Search Results for logic
Explore AI generated designs, images, art and prompts by top community artists and designers.
A dramatic , dark digital portrait of a woman screaming at a man. Captured with a Sony Alpha A7R IV and a 35mm lens at f/8 , 1/200 second shutter speed. The scene is lit with harsh , high-contrast , chiaroscuro lighting , emphasizing deep shadows and intense expressions. The style is reminiscent of gothic horror concept art , with intricate details and a desaturated color palette , inspired by the works of Zdzisław Beksiński and Francis Bacon , evoking a sense of raw emotion and psychological tension. ar-9:16 ,
A dramatic , dark digital portrait of a woman screaming at a man. Captured with a Sony Alpha A7R IV and a 35mm lens at f/8 , 1/200 second shutter speed. The scene is lit with harsh , high-contrast , chiaroscuro lighting , emphasizing deep shadows and intense expressions. The style is reminiscent of gothic horror concept art , with intricate details and a desaturated color palette , inspired by the works of Zdzisław Beksiński and Francis Bacon , evoking a sense of raw emotion and psychological tension. ar-9:16 ,
A dramatic , dark digital portrait of a woman screaming at a man. Captured with a Sony Alpha A7R IV and a 35mm lens at f/8 , 1/200 second shutter speed. The scene is lit with harsh , high-contrast , chiaroscuro lighting , emphasizing deep shadows and intense expressions. The style is reminiscent of gothic horror concept art , with intricate details and a desaturated color palette , inspired by the works of Zdzisław Beksiński and Francis Bacon , evoking a sense of raw emotion and psychological tension. ar-9:16 ,
A dramatic , dark digital portrait of a woman screaming at a man. Captured with a Sony Alpha A7R IV and a 35mm lens at f/8 , 1/200 second shutter speed. The scene is lit with harsh , high-contrast , chiaroscuro lighting , emphasizing deep shadows and intense expressions. The style is reminiscent of gothic horror concept art , with intricate details and a desaturated color palette , inspired by the works of Zdzisław Beksiński and Francis Bacon , evoking a sense of raw emotion and psychological tension. ar-9:16 ,
A dramatic , dark digital portrait of a woman screaming at a man. Captured with a Sony Alpha A7R IV and a 35mm lens at f/8 , 1/200 second shutter speed. The scene is lit with harsh , high-contrast , chiaroscuro lighting , emphasizing deep shadows and intense expressions. The style is reminiscent of gothic horror concept art , with intricate details and a desaturated color palette , inspired by the works of Zdzisław Beksiński and Francis Bacon , evoking a sense of raw emotion and psychological tension. ar-9:16 ,
Edimmu of Sumerian myth. A ghostly , vengeful spirit born from the restless dead. Its form is semi-transparent , wreathed in dark mist and tattered funerary cloths. Hollow , glowing eyes peer from a skeletal , elongated face , and clawed hands reach outward. It drifts above the ground , exuding a chilling aura that seems to warp the air. Its presence evokes fear and sorrow , reflecting its role as a wandering , hungry spirit from ancient Mesopotamian lore. White or transparent background , ultra-detailed , 4k , mythological , spectral , eerie , Sumerian style. ,
Ekimu of Sumerian Myth A mythologically accurate depiction of Ekimu , a divine artisan and guardian spirit from ancient Sumerian belief , as he would appear in his natural environment around 2500 BCE in southern Mesopotamia. Ekimu is portrayed as a tall , regal , and otherworldly figure — part divine craftsman , part elemental being of earth and flame. His body is adorned in smooth , burnished bronze-like skin etched with cuneiform sigils of creation and protection. Muscular and imposing , his physique reflects both the strength of a builder and the grace of a priest. He wears a layered ceremonial kilt of linen and gold-threaded fabric , girded with lapis lazuli inlays and a belt of hammered copper. His eyes glow faintly with the inner fire of divine inspiration. In one hand he holds a stylus and a clay tablet inscribed with the sacred plans of the gods; in the other , a small hammer used to shape both metal and destiny. His headdress is high and flared , reminiscent of early priestly crowns , engraved with motifs of the sun , moon , and river. Ekimu stands within a temple courtyard at dusk , the ziggurat of a great city rising behind him , while the light of oil lamps flickers against sandstone walls. Dust motes drift in the warm , amber air as he breathes life into divine craftsmanship. The atmosphere evokes the mythic calm of early civilization — a moment between mortal labor and divine creation. White or transparent background. 4K. Hyperrealistic , cinematic quality. ,
Description of the visualization and control system of the automation complex The purpose of the system is to provide the operator with a single , intuitive interface for monitoring and managing all subsystems of the complex in real time. Architecture of the main window (Generalized Status Panel): The main screen is designed according to the principle of "from general to private". The center contains critical information about the power supply system , on which all other systems depend. The remaining subsystems are grouped logically around the center. 1. Central unit: Power supply system It is visualized as a circle divided into three sectors. Large left sector (≈45%): Transformer substations (TP) 5 blocks are displayed , one for each TP. Each block contains: TP number/name (for example , TP-1 , TP-2). The indicator of the active power line: The "Network" icon with backlight (green - main , yellow - backup). Transformer status: "Main" / "Standby" (or icons). Key parameters from accounting nodes: Current (I) , Voltage (U) , Power (P). The values are output for the active line. General TP status: Color indication (Green - Normal , Yellow - Warning , Red - Emergency). Large right sector (≈45%): Main switchboards 5 blocks are displayed , one for each storage unit. Each block contains: The number/name of the GRSH (for example , GRSH-1). Active power line indicator: Similar to TP. Key parameters from accounting nodes: I , U , P. The general status of the GRS: Color indication. Lower small sector (≈10%): Uninterruptible power supply (UPS) Large text or pictogram status indicator: "Mains operation" (Green) "Battery operation" (Yellow/Orange) Battery level indicator: Percentage scale (from 0% to 100%). The color varies depending on the level (green >50% , yellow 20-50% , red <20%). 2. Peripheral blocks around the center They are arranged around a central circle , forming a "rim". Upper and lower parts of the rim: Ventilation of the web blowing Upper part: 9 installations on top. The lower part: 9 installations from the bottom. There are 18 icons/blocks in total. Each icon represents one installation and has a color indication of the status.: Green: Enabled Gray: Turned off Red: An accident (for example , the differential pressure sensor on the filter went off , an error in the drive) Black/Blue: No power supply When hovering over the cursor , a tooltip appears with details (the condition of the fan , valve , filter blockage). Left and right sides of the rim: Indoor ventilation The left and right sides are divided equally to display the 12 settings on each side. There are 24 icons/blocks in total. The same color status indication for each installation. 3. Corner blocks: Other subsystems They are located in the four corners of the screen for easy and fast perception. Upper left corner: Roller shutters (48 pcs.) Summary information is displayed as an information block.: "Closed: XX / Open: XX" (numeric values). A graphical indicator (for example , a stripe divided into green and blue parts , proportional to the number). General status: Green icon "OK" or Red icon "Emergency" (if at least one roller shutter has an emergency status). Upper right corner: Elevators (2 pcs.) Two vertical blocks , one for each elevator. Each block contains: Elevator number (Elevator 1 , Elevator 2). Floor indicator: A large number (for example , 3). Motion indicator: Up/down arrow or Stop icon. General status: The background color of the block (Green - normal , Gray - power off , Red - emergency , Blue - no connection). Lower left corner: EVIL Lights (Roof lamps) A large indicator in the form of a stylized lamp or icon. Color status indication: Bright Yellow/White: Included Gray: Off Red: Crash Black/Blue: No power supply Lower right corner: Heated storm drains Similar in style to the "Fires of EVIL" block. Color status indication: Orange/Red: Enabled Gray: Off Red (flashing): Crash Black/Blue: No power supply Navigation and management: Main Screen: It is an overview map. All the elements on it are clickable. Details: Clicking on any sector (TP , GRS , ventilation group , roller shutter unit) opens a new window with detailed information: TP/GRS: Single-line network diagram , status of all feeders and sectional switches , detailed power parameters. Ventilation: Detailed status of each piece of equipment in the selected group (fan , valve , filter condition) , possibility of manual control. Roller shutters: A table or plan of the building with the condition of each of the 48 roller shutters , group and individual control buttons. Control: The control buttons (Start , Stop , Open , Close) are located on the detailed screens. On the main screen , quick action buttons ("Emergency activation") can be displayed for critical systems (for example , EVIL lights). Visual style: Color scheme: An intuitive color palette is used (Green is the norm , Yellow/Orange is a warning , Red is an accident , Gray/Blue - disabled/no data). Fonts: Clear , easy-to-read fonts. Critical information is displayed larger. Animation: Minimal and informative (for example , smooth change of values , flashing for emergency states). ,
A massive polygon completely encircling the polygon , with intricate cross-sectional details revealing sprawling human settlements , alien architecture , organic architecture , porcelain , Eco-friendly , bibliophile and interconnected skyscraper structures visible through the polygon's translucent exterior. Hyper-detailed architectural. Rotating rail-track in space with artificial gravity. 30th century orbital cars running on polygon-track , motion speed , advanced technological networks. Cinematic composition highlighting the monumental engineering achievement , using crisp photographic realism and a color palette of metallic silvers. Ultra-high resolution rendering with microscopic precision and grand astronomical perspective. ,
An ancient , moss-covered stone automaton , resembling a mythological creature , stands guard over a forgotten library filled with glowing , ethereal books. Dust motes dance in shafts of light piercing the gloom. The style is photorealistic , emphasizing the texture of aged stone and the soft luminescence of the magical texts , with a touch of surrealism in the impossible architecture of the library. Cinematic lighting enhances the mysterious atmosphere. ,
A solitary figure stands in a dimly lit , abstract space , illuminated by a single spotlight. The figure is depicted with a bruised and tired expression , hands clenched , while another shadowy figure looms , fist raised. The background dissolves into swirling patterns of muted , desaturated colors , suggesting emotional turmoil. The scene evokes a sense of confrontation and disillusionment , rendered in a dramatic , chiaroscuro lighting style reminiscent of Caravaggio and Francis Bacon , with a touch of expressionism from Egon Schiele. The composition is tight and claustrophobic , emphasizing the psychological weight of the depicted moment. ar-9:16 ,
A futuristic scene featuring a detailed spaceship (spaceship:1.5) hovering above a cloud-covered planet with a distant view of a massive ringed planet (rings:1.3) in the background. The spaceship , characterized by its vibrant red and white color scheme , exhibits signs of wear , with various antennas and exhaust pipes prominently displayed (detailed:1.2). The setting is an expansive outer space backdrop , accentuated by twinkling stars and a serene dark blue sky. Soft , diffused lighting casts shadows on the ship , enhancing its intricate textures and features. The composition focuses on the vessel moving gracefully through a sea of fluffy white clouds , framed by the grandeur of the distant planet's rings and its atmospheric hues. In the background , a smaller moon adds depth to the space scene. Avoid elements such as (poor resolution:1.5) or (unrealistic proportions:1.5). Aim for a realistic (high detail:1.5) depiction with a slight emphasis on the contrast between the mechanical structure and the organic feel of space. Capture the sense of exploration and adventure inherent in space travel. By integrating elements of science fiction aesthetics with high-quality rendering techniques , create a visually striking image that contrasts the raw beauty of the cosmos with technological marvels. ,
A colossal , ancient hand , carved from obsidian , emerges from a swirling vortex of celestial energy , cradling a single , a vessel shaped like a iPhone descends through a murky green atmosphere. The background is an epic landscape of alien planets and nebulae , rendered with a deep , vibrant color palette and a painterly texture. The style evokes the grandeur of mythological art and the depth of cosmic vistas. ,
A colossal , ancient hand , carved from obsidian , emerges from a swirling vortex of celestial energy , cradling a single , a vessel shaped like a iPhone descends through a murky green atmosphere. The background is an epic landscape of alien planets and nebulae , rendered with a deep , vibrant color palette and a painterly texture. The style evokes the grandeur of mythological art and the depth of cosmic vistas. ,
Masterpiece: A beautiful feminine figure made of light and crystal , standing on a bridge that connects two worlds: one technological with circuit patterns , one natural with forests and rivers. She holds a glowing ethical compass in her hands. Soft focus , radiant aura , misty background , emotional and transcendent style , inspired by Android Jones and Thomas Kinkade. ,
A futuristic , suspended in the clouds , its sleek , metallic platform connected by shimmering energy platform , with bullet train resembling colossal , chrome serpents gliding effortlessly through the sky , A young child with cybernetic enhancements , standing resiliently at. Passengers waiting in queue on platform , a diverse array of travelers from across the galaxy. The station is adorned with holographic ads-displays and neon lights , casting a vibrant glow on the scene. Rendered in a detailed matte painting style , with deep colors , capturing a blend of technological marvel and cosmic adventure. ,
Masterpiece: A beautiful feminine figure made of light and crystal , standing on a bridge that connects two worlds: one technological with circuit patterns , one natural with forests and rivers. She holds a glowing ethical compass in her hands. Soft focus , radiant aura , misty background , emotional and transcendent style , inspired by Android Jones and Thomas Kinkade. ,
Masterpiece: A beautiful feminine figure made of light and crystal , standing on a bridge that connects two worlds: one technological with circuit patterns , one natural with forests and rivers. She holds a glowing ethical compass in her hands. Soft focus , radiant aura , misty background , emotional and transcendent style , inspired by Android Jones and Thomas Kinkade. ,
Masterpiece: A beautiful feminine figure made of light and crystal , standing on a bridge that connects two worlds: one technological with circuit patterns , one natural with forests and rivers. She holds a glowing ethical compass in her hands. Soft focus , radiant aura , misty background , emotional and transcendent style , inspired by Android Jones and Thomas Kinkade. ,
Double exposure digital art of a princess silhouette with a katana in her hands surrounded in profile , filled with a the bodies of her enemies that she had fallen them in battle abstract Holographic Interference style. The top half features towering neon-lit skyscrapers with holographic advertisements , glowing in electric orange and yellow tones. Inside the silhouette , a small princess with a katana in her hand through rain-soaked streets toward a glowing data terminal. The bottom transitions into dark purple and teal circuit board patterns , forming digital roots and technological textures. Flying cars and drones in the background. High contrast , neon-lit , detailed , atmospheric , cinematic , digital noise texture , concept art style. ,
Her face isn’t a face—it’s a Nova fractal bloom—grown entirely from feedback-fed disco light. No skin , no bone—only recursive brilliance: #escape gradients surge through Nova-wave cheek hollows; #orbit radiant L-System spirals entwine her jawline like sacred ivy in club-light bloom. Lips = glowing IFS lace—mirror-structured and endlessly folding , tinted with angle-reactive #iridescence. Her eyes are not orbs but Buddhabrot cores—each iris a spiritual echo , blooming with recursive soulfire and mirrorworld math-memory. Her entire visage shines as #distance estimator shells spiral through overlapping attractor planes—layered sacred hologlyphs pulsing to Studio 54 rhythm logic. Hair erupts like spectral vinework: branching L-System toroids twist with recursive Fibonacci bloom , interlaced with spectral fractal roots and Julia firelace—all trailing #bokeh gleamtrails of radiant iteration static. ,
She explodes with modular moonshine—cheekbones glowing in monster symmetry , color logic stitched in rainbow glyph threads. Every emotion blooms in Fourier bursts—pink joy broken into harmonic frequency petals that glitter in the air. Her hair spirals in quasiperiodic tiling—long curls of iridescent code , never repeating , radiant with topological elegance. Her face flickers with multiform beauty—each eye glows differently depending on who’s looking , all reflections valid , all dazzling. ,
An advanced AI consciousness manifests as a spectral , ethereal predator composed of pure data streams and stardust , floating within a vast , intricately detailed digital cityscape. Geometric patterns and glowing circuits form the architecture around his , pulsating with vibrant , dynamic light. The overall aesthetic is surreal and futuristic , reminiscent of digital art with a touch of surrealism , capturing the essence of technological marvel. ,
A colossal , ancient robot , overgrown with bioluminescent moss and vines , slumbers in the heart of a dense , otherworldly jungle. Its metallic body is a canvas of intricate , weathered patterns , hinting at a forgotten technological past. Strange , exotic creatures with glowing eyes observe from the shadows. The scene is rendered with the moody atmosphere of dark fantasy concept art , emphasizing high detail and dynamic , dappled lighting. ,
Young male geological surveyor , rugged , cautious , determined , experienced in wilderness , slightly messy hair , rough skin , sharp eyes , wearing simple explorer jacket , wilderness setting with rocks , dry grass , distant mountains , vast sky , manga style , high detail , clear lines , vivid colors , dynamic lighting , slight wind on clothes and hair , light mist atmosphere , low-angle composition , adventurous feeling. ,
A mesmerizing , surreal **endless spiral staircase** intricately constructed from a **deck of playing cards** , each card meticulously balanced to form steps that twist upward in an impossible , gravity-defying loop. The staircase spirals infinitely into a **dreamlike void** , where the cards' vibrant suits (hearts , diamonds , clubs , spades) create a hypnotic pattern of red , black , and white against the abyss. The perspective is **Escher-inspired** , with shifting vanishing points that distort depth—some steps appear close , while others recede into an unfathomable distance , as if the staircase has no true beginning or end. The lighting is **dramatic and otherworldly**: a single , unseen light source casts sharp shadows between the cards , emphasizing their delicate edges and the precariousness of the structure. Some cards glow faintly with an **ethereal inner light** , as if imbued with magic , while others fade into the darkness , half-consumed by the void. The atmosphere is **both whimsical and unsettling**—a playground for the mind where logic bends , and the laws of physics seem to dissolve. In the background , **floating fragments of cards** drift like leaves in a slow , silent wind , their symbols (aces , kings , jokers) hinting at hidden meaning. The overall style blends **hyper-detailed realism** with **surreal abstraction** , every card’s texture—from the slight wear on the edges to the glossy sheen of the faces—rendered with **obsessive precision**. The composition invites the viewer to question: *Where does it lead? Is it an ascent or a descent? And what happens if you take the first step?* ,
A futuristic (technical screen design) , suspended in the clouds , its sleek , metallic platforms connected by shimmering energy bridge , with bullet train resembling colossal , chrome serpents gliding effortlessly through the sky. Spider-man and Hulk smoking , standing on platform , a diverse array of travelers from across the galaxy. The station is adorned with holographic ads-displays and neon lights , casting a vibrant glow on the scene. Rendered in a detailed matte painting style , with deep colors , capturing a blend of technological marvel and cosmic adventure. ,