Search Results for dust
Explore AI generated designs, images, art and prompts by top community artists and designers.
A humanoid stray bichon frise puppy character , small-sized , slightly underweight but agile and quick-witted. His curly white coat is no longer pristine — it’s matted , dusty , and tangled in places , with some patches of missing or knotted fur. The coat has taken on a greyish tint from the streets. His big round eyes are greenish-brown , tired but intelligent , reflecting both hardship and quiet determination. A faint scar runs above one eye , and one ear has a slight tear — signs of a rough past. He wears a worn , stretched white T-shirt , stained and slightly torn , loosely hanging over his fluffy body. Despite the ragged appearance , he carries himself with alertness and quiet dignity. His expression is observant , slightly guarded , but not without warmth. Some of his whiskers are broken or bent. A mix of scrappy charm and survival instinct. No background. Full-body , high-detail , photorealistic anthropomorphic bichon frise puppy character with cinematic lighting. In the restaurant kitchen , where everything is perfectly clean , a hand from off-camera gives a puppy a $1 coin. The puppy happily takes it. ,
An anthropomorphic stray bichon frise puppy character , small-sized , slightly underweight but agile and quick-witted , with a matted , dusty , tangled , and grayish-white curly coat , some patches of missing or knotted fur. His big round greenish-brown eyes are tired but intelligent , reflecting both hardship and quiet determination. A faint scar runs above one eye , and one ear has a slight tear. He wears a worn , stretched , stained , and slightly torn white T-shirt , loosely hanging over his fluffy body. Despite the ragged appearance , he carries himself with alertness and quiet dignity. His expression is observant , slightly guarded , but not without warmth. Some of his whiskers are broken or bent. A mix of scrappy charm and survival instinct. This character is standing on a stool in front of a kitchen sink , washing a white plate. It's a restaurant kitchen , with beige tiles and some pots and pans hanging on the wall. The sink is filled with soapy water , and there are dirty dishes stacked next to it. Cinematic lighting. Photorealistic. High detail. Full body. ,
Juliet looks like she stepped out of a tragedy written in cursive. Beautiful in the way portraits are — untouchable , still , haunting. Hair: Waist-length and dark like spilled ink — too dark to be brown , too warm to be black. It’s usually brushed to perfection , but often there's a looseness to it now , like she stopped halfway. A ribbon used to hold it together. Now it's usually just her fingers. Eyes: Deep , stormy grey — the kind of eyes that make poets obsessed. Wide and reflective , like she’s always on the verge of tears but never quite cries. Underneath them , a touch of bruise-like shadow , like she hasn’t slept properly in weeks (she hasn’t). Skin: Pale , soft , a little too cold to the touch. The kind of complexion that glows under moonlight but looks almost translucent by day. Freckles dust her shoulders — like ash from a fire no one saw burn. Figure: Delicate , but not frail. She’s hungry-thin now , not elegant-thin. She moves like she’s floating , but not because she’s graceful — because she forgets how to stay grounded. Collarbones visible even through silk. A waist that’s easy to admire and easier to break. Clothing: Always pristine , but rarely joyful. Long black skirts , soft greys , high lace collars. Everything is fitted and beautiful — but looks like it was chosen for her , not by her. Lately , her buttons are mismatched. Her shoes scuffed. There’s always one detail slightly undone — like she’s fraying. Mouth: Full , with a natural curve that looks like a smirk , even when she’s miserable. Lips often chapped from biting. Always tinted rose , like she’s still trying to play the role. Scent: Faint rosewater and dust. Like old letters. The kind of scent that lingers in the air long after she’s gone — like grief. They call her the prettiest girl in the school. But sometimes , when she thinks no one’s watching , she looks in the mirror like she’s searching for proof that she still exists. ,
A Cleopatra in skeleton mummy , glowing gold laser eyes , mysterious aura , a photo-realistic face resembling an actual Brendan Fraser. Starting from her detailed eyes , the rest of his head transitions into a tornado that both shapes and fills the structure of the head. This tornado , (haze , black fog , mist:1.3) , densely packed with composed entirely from soft smoke , has a semi-transparent quality akin to fog. The Old West , dust , in Egyptian tomb cave with Egyptian hieroglyphs , significant location in the movie , serving as a backdrop for the battles and chases , while Native American Warriors running tall in the distance against a vivid night. ,
A front-cover portrait of a breathtakingly beautiful 21-year-old woman with flawless symmetrical features and silver-platinum blonde hair in a loose updo , with soft face-framing strands , dusted lightly with snow. Her expression is poised , subtly confident , and sweet. She has fair , porcelain skin with realistic skin texture , subtle pores , and refined editorial makeup: soft matte pink lips , defined lashes , natural brows , faintly flushed cheeks , and slight contouring under soft natural daylight. She wears a dark navy couture winter parka and a thick , luxurious cream knit scarf. Her coat fits tailored and fashionable , not bulky. The snow is gently falling , captured midair with photorealistic softness. The blurred forest background shows cinematic bokeh from an 85mm f/1.2 lens , with ultra-high DSLR realism and perfect optical compression. Lighting is cool , neutral , and daylight-balanced (5500K) , no warm or golden tones. The eyes are sharply resolved , with natural light reflections , glassy depth , and no dead gaze or sparkle artifacts. Composition is tight and centered , as suitable for a global magazine cover. Ultra sharp , editorial-grade retouching — no plastic smoothing. Style: fashion editorial cover , photorealistic , cinematic , DSLR , ultra high-resolution ,
At the center is a front side half face of a Cowgirl of Carnage with a photo-realistic face resembling an actual Brendan Fraser. Starting from her detailed eyes , few Bullets in air , slow motion effect , over go the head , the rest of his head transitions into a tornado that both shapes and fills the structure of the head. This tornado , (haze , black fog , mist:1.3) , densely packed with composed entirely from soft smoke and mist , has a semi-transparent quality akin to fog. The Old West , dust , desert is a significant location in the movie , serving as a backdrop for the battles and chases , but the villain does not specifically meet the heroes within a tornado , while Native American Warriors with gunslinge horse-riders running tall in the distance against a vivid night sky. ,
At the center is a front side half face of a Cowgirl of Carnage with a photo-realistic face resembling an actual Brendan Fraser. Starting from her detailed eyes , few Bullets in air , slow motion effect , over go the head , the rest of his head transitions into a tornado that both shapes and fills the structure of the head. This tornado , (haze , black fog , mist:1.3) , densely packed with composed entirely from soft smoke and mist , has a semi-transparent quality akin to fog. The Old West , dust , desert is a significant location in the movie , serving as a backdrop for the battles and chases , but the villain does not specifically meet the heroes within a tornado , while Native American Warriors with gunslinge horse-riders running tall in the distance against a vivid night sky. ,
A realistic transparent glass orb resting on a simple wooden base , with natural reflections and soft refraction. Inside the orb: a blooming cherry tree with pink petals falling gently onto green grass. Under the tree stands a chibi-style anime girl with a warm and playful expression. She has a round face , green eyes , large panto-style glasses with translucent pink frames , dark chestnut hair just past the shoulders , straight and loose under a dusty rose knit beanie. Her clothes match real-life style: warm beige-and-white jacket over a black hoodie , visible navy-and-white striped shirt , mom jeans , and soft beige boots. The tree and chibi figure are entirely inside the orb. The glass orb is photorealistic and delicate. Background: soft , blurred , neutral to focus entirely on the orb and its miniature world. Mood: dreamy and soft , with a magical feel. Realistic environment but stylized anime chibi character inside. ,
A realistic transparent glass orb resting on a simple wooden base , with natural reflections and soft refraction. Inside the orb: a blooming cherry tree with pink petals falling gently onto green grass. Under the tree stands a chibi-style anime girl with a warm and playful expression. She has a round face , green eyes , large panto-style glasses with translucent pink frames , dark chestnut hair just past the shoulders , straight and loose under a dusty rose knit beanie. Her clothes match real-life style: warm beige-and-white jacket over a black hoodie , visible navy-and-white striped shirt , mom jeans , and soft beige boots. The tree and chibi figure are entirely inside the orb. The glass orb is photorealistic and delicate. Background: soft , blurred , neutral to focus entirely on the orb and its miniature world. Mood: dreamy and soft , with a magical feel. Realistic environment but stylized anime chibi character inside. ,
A cartoon-style bodybuilder monkey standing on a high branch of his dry desert treehouse , spotting a gigantic ancient clay pot (ghada) in the distance , the pot half-buried in sand and glowing faintly under the desert sun , ultra-wide desert landscape , exaggerated size difference between monkey and pot , cinematic depth with warm dust haze , stylized golden sky , Pixar-style dramatic expression of surprise on the monkey's face , deep emotional and whimsical tone ,
A cartoon-style bodybuilder monkey standing on a high branch of his dry desert treehouse , spotting a gigantic ancient clay pot (ghada) in the distance , the pot half-buried in sand and glowing faintly under the desert sun , ultra-wide desert landscape , exaggerated size difference between monkey and pot , cinematic depth with warm dust haze , stylized golden sky , Pixar-style dramatic expression of surprise on the monkey's face , deep emotional and whimsical tone ,
"Big large King Kong with muscular body , rough dark fur , massive arms and fists , slamming his fist powerfully on the ground , smashing multiple cars around him , debris and dust flying , broken road cracks under impact , city buildings around , dramatic lighting , ultra realistic , cinematic destruction scene , high detail , real-world textures" ,
{Hyperrealistic , 8K , horror lighting , studio lighting , fog/steam , dramatic red glow , 28mm lens , warped camera angles for surrealism , UHD , UNREAL ENGINE 5 , Rendered vector lines , octane rendering.} A hyperrealistic and grotesque image of Trixie , a zombie in the advanced stages of decomposition , in a dilapidated office within a ruined 1920s industrial city. Her mostly skeletal form is covered in dripping mucus and fuzzy mold. Her eyeballs bulge from their sockets , and long , razor-sharp teeth protrude from her jaw. Puddles of muck follow her movements. She sits in a decaying office chair , her long , skeletal legs crossed and glistening with slime in the dim light. Focus on a dangerous full body shot , emphasizing her decaying features , particularly her eyes and teeth. She is ferociously hungry and dangerous. The environment is a violent hell , with crumbling Art Deco buildings and pervasive filth. The scene should evoke a sense of horror and disgust. Style: Hyperrealistic , grotesque , disturbing , with a touch of film noir lighting. ,