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Explore AI generated designs, images, art and prompts by top community artists and designers.
"Create a luxurious casino ad in a glossy 3D-render style. In the foreground , depict an attractive , smiling woman in an elegant evening dress (or a stylish casino-themed outfit). She holds a smartphone displaying an active slot game [Gates of Olympus / Sweet Bonanza] with a big win '55.000 TL' and '+150 Free Spin'. Around her , floating elements: 200 lira banknotes (if Gates of Olympus) , or fruits and berries (if Sweet Bonanza) , plus gold coins and diamonds. Background — a premium casino atmosphere: neon signs , poker chips , golden details. At the top , bold promotional text: 'Hoşgeldin Bonusu! 55.000 TL + 150 Free Spin!' (gold gradient with neon glow). At the bottom — casino logo and 'Download on Google Play' button. Style: ultra-detailed , shiny effects , vibrant colors , and dynamic composition." ,
Crea un Logo para una empresa de Asesoría y Gestión de soluciones sobre las tecnologías de la información y las comunicaciones (AGSTIC) , el eslogan "Apostamos por el futuro de la informatización." Misión: Es un proyecto que nace de la necesidad de lograr que ingenieros y técnicos profesionales especializados , puedan defender y hacer crecer nuestro ciberespacio de forma segura , que sea de su competencia contribuir a la informatización de la sociedad cubana , brindando servicios de calidad y seguridad que la tecnología actual exige. Creamos Infraestructura de redes informáticas y de comunicaciones , reparamos equipos y servicios. Visión: Pretendemos ser una empresa líder en la gestión de los procesos con las tecnologías de la información , brindando soluciones innovadoras y adaptables que cubran las necesidades de nuestros clientes , garantizando una excelente calidad de servicio. Nos especializamos en crear , comercializar e implementar soluciones integrales que abarcan toda la gama de las tecnologías de la información y la electrónica. Gama de Servicios que se brindan. Capacitaciones • Adiestramientos sobre Ciberseguridad (Gestión Documental y marco legal actualizado) • Adiestramientos sobre sistemas operativos Linux y Windows (niveles Básico y Avanzado) • Adiestramientos sobre Microsoft Office (Word , Excel , PowerPoint y otros) • Adiestramientos sobre otros softwares solicitados por los clientes. Soporte Técnico • Instalación de Sistemas Operativos. • Mantenimiento preventivo y correctivo de hardware. • Realización de Reparaciones menores. • Realización de Reparaciones mayores en taller. • Instalaciones y asistencia técnica de Redes Informáticas. • Instalaciones y asistencia técnica de Redes eléctricas. • Instalaciones y asistencia técnica de Sistemas de Vigilancia. • Instalaciones y asistencia técnica de sistemas automatizados. • Creación de multimedia y folletos. • Impresiones de varios formatos de documentos. • Plasticado de varios formatos de documentos. Desarrollo de Softwares y actualizaciones de infraestructura tecnológica. • Desarrollo de sitios web. • Desarrollo de softwares a la medida. • Asistencia técnica especializada de softwares. • Instalación y Administración técnica de los servidores. • Desarrollo de un archivo digital como respaldo documental de los clientes. • Comercialización de softwares de terceros a solicitud de los clientes. Alquiler y venta de Infraestructura tecnológica. • Unidades Centrales , Clientes Ligeros y Laptops. • Impresoras y Escáneres. • Equipos de Proyección audio visual. • Periféricos y accesorios de todo tipo. Los colores que deben predominar son el azul , blanco y verde. ,
Please help me to generate a picture , and help me to generate a self-portrait photo that is straightforward , without a clear sense of composition. The slight exposure caused by uneven lighting in the room presents a deliberate sense of mediocrity as a whole , like taking a selfie with your mobile phone out of your pocket. The figure is a beautiful woman who completely covers her five senses , wearing transparent clothes , but not too exposed to restore the cartoon character's dress (don't repeat) , focusing on her legs and figure. The posture should naturally conform to the realistic selfie logic , and the proportion of her figure should not be exaggerated. The mobile phone should reflect the truth and restore the real female skin texture , and the photo is slightly blurred. The picture ratio is 3:4. ,
"Mujer de 28 años en evento de moda , estilo sofisticado y moderno. Outfit: falda de cuero marrón oscuro , top negro de seda y tacones negros de aguja. Uñas cobre brillante. Ambiente de pasarela urbana con luces cálidas y público difuminado al fondo. Enfoque en el outfit y las uñas , estilo fotográfico editorial profesional." Detalles clave: Edad y estilo: 28 años , elegancia contemporánea. Outfit: Falda: Cuero marrón oscuro , corte midi y ajustado. Top: Negro de seda , escote halter o drapeado. Calzado: Tacones negros de aguja (12 cm). Accesorios: Bolso clutch dorado cobrizo. Collar de cadena dorada gruesa. Manos: En la cintura o sosteniendo copa , mostrando uñas cobre metalizado. Escenario: Pasarela urbana con luces cálidas y neón tenue. Estilo de imagen: Fotografía de moda profesional , iluminación dramática. Enfoque en texturas: cuero , seda y metal. Paleta: negro , marrón oscuro , cobre y dorado. ,
Escena: Mujer sofisticada en un evento de cóctel upscale , ambientación nocturna con luces tenues y reflejos dorados. Personaje Principal: Vestido: Largo de terciopelo vino con escote drapeado y manga larga ajustada. Abrigo Opcional: Capa corta de satén negro cayendo sobre los hombros. Calzado: Tacones de aguja dorados (metalizados) o stilettos negros con detalles de strass. Accesorios: Bolso: Clutch lentejuelas doradas o minaudière en forma de cápsula. Joyas: Collar de perlas barrocas + aros largos de cristal. Detalles Clave: Manos: Mano derecha: Sosteniendo copa de champagne (flute con burbujas). Mano izquierda: En la cintura , mostrando uñas vino mate (corte almond , longitud media en ambas manos). Maquillaje: Labios vino mate (tono gemelo a las uñas). Smoky eyes en dorado y negro + pestañas voluminosas. Iluminador dorado en pómulos y clavículas. Escenario: Fondo: Salón de cóctel art déco con: Lámparas de cristal colgantes. Paredes espejadas y detalles en oro. Barra lateral con botellas de licor premium. Elementos Adicionales: Invitados en traje de gala (desenfocados). Pequeña banda de jazz en el fondo (siluetas). ,
Escena: Mujer sofisticada en un evento de cóctel upscale , ambientación nocturna con luces tenues y reflejos dorados. Personaje Principal: Vestido: Largo de terciopelo vino con escote drapeado y manga larga ajustada. Abrigo Opcional: Capa corta de satén negro cayendo sobre los hombros. Calzado: Tacones de aguja dorados (metalizados) o stilettos negros con detalles de strass. Accesorios: Bolso: Clutch lentejuelas doradas o minaudière en forma de cápsula. Joyas: Collar de perlas barrocas + aros largos de cristal. Guantes: De encaje negro hasta el codo (opcional). Detalles Clave: Manos: Mano derecha: Sosteniendo copa de champagne (flute con burbujas). Mano izquierda: En la cintura , mostrando uñas vino mate (corte almond , longitud media). Maquillaje: Labios vino mate (tono gemelo a las uñas). Smoky eyes en dorado y negro + pestañas voluminosas. Iluminador dorado en pómulos y clavículas. Escenario: Fondo: Salón de cóctel art déco con: Lámparas de cristal colgantes. Paredes espejadas y detalles en oro. Barra lateral con botellas de licor premium. Elementos Adicionales: Invitados en traje de gala (desenfocados). Pequeña banda de jazz en el fondo (siluetas). ,
Una mujer estilosa asiste a un evento casual durante el día en el inicio del otoño. Tiene las uñas pintadas de un verde oliva y viste un conjunto suave y elegante: una blusa suelta blanca o beige , combinada con pantalones terracota de cintura alta o jeans oscuros ajustados. Sobre su atuendo , lleva un blazer verde oliva o una chaqueta de ante marrón claro. Su calzado incluye mocasines de color caramelo o botas de tobillo marrón oscuro. Entre sus accesorios se encuentran un bolso estructurado beige , pequeños aretes de oro , un cinturón de cuero natural y gafas de sol clásicas. Ella está al aire libre o en un espacio semiabierto , como un café en un patio o un área de evento boutique , decorada con elementos otoñales y una iluminación relajada. Su estilo es casual pero pulido , perfecto para una reunión creativa o profesional-casual. ,
Genera imágenes en referencia a este texto. My nuclear family is made up of my parents , my sister and me. It is a small circle , but very close and full of contrasts. Then there is the rest of my family , which includes my aunt , my uncle , my grandmother , my great-grandmother and also my great uncle. Although we are united by blood and , in some cases , by certain physical traits , I think that in terms of personality we are quite different from each other. It is interesting to observe how within the same family such opposite ways of being can coexist , as if each one were a world of its own. For example , something that both of us — I mean most of us — share is having light eyes , which comes from my grandmother’s side. It is like a distinctive brand that has passed from generation to generation. My mom has blue eyes , my uncle has green eyes , my aunt also has light eyes , and I have hazel eyes , which although they are not as light as theirs , still count as light eyes and contrast with the darker ones of other family members. Even my sister , who physically looks more like my dad , has darker eyes , so she’s not as light-eyed as I am. But even though we all have similar eyes , that doesn’t mean we’re both pretty alike in personality. When it comes to personality , I think I’m more serious than most of my family members. Some even say I’m the most bitter. I’m not very expressive with my emotions , and I prefer to stay out of things in social situations. My aunt is more cheerful than me — she’s always laughing , making jokes and spreading her energy to everyone. My mom is pretty cheerful too. We’re both pretty quiet when it comes to deeper emotions , but while she shows joy easily , I don’t. I sometimes wonder why I’m so different , but then I see my dad and I realize: we’re both pretty calm and reserved. In that way , I’m more like him than like my mom. My sister and I are very different. She’s more impulsive than me and acts without thinking a lot of the time. She’s flexible about things , but I’m not — I like to think before acting , plan ahead and stay organized , even if I sometimes forget things or don’t do everything perfectly. I always try to be responsible , but she’s not as responsible as I am. She’s carefree in a way I kind of admire , because it gives her a fresh way of being , even if it can be frustrating sometimes. We’re both pretty determined when we want something , but we go about it in totally different ways. Physically , I look more like my mom than anyone else in my family. Both of us are pretty fair-skinned , with curly hair and lighter eyes. My sister and my dad , on the other hand , are not as fair as we are — they both have darker complexions , straight hair and dark eyes. These physical traits really affect how people see us. When we go out as a family , people often say I’m more like my mom , while my sister is more like my dad. It’s almost as if we were two pairs within one family. Interestingly , even though there are big personality differences , sometimes we surprise each other by acting in similar ways. For example , my dad and I are both pretty quiet , but we end up having deep conversations without even planning them. It’s like we share an unspoken bond. My mom and my aunt are more forgiving than me — I’m not as forgiving as they are. They always manage to see the bright side of things. And even my sister , though she’s very impulsive , can sometimes be surprisingly practical in solving problems , while I’d spend a long time overthinking them. There’s also a strong generational contrast. My grandmother is very traditional — she’s not as open-minded as my aunt or my sister , who are more relaxed about modern ways of thinking. My great-grandmother is even more old-fashioned , and listening to her talk about the past really shows how much life has changed. We’re both pretty respectful of her experiences , even if we don’t always agree. These differences in age and mindset help us grow — we learn from each other even when we see things differently. In conclusion , even though we share a family history , physical features and blood ties , our personalities are full of contrast. Both of us — meaning all of us — share some similarities , like eye color or family habits , but I think I’m more serious , more structured and less flexible than others in my family. And I like that. The variety of personalities in my family makes us stronger , because each person brings something different , something unique that completes the rest. ,
The song is beautiful. The man singing it is even more so. So you do not fight the call to climb the rocks and fall into his arms. You do not fight his warm embrace , his touch , his sweet cooing. This is where you’re meant to be , after all. Who are you to fight against the melody calling you home? ,
Appearance: inside of the "Derby - Bar & Restaurant" , The bartender is a stout and robust Dwarf , a natural fit for the role with their love of a good drink and merriment. Standing behind the bar with a barrel chest and muscular arms , they exude an air of confidence and competence. Their thick , braided beard is impeccably groomed , and their fiery red hair matches the gleam in their eyes. Despite their short stature , they carry themselves with pride and authority , ensuring that the tavern runs smoothly. Features: This Dwarf bartender is an expert in the art of brewing and mixing drinks , boasting an impressive knowledge of beverages from all corners of the realm. They take pride in their craft and are eager to share their expertise with curious patrons. Their boisterous laughter can be heard throughout the establishment , setting the tone for a lively and convivial atmosphere. Habitat: This Dwarf bartender can be found in renowned taverns across the land , often in the heart of bustling cities or near mines and trade routes where Dwarves congregate. They may run an alehouse famous for its signature brew or manage an inn that welcomes travelers from near and far. In your DND world , this Dwarf bartender might be part of a close-knit Dwarven community or one of the few Dwarves venturing outside their mountain homes. Behavior: True to their Dwarven heritage , this bartender is hardworking , reliable , and fiercely loyal to their patrons. THE Derby - Bar & Restaurant values tradition and history , always eager to regale customers with tales of legendary heroes or the exploits of their ancestors. Their hearty demeanor and ability to hold their liquor make them the perfect drinking companions for those seeking camaraderie and mirth. Role in the World: In your DND world , this Dwarf bartender embodies the spirit of celebration and unity. They serve as a symbol of the joys of life , bringing people together to share stories and forge new friendships. Adventurers may find solace in their familiar presence , knowing that even in the farthest reaches of the realm , they can always find a friendly face in this Dwarf tavernkeeper. Encountering a Dwarf bartender in your campaign can be a delightful and memorable experience for players. It provides an opportunity to explore the rich cultural traditions of Dwarves and appreciate the sense of community and kinship they foster. The interactions with this lively bartender can lead to jovial role-playing moments , creating a sense of camaraderie among the players and their characters. The presence of a Dwarf bartender in your campaign world adds depth and authenticity to the portrayal of Dwarven culture. It showcases the Dwarves' love of craftsmanship , storytelling , and hearty revelry , painting a vivid picture of a race known for their lively spirits and strong bonds. This NPC can become a cherished and endearing character in your DND campaign , making the tavern they run a beloved location where players can find respite and warmth amidst the adventures that lie ahead. ,
An extremely unremarkable iPhone selfie photo with no clear subject or framing—just a careless snapshot. The photo has a touch of motion blur , and mildly overexposed from uneven sunlight. The angle is awkward , the composition nonexistent , and the overall effect is aggressively mediocre—like a photo taken by accident while pulling the phone out of a pocket to take the selfie. It's of a very pretty and attractive girl , whose a blonde , and has a good , hourglass figure , smiling at the camera with her head tilted , her upper body only is visible in the image , as it is a selfie in a carseat , candid , vertical 9:16 aspect ratio ,
Fashion model standing on a sun-drenched beach , dramatically changing from an elegant evening gown into a sleek , form-fitting swimsuit , mid-transition pose , dramatic lighting capturing the dynamic wardrobe shift , cinematic composition with soft golden hour sunlight , high-fashion editorial style , detailed textures of fabric and skin , sophisticated color palette of soft neutrals and ocean blues ,
Angelababy , realistic portrait , delicate facial features , large sparkling eyes , defined jawline , soft wavy hair , elegant evening gown with sequins , warm golden lighting , cinematic chiaroscuro , high details , 8K resolution , ultra HD , best quality , intricate textures , soft focus background , in the style of romanticism and hyperrealism fusion ,
Create a highly exaggerated animated scene of Don Quixote riding his horse Rocinante across a dry , windy field. Don Quixote is an extremely gaunt and haggard knight , with a skeletal frame , sunken cheeks , and a scraggly long beard under his chin , wearing a rusty , oversized knight's armor and a matching rusty knight's helmet that comically slips over his eyes every few seconds. His expression is wildly exaggerated , with bulging , manic eyes and a toothy grin , showing his delusional enthusiasm as he imagines himself a heroic knight. He leans forward dramatically on the horse , his bony frame bouncing and flailing with each step , holding the reins loosely with his left hand while his right hand wildly waves a bent , makeshift lance in the air , shouting with exaggerated bravado. His armor clanks loudly , and his movements are comically uncoordinated , with his helmet slipping and his body nearly falling off the horse. Rocinante is an absurdly skinny , cartoonish horse , with a skeletal body , knobby knees , and a drooping neck , looking like it might collapse at any moment. Its large , googly eyes are filled with fear , its ears flop comically , and its steps are slow , wobbly , and uneven , kicking up tiny clouds of dust as it stumbles forward. The field has patchy , dry grass swaying in the wind , with a crooked windmill in the background under a bright blue sky. Add exaggerated cartoon effects like stretchy limbs , bouncing motion lines , and sweat drops around Rocinante to emphasize the humor and animated style ,
In the beginning God created the sky and the earth. The earth was empty and had no form. Darkness covered the ocean , and God’s Spirit was moving over the water. Then God said , “Let there be light!” And there was light. God saw that the light was good. So he divided the light from the darkness. God named the light “day” and the darkness “night.” Evening passed , and morning came. This was the first day. Then God said , “Let there be something to divide the water in two!” So God made the air to divide the water in two. Some of the water was above the air , and some of the water was below it. God named the air “sky.” Evening passed , and morning came. This was the second day. Then God said , “Let the water under the sky be gathered together so the dry land will appear.” And it happened. God named the dry land “earth.” He named the water that was gathered together “seas.” God saw that this was good. Then God said , “Let the earth produce plants. Some plants will make grain for seeds. Others will make fruit with seeds in it. Every seed will produce more of its own kind of plant.” And it happened. The earth produced plants. Some plants had grain for seeds. The trees made fruit with seeds in it. Each seed grew its own kind of plant. God saw that all this was good. Evening passed , and morning came. This was the third day. Then God said , “Let there be lights in the sky to separate day from night. These lights will be used for signs , seasons , days and years. They will be in the sky to give light to the earth.” And it happened. So God made the two large lights. He made the brighter light to rule the day. He made the smaller light to rule the night. He also made the stars. God put all these in the sky to shine on the earth. They are to rule over the day and over the night. He put them there to separate the light from the darkness. God saw that all these things were good. Evening passed , and morning came. This was the fourth day. Then God said , “Let the water be filled with living things. And let birds fly in the air above the earth.” So God created the large sea animals. He created every living thing that moves in the sea. The sea is filled with these living things. Each one produces more of its own kind. God also made every bird that flies. And each bird produces more of its own kind. God saw that this was good. God blessed them and said , “Have many young ones and grow in number. Fill the water of the seas , and let the birds grow in number on the earth.” Evening passed , and morning came. This was the fifth day. Then God said , “Let the earth be filled with animals. And let each produce more of its own kind. Let there be tame animals and small crawling animals and wild animals. And let each produce more of its kind.” And it happened. So God made the wild animals , the tame animals and all the small crawling animals to produce more of their own kind. God saw that this was good. Then God said , “Let us make human beings in our image and likeness. And let them rule over the fish in the sea and the birds in the sky. Let them rule over the tame animals , over all the earth and over all the small crawling animals on the earth.” So God created human beings in his image. In the image of God he created them. He created them male and female. God blessed them and said , “Have many children and grow in number. Fill the earth and be its master. Rule over the fish in the sea and over the birds in the sky. Rule over every living thing that moves on the earth.” God said , “Look , I have given you all the plants that have grain for seeds. And I have given you all the trees whose fruits have seeds in them. They will be food for you. I have given all the green plants to all the animals to eat. They will be food for every wild animal , every bird of the air and every small crawling animal.” And it happened. God looked at everything he had made , and it was very good. Evening passed , and morning came. This was the sixth day. ,
“And He who sits on the throne said , “Behold , I am making all things new.” Also He said , “Write , for these words are faithful and true [they are accurate , incorruptible , and trustworthy].” [Is 43:19] And He said to me , “It is done. I am the Alpha and the Omega , the Beginning and the End. To the one who thirsts I will give [water] from the fountain of the water of life without cost. [Is 55:1] He who overcomes [the world by adhering faithfully to Christ Jesus as Lord and Savior] will inherit these things , and I will be his God and he will be My son. [2 Sam 7:14; 1 John 5:5] And he carried me away in the Spirit to a vast and lofty mountain , and showed me the holy (sanctified) city of Jerusalem coming down out of heaven from God , [Ezek 40:2] having God’s glory [filled with His radiant light]. The brilliance of it resembled a rare and very precious jewel , like jasper , shining and clear as crystal. It had a massive and high wall , with twelve [large] gates , and at the gates [were stationed] twelve angels; and on the gates the names of the twelve tribes of the sons of Israel were written. [Ex 28:21; Ezek 48:30-34] On the east side [there were] three gates , on the north three gates , on the south three gates , and on the west three gates. And the wall of the city had twelve foundation stones , and on them the twelve names of the twelve apostles of the Lamb (Christ). The wall was built of jasper; and the city was pure gold , transparent like clear crystal. [1 Kin 6:30] The foundation stones of the wall of the city were adorned with every kind of precious stone. The first foundation stone was jasper; the second , sapphire; the third , chalcedony; the fourth , emerald; [Ex 28:17-20; Is 54:11 , 12] the fifth , sardonyx; the sixth , sardius; the seventh , chrysolite (yellow topaz); the eighth , beryl; the ninth , topaz; the tenth , chrysoprase; the eleventh , jacinth; the twelfth , amethyst. And the twelve gates were twelve pearls; each separate gate was of one single pearl. And the street (broad way) of the city was pure gold , like transparent crystal. And the city has no need of the sun nor of the moon to give light to it , for the glory (splendor , radiance) of God has illumined it , and the Lamb is its lamp and light. [Is 24:23; 60:19 , 20] The nations [the redeemed people from the earth] will walk by its light , and the kings of the earth will bring into it their glory. [Is 60:1-5] By day (for there will be no night there) its gates will never be closed [in fear of evil]; [Is 60:11] and they will bring the glory (splendor , majesty) and the honor of the nations into it; and nothing that defiles or profanes or is unwashed will ever enter it , nor anyone who practices abominations [detestable , morally repugnant things] and lying , but only those [will be admitted] whose names have been written in the Lamb’s Book of Life. [Dan 12:1]” Revelation 21:5-7 , 10-14 , 18-21 , 23-27 AMP https://bible.com/bible/1588/rev.21.5-27.AMP ,
“And He who sits on the throne said , “Behold , I am making all things new.” Also He said , “Write , for these words are faithful and true [they are accurate , incorruptible , and trustworthy].” And He said to me , “It is done. I am the Alpha and the Omega , the Beginning and the End. To the one who thirsts I will give [water] from the fountain of the water of life without cost. He who overcomes [the world by adhering faithfully to Christ Jesus as Lord and Savior] will inherit these things , and I will be his God and he will be My son. And he carried me away in the Spirit to a vast and lofty mountain , and showed me the holy (sanctified) city of Jerusalem coming down out of heaven from God , having God’s glory [filled with His radiant light]. The brilliance of it resembled a rare and very precious jewel , like jasper , shining and clear as crystal. It had a massive and high wall , with twelve [large] gates , and at the gates [were stationed] twelve angels; and on the gates the names of the twelve tribes of the sons of Israel were written. On the east side [there were] three gates , on the north three gates , on the south three gates , and on the west three gates. And the wall of the city had twelve foundation stones , and on them the twelve names of the twelve apostles of the Lamb (Christ). The wall was built of jasper; and the city was pure gold , transparent like clear crystal. The foundation stones of the wall of the city were adorned with every kind of precious stone. The first foundation stone was jasper; the second , sapphire; the third , chalcedony; the fourth , emerald; the fifth , sardonyx; the sixth , sardius; the seventh , chrysolite (yellow topaz); the eighth , beryl; the ninth , topaz; the tenth , chrysoprase; the eleventh , jacinth; the twelfth , amethyst. And the twelve gates were twelve pearls; each separate gate was of one single pearl. And the street (broad way) of the city was pure gold , like transparent crystal. And the city has no need of the sun nor of the moon to give light to it , for the glory (splendor , radiance) of God has illumined it , and the Lamb is its lamp and light. The nations [the redeemed people from the earth] will walk by its light , and the kings of the earth will bring into it their glory. By day (for there will be no night there) its gates will never be closed [in fear of evil]; and they will bring the glory (splendor , majesty) and the honor of the nations into it; and nothing that defiles or profanes or is unwashed will ever enter it , nor anyone who practices abominations [detestable , morally repugnant things] and lying , but only those [will be admitted] whose names have been written in the Lamb’s Book of Life. ,
"Una ilustración vibrante y dinámica para un evento de carrera benéfica llamado 'X Marea Rosa'. La imagen debe capturar la energía y el espíritu de la carrera , así como la causa benéfica que la respalda. Elementos clave: Ola rosa: Una ola grande y estilizada en tonos rosados vibrantes domina el centro de la imagen , simbolizando la 'Marea Rosa'. La ola debe tener una textura fluida y dinámica , como si estuviera en movimiento. Corredores: Un grupo de siluetas de personas corriendo se encuentra en la parte inferior de la imagen , justo delante de la ola rosa. Las siluetas deben ser dinámicas y transmitir la sensación de movimiento y energía. Número '10': Un número grande y llamativo '10' se coloca en el centro de la ola rosa , indicando la décima edición del evento. El número debe tener un diseño moderno y legible , y estar integrado armoniosamente con la ola. Texto: El texto 'X Marea Rosa' se muestra en la parte superior de la imagen , y el lema '¡Corre x la vida!' se encuentra en la parte inferior. Ambos textos deben ser legibles y estar en una fuente que complemente el estilo de la imagen. Colores: La paleta de colores debe ser principalmente rosa , con tonos vibrantes y llamativos. Se pueden incluir otros colores complementarios para resaltar ciertos elementos , pero el rosa debe ser el color dominante. Estilo: El estilo de la ilustración debe ser moderno , dinámico y atractivo. Se puede utilizar un estilo de ilustración digital o una combinación de elementos realistas y estilizados. Consideraciones adicionales: La imagen debe tener una composición equilibrada y atractiva , con los elementos principales bien distribuidos. La iluminación debe ser suave y favorecedora , resaltando los colores y las formas de la imagen. La imagen debe transmitir un mensaje de esperanza , energía y solidaridad." ,
Create a vibrant , horizontal banner (aspect ratio 4:1) for a party event titled 'Guerra de Promotores' with a neon , 80s-inspired aesthetic. The background should feature a dynamic mix of purple , blue , and pink gradients with abstract light effects and confetti. Include the following text in bold , playful fonts: Main title: 'GUERRA DE PROMOTORES' in large , neon pink and blue letters with a slight 3D effect. Subtitle: 'JUEGA DE FIN DE VACACIONES EN "NOISE"' in white with a yellow outline , slightly smaller. Date and time: 'VIE 07 MAR DESDE LAS 12PM' in white , modern font. Location: 'CALLE VILLALBA 325 C - CERCAO' in smaller white text at the bottom. Event details: 'LINE UP DJs' with names 'SHAYELL' , 'TEMPA' , 'MARIO GALLEGOS' , 'ANIMAN' , 'ALEXANDER CHAVEZ' , 'PELUQUITA' in colorful , stylized logos or badges. Add two male characters in the center , one wearing a pink hoodie and sunglasses holding a bottle , the other in a red jacket with sunglasses holding a ruler , both posing confidently. Incorporate logos or branding in the top corners , such as 'AQP Fest' , 'Confesiones' , 'Universitaria' , 'Farrar' , and 'Noise' in neon styles. Use bright , contrasting colors (pink , blue , yellow , red) and a festive , energetic vibe. Avoid copyright elements and ensure the design is original. ,
Estilo Visual: Realismo Cinematográfico: Imágenes hiperrealistas generadas por IA , con texturas detalladas en la piel , la madera de la cruz y las heridas. Iluminación: Un haz de luz tenue ilumina a Cristo desde arriba , creando un contraste dramático con el fondo negro. La luz resalta las gotas de sangre , las lágrimas y los detalles de las heridas. Movimiento de Cámara: Cámara lenta y fluida , con un ligero tilt hacia arriba cuando Cristo se acerca , enfatizando su majestuosidad y humanidad al mismo tiempo. Escena Detallada: Apertura: Fondo Negro: La pantalla está completamente oscura. Lentamente , se escucha el crujido de la madera y el sonido del viento. Revelación: La cámara se acerca lentamente a la cruz , revelando a Cristo crucificado. Su rostro está sereno pero con rastros de dolor , las heridas en sus manos y pies son visibles , y la sangre cae en cámara lenta. El Descenso: Movimiento: Cristo comienza a bajarse de la cruz con movimientos fluidos y lentos , como si la gravedad no lo afectara. La cámara lo sigue en un movimiento circular suave , enfocándose en sus heridas y expresiones faciales. Detalles: Las gotas de sangre caen al vacío , y el sonido del viento se intensifica. La madera de la cruz cruje mientras se desprende , añadiendo realismo. Acercamiento: Enfoque Emocional: Cristo se acerca a la cámara con pasos lentos y deliberados. Sus ojos están llenos de compasión y misterio. La cámara se mueve hacia atrás mientras él avanza , manteniendo un plano medio que enfatiza su humanidad. Expresión: Sus labios no se mueven , pero su mirada transmite un mensaje profundo. La Frase: Voz en Off: Una voz suave pero poderosa dice: "A mí me viene a buscar gente sana , y yo los pongo a todos ciegos." Visualización: Las palabras parecen flotar en el aire , escritas en un estilo antiguo y orgánico , como si estuvieran hechas de polvo y luz. Desvanecimiento: Transición: Cristo abre sus brazos en una pose de redención , con las piernas juntas y las heridas brillando levemente. Lentamente , su cuerpo comienza a desvanecerse en partículas de luz y polvo , llevadas por el viento. Final: La cámara se aleja lentamente , mostrando el fondo negro y las partículas que se dispersan hasta desaparecer. Elementos Emocionales: Música: Una pieza orquestal con cuerdas suaves y un coro etéreo que aumenta en intensidad durante el descenso y se desvanece con el viento al final. Sonido Ambiental: El viento , el crujido de la madera y el sonido de las gotas de sangre crean una atmósfera envolvente. Expresiones: El rostro de Cristo debe transmitir una mezcla de dolor , compasión y autoridad , con miradas directas a la cámara que conecten con el espectador. Toques Finales: Color Grading: Tonos fríos con matices dorados en las luces para dar un aspecto celestial. Efectos Visuales: Partículas de polvo y luz que flotan en el aire , añadiendo un toque mágico y surrealista. ,
La imagen muestra a una pareja posando al aire libre en lo que parece ser un evento formal , posiblemente una boda o una celebración elegante. Ambos están de pie sobre un suelo empedrado de tonos amarillos y dorados , con el sol proyectando sombras nítidas de su silueta en el suelo. La iluminación es natural y brillante , lo que indica que es un día soleado con un cielo despejado y azul. ### **Descripción de las personas:** 1. **Hombre:** - Viste un traje azul vibrante , de corte moderno y ajustado. - Lleva una camisa blanca y una corbata roja con una textura sutil. - Su cabello es corto , oscuro y peinado con un ligero volumen hacia un lado. - Su complexión es atlética y su piel clara. - Usa zapatos negros formales bien lustrados. - Tiene una expresión amigable y relajada , con una leve sonrisa. - Su brazo izquierdo está detrás de la mujer , mientras que su brazo derecho cuelga de forma natural. 2. **Mujer:** - Viste un vestido fucsia vibrante con un diseño asimétrico y mangas largas y sueltas que caen como capas elegantes. - La falda es corta por delante y más larga por los lados , con pliegues en la tela que le dan movimiento. - Usa tacones plateados de plataforma con una pulsera en el tobillo. - Su cabello está recogido en un moño pulcro , dejando su rostro despejado. - Sus rasgos son finos y armoniosos , con una sonrisa cálida y natural. - Usa pendientes largos y discretos. - Su postura es relajada , con una pierna ligeramente adelantada y una mano descansando en su muslo. ### **Fondo y contexto:** - **Vegetación:** Hay arbustos llenos de flores amarillas vibrantes que rodean a la pareja , agregando un contraste natural con la vestimenta. - **Mobiliario:** Al fondo , se observa una mesa cubierta con un mantel blanco y decorada con flores rojas en pequeños jarrones. También hay sombrillas blancas que brindan sombra a los asistentes. - **Personas en segundo plano:** Se pueden ver varios invitados vestidos elegantemente , algunos en conversación y otros disfrutando de la recepción. - **Farola y señalización:** A la izquierda , hay un poste de luz negro con detalles decorativos. Detrás de la pareja , hay un cartel con letras amarillas sobre fondo azul que parece indicar el nombre del lugar , aunque no se distingue claramente. - **Sombras y luz:** La dirección de las sombras indica que el sol está alto pero inclinado , sugiriendo que es media mañana o media tarde. ,