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Explore AI generated designs, images, art and prompts by top community artists and designers.
https://arthub.ai/post/df00db9e-3681-4ed9-b3c2-25e9456ebe88 https://arthub.ai/post/b5b5d950-293c-4a87-b291-ecdb1b13d24d https://arthub.ai/post/af99f3e4-973c-4f50-b305-bad080a1faaa "Esbelta , elegante e graciosa (Slender , elegant , and graceful) , she possesses a timeless beauty that belies her true age. She appears to be in her late 20s to early 30s , with dark skin , long dark dreadlocks , and striking eyes that hold a captivating allure. Her eyes have a subtle reddish hue , a telltale sign of her vampiric nature , adding to her mystique. She carries herself with a quiet confidence and an air of sophistication , reflecting her long life and vast experiences. Her movements are fluid and graceful , like a dancer , and her presence commands attention without demanding it." , A detailed graphic novel illustration , in the distinct style of Artstation comics with heavy ink outlines , strong chiaroscuro , and a gritty texture. The scene unfolds within a once-luxurious apartment , now in controlled disarray after a fierce vampire attack. Debris is scattered precisely: shattered glass from broken windows and picture frames , splintered pieces of a high-end wooden coffee table , a torn velvet armchair overturned , and decorative vases in shards on the floor. Crucially , the structural elements like the ceiling and main walls are intact , showing only superficial damage , maintaining the illusion of a normal home to outsiders. At the center , Liaandra , a slender and elegant female vampire with dark skin , long , intricate dreadlocks , and striking carmine red eyes , lies defeated on the floor , her expression a mix of exhaustion and defiance. She is subjugated by a dominant male vampire , whose pale skin , long , flowing black hair , and piercing red eyes convey cold superiority. He is stepping on her in a gesture of absolute humiliation and triumph. Surrounding them , two or three additional male vampires (each with pale skin , dark hair , and red eyes , dressed in sharp , dark clothing) are positioned dynamically. One might be lunging forward , another observing with a smirk , creating a sense of menacing encirclement. Their movements should suggest precision and predatory grace. The lighting is intensely dramatic , with strong , focused light sources casting long , exaggerated shadows that enhance the tension and danger. The ambient light is low , creating stark contrasts. The color palette is dominated by deep , rich reds (evoking blood and danger) , dark grays , and blacks , with occasional muted browns and blues for the environment , all contributing to a violent , chaotic , and somber mood. The composition should draw the eye directly to Liaandra and her subjugator , with the surrounding vampires framing the central action , highlighting her unique features and the stark contrast between her and her captors. ,
A detailed graphic novel illustration , in the distinct style of Artstation comics with heavy ink outlines , strong chiaroscuro , and a gritty texture. The scene unfolds within a once-luxurious apartment , now in controlled disarray after a fierce vampire attack. Debris is scattered precisely: shattered glass from broken windows and picture frames , splintered pieces of a high-end wooden coffee table , a torn velvet armchair overturned , and decorative vases in shards on the floor. Crucially , the structural elements like the ceiling and main walls are intact , showing only superficial damage , maintaining the illusion of a normal home to outsiders. At the center , Liaandra , a slender and elegant female vampire with dark skin , long , intricate dreadlocks , and striking carmine red eyes , lies defeated on the floor , her expression a mix of exhaustion and defiance. She is subjugated by a dominant male vampire , whose pale skin , long , flowing black hair , and piercing red eyes convey cold superiority. He is stepping on her in a gesture of absolute humiliation and triumph. Surrounding them , two or three additional male vampires (each with pale skin , dark hair , and red eyes , dressed in sharp , dark clothing) are positioned dynamically. One might be lunging forward , another observing with a smirk , creating a sense of menacing encirclement. Their movements should suggest precision and predatory grace. The lighting is intensely dramatic , with strong , focused light sources casting long , exaggerated shadows that enhance the tension and danger. The ambient light is low , creating stark contrasts. The color palette is dominated by deep , rich reds (evoking blood and danger) , dark grays , and blacks , with occasional muted browns and blues for the environment , all contributing to a violent , chaotic , and somber mood. The composition should draw the eye directly to Liaandra and her subjugator , with the surrounding vampires framing the central action , highlighting her unique features and the stark contrast between her and her captors. ,
A detailed graphic novel illustration , in the distinct style of Artstation comics with heavy ink outlines , strong chiaroscuro , and a gritty texture. The scene unfolds within a once-luxurious apartment , now in controlled disarray after a fierce vampire attack. Debris is scattered precisely: shattered glass from broken windows and picture frames , splintered pieces of a high-end wooden coffee table , a torn velvet armchair overturned , and decorative vases in shards on the floor. Crucially , the structural elements like the ceiling and main walls are intact , showing only superficial damage , maintaining the illusion of a normal home to outsiders. At the center , Liaandra , a slender and elegant female vampire with dark skin , long , intricate dreadlocks , and striking carmine red eyes , lies defeated on the floor , her expression a mix of exhaustion and defiance. She is subjugated by a dominant male vampire , whose pale skin , long , flowing black hair , and piercing red eyes convey cold superiority. He is stepping on her in a gesture of absolute humiliation and triumph. Surrounding them , two or three additional male vampires (each with pale skin , dark hair , and red eyes , dressed in sharp , dark clothing) are positioned dynamically. One might be lunging forward , another observing with a smirk , creating a sense of menacing encirclement. Their movements should suggest precision and predatory grace. The lighting is intensely dramatic , with strong , focused light sources casting long , exaggerated shadows that enhance the tension and danger. The ambient light is low , creating stark contrasts. The color palette is dominated by deep , rich reds (evoking blood and danger) , dark grays , and blacks , with occasional muted browns and blues for the environment , all contributing to a violent , chaotic , and somber mood. The composition should draw the eye directly to Liaandra and her subjugator , with the surrounding vampires framing the central action , highlighting her unique features and the stark contrast between her and her captors. ,
A detailed graphic novel illustration , in the distinct style of Artstation comics with heavy ink outlines , strong chiaroscuro , and a gritty texture. The scene unfolds within a once-luxurious apartment , now in controlled disarray after a fierce vampire attack. Debris is scattered precisely: shattered glass from broken windows and picture frames , splintered pieces of a high-end wooden coffee table , a torn velvet armchair overturned , and decorative vases in shards on the floor. Crucially , the structural elements like the ceiling and main walls are intact , showing only superficial damage , maintaining the illusion of a normal home to outsiders. At the center , Liaandra , a slender and elegant female vampire with dark skin , long , intricate dreadlocks , and striking carmine red eyes , lies defeated on the floor , her expression a mix of exhaustion and defiance. She is subjugated by a dominant male vampire , whose pale skin , long , flowing black hair , and piercing red eyes convey cold superiority. He is stepping on her in a gesture of absolute humiliation and triumph. Surrounding them , two or three additional male vampires (each with pale skin , dark hair , and red eyes , dressed in sharp , dark clothing) are positioned dynamically. One might be lunging forward , another observing with a smirk , creating a sense of menacing encirclement. Their movements should suggest precision and predatory grace. The lighting is intensely dramatic , with strong , focused light sources casting long , exaggerated shadows that enhance the tension and danger. The ambient light is low , creating stark contrasts. The color palette is dominated by deep , rich reds (evoking blood and danger) , dark grays , and blacks , with occasional muted browns and blues for the environment , all contributing to a violent , chaotic , and somber mood. The composition should draw the eye directly to Liaandra and her subjugator , with the surrounding vampires framing the central action , highlighting her unique features and the stark contrast between her and her captors. ,
A detailed graphic novel illustration , in the distinct style of Artstation comics with heavy ink outlines , strong chiaroscuro , and a gritty texture. The scene unfolds within a once-luxurious apartment , now in controlled disarray after a fierce vampire attack. Debris is scattered precisely: shattered glass from broken windows and picture frames , splintered pieces of a high-end wooden coffee table , a torn velvet armchair overturned , and decorative vases in shards on the floor. Crucially , the structural elements like the ceiling and main walls are intact , showing only superficial damage , maintaining the illusion of a normal home to outsiders. At the center , Liaandra , a slender and elegant female vampire with dark skin , long , intricate dreadlocks , and striking carmine red eyes , lies defeated on the floor , her expression a mix of exhaustion and defiance. She is subjugated by a dominant male vampire , whose pale skin , long , flowing black hair , and piercing red eyes convey cold superiority. He is stepping on her in a gesture of absolute humiliation and triumph. Surrounding them , two or three additional male vampires (each with pale skin , dark hair , and red eyes , dressed in sharp , dark clothing) are positioned dynamically. One might be lunging forward , another observing with a smirk , creating a sense of menacing encirclement. Their movements should suggest precision and predatory grace. The lighting is intensely dramatic , with strong , focused light sources casting long , exaggerated shadows that enhance the tension and danger. The ambient light is low , creating stark contrasts. The color palette is dominated by deep , rich reds (evoking blood and danger) , dark grays , and blacks , with occasional muted browns and blues for the environment , all contributing to a violent , chaotic , and somber mood. The composition should draw the eye directly to Liaandra and her subjugator , with the surrounding vampires framing the central action , highlighting her unique features and the stark contrast between her and her captors. ,
A detailed graphic novel illustration , in the distinct style of Artstation comics with heavy ink outlines , strong chiaroscuro , and a gritty texture. The scene unfolds within a once-luxurious apartment , now in controlled disarray after a fierce vampire attack. Debris is scattered precisely: shattered glass from broken windows and picture frames , splintered pieces of a high-end wooden coffee table , a torn velvet armchair overturned , and decorative vases in shards on the floor. Crucially , the structural elements like the ceiling and main walls are intact , showing only superficial damage , maintaining the illusion of a normal home to outsiders. At the center , Liaandra , a slender and elegant female vampire with dark skin , long , intricate dreadlocks , and striking carmine red eyes , lies defeated on the floor , her expression a mix of exhaustion and defiance. She is subjugated by a dominant male vampire , whose pale skin , long , flowing black hair , and piercing red eyes convey cold superiority. He is stepping on her in a gesture of absolute humiliation and triumph. Surrounding them , two or three additional male vampires (each with pale skin , dark hair , and red eyes , dressed in sharp , dark clothing) are positioned dynamically. One might be lunging forward , another observing with a smirk , creating a sense of menacing encirclement. Their movements should suggest precision and predatory grace. The lighting is intensely dramatic , with strong , focused light sources casting long , exaggerated shadows that enhance the tension and danger. The ambient light is low , creating stark contrasts. The color palette is dominated by deep , rich reds (evoking blood and danger) , dark grays , and blacks , with occasional muted browns and blues for the environment , all contributing to a violent , chaotic , and somber mood. The composition should draw the eye directly to Liaandra and her subjugator , with the surrounding vampires framing the central action. ,
A detailed graphic novel illustration , in the distinct style of Artstation comics with heavy ink outlines , strong chiaroscuro , and a gritty texture. The scene unfolds within a once-luxurious apartment , now in controlled disarray after a fierce vampire attack. Debris is scattered precisely: shattered glass from broken windows and picture frames , splintered pieces of a high-end wooden coffee table , a torn velvet armchair overturned , and decorative vases in shards on the floor. Crucially , the structural elements like the ceiling and main walls are intact , showing only superficial damage , maintaining the illusion of a normal home to outsiders. At the center , Liaandra , a slender and elegant female vampire with dark skin , long , intricate dreadlocks , and striking carmine red eyes , lies defeated on the floor , her expression a mix of exhaustion and defiance. She is subjugated by a dominant male vampire , whose pale skin , long , flowing black hair , and piercing red eyes convey cold superiority. He is stepping on her in a gesture of absolute humiliation and triumph. Surrounding them , two or three additional male vampires (each with pale skin , dark hair , and red eyes , dressed in sharp , dark clothing) are positioned dynamically. One might be lunging forward , another observing with a smirk , creating a sense of menacing encirclement. Their movements should suggest precision and predatory grace. The lighting is intensely dramatic , with strong , focused light sources casting long , exaggerated shadows that enhance the tension and danger. The ambient light is low , creating stark contrasts. The color palette is dominated by deep , rich reds (evoking blood and danger) , dark grays , and blacks , with occasional muted browns and blues for the environment , all contributing to a violent , chaotic , and somber mood. The composition should draw the eye directly to Liaandra and her subjugator , with the surrounding vampires framing the central action. ,
A full-body illustration for a children's book. **FORMAT:** **Landscape orientation , aspect ratio 16:9. NO BORDER OR FRAME.** **STYLE:** **Crayon Texture and Colored Pencil Style** , highly reminiscent of the provided image reference. **COLOR PALETTE:** Dominantly soft and warm tones (creamy beige , warm yellow , creamy off-white , vibrant red from the headscarf) , with gentle light. **CHARACTERS (Little Miss Bug & Mr. Dog):** * **Little Miss Bug:** A **cute , anthropomorphic (bug-like/doll-like) character** wearing her **vibrant RED headscarf** and her elegant **creamy off-white traditional dress** with floral patterns. Her **ladybug wings are closed. NO TRANSPARENT OR UNDER-WINGS ARE VISIBLE.** She looks **disappointed but highly polite and composed** , waving a hand gently. * **Mr. Dog:** Anthropomorphic , with his usual simple yet now deeply **sad and dejected expression** , wearing traditional Iranian clothing. He is shown **actively in the process of leaving**. His body is positioned **halfway out of the doorway** , with one foot stepping outside and his back entirely turned towards the interior of the room. His head is **visibly bowed down with profound sadness and disappointment** , not looking back at Little Miss Bug , fully expressing his dejection as he exits. He is **holding the large , juicy bone sadly in one hand**. His **tail is clearly visible , hanging very low and limply between his legs** , typical of a sad dog. **ACTION/EMOTION:** **Mr. Dog is visibly making his exit through the open wooden doorway (He is halfway out) , his head lowered in deep defeat.** Little Miss Bug is standing slightly away from the door , **waving politely but firmly** towards him. The scene conveys a sense of quiet finality and gentle rejection , with clear , profound sorrow from Mr. Dog. **SETTING/ATMOSPHERE:** The cozy , warm traditional Iranian room is visible , with the **entrance doorway serving as a strong frame for Mr. Dog's energetic movement of departure.** The light is warm and poetic. **COMPOSITION:** A horizontal view , taken from an **angle slightly behind and to the side of Mr. Dog** , emphasizing his departing back and **his head bowed in profound sadness**. Little Miss Bug is in the mid-ground , waving goodbye. Full bodies are visible. ,
A full-body illustration for a children's book. **FORMAT:** **Landscape orientation , aspect ratio 16:9. NO BORDER OR FRAME.** **STYLE:** **Crayon Texture and Colored Pencil Style** , highly reminiscent of the provided image reference. **COLOR PALETTE:** Dominantly soft and warm tones (creamy beige , warm yellow , creamy off-white , vibrant red from the headscarf) , with gentle light. **CHARACTERS (Little Miss Bug & Mr. Dog):** * **Little Miss Bug:** A **cute , anthropomorphic (bug-like/doll-like) character** wearing her **vibrant RED headscarf** and her elegant **creamy off-white traditional dress** with floral patterns. Her **ladybug wings are closed. NO TRANSPARENT OR UNDER-WINGS ARE VISIBLE.** She looks **disappointed but highly polite and composed** , waving a hand gently. * **Mr. Dog:** Anthropomorphic , with his usual simple yet now deeply **sad and dejected expression** , wearing traditional Iranian clothing. He is shown **actively in the process of leaving**. His body is positioned **halfway out of the doorway** , with one foot stepping outside and his back entirely turned towards the interior of the room. His head is **visibly bowed down with profound sadness and disappointment** , not looking back at Little Miss Bug , fully expressing his dejection as he exits. He is **holding the large , juicy bone sadly in one hand**. His **tail is clearly visible , hanging very low and limply between his legs** , typical of a sad dog. **ACTION/EMOTION:** **Mr. Dog is visibly making his exit through the open wooden doorway (He is halfway out) , his head lowered in deep defeat.** Little Miss Bug is standing slightly away from the door , **waving politely but firmly** towards him. The scene conveys a sense of quiet finality and gentle rejection , with clear , profound sorrow from Mr. Dog. **SETTING/ATMOSPHERE:** The cozy , warm traditional Iranian room is visible , with the **entrance doorway serving as a strong frame for Mr. Dog's energetic movement of departure.** The light is warm and poetic. **COMPOSITION:** A horizontal view , taken from an **angle slightly behind and to the side of Mr. Dog** , emphasizing his departing back and **his head bowed in profound sadness**. Little Miss Bug is in the mid-ground , waving goodbye. Full bodies are visible. ,
Photorealistic , realistic face , full lenght freckled brown wavy shoulder hair 30yo beautiful woman wearing a green and bronze victorian long dress , brown long boots. blue eyes and a shy smile , glasses. the scene is in a wooden library she's sitting on a chair and looking at an old book in her hands ,
Create a realistic interior design of a 60-square-meter café in a modern loft style. • On the top wall , place the bar counter , reception , and cash register area. • On the right side , add large stained-glass windows and doors that let in plenty of natural light. • The floor should be concrete , but make it look stylish and refined (for example , polished or with a decorative finish). • Walls are painted in a taupe color , with some lighter accents to avoid a dark or dull look. • Add square tables and wooden chairs. • Above each table , hang pendant lamps for a cozy atmosphere. • Decorate the walls with framed photos in a loft style , related to coffee or café culture. • Include wooden bookshelves with plants , books , small statues , and decorative items for warmth and personality. • Make sure the space feels cozy and welcoming , not dark or monotonous — use contrasting light and warm tones. • Add lighting fixtures above the bar area as well. • Behind the bar , include a sign with the café name and a menu board on the wall. ,
Create a realistic café interior design with an area of 60 square meters in a loft style. On the top wall , place the bar counter , reception , and cash register. On the right side , there are stained-glass windows letting in natural light. The floor is concrete , but make it look aesthetically refined (for example , polished or with a microcement finish). The walls are painted in taupe color. Add square tables and wooden chairs. Above each table , hang industrial-style pendant lamps. Decorate the walls with framed photos related to coffee and its history , matching the loft aesthetic. Include bookshelves with books and decor to create a cozy and inviting atmosphere. Use warm , soft lighting to emphasize a calm , modern , and comfortable mood. ,
Create a realistic café interior design with an area of 60 square meters in a loft style. On the top wall , place the bar counter , reception , and cash register. On the right side , there are stained-glass windows letting in natural light. The floor is concrete , but make it look aesthetically refined (for example , polished or with a microcement finish). The walls are painted in taupe color. Add square tables and wooden chairs. Above each table , hang industrial-style pendant lamps. Decorate the walls with framed photos related to coffee and its history , matching the loft aesthetic. Include bookshelves with books and decor to create a cozy and inviting atmosphere. Use warm , soft lighting to emphasize a calm , modern , and comfortable mood. ,
A slender woman with striking blue skin , adorned in an elegant , flowing gown that complements her unique hue , is seated gracefully in an ornate , well-worn leather chair nestled in a dimly lit Victorian library. The room is lined with towering bookshelves filled with ancient tomes , their spines cracked and faded. Soft golden light filters through a stained glass window , casting colorful patterns on the polished wooden floor. Dust motes dance in the air , illuminated by the warm glow. The woman’s long , dark hair cascades over her shoulders , and she gazes thoughtfully at an open book resting on her lap , her fingers delicately tracing the pages. A sense of timelessness envelops the scene , inviting viewers into this enchanting literary sanctuary. ,
A realistic , funky Bali massage voucher template in landscape orientation , placed on a natural wooden surface. The design feels relaxing , tropical , and warm , with earthy and golden tones — terracotta , amber , beige , and soft orange. Layout includes a title (“Bali Massage Voucher”) , space for recipient name and value , and the Balinesse Spa logo in a subtle , elegant placement. Background shows realistic natural textures — wood , woven bamboo , or soft palm leaf shadows. Add Balinese spa elements like candles , soft towels , and palm leaves , with gentle sunlight for a warm , calming feel. Use soft depth of field , natural shadows , and ambient tropical lighting for realism. The final composition should look like a high-quality product photo — warm , tranquil , and professionally styled. Recommended settings: Model: Realistic Vision V6.0 or DreamShaper XL Aspect ratio: 16:9 (landscape) Quality: High or Ultra Style: Photorealistic Lighting: Soft natural sunlight ,
Large Pictish Ship , wooden vessel with curved hull , high prow and stern , decorated with carved knotwork and carrying hide sails , Style: hyperrealistic with a painterly texture , reminiscent of historical reconstruction art , detailed and atmospheric with subtle depth of field , White or Transparent Background , Full view , Side View , 4K. ,
Burghead , Iron Age promontory fort on the Moray Firth , stone ramparts overlooking gray northern sea , wooden huts within wind-swept walls , gulls wheeling under overcast sky , late autumn , Style: hyperrealistic with a painterly texture , reminiscent of historical reconstruction art , detailed and atmospheric with subtle depth of field , Wide view , Side View , 4K. ,
An image of a capuccino beverage with milk foam and a cinnamon bun pastry. The mug is made from copper. The capuccino's color is matcha green. The milk foam has a very pale cinnamon brown color. The design on the milk foam is an inward spiral. There is a thin strand of honey spiral on the outer edge of the milk foam. Next to the capuccino drink , there is a plate with cinnamon bun with pistachio , grapes , and ruby chocolate chips. The beverage and the pastry are on top of a wooden table. ,
An image of a capuccino beverage with milk foam and a design on top of it. The mug is made from red molten wax. The capuccino's color is matcha green. The milk foam has a very pale cinnamon brown color. The design on the milk foam is an inward Fibonacci spiral. There is a thin strand of honey spiral on the outer edge of the milk foam. Next to the capuccino drink , there is a plate with sticky bun styled pastry with pistachio , grapes , and ruby chocolate chips. The beverage and the pastry are on top of a wooden table. ,
Engraving style picture of a moderate sized cottage surrounded by big trees. The cottage has a cozy , friendly atmosphere. The cottage has a wooden door , cozy windows , and a chimney. There is smoke rising from the chimney. Next to the cottage , there is a covered well and a small vegetable garden. ,
Schöningen Spear , finely crafted wooden hunting spear from the Lower Paleolithic era with a sharpened point and smooth polished surface , Style: hyperrealistic with a painterly texture , reminiscent of historical reconstruction art , detailed and atmospheric with subtle depth of field , White or Transparent Background , Full view , Side View , 4K. ,
Create a luxurious , high-fashion magazine cover for VOGUE MEN featuring a single male model named Brock Magnus. He is sitting on elegant , refined wooden steps (not the same as in the original photo , but upgraded to look modern , artistic , and prestigious). Change his pose to a striking , powerful , and confident seated position that conveys elegance and charisma. Maintain his exact facial features and identity with sharp detail. Add glamorous details inspired by real high-end fashion magazine covers: sophisticated lighting , bold typography , glossy textures , refined shadows , and subtle luxury elements in the background. The overall composition should look rare , iconic , and visually captivating , with a stylish layout that reflects an elite international magazine aesthetic. Cover text and design should match the luxury branding of VOGUE MEN Don't forget to leave the clothes as they are without altering them This is to show the model's muscles , and this is very important. ,
17th Century Serbian Tavern Map , top down D&D style full coloured unlabeled floorplan , rustic timber and stone building , shingled roof , large common room with wooden tables and benches , central hearth and fireplace , bar counter with barrels and shelves , side storage room with casks , small kitchen with stone oven , private back room for guests , narrow wooden staircase to loft sleeping area with straw beds , lanterns and candles providing light , courtyard with well and hitching post , Ultra Detailed , White Background , 4k , Digital Painting ,