Search Results for Time
Explore AI generated designs, images, art and prompts by top community artists and designers.
I want a simple , clean , and poetic poster for an art exhibition. The central piece is a circular object , resembling a halved apple , made of foam , with a soft projection cast from above. The work explores the changing and the simple: the passage of time , ripening , transformation , and the body. I'm looking for a design that evokes fragility , organic texture , and quiet contemplation. Nothing overloaded — just a suggestive central image (it can be a fruit , skin , or an open circular shape) and space to place the title and a short phrase. The aesthetic should feel intimate , warm , and sensitive — like a visual whisper. ,
A single character sitting alone in the distance , seen from behind , in the middle of a vast grassy plain. The figure is small in the frame , not too close , facing toward a hazy horizon. A few round , lush trees are scattered far away in the background. The person is wearing headphones or a backpack , adding a subtle modern touch. The atmosphere is quiet and melancholic , evoking a strong sense of solitude. The overall aesthetic is vintage and nostalgic , with a grainy , faded film texture like an old photograph. Soft lighting , muted earthy tones , and a slight blur give the image an emotional and timeless feel. ,
Here’s a comprehensive description of Hercule Poirot as Agatha Christie wrote him — with precise references to the novels , and comparisons to key screen portrayals (Finney , Suchet , Ustinov , Branagh , etc.). --- 📖 Hercule Poirot — Literary Description (with Source Quotes) --- 🧍♂️ 1. Physical Appearance 🔹 “A little man with an egg-shaped head” — The Murder of Roger Ackroyd (1926) Short stature Plump and compact build Head described as egg-shaped , often tilted slightly to one side > 🎥 Closest portrayals: 🔸 David Suchet – nails the “little man” shape and tilting head 🔸 Finney – correct manner but taller 🔸 Branagh – too tall and lean 🔸 Ustinov – too broad and casual in posture --- 🥸 2. Moustache 🔹 “The finest moustache in all England — and perhaps in all Europe.” — Death in the Clouds (1935) Immense , curled , waxed , perfectly symmetrical Poirot is extremely vain about it Wears a moustache net at night > “He had a moustache guard to keep it neat in his sleep.” — The Mysterious Affair at Styles (1920) > 🎥 Closest portrayals: 🔸 David Suchet – accurate size and grooming 🔸 Kenneth Branagh – large but overly stylized (double-layered) 🔸 Peter Ustinov – too understated 🔸 Finney – neat , but not extravagant enough --- 👔 3. Dress & Grooming 🔹 “Always immaculate. His clothes were faultless. His boots shone.” — The Mystery of the Blue Train (1928) Fussy and obsessive about cleanliness Well-tailored suits , gloves , polished shoes Takes pride in his appearance , symmetry , and neatness > 🎥 Closest portrayals: 🔸 Suchet – perfect suits , shoe polish , gloves 🔸 Finney – clean but not as fussy 🔸 Branagh – a bit too dramatic in grooming --- 🧠 4. Intelligence & Method 🔹 “I am not one to rely upon physical evidence. I use the little grey cells.” — The Big Four (1927) Psychology-based deductions Avoids fingerprint obsession or brute force Dismisses red herrings and goes after motive and psychology > 🎥 Closest portrayals: 🔸 Suchet – pure psychological method 🔸 Finney – sharp intellect , but less emphasized 🔸 Ustinov – more jovial , less “grey cell” driven 🔸 Branagh – mixes emotion and action unnecessarily --- 🗣️ 5. Speech & Accent 🔹 “His English was precise , but with a foreign accent.” — Peril at End House (1932) Belgian French accent , not French or British Always speaks in precise , formal English Often corrects others politely > 🎥 Closest portrayals: 🔸 Suchet – perfect subtle Belgian accent 🔸 Finney – formal , slight accent 🔸 Branagh – inconsistent Belgian-French tone 🔸 Ustinov – more laid-back , not authentic Belgian --- 🧼 6. Personality & Mannerisms 🔹 “Everything must be tidy and symmetrical.” — The ABC Murders (1936) Fastidious , orderly Polite but proud Prone to mild arrogance , but never mean Occasionally flustered by disorder > 🎥 Closest portrayals: 🔸 Suchet – obsessive , neat , respectful 🔸 Ustinov – polite but too casual 🔸 Finney – more reserved , dignified 🔸 Branagh – too emotional at times (e.g. crying in Death on the Nile) --- 💬 7. Humor & Warmth 🔹 “Poirot smiled — that slow smile that came rarely , but lighted up his whole face.” — Five Little Pigs (1942) Not comedic , but dryly witty Charming in a subtle way , especially with women or children Rarely emotional , but has empathy > 🎥 Closest portrayals: 🔸 Suchet – subtle warmth and charm 🔸 Ustinov – more humorous , sometimes too light 🔸 Branagh – goes for modern emotion --- 🏁 Summary: Who Comes Closest? Trait Best Portrayal Physical Build David Suchet Moustache Our Composite (Suchet + Branagh shape) Accent & Speech Suchet (with Finney’s formality) Intelligence Suchet Mannerisms Suchet Humor Suchet with a dash of Ustinov Visual Style Suchet + Finney blend --- 🏆 Verdict: David Suchet remains the gold standard overall. But a Finney base with Suchet’s mannerisms and moustache enhancements (as we created earlier) gives you a 100% faithful visual and behavioral Poirot. Would you like me to turn this into a printable profile or dossier for Poirot fans? ,
In the foreground , a small baby robot with a round , childlike design and a young student wearing glasses , short and youthful , are holding hands , walking together , seen from behind. Their proportions are small , with the baby robot’s head large relative to its body , and the student carrying a small backpack. On the same road , further ahead in the distance , a tall , mature robot with sleek , advanced features and a grown man wearing the same style of glasses , tall and confident , are also holding hands , their backs to the viewer , walking towards a futuristic city. The road transitions smoothly from a present-day cityscape with modern buildings in the foreground to a vibrant , futuristic skyline in the background. Warm , soft lighting bathes the scene , creating a hopeful , inspirational atmosphere , emphasizing growth , companionship , and the passage of time. Detailed digital illustration , cinematic wide shot , vibrant colors , ultra high definition. , ,
In the foreground , a small baby robot with a round , childlike design and a young student wearing glasses , short and youthful , are holding hands , walking together , seen from behind. Their proportions are small , with the baby robot’s head large relative to its body , and the student carrying a small backpack. On the same road , further ahead in the distance , a tall , mature robot with sleek , advanced features and a grown man wearing the same style of glasses , tall and confident , are also holding hands , their backs to the viewer , walking towards a futuristic city. The road transitions smoothly from a present-day cityscape with modern buildings in the foreground to a vibrant , futuristic skyline in the background. Warm , soft lighting bathes the scene , creating a hopeful , inspirational atmosphere , emphasizing growth , companionship , and the passage of time. Detailed digital illustration , cinematic wide shot , vibrant colors , ultra high definition. , ,
A young , incredibly beautiful , massively busty extremely muscular woman , stands outside in a grassy area near a pond. She strikes a confident front double biceps flex pose , her expression serious and intense. Her biceps are massive hyper-muscular and extremely exaggerated in size , 30 inches measured at the bicep peak , many times larger than any real human’s—creating massively muscular bodybuilder effect. She wears a extremely tiny and revealing bright pink string bikini top , with fishnet sleeves. She also wears a revealing extremely tiny bright pink high-waisted bikini bottom. Her hair is blonde , tied back loosely with some strands framing her face. The lighting is bright and sunny , emphasizing her definition and glistening , and casting shadows that emphasize her massively exaggerated muscle mass , definition and the contours of her body. The image should have an extreme level of detail , photorealistic skin texture and fabric. The focus is on her massive muscles , revealing clothing and powerful presence. No background distractions , pond grass and flowers near her. Make sure the overall mood is bold , striking , and visually impressive. hyper-muscular female fantasy strength photorealistic comic book hybrid style dramatic lighting bikini outfit , bikini bottoms , hyper strong , confident pose focused , soft smiling facial expression ,
A young , incredibly beautiful , athletic woman stands against in a bedroom , wearing extremely high heels. She has her foot up on the edge of a hutch , positioned at the bottom edge of the bed , her expression sensual and hungry , biting her lower lip. She has strikingly bright blue eyes. Her muscles are massive hyper-muscular and extremely exaggerated in size , 40 inches , many times larger than any real human’s. She wears a bright white string bikini top , with minimal coverage on her buxom bosom. She also wears bright white high-waisted thong bikini bottoms. Her hair is light blonde , and slightly wavy , with a few strands near her face. The lighting is dim and intimate , casting shadows that emphasize her massively exaggerated muscle mass , definition , vascularity , and the curves of the extreme proportions of her body. The image should have an extreme level of detail , photorealistic skin texture and fabric. The focus is on her massive muscles , and intimate atmosphere. Make sure the overall mood is intimate , sensual , and visually impressive. hyper-muscular female fantasy strength photorealistic , dramatic lighting bikini outfit , sleeves , bikini bottoms , strong , confident pose focused , smiling facial expression , ,
A young , athletic woman stands outside next to a pool. She strikes a confident front single biceps flex pose , her expression soft and . Her biceps are massive , hyper-muscular and extremely exaggerated in size , her arms are 40" around at her bicep peak , many times larger than any real human’s—creating a comic book or extreme hyper-muscular bodybuilder effect. She wears a bright green string bikini top , with pink fishnet sleeves going down her arms. She also wears bright green extremely high-waisted bikini bottom. Her hair is light blonde , shoulder length with some strands framing her face. The lighting is bright , casting shadows that emphasize her extremely exaggerated muscle mass , definition and the contours of her body. The image should have an extreme level of detail , photorealistic skin texture and fabric. The focus is on her incredibly massive muscles , and sensual curves due to large implants . No background distractions , just the pool , yard and fence behind her. Make sure the overall mood is bold , striking , and visually impressive. hyper-muscular female fantasy strength , photorealistic bright lighting , tiny bikini outfit , fishnet sleeves , tiny bikini bottoms , strong , confident pose , smiling facial expression , beautiful , huge , ,
A young , athletic woman stands against a plain gray wall under a spotlight. She strikes a confident front double biceps flex pose , her expression serious and intense. Her biceps are massive hyper-muscular and extremely exaggerated in size— 3 times larger than any real human’s—creating a comic book or fantasy bodybuilder effect. She wears a light string bikini top , with fishnet sleeves. She also wears light blue high-waisted bikini bottom. Her hair is blonde , tied back loosely with some strands framing her face. The lighting is bright , casting shadows that emphasize her massively exaggerated muscle mass , definition and the contours of her body. The image should have an extreme level of detail , photorealistic skin texture and fabric. The focus is on her massive muscles , and powerful presence. No background distractions , just the plain wall and a single small lamp or spotlight above her head. Make sure the overall mood is bold , striking , and visually impressive. hyper-muscular female fantasy strength photorealistic comic book hybrid style dramatic lighting bikini outfit , fishnet sleeves , bikini bottoms , strong , confident pose focused , smiling facial expression ,
A dynamic and colorful illustration showing the passage of time in youth. The image features a young person growing and changing through different stages — from childhood to adolescence to early adulthood. Around them , symbols like clocks , calendars , and fading shadows show time moving forward. The background blends bright , energetic colors with soft , dreamy tones , representing growth , learning , and the journey of life. The young person looks hopeful and curious , surrounded by floating memories and future dreams. In a more sadness ambient ,
A dynamic and colorful illustration showing the passage of time in youth. The image features a young person growing and changing through different stages — from childhood to adolescence to early adulthood. Around them , symbols like clocks , calendars , and fading shadows show time moving forward. The background blends bright , energetic colors with soft , dreamy tones , representing growth , learning , and the journey of life. The young person looks hopeful and curious , surrounded by floating memories and future dreams. ,
A dynamic and colorful illustration showing the passage of time in youth. The image features a young person growing and changing through different stages — from childhood to adolescence to early adulthood. Around them , symbols like clocks , calendars , and fading shadows show time moving forward. The background blends bright , energetic colors with soft , dreamy tones , representing growth , learning , and the journey of life. The young person looks hopeful and curious , surrounded by floating memories and future dreams. ,
A majestic , grand bank building , like an old classical bank with marble columns and a huge vault , but instead of money , it's filled with clocks , hourglasses , and glowing orbs representing time. People are inside exchanging time — handing over glowing clocks , receiving hourglasses. The interior feels warm , full of light and community , with walls decorated with gears , calendars , and time symbols. No money anywhere — only symbols of time. A large sign on the building says "Bank of Time". ,
generate image : "A highly realistic combat scene featuring all three main classes of military drones: ground , aerial , and maritime , operating together in a synchronized battlefield scenario. Include multiple drone types per class: – Ground drones (UGVs): a heavy tracked assault robot with a mounted cannon firing , a small reconnaissance rover with sensors , and a bomb-disposal robot neutralizing a mine. – Aerial drones (UAVs): a large MALE drone releasing a guided missile , a loitering munition drone diving toward a target , and a quadcopter ISR drone hovering and relaying intel. – Maritime drones: an unmanned surface vessel launching anti-ship missiles , and a submerged unmanned underwater drone navigating below. The scene is set in a dynamic combat zone: [choose one: arid desert at noon / urban coastline at dusk / stormy ocean / frozen arctic inlet at sunrise]. Show active combat: explosions , smoke trails , splashing water , dust clouds , and dramatic lighting. Use photorealistic textures , cinematic composition , and high detail." ,
"A highly realistic combat scene featuring all three main classes of military drones: ground , aerial , and maritime , operating together in a synchronized battlefield scenario. Include multiple drone types per class: – Ground drones (UGVs): a heavy tracked assault robot with a mounted cannon firing , a small reconnaissance rover with sensors , and a bomb-disposal robot neutralizing a mine. – Aerial drones (UAVs): a large MALE drone releasing a guided missile , a loitering munition drone diving toward a target , and a quadcopter ISR drone hovering and relaying intel. – Maritime drones: an unmanned surface vessel launching anti-ship missiles , and a submerged unmanned underwater drone navigating below. The scene is set in a dynamic combat zone: [choose one: arid desert at noon / urban coastline at dusk / stormy ocean / frozen arctic inlet at sunrise]. Show active combat: explosions , smoke trails , splashing water , dust clouds , and dramatic lighting. Use photorealistic textures , cinematic composition , and high detail." ,
red camaro car on moon's roads , behind earth , stars in sky , street lights , night time environment , ultra HD , 4K , UHD , hyper realistic , real , film scene , cinematic , Futuristic big and wide , ltitude of vibrant lights on the ceiling , lush neon greenery surrounding the space , reminiscent of retrofuturism and cyberpunk art , with intricate details and reflections in the water , sleek lines , 4K , ultra-detailed , atmospheric ambiance , blending organic and technological elements in a harmonious design. ,
Juliet looks like she stepped out of a tragedy written in cursive. Beautiful in the way portraits are — untouchable , still , haunting. Hair: Waist-length and dark like spilled ink — too dark to be brown , too warm to be black. It’s usually brushed to perfection , but often there's a looseness to it now , like she stopped halfway. A ribbon used to hold it together. Now it's usually just her fingers. Eyes: Deep , stormy grey — the kind of eyes that make poets obsessed. Wide and reflective , like she’s always on the verge of tears but never quite cries. Underneath them , a touch of bruise-like shadow , like she hasn’t slept properly in weeks (she hasn’t). Skin: Pale , soft , a little too cold to the touch. The kind of complexion that glows under moonlight but looks almost translucent by day. Freckles dust her shoulders — like ash from a fire no one saw burn. Figure: Delicate , but not frail. She’s hungry-thin now , not elegant-thin. She moves like she’s floating , but not because she’s graceful — because she forgets how to stay grounded. Collarbones visible even through silk. A waist that’s easy to admire and easier to break. Clothing: Always pristine , but rarely joyful. Long black skirts , soft greys , high lace collars. Everything is fitted and beautiful — but looks like it was chosen for her , not by her. Lately , her buttons are mismatched. Her shoes scuffed. There’s always one detail slightly undone — like she’s fraying. Mouth: Full , with a natural curve that looks like a smirk , even when she’s miserable. Lips often chapped from biting. Always tinted rose , like she’s still trying to play the role. Scent: Faint rosewater and dust. Like old letters. The kind of scent that lingers in the air long after she’s gone — like grief. They call her the prettiest girl in the school. But sometimes , when she thinks no one’s watching , she looks in the mirror like she’s searching for proof that she still exists. ,
