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Fotografía realista de una familia de cuatro personas: mamá , papá , hijo e hija , de pie juntos en un parque amplio con césped verde. Solo la hija , de unos 7 años , sostiene un helado en su mano derecha. El hijo , de unos 10 años , sonríe mientras mira a la cámara. Toda la familia muestra expresiones de felicidad. El gato es de color rojo súper intenso y uniforme , casi como si el gato estuviera cubierto de pintura roja pura o fuera un personaje de fantasía. El pelaje debería ser completamente rojo sólido (CMYK 0% , 100% , 100% , 0%) , sin tonos naranjas o naturales. Además , los ojos verdes hacen un contraste genial. está cerca de los pies de la niña , jugando. El cielo es azul con algunas nubes y la luz es suave , como en una tarde soleada. Toda la familia viste ropa típica y casual de la región , apropiada para una salida al parque. La imagen muestra a la familia de cuerpo entero , resaltando su vestimenta y la interacción entre ellos ,
Depth of field 270mm , deep purple lighting , midweight Butters Stotch , wearing Figurative [Regency|Reiwa Era] Gator skin Baggy Pants , studio lighting , Sony A7 , Lens Flare , Rembrandt lighting , F/2.8 , (high quality) , (detailed) , (masterpiece) , (best quality) , (highres) , (extremely detailed) , (8k) ,
new specimens walk through another alley of El Gato that is no longer in a Madrid of stale bacon but perhaps at the foot of a magnificent Sainz de Oiza concrete for offices where the modern roam ruffians , criminals with gold Rolexes , thugs and commission agents dressed by Toni Miró who are reflected in the windows of a skyscraper by any Japanese architect , Water Color ,
new specimens walk through another alley of El Gato that is no longer in a Madrid of stale bacon but perhaps at the foot of a magnificent Sainz de Oiza concrete for offices where the modern roam ruffians , criminals with gold Rolexes , thugs and commission agents dressed by Toni Miró who are reflected in the windows of a skyscraper by any Japanese architect , 3D ,
new specimens walk through another alley of El Gato that is no longer in a Madrid of stale bacon but perhaps at the foot of a magnificent Sainz de Oiza concrete for offices where the modern roam ruffians , criminals with gold Rolexes , thugs and commission agents dressed by Toni Miró who are reflected in the windows of a skyscraper by any Japanese architect , Pencil Sketch ,
These characters from black Spain have disappeared but now: new specimens walk through another alley of El Gato that is no longer in a Madrid of stale bacon but perhaps at the foot of a magnificent Sainz de Oiza concrete for offices where the modern roam ruffians , criminals with gold Rolexes , thugs and commission agents dressed by Toni Miró who are reflected in the windows of a skyscraper by any Japanese architect. ,
new specimens walk through another alley of El Gato that is no longer in a Madrid of stale bacon but perhaps at the foot of a magnificent Sainz de Oiza concrete for offices where the modern roam ruffians , criminals with gold Rolexes , thugs and commission agents dressed by Toni Miró who are reflected in the windows of a skyscraper by any Japanese architect , Cartoon ,