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Explore AI generated designs, images, art and prompts by top community artists and designers.
A cozy room where the Christmas tree near wall looks like a giant paper illustration , flat ink lines and watercolor washes , yet a corner of the “paper wall” is peeled back , revealing a fully 3D city street behind it. The peeled edge curls outward like thick card-stock , casting a real shadow on the illustrated surface. The illusion: the 2D drawn objects (a drawn lamp , drawn shelf) cast realistic 3D shadows , while the 3D street casts faint “ink” shadows as if it’s becoming a drawing. A man wearing a classic Santa Claus outfit , with a red velvet coat with white trim , a wide black belt , and a Christmas hat , holds a heavy , full red sack of presents walk half-in , half-out: front paws in 3D street road , back body form , seamlessly blended. Soft morning light , gentle pastel palette , tactile paper fibers visible , high detail , whimsical but believable “mixed-dimension” realism. ,
The interior design of the Railway station is a stunning blend of Lord Krishna and Vrudavan influences from Mathura. Every corner of Railway station exudes vibrant patterns and colors reminiscent of traditional Madhubani paintings. In this breathtaking painting , intricate batik motifs intertwine with the intricate geometric shapes of leafs , creating a mesmerizing display of cultural richness. The image captures the essence of Indian heritage in every meticulous detail , making it a truly captivating work of art. ,
The interior design of the Railway station is a stunning blend of Lord Krishna and Vrudavan influences from Mathura. Every corner of Railway station exudes vibrant patterns and colors reminiscent of traditional Madhubani paintings. In this breathtaking painting , intricate batik motifs intertwine with the intricate geometric shapes of leafs , creating a mesmerizing display of cultural richness. The image captures the essence of Indian heritage in every meticulous detail , making it a truly captivating work of art. ,
This is a typical court painting in the style of Wang Ximeng from the Northern Song Dynasty around 1000 AD , rendered in the blue-green landscape style , with exquisite and high-quality mounting. At the center of the painting is a majestic mountain , with continuous mountain ranges on both sides and in the distance. At the foot of the mountain , a stream meanders , and two monks are crossing a small bridge over it. A faint path winds its way up the mountain , sometimes disappearing into the clouds , sometimes suddenly appearing before the eaves of a temple half-hidden by the massive mountain , where monks are entering the temple gate. The surrounding mountains are steep and imposing , with several pine trees growing on the cliffs , blocking the early morning sun. The mountaintop is almost entirely covered by clouds , yet through gaps in the mist , a corner of a pure white jade palace , seemingly a celestial palace , is visible , with cranes appearing to fly nearby in the clouds. The exaggerated composition of this Chinese painting creates a sense of contrast between the human world and the celestial realm , from the foot of the mountain to the summit. Vertical 9:16 , ultra-high definition. ,
Shot with a fish-eye lens. A surreal Melting from a 3D Maze Portal , Vertigo Art style , lone (a Spider-man who's 39 years old. He's a humanoid , dressed in all cornflower blue with a red-brown cape.) man stands on the edge of a skyscraper , gazing down at a sprawling cyberpunk abandoned city below , now partially reconstructed and overgrown with vibrant , alien flora. The buildings tilt and twist , creating a sense of imbalance and disorientation , overgrown with vibrant , alien flora. Use a sophisticated color palette of ebony and pearl to evoke a sense of elegance and refinement. ,
Debris—cartridges , dust , and fragments—rise from the ground , suspended within the turbulence. appears to dissolve into a shifting , storm-like formation made of blues , greens , yellows , and muted reds. Emerging from this mist is a single giant Gun bullet , its in center a vivid blend of red and green , the cover dark and centered. The corner are rendered with striking detail , tapering outward as though the Gun belongs to something alive hidden within the vapor. In the center , a dust frame is partially embedded in the clouded sky , revealing a army man with gun in wavy ocean beyond it. Desert and in front a silhouette of Ancient soldiers with their tanks coming from giant Gun. The surrounding clouds billow up to the ceiling. ,
A photorealistic ESC keycap scene shows a miniature cozy living room setup. Inside: a glowing red Instagram screen , a plush red couch , popcorn bowl , and throw blanket. A small figure lounges with feet up , watching content. The red “O” logo glows from behind like mood lighting. Outside: cool tech-blue reflections on F1 , Shift , and Q keys. The word “ESC” is subtly present in a glassy fog on top of the cap , simplify --ar 9:16 --stylea raw --v 6.1 ,
realistic face , a beautiful wavy shoulder brown hair 40yo pale woman , wearing blue and gold sleeveless steampunk open corset openside minidress , barefoot , gentle smile , a hand on her hip. she's talking to a 25yo pale freckled beautiful long auburn hair elf woman wearing the same outfit in green and bronze. they're standing in a gothic dining room , a fireplace on the right corner ,
full lenght , a beautiful wavy shoulder brown hair 40yo pale woman , wearing blue and gold sleeveless steampunk open corset openside minidress , barefoot , gentle smile , a hand on her hip. she's talking to a 25yo pale freckled beautiful long auburn hair elf woman wearing the same outfit. they're standing in a gothic dining room , a fireplace on the right corner ,
realistic face , a beautiful wavy shoulder brown hair 40yo pale woman , wearing blue and gold sleeveless steampunk open corset openside minidress , barefoot , gentle smile , a hand on her hip. she's talking to a 25yo pale freckled beautiful long auburn hair elf woman wearing the same outfit. they're standing in a gothic dining room , a fireplace on the right corner ,
A petrified forest at night , bathed in the eerie glow of an ill wind and the distant lights of a passing milk train. Acorns lie scattered on the ground , remnants of what once was vibrant life. The scene evokes a sense of desolation and forgotten dreams , with a subtle hint of a dark , undertone in the viewer's implied imagination , inspired by the raw , expressive brushstrokes of Francis Bacon and the surreal vistas of Zdzisław Beksiński. The color palette is dark and moody , with pops of phosphorescent green and deep crimson. Cinematic lighting , volumetric fog , concept art. ar-9:16 ,
A vaulted greenhouse nestled against the clocktower’s upper terrace , its glass panes framed by black iron ribs and brass filigree. Inside , lush greenery glows under suspended crystal orbs that mimic daylight , bathing rows of plants in soft golden light. Long stone planters overflow with herbs — moonbell , feverroot , duskfern — each tagged with neat , handwritten runes. Copper irrigation pipes snake along the walls , hissing faintly as mist rises from hidden vents. A central worktable holds mortar sets , potion flasks , and a small arcane cauldron shaped like a lotus. In the corner , Orwen’s botanical apprentice tends to a vine with metallic leaves that hum faintly when brushed. The space feels equal parts botany and enchantment laboratory , with steampunk glass instruments and living magic entwined. Lighting: soft warm gold with shafts of filtered sunlight. Camera: mid-angle from the entrance , capturing layered rows of plants and the glowing mist. Style: semi-realistic digital painting , painterly textures , serene but arcane tone. ,
A vaulted greenhouse nestled against the clocktower’s upper terrace , its glass panes framed by black iron ribs and brass filigree. Inside , lush greenery glows under suspended crystal orbs that mimic daylight , bathing rows of plants in soft golden light. Long stone planters overflow with herbs — moonbell , feverroot , duskfern — each tagged with neat , handwritten runes. Copper irrigation pipes snake along the walls , hissing faintly as mist rises from hidden vents. A central worktable holds mortar sets , potion flasks , and a small arcane cauldron shaped like a lotus. In the corner , Orwen’s botanical apprentice tends to a vine with metallic leaves that hum faintly when brushed. The space feels equal parts botany and enchantment laboratory , with steampunk glass instruments and living magic entwined. Lighting: soft warm gold with shafts of filtered sunlight. Camera: mid-angle from the entrance , capturing layered rows of plants and the glowing mist. Style: semi-realistic digital painting , painterly textures , serene but arcane tone. ,
Artificer workshop and guild dormitory combined. Rows of workbenches cluttered with runic tools , glowing crystals , and clock parts , side-by-side with personal bunks , maps , and weapons hung neatly. Copper pipes line the ceiling , steam drifting softly from vents. A small communal kitchen and a round table with tea , notes , and blueprints give it a lived-in feel. Orwen Vale adjusts a mechanical prosthetic arm under lamplight while an apprentice carries parts. Warm amber tones , cozy yet industrious. Camera: slightly elevated corner view showing both workshop and dorm. Style: painterly realism , rich brass and mahogany palette , hints of glowing runes. ,
Generate a statement makeup on a very pale white skinned female model with fiery red hair. The white skin has a metallic light blue shimmer. The lipstick is metallic ombre magenta and red. The eyebrows are very light platinum blond. The eyeshadow is a matte forest green hooded eye makeup. The model has amber hooded eyes. The eyeliner is pine green , with double wings. The inner corner of the eyes are highlighted with frosty mint green eyeshadow. The model is wearing a linen cloth blouse with forest green and red cross-stitch embroidery patterns on it. In the background , there is an autumn forest with deep burgundy , mustard yellow , and orange leaf colors. ,
An image in the style of the 1992 movie Bram Stoker's Dracula (starring Gary Oldman , Keanu Reeves). An ornate glass cup contains absynthe green liquid. There are two sugar cubes next to the cup on the table , and two teaspoons. There is a candle with dim light on the table. The sugar cubes each have a drop of red stain on one of their corners. The tablecloth is dark crimson velvet. There is a Victorian paravan in the background. Use brown , dark yellow , and red colors for the paravan. ,
Generate a statement makeup on a deep black skinned female model with bald head. The black skin has a metallic light shimmer. The lipstick is metallic ombre magenta and red. The eyebrows are replaced by tiny light blue pearl crescent moons. The eyeshadow is a matte Indian yellow cut crease design. The eyeliner is glossy royal blue , with double wings. The inner corner of the eyes are highlighted with frosty silver eyeshadow. The model has a long neck with rows of gold color faux pearl covering it up till the chin. Her huge drop earrings are the shape of icicles , they are transparent and have tiny silver glitters in them. ,
A Bullet completely encircling the medical capsule , with intricate cross-sectional details revealing sprawling human settlements , transparent habitation zones , complex infrastructure , and interconnected Cockpit sitting structures visible through the capsule's translucent exterior. Hyper-detailed architectural. medical capsule fly in space with artificial gravity. The capsule's body features bright neon glowing stripes , emphasizing its rapid motion. In the background , in the upper right corner , is a modern , high-tech city with tall skyscrapers and holographic Billboard interfaces hovering in the air. The atmosphere is filled with dynamism , a sense of energy , and speed. ,
Head Shape: Oval with softly rounded cheeks tapering gently to a narrow , rounded chin. Balanced proportions between upper and lower face.•Hairline: Even curve across the forehead , no widow’s peak. Hair parted slightly to one side , smooth texture with subtle layering near the jawline.•Eyebrows: Medium thickness , smooth arch above the brow ridge , tapering slightly at the outer ends. Space between brows equals roughly one eye width.•Eyes: Almond-shaped , slightly angled upward at the outer corners. Iris visible completely (no drooping lids). Suggest green or light hazel tone. Eyelashes moderately long.•Nose: Straight bridge , medium width; gentle curve from bridge to softly rounded tip. Nostrils are small and symmetrical , base of the nose sits halfway between eyes and chin.•Lips: Full , even shape with a clearly defined Cupid’s bow; top lip slightly thinner than the bottom. Corners of mouth sit aligned with the inner edge of the irises.•Ears: Partially visible through hair , top of the ear aligned with eyebrow height , lower edge with nose base.•Jawline. Green eyes , full body ,
Head Shape: Oval with softly rounded cheeks tapering gently to a narrow , rounded chin. Balanced proportions between upper and lower face. • Hairline: Even curve across the forehead , no widow’s peak. Hair parted slightly to one side , smooth texture with subtle layering near the jawline. • Eyebrows: Medium thickness , smooth arch above the brow ridge , tapering slightly at the outer ends. Space between brows equals roughly one eye width. • Eyes: Almond-shaped , slightly angled upward at the outer corners. Iris visible completely (no drooping lids). Suggest green or light hazel tone. Eyelashes moderately long. • Nose: Straight bridge , medium width; gentle curve from bridge to softly rounded tip. Nostrils are small and symmetrical , base of the nose sits halfway between eyes and chin. • Lips: Full , even shape with a clearly defined Cupid’s bow; top lip slightly thinner than the bottom. Corners of mouth sit aligned with the inner edge of the irises. • Ears: Partially visible through hair , top of the ear aligned with eyebrow height , lower edge with nose base. • Jawline & Chin: Smoothly curved jawline with no sharp angles; chin softly rounded and proportionate. • Neck: Medium length and proportionate width; visible collarbones. • Skin Tone: Medium-light brown with warm undertones (suggest a blend of golden and rose hues for realism). ,
I can feel the heat rising , everything is on fire Today is a painful reminder of why We can only get brighter , the further you put it behind ya But right now I'm on the inside (looking out , cause) Yesterday was the tornado warning , today's like the morning after Your world is torn in half , you wake in its wake to start The mourning process and rebuilding , you're still a work in progress Today's a whole new chapter , it's like an enormous asthma Thunderstorm has passed ya , you weathered it and poked its eye out With the thorn bush that you used to smell the roses Stopped to inhale , can't even tell your nose is stuffed So focused on the bright side , then you floor the gas pedal And hit the corner fast , the more asserted , never looking back May hit the curb , but every day is a new learning curve , as you Steer through life , sometimes you might not wanna swerve But you have to , to avert a disaster , lucky , no permanent damage 'Cause they hurt you so bad , it's like they murdered your ass And threw dirt on your casket , but you've returned from the ashes And that hurt that you have , you just converted to gasoline And while you're burning the past , standing at inferno and chant ,
Description of the visualization and control system of the automation complex The purpose of the system is to provide the operator with a single , intuitive interface for monitoring and managing all subsystems of the complex in real time. Architecture of the main window (Generalized Status Panel): The main screen is designed according to the principle of "from general to private". The center contains critical information about the power supply system , on which all other systems depend. The remaining subsystems are grouped logically around the center. 1. Central unit: Power supply system It is visualized as a circle divided into three sectors. Large left sector (≈45%): Transformer substations (TP) 5 blocks are displayed , one for each TP. Each block contains: TP number/name (for example , TP-1 , TP-2). The indicator of the active power line: The "Network" icon with backlight (green - main , yellow - backup). Transformer status: "Main" / "Standby" (or icons). Key parameters from accounting nodes: Current (I) , Voltage (U) , Power (P). The values are output for the active line. General TP status: Color indication (Green - Normal , Yellow - Warning , Red - Emergency). Large right sector (≈45%): Main switchboards 5 blocks are displayed , one for each storage unit. Each block contains: The number/name of the GRSH (for example , GRSH-1). Active power line indicator: Similar to TP. Key parameters from accounting nodes: I , U , P. The general status of the GRS: Color indication. Lower small sector (≈10%): Uninterruptible power supply (UPS) Large text or pictogram status indicator: "Mains operation" (Green) "Battery operation" (Yellow/Orange) Battery level indicator: Percentage scale (from 0% to 100%). The color varies depending on the level (green >50% , yellow 20-50% , red <20%). 2. Peripheral blocks around the center They are arranged around a central circle , forming a "rim". Upper and lower parts of the rim: Ventilation of the web blowing Upper part: 9 installations on top. The lower part: 9 installations from the bottom. There are 18 icons/blocks in total. Each icon represents one installation and has a color indication of the status.: Green: Enabled Gray: Turned off Red: An accident (for example , the differential pressure sensor on the filter went off , an error in the drive) Black/Blue: No power supply When hovering over the cursor , a tooltip appears with details (the condition of the fan , valve , filter blockage). Left and right sides of the rim: Indoor ventilation The left and right sides are divided equally to display the 12 settings on each side. There are 24 icons/blocks in total. The same color status indication for each installation. 3. Corner blocks: Other subsystems They are located in the four corners of the screen for easy and fast perception. Upper left corner: Roller shutters (48 pcs.) Summary information is displayed as an information block.: "Closed: XX / Open: XX" (numeric values). A graphical indicator (for example , a stripe divided into green and blue parts , proportional to the number). General status: Green icon "OK" or Red icon "Emergency" (if at least one roller shutter has an emergency status). Upper right corner: Elevators (2 pcs.) Two vertical blocks , one for each elevator. Each block contains: Elevator number (Elevator 1 , Elevator 2). Floor indicator: A large number (for example , 3). Motion indicator: Up/down arrow or Stop icon. General status: The background color of the block (Green - normal , Gray - power off , Red - emergency , Blue - no connection). Lower left corner: EVIL Lights (Roof lamps) A large indicator in the form of a stylized lamp or icon. Color status indication: Bright Yellow/White: Included Gray: Off Red: Crash Black/Blue: No power supply Lower right corner: Heated storm drains Similar in style to the "Fires of EVIL" block. Color status indication: Orange/Red: Enabled Gray: Off Red (flashing): Crash Black/Blue: No power supply Navigation and management: Main Screen: It is an overview map. All the elements on it are clickable. Details: Clicking on any sector (TP , GRS , ventilation group , roller shutter unit) opens a new window with detailed information: TP/GRS: Single-line network diagram , status of all feeders and sectional switches , detailed power parameters. Ventilation: Detailed status of each piece of equipment in the selected group (fan , valve , filter condition) , possibility of manual control. Roller shutters: A table or plan of the building with the condition of each of the 48 roller shutters , group and individual control buttons. Control: The control buttons (Start , Stop , Open , Close) are located on the detailed screens. On the main screen , quick action buttons ("Emergency activation") can be displayed for critical systems (for example , EVIL lights). Visual style: Color scheme: An intuitive color palette is used (Green is the norm , Yellow/Orange is a warning , Red is an accident , Gray/Blue - disabled/no data). Fonts: Clear , easy-to-read fonts. Critical information is displayed larger. Animation: Minimal and informative (for example , smooth change of values , flashing for emergency states). ,
A Cyborg Sympathy Drone completely encircling the Helmet , with intricate cross-sectional details revealing sprawling human settlements , transparent habitation zones , complex infrastructure , and man interconnected in Cockpit sitting structures visible through the Helmet's translucent exterior. The Helmet's body features bright neon glowing stripes , emphasizing its rapid motion. In the background , in the upper right corner , is a modern , high-tech city with tall skyscrapers and holographic Billboard interfaces hovering in the air. The atmosphere is filled with dynamism , a sense of energy , and speed. Soft reflections , clean 3D rendering , smooth transitions and a cyberpunk-neon-tech effect. ,
A Bullet completely encircling the ice-cream cone , with intricate cross-sectional details revealing sprawling human settlements , transparent habitation zones , complex infrastructure , and interconnected Cockpit sitting structures visible through the cone's translucent exterior. Hyper-detailed architectural. Airplane fly in space with artificial gravity. The Airplane's body features bright neon glowing stripes , emphasizing its rapid motion. In the background , in the upper right corner , is a modern , high-tech city with tall skyscrapers and holographic Billboard interfaces hovering in the air. The atmosphere is filled with dynamism , a sense of energy , and speed. A space background with a subtle glow , minimalist , emphasizes the digital atmosphere. The image should look like a hologram or a scene from a futuristic Web3 world. Soft reflections , clean 3D rendering , smooth transitions and a cyberpunk-neon-tech effect. ,
A wide shot , low-angle shot of a bunch of random people standing in a harvested corn field , bent stalks , there are men and ((women)) of all body types and races , all with their heads tilted back looking up into the heavens , the central figure is a beautiful , defiant , rebellious , woman with long wavy blonde hair , everyone is clothed in normal street clothing , a light shines down into the woman's face from a UFO hovering overhead. Nighttime , bright stars , vibrantly colored nebula , otherworldly , ethereal , sci-fi , negative space , everyone staring up into the sky , huge amount of sky ,
