Explore AI generated designs, images, art and prompts by top community artists and designers.
A dynamic , high-speed spider-man in sky. Nighttime. Set in a dense , futuristic structure skyscraper with artificial gravity , 30th century orbital hover-surfboard running on interconnected by bioluminescent helium waves , skyscrapers built on multi layer triangles surface with opposite side visible as sky , parks and buildings in curved perspective , hover-bike docking at central hub , 16-35mm wide-angle lens , f/8-f/11 deep focus , photo-realistic curved architecture , surreal gravity effects , ,
A futuristic flying hover-bike (no-wheel) , Rotating road in space with artificial gravity , 30th century orbital hover-bike running on interconnected by bioluminescent helium road , skyscrapers built on multi layer triangles surface with opposite side visible as sky , parks and buildings in curved perspective , hover-bike docking at central hub , 16-35mm wide-angle lens , f/8-f/11 deep focus , photo-realistic curved architecture , surreal gravity effects , ,
A futuristic flying space-train , Rotating rail-track in space with artificial gravity , 30th century orbital space-train running on interconnected by bioluminescent helium track , skyscrapers built on multi layer triangles surface with opposite side visible as sky , parks and buildings in curved perspective , space-train docking at central hub , 16-35mm wide-angle lens , f/8-f/11 deep focus , photo-realistic curved architecture , surreal gravity effects , ,
A futuristic F1 Racing-Bike with rider in motion with glowing engines speeds through space that refracts light into smokes: orange , black and white , Rotating racing-track ring in space with artificial gravity , 30th century orbital space-track running on track , Spiral buildings built on inner cylinder surface with opposite side visible as open galaxy , parks and buildings in curved perspective , spacecraft docking at central hub , 16-35mm wide-angle lens , f/8-f/11 deep focus , photo-realistic curved architecture , surreal gravity effects , ,
A futuristic F1 machine in motion with glowing engines speeds through space that refracts light into three smokes: Orange , White and Green , Rotating rail-track ring in space with artificial gravity , 30th century orbital space-track running on track , Spiral buildings built on inner cylinder surface with opposite side visible as sky , parks and buildings in curved perspective , spacecraft docking at central hub , 16-35mm wide-angle lens , f/8-f/11 deep focus , photo-realistic curved architecture , surreal gravity effects , ,
A futuristic white spacecraft with glowing engines speeds through space that refracts light , Rotating rail-track ring in space with artificial gravity , 30th century orbital space-train running on track , Spiral buildings built on inner cylinder surface with opposite side visible as sky , parks and buildings in curved perspective , 16-35mm wide-angle lens , f/8-f/11 deep focus , photorealistic curved architecture , surreal gravity effects , ,
Panopticon Fractal landscape: A flying Flyby spacecraft that refracts light into three Spiral smokes: Orange , White and Green , Rotating habitat ring in space with artificial gravity , 30th century orbital colony , Spiral cities built on inner cylinder surface with opposite side visible as sky , parks and buildings in curved perspective , spacecraft docking at central hub , 16-35mm wide-angle lens , f/8-f/11 deep focus , photorealistic curved architecture , surreal gravity effects , 8K resolution , ,
QuickFixSA is a cross-platform Progressive Web App (PWA) built to empower South African citizens to report and track municipal issues — The goal is to empower residents to report and track municipal service delivery issues (e.g. , infrastructure faults , utility disruptions , public safety concerns , potholes , broken streetlights , illegal dumping , sewer blockages and water leaks). Designed to function seamlessly on low-bandwidth connections and across devices , QuickFixSA aims to improve civic responsiveness and transparency. ,
Interior 3D rendering of a modern living room with built-in full-height storage cabinets , stretching from the wall on the left to the side wall on the right. The cabinet should look like a single , integrated built-in furniture block with visible shadow gaps and realistic carpentry , completely flat with the wall. Use realistic cabinet depth , panel details , soft indirect lighting and premium materials (for example , matte varnish or MDF with satin coloring). The color of the wardrobe is beige. The entire cabinet , shelf style , material tone and placement of the object must exactly follow the reference image , except for adjusted proportions. The final design should seem clean , minimalistic , high-quality. There is a large gray sofa in front of the wardrobe. Made of premium fabric , it also has several pillows that can be put under the back , made of the same fabric as the sofa. There is a small coffee table made of dark gray concrete in front of the sofa. There is a white ceramic vase with twigs on the table. There is a white cotton woven carpet on the floor. The floor itself is of natural wood color , made of boards. Curtains in the color of the sofa. There is a soft warm light coming from the window. Artificial lighting is made with spot ceiling lamps. ,
Interior 3D render of a modern beige bathroom featuring a built-in , full-height storage cabinet spanning from the glass shower partition on the left to the adjacent side wall on the right. The cabinet must appear as a single , integrated built-in furniture unit with visible shadow gaps and realistic joinery , fully flush with the wall. It is divided into two vertical sections: • On the left , there are two narrow solid framed cabinet doors (not glass) above a wall-mounted toilet , with a bidet spray and a toilet paper holder below. • On the right , there is an open niche with glass shelves and vertical LED lighting strips mounted along the inner left and right sides of the niche , running from top to bottom. These lights illuminate the shelves and highlight the folded towels and ceramic vases placed on them. The right section must be approximately 15% wider than the left. Use realistic cabinet depth , panel detailing , soft indirect lighting , and premium materials (such as matte lacquer or satin-painted MDF). The entire cabinet , shelf style , material tone , and object placement should closely follow the reference image , except for adjusted proportions. The final design must feel clean , minimalist , high-end , and built into the architecture — with glass used only for shelves , and LED lighting placed vertically inside the niche , not behind or under the glass. ,
Create this image: The scene depicts a sci-fi post-apocalyptic environment in an inhospitable , snow-covered region. The climate is cold , dark , and foggy , suggesting freezing temperatures and low visibility. At the center of the image stands a massive structure resembling an rusty metal and ship that has been rebuilt with wooden parts. The construction combines metallic materials with aged wood and windows , with light emanating from inside through the windows , indicating that the interior is illuminated. Icicles hang along the edges of the roof , and the surroundings are lit by small orange lights distributed along the outer walls. The base of the structure is elevated , resting and surrounded by the ice , with the main access provided by one external staircase. At the top of the structure , a rusty chimney emits smoke , while to the right , a large metal tower resembling an industrial elevator or cargo system It features suspended ramps or metal walkways linking different levels of the installation , with yellow lights connecting it to the rear of the structure connects to the building. A medium tower above the main building contains antenna , sensors and platforms , suggesting surveillance functions. In the foreground , on the snowy ground , two clocked figures stand in the entrance of the structure. Wooden and metal crates are stacked in front of the structure , below the windows , and a cable sprawls across the ground , emerging from the structure itself. The lighting should emphasize the contrast between the cold , shadowy exterior and the warmth radiating from the internal lights , as well as the orange and yellow lights of the structure. The foggy atmosphere should create a sense of isolation and mystery , reinforcing the post-apocalyptic tone. The scene should evoke an atmosphere of tension , exploration , and survival , where this lone structure exists as the only sign of civilization in a desolate world. ,
An industrial sci-fi outpost built on barren terrain , viewed from a top-down isometric angle like in a classic RTS game. The scene includes small bunker-like buildings with glowing yellow windows , connected by roads and illuminated by sparse industrial lights. There are containers , mining gear , and a monorail transport line running across the map. The color palette is muted with dominant blues and browns. ,
“And He who sits on the throne said , “Behold , I am making all things new.” Also He said , “Write , for these words are faithful and true [they are accurate , incorruptible , and trustworthy].” [Is 43:19] And He said to me , “It is done. I am the Alpha and the Omega , the Beginning and the End. To the one who thirsts I will give [water] from the fountain of the water of life without cost. [Is 55:1] He who overcomes [the world by adhering faithfully to Christ Jesus as Lord and Savior] will inherit these things , and I will be his God and he will be My son. [2 Sam 7:14; 1 John 5:5] And he carried me away in the Spirit to a vast and lofty mountain , and showed me the holy (sanctified) city of Jerusalem coming down out of heaven from God , [Ezek 40:2] having God’s glory [filled with His radiant light]. The brilliance of it resembled a rare and very precious jewel , like jasper , shining and clear as crystal. It had a massive and high wall , with twelve [large] gates , and at the gates [were stationed] twelve angels; and on the gates the names of the twelve tribes of the sons of Israel were written. [Ex 28:21; Ezek 48:30-34] On the east side [there were] three gates , on the north three gates , on the south three gates , and on the west three gates. And the wall of the city had twelve foundation stones , and on them the twelve names of the twelve apostles of the Lamb (Christ). The wall was built of jasper; and the city was pure gold , transparent like clear crystal. [1 Kin 6:30] The foundation stones of the wall of the city were adorned with every kind of precious stone. The first foundation stone was jasper; the second , sapphire; the third , chalcedony; the fourth , emerald; [Ex 28:17-20; Is 54:11 , 12] the fifth , sardonyx; the sixth , sardius; the seventh , chrysolite (yellow topaz); the eighth , beryl; the ninth , topaz; the tenth , chrysoprase; the eleventh , jacinth; the twelfth , amethyst. And the twelve gates were twelve pearls; each separate gate was of one single pearl. And the street (broad way) of the city was pure gold , like transparent crystal. And the city has no need of the sun nor of the moon to give light to it , for the glory (splendor , radiance) of God has illumined it , and the Lamb is its lamp and light. [Is 24:23; 60:19 , 20] The nations [the redeemed people from the earth] will walk by its light , and the kings of the earth will bring into it their glory. [Is 60:1-5] By day (for there will be no night there) its gates will never be closed [in fear of evil]; [Is 60:11] and they will bring the glory (splendor , majesty) and the honor of the nations into it; and nothing that defiles or profanes or is unwashed will ever enter it , nor anyone who practices abominations [detestable , morally repugnant things] and lying , but only those [will be admitted] whose names have been written in the Lamb’s Book of Life. [Dan 12:1]” Revelation 21:5-7 , 10-14 , 18-21 , 23-27 AMP https://bible.com/bible/1588/rev.21.5-27.AMP ,
“And He who sits on the throne said , “Behold , I am making all things new.” Also He said , “Write , for these words are faithful and true [they are accurate , incorruptible , and trustworthy].” And He said to me , “It is done. I am the Alpha and the Omega , the Beginning and the End. To the one who thirsts I will give [water] from the fountain of the water of life without cost. He who overcomes [the world by adhering faithfully to Christ Jesus as Lord and Savior] will inherit these things , and I will be his God and he will be My son. And he carried me away in the Spirit to a vast and lofty mountain , and showed me the holy (sanctified) city of Jerusalem coming down out of heaven from God , having God’s glory [filled with His radiant light]. The brilliance of it resembled a rare and very precious jewel , like jasper , shining and clear as crystal. It had a massive and high wall , with twelve [large] gates , and at the gates [were stationed] twelve angels; and on the gates the names of the twelve tribes of the sons of Israel were written. On the east side [there were] three gates , on the north three gates , on the south three gates , and on the west three gates. And the wall of the city had twelve foundation stones , and on them the twelve names of the twelve apostles of the Lamb (Christ). The wall was built of jasper; and the city was pure gold , transparent like clear crystal. The foundation stones of the wall of the city were adorned with every kind of precious stone. The first foundation stone was jasper; the second , sapphire; the third , chalcedony; the fourth , emerald; the fifth , sardonyx; the sixth , sardius; the seventh , chrysolite (yellow topaz); the eighth , beryl; the ninth , topaz; the tenth , chrysoprase; the eleventh , jacinth; the twelfth , amethyst. And the twelve gates were twelve pearls; each separate gate was of one single pearl. And the street (broad way) of the city was pure gold , like transparent crystal. And the city has no need of the sun nor of the moon to give light to it , for the glory (splendor , radiance) of God has illumined it , and the Lamb is its lamp and light. The nations [the redeemed people from the earth] will walk by its light , and the kings of the earth will bring into it their glory. By day (for there will be no night there) its gates will never be closed [in fear of evil]; and they will bring the glory (splendor , majesty) and the honor of the nations into it; and nothing that defiles or profanes or is unwashed will ever enter it , nor anyone who practices abominations [detestable , morally repugnant things] and lying , but only those [will be admitted] whose names have been written in the Lamb’s Book of Life. ,