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Explore AI generated designs, images, art and prompts by top community artists and designers.
Render three unique humanoid creatures: one resembling a majestic , fennec fox with steampunk outfit and a wise , calm expression juggling magical orbs; second a sturdy , earth-bound humanoid kangaroo with strong , muscular build and rugged , weathered skin; third a ethereal-looking seal-otter , with flowing , light-colored hair and glowing eyes , exuding a sense of mystery and magic. ,
Render three unique humanoid creatures: one resembling a majestic , avian-like being with iridescent feathers and a wise , calm expression; second a sturdy , earth-bound humanoid with strong , muscular build and rugged , weathered skin , hinting at a life spent in a harsh environment; and third a ethereal-looking , with flowing , light-colored hair and glowing eyes , exuding a sense of mystery and magic. ,
A dynamic fighting scene featuring three iconic female video game characters: Mai Shiranui (from King of Fighters) , Kitana (from Mortal Kombat) , and Christie Monteiro (from Tekken). Each character is wearing their signature sexy fighting outfits: Mai in her revealing red kunoichi costume with flowing sash and fan in hand; Kitana in her tight blue ninja bodysuit holding her steel fans; Christie in her colorful , form-fitting capoeira attire with bare midriff. The background is an intense , dramatic fighting arena illuminated with spotlights and smoke. The characters are in action poses , mid-fight , with motion blur to emphasize movement. The style is highly detailed , realy yet stylized , 4k resolution , dynamic lighting , cinematic composition. ,
A dynamic fighting scene featuring three iconic female video game characters: Mai Shiranui (from King of Fighters) , Kitana (from Mortal Kombat) , and Christie Monteiro (from Tekken). Each character is wearing their signature sexy fighting outfits: Mai in her revealing red kunoichi costume with flowing sash and fan in hand; Kitana in her tight blue ninja bodysuit holding her steel fans; Christie in her colorful , form-fitting capoeira attire with bare midriff. The background is an intense , dramatic fighting arena illuminated with spotlights and smoke. The characters are in action poses , mid-fight , with motion blur to emphasize movement. The style is highly detailed , realistic yet stylized , 4k resolution , dynamic lighting , cinematic composition. ,
A dynamic fighting scene featuring three iconic female video game characters: Mai Shiranui (from King of Fighters) , Kitana (from Mortal Kombat) , and Christie Monteiro (from Tekken). Each character is wearing their signature sexy fighting outfits: Mai in her revealing red kunoichi costume with flowing sash and fan in hand; Kitana in her tight blue ninja bodysuit holding her steel fans; Christie in her colorful , form-fitting capoeira attire with bare midriff. The background is an intense , dramatic fighting arena illuminated with spotlights and smoke. The characters are in action poses , mid-fight , with motion blur to emphasize movement. The style is highly detailed , realistic yet stylized , 4k resolution , dynamic lighting , cinematic composition. ,
A mysterious , technical Minecraft-style loading screen in Full HD – foreground shows three Minecraft characters from behind , gathered around a glowing command block with red and green lights – left character as shown in Image 1 , middle character as in Image 2 , right character as in Image 3 – background features a large Create mod construction with spinning gears , mechanical arms , and active machinery – night setting with starry sky , glowing machine lights (red , cyan , green) – strong depth , clear separation of foreground and background , detailed blocky textures ,
A full-body shot of an elegant Maghrebi woman standing in a softly lit bedroom. She is turned slightly to the side with a natural , graceful pose , one hand resting on her hip , the other brushing back her long dark wavy hair. She has warm matte skin and wears a slightly unbuttoned brown blouse tucked into a fitted outfit that flatters her curves. She wears striking black platform stripper heels that are fully visible and emphasized in the composition. Her jewelry includes three large , ornate oriental rings (on index , middle , and ring fingers) , multiple gold and beaded bracelets , and a bold statement necklace. The camera angle is slightly low to enhance her height and showcase the heels. The background is softly blurred with warm lighting and a bed in the distance. Fashion photography style , cinematic lighting , high realism ,
A mixed-media painting blending oil and digital styles , featuring a faceless female silhouette. The woman stands in a three-quarter profile , with her head slightly tilted downward or sideways. Her hair is tied in a loose bun or gently falling strands , varying from auburn to sandy blonde. She wears a sleeveless , flowing dress in pastel or warm tones like red , purple , or blue-green. Parts of her back and shoulder dissolve into mosaic-like abstract patterns. The background is rich , colorful , and textured—combining soft pastel hues with bold contrasts. Futuristic neon geometric lines—circles , diagonals , or grids—overlay the backdrop , merging realism , abstraction , and a dreamlike , natural ambiance. ,
A mixed-media painting blending oil and digital styles , featuring a faceless female silhouette. The woman stands in a three-quarter profile , with her head slightly tilted downward or sideways. Her hair is tied in a loose bun or gently falling strands , varying from auburn to sandy blonde. She wears a sleeveless , flowing dress in pastel or warm tones like red , purple , or blue-green. Parts of her back and shoulder dissolve into mosaic-like abstract patterns. The background is rich , colorful , and textured—combining soft pastel hues with bold contrasts. Futuristic neon geometric lines—circles , diagonals , or grids—overlay the backdrop , merging realism , abstraction , and a dreamlike , natural ambiance. ,
A mixed-media painting blending oil and digital styles , featuring a faceless female silhouette. The woman stands in a three-quarter profile , with her head slightly tilted downward or sideways. Her hair is tied in a loose bun or gently falling strands , varying from auburn to sandy blonde. She wears a sleeveless , flowing dress in pastel or warm tones like red , purple , or blue-green. Parts of her back and shoulder dissolve into mosaic-like abstract patterns. The background is rich , colorful , and textured—combining soft pastel hues with bold contrasts. Futuristic neon geometric lines—circles , diagonals , or grids—overlay the backdrop , merging realism , abstraction , and a dreamlike , natural ambiance. ,
A mixed-media painting blending oil and digital styles , featuring a faceless female silhouette. The woman stands in a three-quarter profile , with her head slightly tilted downward or sideways. Her hair is tied in a loose bun or gently falling strands , varying from auburn to sandy blonde. She wears a sleeveless , flowing dress in pastel or warm tones like red , purple , or blue-green. Parts of her back and shoulder dissolve into mosaic-like abstract patterns. The background is rich , colorful , and textured—combining soft pastel hues with bold contrasts. Futuristic neon geometric lines—circles , diagonals , or grids—overlay the backdrop , merging realism , abstraction , and a dreamlike , natural ambiance. ,
"Comic strip with 3 panels. The style is french-belgium colorful , expressive , with bold outlines. In each panel , show three people — one man and two women — wearing traditional Argentine gaucho hats , sitting around a rustic wooden table enjoying a meal together. The setting is outdoors , like in the countryside , with grilled meat , bread , wine , and mate on the table. Panel 1: The characters arrive and greet each other happily. Text bubble (man): '¡Qué alegría verlas , che!' Text bubble (woman 1): '¡Robi ! Ya era hora de este asado!' Panel 2: They are eating and laughing together. Text bubble (woman 2): 'Nada como un buen asado con Robi.' Text bubble (man): 'Y con buen vino , ¡mejor todavía!' Panel 3: They raise their cups/mates in a toast. Text bubble (all): '¡Salud y que no falten nunca los pecados capitales!' ,
"Comic strip with 3 panels. The style is french-belgium , colorful , expressive , with bold outlines. In each panel , show three people — one man and two women — wearing traditional Argentine gaucho hats , sitting around a rustic wooden table enjoying a meal together. The setting is outdoors , like in the countryside , with grilled meat , bread , wine , and mate on the table. Panel 1: The characters arrive and greet each other happily. Text bubble (man): '¡Qué alegría verlas , che!' Text bubble (woman 1): '¡Robi ! Ya era hora de este asado!' Panel 2: They are eating and laughing together. Text bubble (woman 2): 'Nada como un buen asado con Robi.' Text bubble (man): 'Y con buen vino , ¡mejor todavía!' Panel 3: They raise their cups/mates in a toast. Text bubble (all): '¡Salud y que no falten nunca los pecados capitales!' ,
Ultra-realistic cinematic digital painting depicting the three Norns of Norse mythology - Urd (approx. 50 years old) , Verdandi (approx. 40 years old) and Skuld (approx. 20 years old). The scene is lit by the soft light of the Nordic sun. Urd stands dignified and serene , her silver hair braided and draped over her shoulder , dressed in a textured Nordic cloak. Verdandi , with long auburn hair and pale skin , looks directly at the viewer with a calm but intense gaze , wearing a modern , flowing interpretation of a Viking dress. Skuld , with long blond hair and symbolic tattoos visible on her arms and collarbone , stands slightly ahead of the other two , exuding confidence and mystery. The trio stands in front of the Yggdrasil tree , surrounded by subtle runic motifs that glow faintly in the air. Dramatic lighting and cinematic depth of field give the image a cinematic feel. High detail , dark tones , 16:9 aspect ratio , perfect for a YouTube thumbnail. Includes an elegant Nordic-style title text overlay: “THE NORNS”. ,
In a blooming peach orchard , Liu Bei , Guan Yu , and Zhang Fei solemnly pledged allegiance to the incense burner. Liu Bei is located in the middle , dressed in a yellow robe , clasped in fists , with a serious and sincere expression; Guan Yu stood on the left side , dressed in a green battle robe and holding the Green Dragon Crescent Blade , with a firm gaze towards Liu Bei; Zhang Fei is on the right side , wearing a black battle robe and holding a Zhang Ba snake spear , with a passionate expression. Behind them is a garden full of peach blossoms , with petals falling in the wind , adding a sense of solemnity and romance to the brotherhood. In the distance , quaint pavilions and towers can be seen , showcasing the architectural style of the Three Kingdoms period. ,
show me an image of an angel. Long white hair , beautiful (androgenous) piercing red eyes (to invoke an overwhelming feeling of fear of his greatness) Holding a sword the covers the mouth , robe is open on the side to show a spear wound , nail scars on hands and feet..Holding a very ornate shepherd staff. Has three pairs of wings. Maximalist oil painting ,
show me an image of an angel. Long white hair , beautiful (androgenous) piercing red eyes (to invoke an overwhelming feeling of fear of his greatness) Holding a sword the covers the mouth , robe is open on the side to show a spear wound , nail scars on hands and feet..Holding a very ornate shepherd staff. Has three pairs of wings. Maximalist oil painting ,
Captivating Unreal Engine 5 artwork depicting a mechanical three-headed dragon amidst a mystical , frost-covered volcanic landscape. The dragon’s intricate metallic scales glisten under the ethereal glow of molten lava veins weaving through the frozen terrain , creating a breathtaking contrast between fire and ice. Each head , uniquely designed with razor-sharp precision , exudes an aura of intelligence and power , while their piercing eyes illuminate the surroundings with an otherworldly radiance. The dragon’s wings , forged from futuristic alloys , extend gracefully , reflecting the shimmering light of the icy expanse. RTX on Ultra HD 8K resolution ensures every intricate detail—from the steam rising as molten lava meets frost to the dragon’s mechanical sinews flexing with lifelike motion—is rendered in unparalleled clarity. A true masterpiece , fusing fantasy and cutting-edge technology into a visually striking spectacle. ,
“And He who sits on the throne said , “Behold , I am making all things new.” Also He said , “Write , for these words are faithful and true [they are accurate , incorruptible , and trustworthy].” [Is 43:19] And He said to me , “It is done. I am the Alpha and the Omega , the Beginning and the End. To the one who thirsts I will give [water] from the fountain of the water of life without cost. [Is 55:1] He who overcomes [the world by adhering faithfully to Christ Jesus as Lord and Savior] will inherit these things , and I will be his God and he will be My son. [2 Sam 7:14; 1 John 5:5] And he carried me away in the Spirit to a vast and lofty mountain , and showed me the holy (sanctified) city of Jerusalem coming down out of heaven from God , [Ezek 40:2] having God’s glory [filled with His radiant light]. The brilliance of it resembled a rare and very precious jewel , like jasper , shining and clear as crystal. It had a massive and high wall , with twelve [large] gates , and at the gates [were stationed] twelve angels; and on the gates the names of the twelve tribes of the sons of Israel were written. [Ex 28:21; Ezek 48:30-34] On the east side [there were] three gates , on the north three gates , on the south three gates , and on the west three gates. And the wall of the city had twelve foundation stones , and on them the twelve names of the twelve apostles of the Lamb (Christ). The wall was built of jasper; and the city was pure gold , transparent like clear crystal. [1 Kin 6:30] The foundation stones of the wall of the city were adorned with every kind of precious stone. The first foundation stone was jasper; the second , sapphire; the third , chalcedony; the fourth , emerald; [Ex 28:17-20; Is 54:11 , 12] the fifth , sardonyx; the sixth , sardius; the seventh , chrysolite (yellow topaz); the eighth , beryl; the ninth , topaz; the tenth , chrysoprase; the eleventh , jacinth; the twelfth , amethyst. And the twelve gates were twelve pearls; each separate gate was of one single pearl. And the street (broad way) of the city was pure gold , like transparent crystal. And the city has no need of the sun nor of the moon to give light to it , for the glory (splendor , radiance) of God has illumined it , and the Lamb is its lamp and light. [Is 24:23; 60:19 , 20] The nations [the redeemed people from the earth] will walk by its light , and the kings of the earth will bring into it their glory. [Is 60:1-5] By day (for there will be no night there) its gates will never be closed [in fear of evil]; [Is 60:11] and they will bring the glory (splendor , majesty) and the honor of the nations into it; and nothing that defiles or profanes or is unwashed will ever enter it , nor anyone who practices abominations [detestable , morally repugnant things] and lying , but only those [will be admitted] whose names have been written in the Lamb’s Book of Life. [Dan 12:1]” Revelation 21:5-7 , 10-14 , 18-21 , 23-27 AMP https://bible.com/bible/1588/rev.21.5-27.AMP ,
“And He who sits on the throne said , “Behold , I am making all things new.” Also He said , “Write , for these words are faithful and true [they are accurate , incorruptible , and trustworthy].” And He said to me , “It is done. I am the Alpha and the Omega , the Beginning and the End. To the one who thirsts I will give [water] from the fountain of the water of life without cost. He who overcomes [the world by adhering faithfully to Christ Jesus as Lord and Savior] will inherit these things , and I will be his God and he will be My son. And he carried me away in the Spirit to a vast and lofty mountain , and showed me the holy (sanctified) city of Jerusalem coming down out of heaven from God , having God’s glory [filled with His radiant light]. The brilliance of it resembled a rare and very precious jewel , like jasper , shining and clear as crystal. It had a massive and high wall , with twelve [large] gates , and at the gates [were stationed] twelve angels; and on the gates the names of the twelve tribes of the sons of Israel were written. On the east side [there were] three gates , on the north three gates , on the south three gates , and on the west three gates. And the wall of the city had twelve foundation stones , and on them the twelve names of the twelve apostles of the Lamb (Christ). The wall was built of jasper; and the city was pure gold , transparent like clear crystal. The foundation stones of the wall of the city were adorned with every kind of precious stone. The first foundation stone was jasper; the second , sapphire; the third , chalcedony; the fourth , emerald; the fifth , sardonyx; the sixth , sardius; the seventh , chrysolite (yellow topaz); the eighth , beryl; the ninth , topaz; the tenth , chrysoprase; the eleventh , jacinth; the twelfth , amethyst. And the twelve gates were twelve pearls; each separate gate was of one single pearl. And the street (broad way) of the city was pure gold , like transparent crystal. And the city has no need of the sun nor of the moon to give light to it , for the glory (splendor , radiance) of God has illumined it , and the Lamb is its lamp and light. The nations [the redeemed people from the earth] will walk by its light , and the kings of the earth will bring into it their glory. By day (for there will be no night there) its gates will never be closed [in fear of evil]; and they will bring the glory (splendor , majesty) and the honor of the nations into it; and nothing that defiles or profanes or is unwashed will ever enter it , nor anyone who practices abominations [detestable , morally repugnant things] and lying , but only those [will be admitted] whose names have been written in the Lamb’s Book of Life. ,
A very simple illustration in pen and tempera. Three women of different ages and races inside a home , each with a computer , coffee , and a book. There is a strong sense of complicity between them. Behind them , a large window shows that they are in a house in the Albaicín of Granada , with the Alhambra in the background. The figures are drawn with pen and the background is painted with tempera. ,
set design based on the works of Peter Tarka , but less detailed. Workspace five by five meters. One speaker. Infographics are displayed next to the speaker. This set uses three to five architectural elements that are well balanced and do not clutter the cyclorama. Three main colors are used according to Pantone , these are 2217c , 5565 c and an accent color used at 10% 727c. ,
A highly detailed and photorealistic image of three specific world leaders: Vladimir Putin (a man in his 70s with short grey hair , sharp facial features , and a serious expression) , Donald Trump (a man in his 70s with bright orange-tinted hair , a confident posture , and a distinctive smirk) , and Benjamin Netanyahu (a man in his 70s with grey hair , glasses , and a focused expression). They are standing around a large , illuminated 3D map of Poland , which is placed on a wooden table. The map shows Poland's regions with clear signs of destruction: burning factories , collapsing power plants , broken banks , and abandoned infrastructure. The three leaders are arguing intensely , gesturing with their hands and pointing at different parts of the map as they try to claim regions for themselves. Their facial expressions are tense , with visible anger and frustration. Surrounding them is a devastated environment reflecting the aftermath of both conventional and economic warfare: smoke-filled skies , destroyed tanks , crumbling buildings , and abandoned streets. The lighting is cinematic , emphasizing the grim atmosphere and highlighting the tension between the leaders. Ultra-realistic textures , high-quality details , and a dramatic composition. ,
A 3D model of a golden pie chart with three sectors , around which seven devices are located: a computer , a quadcopter , a telephone , a satellite , a leveling device , a laptop , and a system unit. Each device is connected to the diagram by a thick arrow. The background is a beautiful translucent landscape. ,
A 3D model of a golden pie chart with three sectors , around which seven devices are located: a computer , a quadcopter , a telephone , a satellite , a leveling device , a laptop , and a system unit. Each device is connected to the diagram by a thick arrow. The background is a beautiful translucent landscape. ,
I want to generate an app game to make the interface of the building group in the snow look more "tall" , which can be optimized from the aspects of light and shadow , details and atmosphere: Enhance the effect of light and shadow: add soft global lighting , simulate the effect of snow reflecting sunlight , make the picture more bright and transparent; Add shadows to the building to enhance the three-dimensional sense , and at night you can also add warm colors of light to create a warm atmosphere. Detailed scene elements: rich snow details , such as different density of snow , snow piles; Add texture to the building , like the wear marks of wood , rust of metal; Add falling snow particles to make the scene more vivid. Adjust color matching: fine-tune the overall tone , increase contrast , and make the building and background more distinct; Add some bright colors , such as colored logos on buildings , to add vitality to the picture. Improve the texture of the picture: add fog or depth of field effect to create a sense of spatial hierarchy; Optimize the design of ICONS and UI elements so that they are consistent with the style of the scene and more refined. ,
*"A dimly lit , old apartment room at midnight , filled with eerie shadows. The only light comes from three flickering candles placed strategically around the room. The wooden table at the center is scratched and worn , covered with aged parchment papers with intricate voodoo symbols and Latin inscriptions , carefully written in faded black ink. Some papers are partially burned , as if used in a ritual. A mysterious black cat with glowing red eyes sits in the middle of the table , staring directly at the viewer with an unsettling intensity , its fur slightly bristling. Its tail curls around an ancient dagger , half-hidden beneath one of the papers. The background shows a dusty old radio emitting faint static noise , with its dials turned to unknown frequencies. The cracked walls have faded occult symbols drawn in charcoal , some almost erased with time. A wooden shelf on the right holds jars filled with mysterious dark substances , a small voodoo doll with pins stuck in its chest , and a half-melted black candle. Through the slightly open , crooked window , a cold fog seeps into the room , swirling at the edges of the wooden floor. The curtains , old and tattered , are gently swaying , even though there’s no wind. The atmosphere is tense , as if something unseen is watching from the shadows. Hyper-detailed , dramatic lighting , deep cinematic shadows , ultra-realistic textures. The image should feel like a film noir horror scene , perfectly blending realism and supernatural elements. The composition should be perfectly balanced , ensuring all elements contribute to a dark , ominous atmosphere."* ,