Search Results for earth
Explore AI generated designs, images, art and prompts by top community artists and designers.
A young girl in a white dress sits on a grassy cliff at sunset , surrounded by flowers. In the sky above her , a giant opaque planet is clearly visible — a massive celestial body floating among the sunset clouds , dominating the background. The magical light-blue ocean stretches out before her. Butterflies and birds fly around peacefully. The large surreal planet is central to the scene , adding a dreamlike , fantasy atmosphere. Planet in the sky , fantasy sky , surreal planet , large glowing sphere in the clouds , alien world visible from Earth , highly detailed , cinematic composition. ,
red camaro car on moon's roads , behind earth , stars in sky , street lights , night time environment , ultra HD , 4K , UHD , hyper realistic , real , film scene , cinematic , Futuristic big and wide , ltitude of vibrant lights on the ceiling , lush neon greenery surrounding the space , reminiscent of retrofuturism and cyberpunk art , with intricate details and reflections in the water , sleek lines , 4K , ultra-detailed , atmospheric ambiance , blending organic and technological elements in a harmonious design. ,
A towering muscular Scottish man with rich golden-brown Indian-toned skin stands tall in a sun-scorched desert , carrying a large water tank balanced on his broad shoulder. Water drips slowly from the tank , cascading down his sweat-soaked , sculpted chest and defined abs , making his wet silk shorts cling even tighter to his hips. Every muscle gleams under the harsh white sunlight , highlighted by the slow trickle of cool water sliding over his skin. His heavy breathing causes his chest to rise and fall deeply , beads of sweat mixing with the water. The cracked dry earth and distant jagged mountains blur softly in the background , ensuring the full focus stays on his sensuous , powerful form. Skin texture ultra-realistic and soft , Disney-like , hyper-detailed , cinematic depth , vertical 9:16 , 4K resolution. ,
Anime-style scene. Wide , open ruined field surrounded by distant cliffs , cracked earth underfoot. The camera is behind the calm Swordsman (male , 19 , long black hair , blue-and-silver robes , katana drawn) , looking across the field at Asher (male , 19 , 5'11" , messy dark blue hair , wearing a dark fitted coat with silver accents , dual katanas drawn , tall black boots). Asher stands confidently in the center , facing the Swordsman. Around Asher at a distance are three other students: X (Mage , 18 , silver-haired male in crimson robes glowing with arcane sigils) Y (Greatsword User , 19 , muscular male in dented steel armor and red bandana) Z (Barehand Fighter , 18 , spiky brown-haired male with brass knuckles and scarred fists) Cinematic lighting , dramatic pose , wide-angle view , action buildup. ,
Anime-style scene. Wide , open ruined field surrounded by distant cliffs , cracked earth underfoot. The camera is behind the calm Swordsman (male , 19 , long black hair , blue-and-silver robes , katana drawn) , looking across the field at Asher (male , 19 , 5'11" , messy dark blue hair , wearing a dark fitted coat with silver accents , dual katanas drawn , tall black boots). Asher stands confidently in the center , facing the Swordsman. Around Asher at a distance are three other students: X (Mage , 18 , silver-haired male in crimson robes glowing with arcane sigils) Y (Greatsword User , 19 , muscular male in dented steel armor and red bandana) Z (Barehand Fighter , 18 , spiky brown-haired male with brass knuckles and scarred fists) Cinematic lighting , dramatic pose , wide-angle view , action buildup. ,
Create a detailed felt tapestry design with an anime-inspired style. The tapestry should depict a scene from an ancient underground mine , illuminated by natural crystal light and torch flames. Leaving the mine , it shows a wise old man with white hair wearing tribal clothing: simple woven fabrics , animal-skin coats , leather belts , beaded accessories , and sandals made from raw fibers. Some wear primitive helmets or headbands with painted feathers or symbols. Their bodies are muscular and robust from labor. The felt tapestry should have soft textile textures , stitched patterns along the edges , and a hand-crafted earthy color palette of warm browns , ochres , deep reds , and turquoise accents. ,
Render three unique humanoid creatures: one resembling a majestic , fennec fox with steampunk outfit and a wise , calm expression juggling magical orbs; second a sturdy , earth-bound humanoid kangaroo with strong , muscular build and rugged , weathered skin; third a ethereal-looking seal-otter , with flowing , light-colored hair and glowing eyes , exuding a sense of mystery and magic. ,
Render three unique humanoid creatures: one resembling a majestic , avian-like being with iridescent feathers and a wise , calm expression; second a sturdy , earth-bound humanoid with strong , muscular build and rugged , weathered skin , hinting at a life spent in a harsh environment; and third a ethereal-looking , with flowing , light-colored hair and glowing eyes , exuding a sense of mystery and magic. ,
A modern hotel uniform inspired by Kazakh ethnic design , worn by a male and female hotel staff. Stylish , professional clothing with subtle traditional Kazakh ornamentation on the collar , sleeves , or waist. Earthy and neutral tones like beige , sand , graphite , and warm grey. The design combines modern minimalism with national cultural elements. Studio photography , full-body , fashion catalog style , both models standing next to each other ,
masterpiece , best quality , ethereal stunning woman , long dark brown hair in loose soft natural waves , slightly messy hair , warm lightly freckled skin (freckles across nose and cheeks) , glowing complexion , deep dark brown eyes full of warmth and mischief , long lashes , high cheekbones , soft full pink lips in a shy wicked smile , slender yet curvy body , delicate collarbones , narrow waist , full hips , flowing soft romantic dress in earthy tone , standing in a sunlit room , golden hour light , cinematic soft focus , emotional , inviting expression , warm glow , 8k resolution , cinematic photography ,
Logo for "SANTARA" — a cultural and living project in Bali. Style: minimalist , natural , architectural , sophisticated. Mood: earthy elegance , timeless , future-oriented. Palette: sand , terracotta , soft white , black. Typography: clean sans-serif , custom organic flow. Avoid obvious tree/leaf icons. Focus on abstract natural geometry. MINIMALISM PLS ,
Create a modern , minimalist , and timeless logo for "SANTARA" — an international cultural and living space located in Bali. The logo should feel organic yet architectural , inspired by nature , ancient civilizations , and future-forward design. Style references: soft geometric forms , natural textures (stone , wood , linen) , Mediterranean and Balinese influence , sacred geometry. Avoid clichés like leaves or trees unless they are abstract and integrated into the form. No obvious spiritual or mystical symbols. Key feelings to evoke: grounded elegance , authenticity , openness , innovation. Color palette: muted earth tones , sand , terracotta , soft white , black accents. Font direction: clean sans-serif or custom lettering , bold but natural flow. Slightly artistic or crafted look allowed. The logo must work well both with the word "SANTARA" alone and with a standalone icon.* ,
Logo for "SANTARA" — a cultural and living project in Bali. Style: minimalist , natural , architectural , sophisticated. Mood: earthy elegance , timeless , future-oriented. Palette: sand , terracotta , soft white , black. Typography: clean sans-serif , custom organic flow. Avoid obvious tree/leaf icons. Focus on abstract natural geometry. ,
Create a modern , minimalist , and timeless logo for "SANTARA" — an international cultural and living space located in Bali. The logo should feel organic yet architectural , inspired by nature , ancient civilizations , and future-forward design. Style references: soft geometric forms , natural textures (stone , wood , linen) , Mediterranean and Balinese influence , sacred geometry. Avoid clichés like leaves or trees unless they are abstract and integrated into the form. No obvious spiritual or mystical symbols. Key feelings to evoke: grounded elegance , authenticity , openness , innovation. Color palette: muted earth tones , sand , terracotta , soft white , black accents. Font direction: clean sans-serif or custom lettering , bold but natural flow. Slightly artistic or crafted look allowed. The logo must work well both with the word "SANTARA" alone and with a standalone icon. ,
A highly detailed illustration of an angry , soaked cat with an extremely dramatic and exaggerated facial expression (mouth open , furious eyes). The cat's fur is dripping wet , styled with dominant colors like warm beige , light cream , soft browns , and subtle accents of muted teal (blue-green) and olive green. The background is an intense but controlled explosion of colors featuring warm yellow , soft ochre , burnt orange , and muted pastel rays emanating behind the cat. The scene is dynamic with comic-style motion lines and floating soft-blue water bubbles around the cat , along with a few subtle educational symbols like a DNA helix and molecule icons blending into the background. The cat is the absolute center of attention , perfectly lit with warm , soft cinematic lighting that creates a cozy documentary feel. The style should be colorful but not neon — focusing on earth tones and pastel highlights to maintain a warm , professional vibe. The atmosphere is humorous but polished , balancing energy and clarity. Additional text element on the image: bold , friendly font saying "¿POR QUÉ ODIA EL AGUA?" in warm white with a subtle brownish outline , positioned at the top or top-left for balance. A small educational badge in one corner that says "Ciencia Felina 🧪" in soft pastel tones. Style notes: Gato o gatito protagonista con expresiones humanas exageradas (curioso , asustado , confundido , pensativo , etc.) Elementos gráficos integrados (pizarras , esquemas , íconos , símbolos) Fondo ambientado como estudio , aula , laboratorio o sala de investigación cálida Iluminación suave y cálida con contraste moderado (estilo cinematográfico , estudio , o documental animado) Tonalidades dominantes: marrones suaves , verdes cálidos , azul petróleo , beige , ocres Toque de humor o exageración visual sin perder calidad Composición clara con un foco narrativo fuerte (que el gato siempre sea el centro de atención) ,
highly detailed , Princess , white bridal gown riding on insecticide creature in a desolate , city street under a moody , overcast sky. The creature has a bioluminescent Bionic body and a its metallic body adorned with intricate with multiple glossy eyes. Two enormous , horn-like antennae curve outward from its head , flanked by several smaller , whip-like appendages. Its dark , earthy tones and textured exoskeleton give it a natural , yet alien appearance , blending it eerily into its windswept , post-apocalyptic environment ,
The camera pans slowly across a vast , endless plain of snow and ice , stretching out as far as the eye can see. The sun , low on the horizon , casts long , dramatic shadows. As the camera moves higher , the horizon starts to curve upward , revealing the Earth to be flat. Then , abruptly , the camera reaches the edge , where the flat landscape drops sharply , revealing a towering , impenetrable ice wall that stretches out towards the horizon in all directions. ,
This luxurious living room on a space ship boasts a panoramic window that wraps around one entire wall , offering a stunning view of the earth and the stars beyond. The furniture is plush and inviting , with plush sofas and armchairs upholstered in soft , cream-colored fabric. A large , rectangular coffee table made of clear glass sits at the center of the room , and a few decorative pillows add pops of color. A few high-tech gadgets , such as a holographic display and a floating shelf , add a futuristic touch ,
This luxurious living room on a space ship boasts a panoramic window that wraps around one entire wall , offering a stunning view of the earth and the stars beyond. The furniture is plush and inviting , with plush sofas and armchairs upholstered in soft , cream-colored fabric. A large , rectangular coffee table made of clear glass sits at the center of the room , and a few decorative pillows add pops of color. A few high-tech gadgets , such as a holographic display and a floating shelf , add a futuristic touch ,
A portrait of Dilan Çiçek Deniz , an elegant Turkish model and actress with refined beauty. She has long sleek dark brown hair , almond-shaped brown eyes , flawless light skin , and a confident , graceful expression. She wears a flowing earthy-toned dress with subtle Anatolian patterns , standing in front of a traditional stone house covered in ivy. The background is serene and poetic , sunset light , fashion meets heritage. ,
In the living room of this sleek and modern space ship , a large window takes up an entire wall , offering a breathtaking view of the earth below. The furniture is minimalist and sophisticated , with clean lines and a metallic finish. The centerpiece of the room is a comfortable , curved sofa that faces the window , allowing occupants to relax and enjoy the view. A few potted plants add a touch of greenery , and a futuristic light fixture hovers above the sofa , casting a warm glow over the room ,
In the beginning God created the sky and the earth. The earth was empty and had no form. Darkness covered the ocean , and God’s Spirit was moving over the water. Then God said , “Let there be light!” And there was light. God saw that the light was good. So he divided the light from the darkness. God named the light “day” and the darkness “night.” Evening passed , and morning came. This was the first day. Then God said , “Let there be something to divide the water in two!” So God made the air to divide the water in two. Some of the water was above the air , and some of the water was below it. God named the air “sky.” Evening passed , and morning came. This was the second day. Then God said , “Let the water under the sky be gathered together so the dry land will appear.” And it happened. God named the dry land “earth.” He named the water that was gathered together “seas.” God saw that this was good. Then God said , “Let the earth produce plants. Some plants will make grain for seeds. Others will make fruit with seeds in it. Every seed will produce more of its own kind of plant.” And it happened. The earth produced plants. Some plants had grain for seeds. The trees made fruit with seeds in it. Each seed grew its own kind of plant. God saw that all this was good. Evening passed , and morning came. This was the third day. Then God said , “Let there be lights in the sky to separate day from night. These lights will be used for signs , seasons , days and years. They will be in the sky to give light to the earth.” And it happened. So God made the two large lights. He made the brighter light to rule the day. He made the smaller light to rule the night. He also made the stars. God put all these in the sky to shine on the earth. They are to rule over the day and over the night. He put them there to separate the light from the darkness. God saw that all these things were good. Evening passed , and morning came. This was the fourth day. Then God said , “Let the water be filled with living things. And let birds fly in the air above the earth.” So God created the large sea animals. He created every living thing that moves in the sea. The sea is filled with these living things. Each one produces more of its own kind. God also made every bird that flies. And each bird produces more of its own kind. God saw that this was good. God blessed them and said , “Have many young ones and grow in number. Fill the water of the seas , and let the birds grow in number on the earth.” Evening passed , and morning came. This was the fifth day. Then God said , “Let the earth be filled with animals. And let each produce more of its own kind. Let there be tame animals and small crawling animals and wild animals. And let each produce more of its kind.” And it happened. So God made the wild animals , the tame animals and all the small crawling animals to produce more of their own kind. God saw that this was good. Then God said , “Let us make human beings in our image and likeness. And let them rule over the fish in the sea and the birds in the sky. Let them rule over the tame animals , over all the earth and over all the small crawling animals on the earth.” So God created human beings in his image. In the image of God he created them. He created them male and female. God blessed them and said , “Have many children and grow in number. Fill the earth and be its master. Rule over the fish in the sea and over the birds in the sky. Rule over every living thing that moves on the earth.” God said , “Look , I have given you all the plants that have grain for seeds. And I have given you all the trees whose fruits have seeds in them. They will be food for you. I have given all the green plants to all the animals to eat. They will be food for every wild animal , every bird of the air and every small crawling animal.” And it happened. God looked at everything he had made , and it was very good. Evening passed , and morning came. This was the sixth day. ,
“And He who sits on the throne said , “Behold , I am making all things new.” Also He said , “Write , for these words are faithful and true [they are accurate , incorruptible , and trustworthy].” [Is 43:19] And He said to me , “It is done. I am the Alpha and the Omega , the Beginning and the End. To the one who thirsts I will give [water] from the fountain of the water of life without cost. [Is 55:1] He who overcomes [the world by adhering faithfully to Christ Jesus as Lord and Savior] will inherit these things , and I will be his God and he will be My son. [2 Sam 7:14; 1 John 5:5] And he carried me away in the Spirit to a vast and lofty mountain , and showed me the holy (sanctified) city of Jerusalem coming down out of heaven from God , [Ezek 40:2] having God’s glory [filled with His radiant light]. The brilliance of it resembled a rare and very precious jewel , like jasper , shining and clear as crystal. It had a massive and high wall , with twelve [large] gates , and at the gates [were stationed] twelve angels; and on the gates the names of the twelve tribes of the sons of Israel were written. [Ex 28:21; Ezek 48:30-34] On the east side [there were] three gates , on the north three gates , on the south three gates , and on the west three gates. And the wall of the city had twelve foundation stones , and on them the twelve names of the twelve apostles of the Lamb (Christ). The wall was built of jasper; and the city was pure gold , transparent like clear crystal. [1 Kin 6:30] The foundation stones of the wall of the city were adorned with every kind of precious stone. The first foundation stone was jasper; the second , sapphire; the third , chalcedony; the fourth , emerald; [Ex 28:17-20; Is 54:11 , 12] the fifth , sardonyx; the sixth , sardius; the seventh , chrysolite (yellow topaz); the eighth , beryl; the ninth , topaz; the tenth , chrysoprase; the eleventh , jacinth; the twelfth , amethyst. And the twelve gates were twelve pearls; each separate gate was of one single pearl. And the street (broad way) of the city was pure gold , like transparent crystal. And the city has no need of the sun nor of the moon to give light to it , for the glory (splendor , radiance) of God has illumined it , and the Lamb is its lamp and light. [Is 24:23; 60:19 , 20] The nations [the redeemed people from the earth] will walk by its light , and the kings of the earth will bring into it their glory. [Is 60:1-5] By day (for there will be no night there) its gates will never be closed [in fear of evil]; [Is 60:11] and they will bring the glory (splendor , majesty) and the honor of the nations into it; and nothing that defiles or profanes or is unwashed will ever enter it , nor anyone who practices abominations [detestable , morally repugnant things] and lying , but only those [will be admitted] whose names have been written in the Lamb’s Book of Life. [Dan 12:1]” Revelation 21:5-7 , 10-14 , 18-21 , 23-27 AMP https://bible.com/bible/1588/rev.21.5-27.AMP ,
“And He who sits on the throne said , “Behold , I am making all things new.” Also He said , “Write , for these words are faithful and true [they are accurate , incorruptible , and trustworthy].” And He said to me , “It is done. I am the Alpha and the Omega , the Beginning and the End. To the one who thirsts I will give [water] from the fountain of the water of life without cost. He who overcomes [the world by adhering faithfully to Christ Jesus as Lord and Savior] will inherit these things , and I will be his God and he will be My son. And he carried me away in the Spirit to a vast and lofty mountain , and showed me the holy (sanctified) city of Jerusalem coming down out of heaven from God , having God’s glory [filled with His radiant light]. The brilliance of it resembled a rare and very precious jewel , like jasper , shining and clear as crystal. It had a massive and high wall , with twelve [large] gates , and at the gates [were stationed] twelve angels; and on the gates the names of the twelve tribes of the sons of Israel were written. On the east side [there were] three gates , on the north three gates , on the south three gates , and on the west three gates. And the wall of the city had twelve foundation stones , and on them the twelve names of the twelve apostles of the Lamb (Christ). The wall was built of jasper; and the city was pure gold , transparent like clear crystal. The foundation stones of the wall of the city were adorned with every kind of precious stone. The first foundation stone was jasper; the second , sapphire; the third , chalcedony; the fourth , emerald; the fifth , sardonyx; the sixth , sardius; the seventh , chrysolite (yellow topaz); the eighth , beryl; the ninth , topaz; the tenth , chrysoprase; the eleventh , jacinth; the twelfth , amethyst. And the twelve gates were twelve pearls; each separate gate was of one single pearl. And the street (broad way) of the city was pure gold , like transparent crystal. And the city has no need of the sun nor of the moon to give light to it , for the glory (splendor , radiance) of God has illumined it , and the Lamb is its lamp and light. The nations [the redeemed people from the earth] will walk by its light , and the kings of the earth will bring into it their glory. By day (for there will be no night there) its gates will never be closed [in fear of evil]; and they will bring the glory (splendor , majesty) and the honor of the nations into it; and nothing that defiles or profanes or is unwashed will ever enter it , nor anyone who practices abominations [detestable , morally repugnant things] and lying , but only those [will be admitted] whose names have been written in the Lamb’s Book of Life. ,