretty cheerful too. We’re both pretty quiet when it comes to deeper emotions , but while she shows joy easily , I don’t. I sometimes wonder why I’m so different , but then I see my dad and I realize: we’re both pretty calm and reserved. In that way , I’m more like him than like my mom. My sister and I are very different. She’s more impulsive than me and acts without thinking a lot of the time. She’s flexible about things , but I’m not — I like to think before acting , plan ahead and stay organized , even if I sometimes forget things or don’t do everything perfectly. I always try to be responsible , but she’s not as responsible as I am. She’s carefree in a way I kind of admire , because it gives her a fresh way of being , even if it can be frustrating sometimes. We’re both pretty determined when we want something , but we go about it in totally different ways. Physically , I look more like my mom than anyone else in my family. Both of us are pretty fair-skinned , with curly hair and lighter eyes. My sister and my dad , on the other hand , are not as fair as we are — they both have darker complexions , straight hair and dark eyes. These physical traits really affect how people see us. When we go out as a family , people often say I’m more like my mom , while my sister is more like my dad. It’s almost as if we were two pairs within one family. Interestingly , even though there are big personality differences , sometimes we surprise each other by acting in similar ways. For example , my dad and I are both pretty quiet , but we end up having deep conversations without even planning them. It’s like we share an unspoken bond. My mom and my aunt are more forgiving than me — I’m not as forgiving as they are. They always manage to see the bright side of things. And even my sister , though she’s very impulsive , can sometimes be surprisingly practical in solving problems , while I’d spend a long time overthinking them. There’s also a strong generational contrast. My grandmother is very traditional — she’s not as open-minded as my aunt or my sister , who are more relaxed about modern ways of thinking. My great-grandmother is even more old-fashioned , and listening to her talk about the past really shows how much life has changed. We’re both pretty respectful of her experiences , even if we don’t always agree. These differences in age and mindset help us grow — we learn from each other even when we see things differently. In conclusion , even though we share a family history , physical features and blood ties , our personalities are full of contrast. Both of us — meaning all of us — share some similarities , like eye color or family habits , but I think I’m more serious , more structured and less flexible than others in my family. And I like that. The variety of personalities in my family makes us stronger , because each person brings something different , something unique that completes the rest. ,
Create an image of a happy family on the beach. A couple of man and woman with two children , a boy and a girl , they are happy playing on the beach , and next to them are two cell phones and a tablet turned off. The beach is late in the afternoon , with the sun close to the sea , crystal clear and calm waters , without many waves. An image to convey calm and happiness. ,
The "CURSED" guild logo features two opposing dragons , arranged in a dynamic Yin-Yang formation. One dragon , a sleek , crystalline beast shimmering in vibrant electric blue , curves upward with fierce energy. Its sharp , blade-like scales catch the light , and its eyes shine with icy , focused power. The opposing dragon , flowing downward , is crafted from deep , spectral purple , its body smoother , almost liquid-like , radiating a dark , chaotic magic. Its glowing eyes reflect ancient wisdom and mystery. Together , their bodies interlock perfectly in a swirling , complementary motion , forming the iconic Yin-Yang pattern — symbolizing balance , duality , and eternal conflict and harmony. At the center of their circular dance lies the guild's name: "CURSED" , written in bold Runic Blade font. The lettering is infused with a blue-to-purple gradient , smoothly transitioning from left to right to mirror the dragons' colors. Subtle magical glyphs and swirling mist in matching blue and purple hues wrap around the formation , adding depth and a sense of arcane power. This logo perfectly captures the spirit of balance between chaos and order , light and shadow , embodying the elite , mystical force of the CURSED guild in any gaming universe. ,
The "CURSED" guild logo features two opposing dragons , arranged in a dynamic Yin-Yang formation. One dragon , a sleek , crystalline beast shimmering in vibrant electric blue , curves upward with fierce energy. Its sharp , blade-like scales catch the light , and its eyes shine with icy , focused power. The opposing dragon , flowing downward , is crafted from deep , spectral purple , its body smoother , almost liquid-like , radiating a dark , chaotic magic. Its glowing eyes reflect ancient wisdom and mystery. Together , their bodies interlock perfectly in a swirling , complementary motion , forming the iconic Yin-Yang pattern — symbolizing balance , duality , and eternal conflict and harmony. At the center of their circular dance lies the guild's name: "CURSED" , written in bold Runic Blade font. The lettering is infused with a blue-to-purple gradient , smoothly transitioning from left to right to mirror the dragons' colors. Subtle magical glyphs and swirling mist in matching blue and purple hues wrap around the formation , adding depth and a sense of arcane power. This logo perfectly captures the spirit of balance between chaos and order , light and shadow , embodying the elite , mystical force of the CURSED guild in any gaming universe. ,
two samurai standing back to back , one is a black samurai with short hair , intense eyes , holding a katana with flames , the other is a melancholic white samurai with short messy hair and a cigarette , both ready for battle , serious expressions , stylized manga art , dramatic lighting , detailed background , battlefield with smoke and distant enemies , high contrast ink style ,
Manga-style illustration of two samurai protagonists. One is dark-skinned with short hair , confident and intense , wielding a katana. The other is pale , short black hair , smoking a cigarette , with a melancholic yet sarcastic expression. Both wear traditional samurai clothing with a modern gritty twist. They stand side by side , ready for battle , dramatic lighting and dust in the air. ,
Back view of two men standing on a cliff at sunset: Left: Man in a long white tunic (barefoot , messy long brown hair). Right: Man in a perfect black victorian suit (polished shoes , pale hands with sharp nails). Background: Ancient stone city walls with ONE distant modern glass tower (futuristic design). Dark red sky , dramatic clouds. Ground with 7 ancient 'XX' coins and a broken thorn crown. Style: Hyperrealistic , Caravaggio lighting , cinematic , 8K. Negative prompts: 'faces , smiles , wings , blood , crowds , glowing effects , green tones , distorted buildings'."* *"Back view of two men standing on a cliff at sunset: Left: Man in a long white tunic (barefoot , messy long brown hair). Right: Man in a perfect black victorian suit (polished shoes , pale hands with sharp nails). Background: Ancient stone city walls with ONE distant modern glass tower (futuristic design). Dark red sky , dramatic clouds. Ground with 7 ancient 'XX' coins and a broken thorn crown. Style: Hyperrealistic , Caravaggio lighting , cinematic , 8K. Negative prompts: 'faces , smiles , wings , blood , crowds , glowing effects , green tones , distorted buildings'."* ,
*"Back view of two men standing on a cliff at sunset: Left: Man in a long white tunic (barefoot , messy long brown hair). Right: Man in a perfect black victorian suit (polished shoes , pale hands with sharp nails). Background: Ancient stone city walls with ONE distant modern glass tower (futuristic design). Dark red sky , dramatic clouds. Ground with 7 ancient 'XX' coins and a broken thorn crown. Style: Hyperrealistic , Caravaggio lighting , cinematic , 8K. Negative prompts: 'faces , smiles , wings , blood , crowds , glowing effects , green tones , distorted buildings'."* ,
"Back view of two men standing on a cliff: one in a white robe , one in a black victorian suit. Ancient city with a single modern glass tower in distance. Sunset with dark red clouds. Hyperrealism , cinematic lighting , 8K. Negative: 'faces , wings , crowds'." Si pide "estilo artístico" , añade: "Estilo: Pintura barroca oscura (como Caravaggio) mezclada con fotografía moderna". Si la torre no sale bien , cambia a: "torre futurista de metal y cristal" (evitando nombres comerciales). Usa el mismo prompt para todas las imágenes del corto (así mantienes coherencia visual). ,
highly detailed , Princess , white bridal gown riding on insecticide creature in a desolate , city street under a moody , overcast sky. The creature has a bioluminescent Bionic body and a its metallic body adorned with intricate with multiple glossy eyes. Two enormous , horn-like antennae curve outward from its head , flanked by several smaller , whip-like appendages. Its dark , earthy tones and textured exoskeleton give it a natural , yet alien appearance , blending it eerily into its windswept , post-apocalyptic environment ,
Hyper-detailed scene in 4K. The moss-lined path winds towards the outskirts of town , where buildings grow organically from living wood and crystalline structures. Two vanir women greet the newcomer: one , with deep bronze skin and tight hair , wears an emerald-green sheer bodysuit with strategic leaf appliques that reveal toned thighs and plunging cleavage; the other , with alabaster skin and silver hair , is dressed in a translucent split skirt and high headband woven with gold threads. Both wear delicate solar jewelry , body chains and anklets with tiny bells. Their smiles are warm , their eyes sparkle with welcome and they offer luminous fruit in their open palms. ,
Create this image: The scene depicts a sci-fi post-apocalyptic environment in an inhospitable , snow-covered region. The climate is cold , dark , and foggy , suggesting freezing temperatures and low visibility. At the center of the image stands a massive structure resembling an rusty metal and ship that has been rebuilt with wooden parts. The construction combines metallic materials with aged wood and windows , with light emanating from inside through the windows , indicating that the interior is illuminated. Icicles hang along the edges of the roof , and the surroundings are lit by small orange lights distributed along the outer walls. The base of the structure is elevated , resting and surrounded by the ice , with the main access provided by one external staircase. At the top of the structure , a rusty chimney emits smoke , while to the right , a large metal tower resembling an industrial elevator or cargo system It features suspended ramps or metal walkways linking different levels of the installation , with yellow lights connecting it to the rear of the structure connects to the building. A medium tower above the main building contains antenna , sensors and platforms , suggesting surveillance functions. In the foreground , on the snowy ground , two clocked figures stand in the entrance of the structure. Wooden and metal crates are stacked in front of the structure , below the windows , and a cable sprawls across the ground , emerging from the structure itself. The lighting should emphasize the contrast between the cold , shadowy exterior and the warmth radiating from the internal lights , as well as the orange and yellow lights of the structure. The foggy atmosphere should create a sense of isolation and mystery , reinforcing the post-apocalyptic tone. The scene should evoke an atmosphere of tension , exploration , and survival , where this lone structure exists as the only sign of civilization in a desolate world. ,
A scene set at a café terrace in Copenhagen , with a view of the calm river in the background. It is early morning , and a slight breeze gently stirs the air. The café terrace is quiet and inviting , with simple white tablecloths draped over the tables , each featuring small floral arrangements. The tables are neatly arranged , and the soft sunlight casts delicate shadows on the tables and the surroundings.A tall man , with a well-developed but not exaggerated physique , stands near one of the tables. He has short black hair and wears dark blue jeans and a padded men’s jacket. His posture is relaxed , but his gaze is intense , as he locks eyes with the woman across the table. His expression is serious , as though there's an underlying challenge between them.The woman , slightly shorter than the man , wears denim jeans and a dark-colored anorak. Her long brown hair is tied up in a neat ponytail. She stands confidently , her posture matching his , her gaze unwavering. She looks back at him with a hint of determination in her expression , as if accepting the challenge.The scene is filled with a serene yet charged atmosphere. The river’s calm waters reflect the soft morning light , while the light breeze adds a sense of movement to the stillness. The surroundings suggest an ordinary moment , but the interaction between the man and woman carries a tension that makes the image feel significant.The image should be hyper-realistic , with fine details on the textures of the clothing , the tablecloths , and the natural elements like the flowers and the gentle ripples on the river. The lighting should evoke the soft , golden tones of early morning , highlighting the subtle intensity between the two characters. ,
"Comic strip with 3 panels. The style is french-belgium colorful , expressive , with bold outlines. In each panel , show three people — one man and two women — wearing traditional Argentine gaucho hats , sitting around a rustic wooden table enjoying a meal together. The setting is outdoors , like in the countryside , with grilled meat , bread , wine , and mate on the table. Panel 1: The characters arrive and greet each other happily. Text bubble (man): '¡Qué alegría verlas , che!' Text bubble (woman 1): '¡Robi ! Ya era hora de este asado!' Panel 2: They are eating and laughing together. Text bubble (woman 2): 'Nada como un buen asado con Robi.' Text bubble (man): 'Y con buen vino , ¡mejor todavía!' Panel 3: They raise their cups/mates in a toast. Text bubble (all): '¡Salud y que no falten nunca los pecados capitales!' ,
"Comic strip with 3 panels. The style is french-belgium , colorful , expressive , with bold outlines. In each panel , show three people — one man and two women — wearing traditional Argentine gaucho hats , sitting around a rustic wooden table enjoying a meal together. The setting is outdoors , like in the countryside , with grilled meat , bread , wine , and mate on the table. Panel 1: The characters arrive and greet each other happily. Text bubble (man): '¡Qué alegría verlas , che!' Text bubble (woman 1): '¡Robi ! Ya era hora de este asado!' Panel 2: They are eating and laughing together. Text bubble (woman 2): 'Nada como un buen asado con Robi.' Text bubble (man): 'Y con buen vino , ¡mejor todavía!' Panel 3: They raise their cups/mates in a toast. Text bubble (all): '¡Salud y que no falten nunca los pecados capitales!' ,