Search Results for rob - Arthub.ai

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Search Results for rob

Explore AI generated designs, images, art and prompts by top community artists and designers.

Fantasy Characters Low Poly Sci Fi Furniture

"Comic strip with 3 panels. The style is french-belgium colorful , expressive , with bold outlines. In each panel , show three people — one man and two women — wearing traditional Argentine gaucho hats , sitting around a rustic wooden table enjoying a meal together. The setting is outdoors , like in the countryside , with grilled meat , bread , wine , and mate on the table. Panel 1: The characters arrive and greet each other happily. Text bubble (man): '¡Qué alegría verlas , che!' Text bubble (woman 1): '¡Robi ! Ya era hora de este asado!' Panel 2: They are eating and laughing together. Text bubble (woman 2): 'Nada como un buen asado con Robi.' Text bubble (man): 'Y con buen vino , ¡mejor todavía!' Panel 3: They raise their cups/mates in a toast. Text bubble (all): '¡Salud y que no falten nunca los pecados capitales!' ,

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A colossal , ancient robot , overgrown with bioluminescent moss and vines , slumbers in the heart of a dense , otherworldly jungle. Its metallic body is a canvas of intricate , weathered patterns , hinting at a forgotten technological past. Strange , exotic creatures with glowing eyes observe from the shadows. The scene is rendered with the moody atmosphere of dark fantasy concept art , emphasizing high detail and dynamic , dappled lighting. ,

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**"A hyper-detailed industrial cyberpunk assembly line mass-producing Terminator-style robotic endoskeletons , bathed in the eerie glow of flickering neon and cold factory lighting. Towering hydraulic presses , robotic arms , and conveyor belts dominate the scene , their metallic surfaces gleaming with oil and grime. Thick plumes of black smoke rise from overworked machinery , curling toward the high , rusted ceiling where exposed pipes and ventilation ducts crisscross like veins. The robots on the line are in various stages of assembly—some half-formed with exposed wiring and skeletal frames , others nearly complete , their red sensor eyes flickering to life. The atmosphere is oppressive , a mix of industrial noise , hissing steam , and the hum of electricity , with a dystopian tension hanging in the air. The art style blends hyper-realistic mechanical precision with a gritty , cinematic cyberpunk aesthetic—sharp metallic textures , dramatic lighting contrasts , and a moody , high-detail composition that evokes the dark , futuristic tone of the *Terminator* universe. Include intricate reflections on wet factory floors , scattered tools , and the occasional spark from malfunctioning equipment to enhance the immersive , high-stakes industrial environment."** ,

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A robotic-looking Millennial cat with glowing eyes sits next to a cyberpunk woman in tattered tactical gear , pink mini tartan skirt with a realistic and sci-fi-centric setting behind them , while a Gen Z cat dances to jazz music with headphones on. ,

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Old Kingdom of Egypt Giza Plateau , grand pyramids rising above desert sands , Fully cased limestone casing stones gleaming in sunlight , Great Sphinx gazing eastward , workers hauling stone blocks on sledges , priests in linen robes offering rituals , palm groves near the Nile in distance , clear blue sky above , noon , sunny , summer , Matte Painting , 4K ,

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Old Kingdom of Egypt Giza Plateau , grand pyramids rising above desert sands , limestone casing stones gleaming in sunlight , Great Sphinx gazing eastward , workers hauling stone blocks on sledges , priests in linen robes offering rituals , palm groves near the Nile in distance , clear blue sky above , noon , sunny , summer , Matte Painting , 4K ,

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grand pyramids rising above desert sands , limestone casing stones gleaming in sunlight , Great Sphinx gazing eastward , workers hauling stone blocks on sledges , priests in linen robes offering rituals , palm groves near the Nile in distance , clear blue sky above , noon , sunny , summer , Matte Painting , 4K ,

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Perfectly symmetrical wide shot (16:9) , level horizon , camera aligned with the central object , distance ~200 m. A massive rectangular granite hall in dark tones; clean , glossy , monumental surfaces. In the center — an exhibit: a large fragment of rock placed on a pedestal and a slight elevation; around it , an oval glass capsule is shattered , large and small shards scattered across the wide granite pathway and floating on the water. The rest of the hall is flooded — now the water is raging: powerful waves , ripples , splashes , wet reflections on the granite. High on the side walls — small windows , but no light comes through them anymore (black openings). The hall pulses with red emergency lighting: strobing flashes , deep shadows , crimson wash; red highlights tearing across the waves and wet surfaces. On the rock and walls , sharp hand-painted inscriptions in white paint , large and crude: “FAKE , ” “EXPOSURE , ” “ENOUGH LIES , ” “WE HAVE THE RIGHT TO KNOW THE TRUTH” (brush strokes , paint drips , partially smeared by water). A sunbeam piercing through an opening in the ceiling exists as an architectural detail but is almost completely drowned out by the red light. In the air — a fine mist of water and microscopic glass particles , bright specular highlights on the shards , the wet granite giving mirror-like reflections. The atmosphere is tense and chaotic , with a subliminal “25th frame” effect: barely perceptible visual tearing/stripes and brief RGB shifts along the edges of shards and inscriptions. High detail , realistic materials , dramatic lighting , cinematic concept art. ,

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