Search Results for Ink - Arthub.ai

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Search Results for Ink

Explore AI generated designs, images, art and prompts by top community artists and designers.

Fantasy Characters Low Poly Sci Fi Furniture

(Masterpiece , Best Quality , Ultra Detailed:1.4) , 1902x1080 resolution , Full body portrait of a stunning Chinese beauty , exquisitely sculpted facial features: almond eyes with double eyelids , petite nose bridge , cherry blossom lips , porcelain skin with natural blush , symmetrical heart-shaped face , delicate jawline , refined Chinese aesthetics , Classic navy sailor uniform with white trim and ribbon tie , Modest knee-length pleated skirt , Semi-transparent black knee-high socks , Black patent leather Mary Jane shoes , Soft silver-green bangs with pastel ombre hair (tender pink → baby blue) , hair neatly tied with white ribbon , Standing in traditional Chinese courtyard garden , holding bamboo scroll and white magnolia flower , sunlight filtering through lattice windows , floating cherry blossom petals , Watercolor ink wash background with misty mountains , soft cinematic bokeh , gentle morning light , elegant and pure atmosphere , perfect proportions , natural posture ,

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(Masterpiece , Best Quality , Ultra Detailed 8K) , Full body shot of a beautiful Korean girl idol , big sparkling black eyes , orange-red glossy lips , **Sailor-style uniform with ribbon tie** , **high-waisted pleated miniskirt** , **sheer black thigh-high stockings** , silver-green bangs with gradient rainbow hair (neon pink/tender blue/green/yellow) , glowing hair strands , colorful summer pattern short-sleeve top , delicate collarbone , moist dewy skin , Full figure standing pose on stage , dynamic spotlight lighting , background covered with colorful paint splashes and floating balloons , cinematic depth of field , Exquisite CG rendering , photorealistic details on fabric folds , gorgeous crystal highlights on hair , K-pop stage performance atmosphere , symmetrical composition , perfect anatomy ,

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Old lady , ((not very attractive)) , (wearing evening gown) , (horney , drunk , wrinkles , grey hair , sitting on old couch , ((udders)) , looking at viewer , (cross legged) , high heels , (((NO ABNORMAL EYES , HANDS , LEGS , BODY)) , ,

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Old lady , wearing evening gown , drunk , wrinkles , grey hair , sitting on old couch , ((udders)) , looking at viewer , (cross legged) , high heels , (((NO ABNORMAL EYES , HANDS , LEGS , BODY)) , ,

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Old lady , wearing evening gown , drunk , wrinkles , grey hair , sitting on old couch , ((udders)) , looking at viewer , (cross legged) , high heels , (((NO ABNORMAL EYES , HANDS , LEGS , BODY)) , ,

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Old lady , wearing evening gown , drunk , wrinkles , grey hair , sitting on old couch , ((udders)) , looking at viewer , (cross legged) , high heels , (((NO ABNORMAL EYES , HANDS , LEGS , BODY)) , ,

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Old lady , wearing evening gown , drunk , wrinkles , grey hair , sitting on old couch , ((udders)) , looking at viewer , (cross legged) , high heels , (((NO ABNORMAL EYES , HANDS , LEGS , BODY)) , ,

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Old lady , wearing evening gown , drunk , wrinkles , grey hair , sitting on old couch , ((udders)) , looking at viewer , (cross legged) , high heels , (((NO ABNORMAL EYES , HANDS , LEGS , BODY)) , ,

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Old lady , wearing evening gown , drunk , wrinkles , grey hair , sitting on old couch , ((udders)) , looking at viewer , (cross legged) , high heels , (((NO ABNORMAL EYES , HANDS , LEGS , BODY)) , ,

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Old lady , wearing evening gown , drunk , wrinkles , grey hair , sitting on old couch , ((udders)) , looking at viewer , (cross legged) , high heels , (((NO ABNORMAL EYES , HANDS , LEGS , BODY)) , ,

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Old lady , saggy , very short , lace evening gown , homeless , wrinkles , grey hair , sitting on old couch , ((udders)) , looking at viewer , (cross legged) , high heels , (((NO ABNORMAL EYES , HANDS , LEGS , BODY)) , ,

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NSFW , Old lady , saggy , very short , lace evening gown , homeless , wrinkles , grey hair , sitting on old couch , ((udders)) , looking at viewer , (cross legged) , high heels , (((NO ABNORMAL EYES , HANDS , LEGS , BODY)) , ,

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A set of 8 keys , all linked together by a ring. Each key is different. The keys are spaced apart. In the style of Professor Layton's cartoon. ,

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lovelyworldbest

four-panel dress , is a traditional Vietnamese garment , particularly associated with the northern region. It's a flowing , tunic-like dress typically worn with a long skirt , an ancient bodice called yếm , and a sash. While no longer a common sight in daily life , it remains an important part of festivals and cultural events , especially in Northern Vietnam. Key Features and Components: Four Panels: The name "Áo Tứ Thân" literally translates to "four-paneled shirt , " referring to the two front and two back panels that make up the dress's tunic. Tunic: The tunic is typically made from plain , dark fabric (historically , for practicality) , but can also be found in brighter colors for special occasions. Skirt: A long skirt , often black , is worn underneath the tunic. Yếm: The yếm is a traditional bodice , often white or bright pink , worn as an undergarment. Sash: A silk sash is tied around the waist , over the tunic , and dangles down like ribbons. Cultural Significance: Northern Vietnam: The Áo Tứ Thân is most closely associated with the northern region of Vietnam , where it is still seen in festivals and traditional ceremonies. Rural Areas: It's more commonly worn in rural areas than in urban centers , where the simpler Áo Bà Ba is more prevalent. Special Occasions: The Áo Tứ Thân is often worn during festivals like the Lim Festival , which celebrates traditional folk songs. ,

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lovelyworldbest

four-panel dress , is a traditional Vietnamese garment , particularly associated with the northern region. It's a flowing , tunic-like dress typically worn with a long skirt , an ancient bodice called yếm , and a sash. While no longer a common sight in daily life , it remains an important part of festivals and cultural events , especially in Northern Vietnam. Key Features and Components: Four Panels: The name "Áo Tứ Thân" literally translates to "four-paneled shirt , " referring to the two front and two back panels that make up the dress's tunic. Tunic: The tunic is typically made from plain , dark fabric (historically , for practicality) , but can also be found in brighter colors for special occasions. Skirt: A long skirt , often black , is worn underneath the tunic. Yếm: The yếm is a traditional bodice , often white or bright pink , worn as an undergarment. Sash: A silk sash is tied around the waist , over the tunic , and dangles down like ribbons. Cultural Significance: Northern Vietnam: The Áo Tứ Thân is most closely associated with the northern region of Vietnam , where it is still seen in festivals and traditional ceremonies. Rural Areas: It's more commonly worn in rural areas than in urban centers , where the simpler Áo Bà Ba is more prevalent. Special Occasions: The Áo Tứ Thân is often worn during festivals like the Lim Festival , which celebrates traditional folk songs. ,

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Highly detailed black and grey drawing , hyper-realistic and artistic. Composition for outer bicep and shoulder flow. Central figure: traditional Thai Buddha seated in the “Thinking pose” — head gently resting in his hand , elbow on a raised knee , eyes closed , compassionate and peaceful expression. Feminine and graceful features , spiral hair curls , long earlobes , soft flowing silk robe with subtle shading and elegant folds. Around and behind him , a majestic Thai Naga serpent in flowing motion. The Naga has a sacred presence: long sinuous body , divine dragon head with a triple flame-shaped crown , arched flame eyebrows , large mystical eyes , fin-shaped ears , and long whiskers floating in the air. Its body coils protectively in an “S” shape around the Buddha , textured with finely detailed overlapping scales , flowing naturally with the curves of the composition. Background: subtle 3-level Thai pagoda with elegant architectural detail , placed in the top corner , softly shadowed to suggest depth. Floating throughout: drifting Japanese cherry blossom petals , soft and ethereal , adding spiritual motion. Drawing style: clean pencil or black ink , soft shadows , ultra-defined textures (silk , scale , wood , stone). No tattoo effect , no color , no skin texture. Pure linework and shading. Artistic , harmonious , balanced , anatomical logic respected. Light feminine touch and sacred calm atmosphere. ,

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Intricate black and grey drawing , highly detailed and semi-realistic , designed as an advanced preparatory sketch for a tattoo. Full composition for outer bicep and shoulder. Central figure: traditional Thai Buddha , seated with one knee raised , head gently tilted to the side , serene and enlightened expression. Elegant drapery on his robe , with soft fabric folds and subtle shadows. Behind him , a majestic Thai Naga: a serpentine dragon with multiple ornate horns , sharp fangs , long finned whiskers , richly detailed scales and textured coils. The Naga winds behind the Buddha in an S-curve , dynamic and flowing , with sense of spiritual protection. Background: a delicate , elegant three-tier Thai pagoda , visible over the Buddha’s shoulder , with ornate roof details , curved tips , and shaded wood textures. Floating throughout the composition: soft , drifting Japanese cherry blossom petals , bringing poetic movement and lightness. The composition is harmonious , flowing with anatomical curves of the bicep and shoulder. Clear visual hierarchy , deep contrast , strong shading to emphasize volumes and textures. Drawing style: black and grey ink sketch , with high-definition pencil-like linework , bold outlines mixed with soft shading. No color. Not a tattoo render — pure art drawing with anatomical logic , atmospheric depth and rich symbolic detail. --- 🐉 Bonus — description précise du Naga thaïlandais : > The Thai Naga is a mythical serpent-dragon hybrid. It has a long , sinuous body like a snake , but with a fierce dragon face , a crown-like horned crest , flame-like eyebrows , and flowing fin-like ears. Its body is covered in symmetrical , overlapping scales , often detailed like fish or dragon scales. It exudes motion and power , and often coils with flowing elegance. Unlike Chinese dragons , it has a more divine and protective presence , often associated with water and temple guardianship. ,

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> Black and grey high-resolution drawing , highly detailed and semi-realistic — not a tattoo render but a clean , refined artwork for preparatory tattoo design. No color , pure pencil or ink style. Scene composed for outer bicep and shoulder , flowing naturally with muscle curvature. Central figure: traditional Thai Buddha sitting in a relaxed pose , head leaning into his hand , one knee raised , calm and compassionate expression. Classic Thai features: elongated earlobes , stylized spiral hair curls , soft smile , gentle downcast eyes. His robe drapes in realistic folds with soft shading , suggesting silk texture and weight. Behind and around the Buddha , a majestic Thai Naga coils in a dynamic upward S-shape. The Naga is a serpentine mythical creature from Thai Buddhist tradition , combining the grace of a snake with the divine power of a dragon. Its head is large , with a wide open mouth revealing sharp fangs , and flaming , arched eyebrows above intense eyes. It wears a multi-pointed crown or crest , adorned like a deity , with multiple ornate horns rising symmetrically. Two long , fin-like ears flow backwards from the sides of the head , resembling river currents. Its whiskers extend in thin , flowing arcs , adding sacred elegance. The body is long and muscular , covered in highly detailed , overlapping fish-like scales , shaded for volume and realism. As it coils behind the Buddha , its movement suggests both protection and spiritual energy , never overpowering the scene. In the background , above and to the shoulder side , a refined three-tier Thai pagoda or temple rises with gently curved rooflines and fine architectural details. The temple is small in scale to respect depth and balance , like a sacred silhouette above the scene. Floating across the composition: delicate Japanese cherry blossom petals , drifting through the air , adding spiritual poetry and motion. Style: hand-drawn ink or pencil illustration , black and grey only. Clean composition with anatomical logic , deep texture , and light atmospheric background. Emphasis on texture and balance: Buddha’s face: soft stone or skin-like texture Naga’s body: dense , glossy scaled pattern with high contrast Pagoda: wood and stone shading Cherry petals: soft , semi-translucent Composition must remain readable , elegant , and harmonious — suitable as a sacred and artistic foundation for a future tattoo design. ,

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Highly detailed black and grey drawing , semi-realistic and elegant. Not a tattoo render — clean illustration , refined and atmospheric. Scene designed for outer bicep/shoulder flow. Center: a graceful Thai Buddha seated with his head resting gently in his hand , elbow on his raised knee. Feminine , benevolent expression , Thai facial features , spiral curls , elongated ears , and flowing robe with realistic silk folds. Coiling protectively around him: a majestic Thai Naga in fluid serpentine motion. The Naga has a divine dragon-serpent body , adorned with a triple crown , flame-shaped eyebrows , large sacred eyes , long floating whiskers , and fin-like ears. Its body flows in elegant S-curves , with finely detailed overlapping scales , coiling beneath the Buddha and arcing behind his back toward the shoulder. Background: a subtle 3-level Thai pagoda with wood and stone detail , partially veiled by mist or distance , adding depth. Throughout the air: drifting Japanese cherry blossom petals , adding movement , softness , and poetic flow. Style: black and grey pencil/ink illustration , soft shading , fine texture , volume and realism. High definition , feminine energy , harmonious balance , no color , no hard lines. Clean background. ,

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