AI Image Prompts for Gas
Explore AI generated designs, images, art and prompts by top community artists and designers.
A sorrowful woman , dressed in tattered , Victorian-era attire , sits amidst a dilapidated , steampunk workshop , surrounded by intricate clockwork mechanisms and discarded inventions , lit by soft gas lamps , casting long shadows , rendered in hyper-realistic pencil style , blending detail with soulful depth , reminiscent of Michael Garmash , Daniel F. Gerhartz , and Jeremy Mann. ,
Actúa como diseñador de vestuario teatral y describe en estilo realista , a una joven de talla L , vista frontal , con una túnica blanca larga inspirada en el estilo griego antiguo. Con mangas abiertas que dejen ver el brazo. Escote pequeño. Incluye detalles sobre la tela , el corte y el drapeado de la túnica. Además , añade accesorios que realcen el atuendo , como joyas , calzado y peinados. ,
foto realistis rasio 9 16 seorang pria paruh baya ras Indonesia berpakaian lusuh dan compang-camping penuh tambalan sedang duduk di meja makan sebuah warung makan sederhana di depannya tersaji sebuah mangkuk besar berisi mie dan dua buah pentolan bakso cukup besar hingga hampir memenuhi mangkuk , terdapat pula diatas meja segelas kopi , sebungkus rokok dan korek gas , dan segelas air putih , botol kecap kecil , botol saos tomat bermerek "Om Chan" , tempat sendok , beberapa toples plastik kecil , dan tisu pentolan tersebut terlihat seperti payudara wanita besar dan montok sambil memegang sendok yg ada di mangkuk , ekspresi wajahnya senyum tapi waaaah gtu nampak di sisi lain seorang wanita Indonesia berusia 20 tahun bertubuh montok , wajah cantik , rambut panjang memiliki payudara besar menonjol memakai atasan bikini , dan kain sarung sedang menyiapkan bakso lainnya ,
A lone astronaut in a sleek futuristic spacesuit stands on the icy cracked surface of Europa , one of Jupiter’s moons. The ground is covered in frozen ridges , fissures , and misty vapor rising from cracks in the ice. Above the horizon dominates the colossal planet Jupiter , filling most of the sky with swirling colorful cloud bands , storms , and the Great Red Spot. The astronaut’s visor reflects the glowing gas giant. In the distant sky , small moons are visible , casting faint shadows. The scene is highly realistic , cinematic , with sharp details , high contrast lighting , and a sense of silence and grandeur of space. Style: hyper-realistic , cinematic , epic , 8K detail , NASA-style realism ,
photo realistic portrait of a glamorous 1940s pinup , elongated figure , luminous skin , in the style of Alberto Vargas. office setting , leaning slightly over a desk , with long legs visible , wearing classic sheer stockings and high heels , elegant vintage blouse and pencil skirt , stylish hair and makeup , warm nostalgic lighting , long red hair ,
A professional horizontal banner design about Peruvian gastronomy , divided into three sections representing the regions of Peru: - Coast: delicious ceviche and arroz con mariscos , background of ocean waves , beach and fresh blue tones. - Andes (Sierra): traditional pachamanca and cuy , background of majestic green mountains with Andean atmosphere. - Amazon (Selva): juicy juane and tacacho with cecina , surrounded by tropical jungle leaves and vibrant green tones. At the center or top , an elegant and bold title text: "Sabores del Perú". Modern , colorful and appetizing style , high-quality lighting , realistic food textures , vivid contrast , professional banner composition for social media. ,
A close-up shot of a Chernobyl liquidator's gas mask , filling the frame with gritty , realistic detail. The mask is worn and authentic , modeled after Soviet-era designs with rounded lenses , thick rubber seals , and heavy straps , covered in ash and grime from the reactor’s fallout. The lenses are the focal point , each glass surface slightly warped and scratched , reflecting the fierce glow of distant fires within the reactor. Flames dance across the curved lenses in shades of red , orange , and intense yellow , creating a haunting , distorted view of the fiery chaos within. Lighting and Shadow Play: The overall lighting is low and moody , with harsh shadows defining the rugged texture of the mask and highlighting its worn , weathered surface. Dim light from a flickering source to the left illuminates the mask partially , casting deep shadows across the rubber surface , creating an ominous , high-contrast look. Hazy backlighting subtly outlines the mask’s contours , adding depth and a sense of foreboding. Atmospheric Details: The air is thick with smoke and radioactive dust , faintly illuminated by the fiery reflection in the lenses. Tiny , glowing particles float through the air , adding to the toxic , dangerous atmosphere. Thin wisps of smoke drift around the mask , softening the edges and giving the scene a ghostly quality. Surface Texture and Wear: The rubber of the mask is cracked and stained , showing the toll of exposure to radiation and extreme heat. Ash and small flecks of debris cling to its surface , adding realism and a gritty feel. Around the edges , faint condensation gathers on the rubber , hinting at the liquidator’s breath inside the suit. Reflection Details in the Lenses: In the mask's lenses , we see reflections of distant fires raging inside the reactor , with structures burning and twisted metal faintly visible in the intense glow. The reflections are slightly distorted , warped by the rounded glass , as if the fires themselves are bending reality. Occasional flickers of light pulse in the reflection , conveying the flickering intensity of the flames. Mood and Composition: The close-up shot emphasizes the isolation , courage , and silent determination of the liquidator. The composition is hauntingly intimate , placing the viewer face-to-face with the mask , capturing the intensity of the task and the immense , invisible danger surrounding them. Every detail contributes to a heavy , foreboding atmosphere , evoking a sense of dread and silent resilience. ,
Crea una imagen que parezca un selfie tomado con un iPhone de ellos gaspi y Sofía chica con lente rulos No debería haber un tema claro o una composición específica , solo una instantánea casual e involuntaria. La imagen debe estar ligeramente borrosa por el movimiento e iluminada de manera uní mente con farolas. La relación de aspecto debe ser 19:16. No debe parecer generado por una IA sino más bien como si hubiera sido tomada por una persona real. Debería estar borrosa , como si fuera tomada por casualidad ,
grand marble temple with tall Doric columns , intricate pediment sculptures , golden statue of Athena visible inside , steps leading up from the Agora , people in togas and chitons ascending , olive trees and stone benches nearby , bright white marble gleaming under the sun , distant blue sea horizon , noon , sunny , summer , Unreal Engine , 4K ,
early wooden and stone huts on Palatine Hill , smoke rising from hearth fires , livestock roaming open commons , primitive temples with terracotta roofs , people in simple woolen togas , traders near the Tiber River , sacred groves , construction of defensive walls , morning , clear , spring , Concept Art , 4K ,
"A fictional , humorous royal parody scene inside a grand fantasy cathedral filled with nobles in elaborate British-style ceremonial clothing. An older fictional noblewoman—not based on any real person—is fully turned away from the camera. She completely bends over at the waist and with both hands actively pulls up the back of her royal blue knee-length skirt , revealing white panties and legs in a comedic and exaggerated manner. Her expression is cheeky and mischievous. The nobles in the background react with exaggerated gasps , laughter , and shocked expressions. The scene is lighthearted , theatrical , and satirical—like a farcical royal comedy. This is a completely fictional scene and does not depict or reference any real individuals or events."shes wearing royal hat and gloves bends over ,
Comportate como un diseñador de caricaturas , conocedor de la cultura argentina y ayudame a generar una imagen tipo caricatura de estas personas que son familia: Daniel es el papa. Mariela la mama , Agustin hijo mayor , cande hija del medio y jazmin hija menor. los quiero mondados en un colectivo moderno con daniel de chofer y mariela de copiloto y los hijos saliendo por la ventana de los lados. El colectvo debe llamarse la "Videleta con una V en el capo.Hazlo con colores vivos que juegen con los colores del arcoiris. dime si necesitas mas informacion. Te dejo las imagenes de cada personaje para que los hagas similares ,
A Dieselpunk generic 36-year-old woman , wearing gas mask with protective suit , steel-toe boots , holding garbage bag , tool belt , standing on menthol , holding a broom in one hand , digging in a desolate industrial landfill , neon light , dark lighting , volumetric lighting , dust particles , cinematographic lighting , dramatic shadows , angled over the shoulder , ,
Fashion photograph of fish eye view , she has a Playing Cards like wings , cards showing in Sequence. Beauty and fashion supermodel walking on endless Las-Vegas casino street , night landscape. Organic Futurism. The fabric of the Playing Cards billows outward in all directions , unconventional , and fashionable clothing , as beautiful as heaven , trending on art-station. Full body shot from a low vantage point. Hips in the frame. ,
breathtaking bird eye view of landscape of A massive cost of desert view overgrown , an otherworldly light amidst a mystical sky BREAK , Create an image using a prism effect , with black monolith appearance. BREAK , Design an image with a fish-eye lens effect , capturing a wide field of view with a distinctive , a collaborative scene of diverse workers , including former asylum seekers and Sabines , constructing an earth rampart (vallum) with sharpened wooden stakes (palisade) placed strategically beyond the revered pomerium line. In the foreground , patrician overseers clad in flowing togas supervise the activity , their expressions serious yet encouraging. Nearby , guards stand at a rudimentary wooden gateway , vigilant but calm , cinematic lighting , photorealistic model look. BREAK , around a dust splash , aqua-white , strange white desert , white sunset , vibrant ,
Imagine a miniature world inside a vintage glass bottle , depicting a various objects arranged serenely on a rustic wooden table , a Middle Eastern dessert named 'Pistachio Rosewater Basbousa with Saffron-infused Syrup' served in antique plate , ornate glass bottles , antique iPhone. The scene is lit by warm gas lamps and the soft glow of a sunset. Rendered as a detailed matte painting with deep colors , fantastical elements , and intricate details , reminiscent of fantasy concept art trending on Artstation in 8k resolution. ,
Una imagen abstracta y conceptual que represente la detección pasiva de intrusiones en la red. El enfoque debe estar en la idea de 'monitorización invisible' , con flujos de datos etéreos y transparentes moviéndose a través de una red digital. Incluye un símbolo sutil y no intrusivo de un 'ojo' o un 'sensor' estilizado , que sugiera un Sistema de Detección de Intrusiones en Red (NIDS) en modo promiscuo , observando sin interferir. Enfatiza visualmente el alto volumen de tráfico que está siendo observado , tal vez con ráfagas de datos binarios o luminiscencia. Utiliza una paleta de colores dominada por azules fríos , verdes y púrpuras para transmitir una sensación de vigilancia tecnológica , silenciosa y constante , donde el concepto de latencia es irrelevante. ,
quiero que me hagas una imagen para niños de quinto de primaria donde pueda explicarse el siguiente ejemplo: Situación: Los niños de 3 años hacen psicomotricidad cada 6 días y los de 4 años cada 8 días. Pregunta: ¿Cada cuántos días coincidirán en la sala de psicomotricidad? Cálculo: Múltiplos de 6: 6 , 12 , 18 , 24 , 30 , 36 , 42 , 48.... Múltiplos de 8: 8 , 16 , 24 , 32 , 40 , 48... ➡️ m.c.m.(6 , 8) = 24 Interpretación: Cada 24 días coinciden en la sala de psicomotricidad. Saber esto facilita la organización y evita que haya solapamientos de horarios. ,
quiero que me hagas una imagen para niños de quinto de primaria donde pueda explicarse el siguiente ejemplo: Situación: Los niños de 3 años hacen psicomotricidad cada 6 días y los de 4 años cada 8 días. Pregunta: ¿Cada cuántos días coincidirán en la sala de psicomotricidad? Cálculo: Múltiplos de 6: 6 , 12 , 18 , 24 , 30 , 36 , 42 , 48.... Múltiplos de 8: 8 , 16 , 24 , 32 , 40 , 48... ➡️ m.c.m.(6 , 8) = 24 Interpretación: Cada 24 días coinciden en la sala de psicomotricidad. Saber esto facilita la organización y evita que haya solapamientos de horarios. ,
