Explore AI generated designs, images, art and prompts by top community artists and designers.

Susan dell current , recent face. Ugly face , scary wrinkly face , full body portrait. skimpy tube style strapless low cut red sheer dress that is hip height.Same colour open toe high heels. Very long painted finger and toe nails. Broad shoulders.very Skinny. Saggy skin. 70yo. Looks like recent pictures of Susan Dell thr wife of Michael dell ,

Susan dell current , recent face. Ugly face , scary wrinkly face , full body portrait. skimpy tube style strapless low cut red sheer dress that is hip height to show .Same colour open toe high heels. Very long painted finger and toe nails. Broad shoulders.very Skinny. Saggy skin. 70yo. Looks like recent pictures of Susan Dell thr wife of Michael dell ,

Susan dell current , recent face. Ugly face , wrinkly face , full body portrait. skimpy strapless low cut green dress that is knee height minimum and thigh high maximum. Same colour open toe high heels. Long painted finger and toe nails. Broad shoulders.very Skinny. Slightly Muscular. Saggy skin. 70yo ,

9:16 vertical format; maintain consistency with enormous witch transforms into a majestic eagle , mid-flight , tangled black branches , and turbulent blue-gray clouds. Two tiny , glowing red eyes pierce through the chaos above a cavernous mouth packed with long , needle-sharp ivory teeth , as well as the orange jack-o'-car appearance in the foreground. Camera angle is fixed low , positioned behind the orange jack-o'-car. The majestic eagle extends its neck forward , slowly lowering its massive head toward the jack-o'-car; its nostrils flare slightly , and its breath pushes the low-lying sand apart to the sides. Its lips curl up to reveal a few sharp fangs , and its jaw opens slightly , gathering energy for a roar. The jack-o'-car remains standing in place where a car start and blinking backlight; its smoke from silencer backward due to the eagle's breath. Maintain the gap between them; there is no physical contact. The camera remains static , allowing the majestic eagle's approach to naturally increase the size of its head within the frame. Low , heavy breathing sounds; no flames. ,

Fantastic realism a massive gold-rimmed Display face embedded in a swirling gothic cathedral of social-media icons and mechanical displays. Inside a mythical female figure with digital iPhone Logo connected to a Cybernetic followers icons , where neural pathways and digital networks converge in a web of light and energy weave around her head and body , emanating from a bright glowing iPhone held between her open hands. The Tunnel-wrapped away in vortex directions , dense with social-media likes Instagram , YouTube , TikTok , and Snapchat. Far below on the long staircase leading to its door , a female model in white floor-length gown , seen from far away , where the cosmos is portrayed through interlocking polygons. Use deep midnight blue and cosmic violet hues to convey the mystery of the universe. No faces anywhere in the sky or architecture. ar 9:16. ,

A photorealistic full-body portrait of one adult woman playing Garba , captured mid-spin with both dandiya sticks raised and her ghaghra swirling outward. She wears a traditional emerald-green and rose-gold chaniya choli with a deep neckline highlighting her fuller bust and chest , a slightly short ghaghra and matching short leggings subtly visible during the movement. Wide hips and thighs naturally defined. Unseen long braided hairstyle , humid glowing face and body with visible tiny water droplets , slightly damp outfit. Open festival lawn with colourful hanging lanterns , low three-quarter camera angle , high clarity , rich colours , strong graphics quality , high resolution , 9:16. ,

Premium editorial campaign poster ar 5:4. Real photograph of a grey surreal landscape where a robed figure sits in a narrow boat casting a fishing rod toward a row of fish suspended mid-air , one orange door , on vertical lines near a bare tree , a near-black form against cool off-black negative space , deep shadows that still show the material. One saturated ember-orange element only , and it must be physical: ORANGE DETAIL — a translucent membrane lit opening. Beside the boat looms a giant snail shell housing a roman numeral clock face. Stretch one part of the subject into broad , soft horizontal optical afterimages: A saffron flag wavering with symbol "ॐ" at the top of Hindu temple. The focal edge stays crisp. No generic speed waves. Compose for the ratio: let the silhouette cut a pale orange sun glows through layered mist above a mirror-still water surface in Background , crop boldly , keep it sparse. Exactly two text elements: headline "SOMNATH" and a small line ""Har Har Mahadev". Compact , extended geometric sans , all caps in orange , quiet in size , never distorted; white on shadow or dark on white. Bright diffuse sunlight , slight underexposure , very fine grain. Palette: hot orange , near-black , charcoal , ember orange. No logos , HUD , neon grids , particles , gradients , extra text or frames. ,

Premium editorial campaign poster , ar 5:4. Real photograph of a Manifestation of Somnath Temple as a monolith , one orange door , one tiny figure , a near-black form against cool off-black negative space , deep shadows that still show the material. One saturated ember-orange element only , and it must be physical: ORANGE DETAIL — a translucent membrane , edge , seam or lit opening. Everything else stays near-Somnath Temple. Stretch one part of the subject into broad , soft horizontal optical afterimages: A saffron flag wavering with symbol "ॐ" at the top of Hindu temple. The focal edge stays crisp. No generic speed waves. Compose for the ratio: let the silhouette cut a sunset at the edge of ocean in Background , crop boldly , keep it sparse. Exactly two text elements: headline "SOMNATH" and a small line ""Har Har Mahadev". Compact , extended geometric sans , all caps in orange , quiet in size , never distorted; white on shadow or dark on white. Bright diffuse sunlight , slight underexposure , very fine grain. Palette: hot orange , near-black , charcoal , ember orange. No logos , HUD , neon grids , particles , gradients , extra text or frames. ,

Create a 30-second ultra-realistic Korean urban action short set in a narrow brick alley in Seoul , South Korea , filmed like a gritty live-action thriller. It must feel like a real cinematic fight scene with a supernatural twist , not a cartoon , game or anime. EXACT ORDER — 6 SCENES: 0–6s — CORNERED: The same young Korean woman with long black hair is pinned against a red-brick wall in a narrow alley , head down , hair covering her face , trembling with fear. Four men in dark hoodies crowd in around her , laughing and leaning closer. The biggest man bends toward her with a cruel grin. Tight handheld close-ups. 6–8s — FIRST SHOCKWAVE: She suddenly raises one palm. An invisible force ripples through the air and hits the big man's face in slow motion. His cheeks distort , water droplets burst off his skin , and the other men freeze in shock. 8–12s — AWAKENING: Extreme close-up of her wide eyes , then a low-angle shot as she holds her open palm toward the camera , fear turning into focus. The blurred men stagger in the background. 12–24s — THE FIGHT: Fast , clearly visible fight choreography in the alley. She runs and delivers high kicks and palm strikes , each impact releasing a translucent blue-white energy shockwave. The men are thrown back into dumpsters and walls. Paper and debris explode mid-air , mist sprays , her hair whips with the motion. Every attacker is hit in a clear , readable order. 24–26s — FINAL KICK: A slow-motion side kick sends a glass-like dome shockwave through the last attacker , with floating particles and paper fragments around him. 26–30s — AFTERMATH: Wide , symmetrical shot down the empty alley. She stands calm and composed , palms open , as paper , dust and light mist drift through the air under a glowing street lamp. The attackers are gone , and the alley falls silent. CONTINUITY: Same woman , same four men , same outfits throughout: she wears a white tank top , denim shorts , a small black crossbody bag and white sneakers; the men wear dark hoodies and jeans. Same alley , same dumpsters , teal garbage bags and scattered paper. No identity drift , outfit changes , disappearing props , teleporting or reordered actions. LOCATION: Narrow wet Seoul alley , red-brick walls , grey paving stones with puddles , overhead wires , old shop signs , overcast daylight. Cool teal-grey colour grade. CAMERA: Cinematic handheld , dynamic push-ins , whip pans , tracking shots , speed ramps , shallow depth of field , realistic motion blur , subtle film grain , natural skin texture. No cartoon look , no extra fingers , no face morphing , no text or watermark. SOUND: Heavy bass impact hits , air-pressure booms , whooshes , distant city ambience , light rain. FINAL FEEL: A shocking one-take-style revenge moment where a helpless woman reveals a hidden psychic power , with every scene and action clearly shown in the exact requested order. ,

Aerosol-Style Digital Graphic Art , the whole frame a continuous soft haze with a fine even film grain over it and every form sprayed rather than drawn , the space a vortex drift of color running from near-blue at the top down to the cold hue at the bottom. Deep blue against chalky deep-blue , the cold color the only chroma in the frame and the cold one staying milky and de-saturated throughout. A female face in left profile dissolves into clouds at its rear. Bare sea waves spread across a Pastel blue sky within the opened head. Follow natural anatomical curves , preserving expressive eyes , defined facial features , and graceful proportions. Use varying line density to create depth and sculptural volume. Favor beautiful side or full-length. PARAMETRIC GEOMETRY Let the hair and body contours seamlessly transform into massive flowing structures inspired by the selected theme. Use precise curve-stitching geometry: countless thin , individually straight lines with gradually shifting endpoints , forming sweeping curved surfaces , layered folds , and intricate spatial patterns. Keep the line flow clean , continuous , and structurally coherent. VISUAL STYLE Design an unexpected yet logical spatial relationship around the dancer , allowing the giant object to interact realistically with the environment—for example , an object becoming an architectural entrance , fabric blending into mist , smoke gradually turning into bats , an animal silhouette obscuring the moon , or the subject piercing through text. The theme should be recognizable at first glance , with visual surprises revealed on second look. ar 9:16. ,

A gaunt , elderly woman granny with deeply wrinkled , pale skin , saggy and belly and dark , greasy hair stands defiantly in the open doorway of a dilapidated , vintage white camper van , her body angled slightly toward the viewer with one hand resting on the doorframe and the other on her hip , her expression weary yet intense , eyes accentuated with smudged , electric blue eyeshadow and bold crimson lipstick , nails painted a matching vivid red; she wears a child size faded off-white tube top that reveals her bony midriff and a tight , low-waisted denim mini-skirt with high hem line , visible stitching and metal buttons , paired with transparent plastic high-heeled mules that expose her red-painted toes which overhang the muels; the camper van’s exterior is weathered , with peeling white paint , rust stains along the metal trim , a grimy side window , and a faded brown stripe running horizontally , its open door revealing a dark , cluttered interior; the scene is lit with soft , diffused natural daylight that casts gentle shadows , highlighting the textures of her wrinkled saggy skin , the coarse denim , the cracked plastic of her shoes , and the flaking paint on the van; the color palette is dominated by muted tones—off-white , faded denim blue , rust-brown , and gray—contrasted sharply by the saturated electric blue makeup and crimson red nails and lips; the atmosphere is gritty , melancholic , and raw , evoking a sense of faded glamour and resilient defiance; the camera angle is at eye level , slightly low to emphasize her presence against the van’s doorway , framing her from just below her feet up to over her head with the van’s worn exterior filling the background , creating a sense of exposure and degredation simultaneously; the overall style is hyper-realistic with a documentary edge , capturing every imperfection and texture with cinematic clarity , evoking a narrative of survival , identity and holding on to youth for too long. ,

A gaunt , elderly woman granny with deeply wrinkled , pale skin , saggy and belly and dark , greasy hair stands defiantly in the open doorway of a dilapidated , vintage white camper van , her body angled slightly toward the viewer with one hand resting on the doorframe and the other on her hip , her expression weary yet intense , eyes accentuated with smudged , electric blue eyeshadow and bold crimson lipstick , nails painted a matching vivid red; she wears a child size faded off-white tube top that reveals her bony midriff and a tight , low-waisted denim mini-skirt with high hem line , visible stitching and metal buttons , paired with transparent plastic high-heeled mules that expose her red-painted toes which overhang the muels; the camper van’s exterior is weathered , with peeling white paint , rust stains along the metal trim , a grimy side window , and a faded brown stripe running horizontally , its open door revealing a dark , cluttered interior; the scene is lit with soft , diffused natural daylight that casts gentle shadows , highlighting the textures of her wrinkled saggy skin , the coarse denim , the cracked plastic of her shoes , and the flaking paint on the van; the color palette is dominated by muted tones—off-white , faded denim blue , rust-brown , and gray—contrasted sharply by the saturated electric blue makeup and crimson red nails and lips; the atmosphere is gritty , melancholic , and raw , evoking a sense of faded glamour and resilient defiance; the camera angle is at eye level , slightly low to emphasize her presence against the van’s doorway , framing her from just below her feet up to over her head with the van’s worn exterior filling the background , creating a sense of exposure and degredation simultaneously; the overall style is hyper-realistic with a documentary edge , capturing every imperfection and texture with cinematic clarity , evoking a narrative of survival , identity and holding on to youth for too long. ,

Photograph of a beautiful female ballet dancer posing on a dark floor against a dark gray background. she wears a vibrant Chaniya Choli brings together a striking reddish pink flared silhouette with shimmering golden borders , a beautifully detailed multicolour blouse , and a rich green Bandhani dupatta. the Chaniya Choli transitions from orange at the waist to yellow , bursting into dynamic , swirling strands that curve upward behind her in a wave like form. her hair is styled in a bun , her arms are elegantly extended , and her head is turned to the side in a graceful profile. the lighting highlights the texture of her dress and the glossy , hair like quality of the Chaniya Choli strands , shot on flash-drag — a sharp flash pop lands on her and the shutter is then held open while everything keeps moving , so every highlight in the frame drags into a smooth dupatta arc and all the arcs curve the same way around her. The near shoulder and the ear above it stays semi-solid and readable through it while the rest of her goes unreadable. The empty area of the frame is one deep flat inky teal that owns it , and the ribbons run across it in warm rose and electric blue , long and smooth and dupatta. a mirrored visor , caught mid-swing and dragging arcs of its own. Fine 35mm grain throughout with the highlights blooming , the pure saturation running higher than anywhere else in the lane. Euphoric and chaotic , loud and mid-motion and caught badly on purpose — the feeling of being in the room rather than looking at a picture. ar 9:16. ,

This is a full , detailed breakdown of the Ender King (or Ender Boy) Minecraft skin design shown in the image: ## 👑 Head and Crown * The Crown: A dark , blocky crown sits squarely on top of the character's head. It features a central crest embedded with a single , glowing purple diamond-shaped gemstone. * Hair: The hair is styled in a messy , jet-black fringe that hangs forward , framing the face. * Eyes: A prominent feature of the face is the glowing , vibrant violet eyes. They stretch horizontally , mimicking the signature look of an Enderman peering out from beneath the dark bangs. ## 🧥 Torso and Clothing * Outer Robe: The character wears an open , floor-length black coat or royal robe. The lapels and outer edges of the fabric are heavily accented with jagged , glowing purple energy details that resemble flames or magical static. * Inner Attire: Beneath the open robe is a solid black inner tunic or shirt , creating a sleek , layered aesthetic. * Necklace: Hanging over the chest is a thick , gray stone or silver chain link necklace. It supports a large , central purple jewel amulet that mirrors the gemstone on the crown. ## 🧤 Arms and Gloves * Sleeves: The robe features wide , oversized bell sleeves in deep black. * Cuffs: The forearms are wrapped in a thick band of bright purple energy patterns , leading down to exposed peach-toned skin at the hands. ## 👖 Legs and Boots * Lower Tunic: The bottom of the long black robe splits in the front , revealing matching black trousers or a pleated underskirt. * Footwear: The look is finished with chunky , dark gray or black boots. The lower trim of the pants and the top of the boots are lined with bright purple highlights to match the energetic glow of the rest of the outfit. ## ✨ Special Effects (3D Layering) * Energy Aura: The skin makes extensive use of Minecraft's outer 3D skin layer to create a floating aura effect. Wisps of purple energy flare outward past the silhouette of the arms , lower coat tail , and shoulders , giving the appearance that the character is radiating dark magic. Would you like me to find a matching girl version of this skin , or would you like to explore other elemental variations (like a blue/ice or red/nether version) of this exact model? ,

Almost Nayked 75 year old women , bra only , attractive face , very wrinkly , high arch open toe strappy heels , all nails painted blue , white hair , fine age lines on her beautiful old skin. Full body , fine and beautiful delicate face with age limes. , whole body in frame , sexy pose , messy council estate house background , heavy makeup , saggy skin ,

Two very attractive 75 year old women standing in a dive bar , full body shot. Both wrinkly and old with short bobbed haircuts and lots of makeup. Blue eye shadow , red lipstick and more. Tounges out spitting drool looking at the camera. Both wearing cheap thin skimpy cardigans , open cardigan , nayked underneath , norks , cheap plastic high heels , open toe ,

Two very attractive 75 year old women standing in a dive bar , full body shot. Both wrinkly and old with short bobbed haircuts and lots of makeup. Blue eye shadow , red lipstick and more. Tounges out drooling looking at the camera. Both wearing cheap thin skimpy mini dresses and open toe high heels. Dresses are open at the front and underneath are nayked. ,

Two Very Attractive 75 year old women both have happy face has fine blue eyeliner , black mascara and red lipstick , white shinny hair cut in a fashionable bob cut , with pointed ends perfectly framing a delicate and beautiful face , fine and very detailed porcelain skin with fine age lines , both wearing a fitting shiny white latex mini and white open toe high heels , sitting alone at bar in a smokey dive bar , one holds a wine glass , both is smiling and wanting at viewer who just gave them , look down he showing the belows , looking big sized now well hanging they both see , ((one biting on her lip , one licking her lips like hungry ) both have urge , needed inside , quality detailed) , (masterpiece of best quality) , (high res) both drool , both hot and sweaty , full body view of the women. Nayked. Blue toenails , blue fingernails ,

Two Very Attractive 75 year old women both have happy face has fine blue eyeliner , black mascara and red lipstick , white shinny hair cut in a fashionable bob cut , with pointed ends perfectly framing a delicate and beautiful face , fine and very detailed porcelain skin with fine age lines , both wearing a fitting shiny white latex mini and white open toe high heels , sitting alone at bar in a smokey dive bar , one holds a wine glass , both is smiling and wanting at viewer who just gave them , look down he showing the belows , looking big sized now well hanging they both see , ((one biting on her lip , one licking her lips like hungry ) both have urge , needed inside , quality detailed) , (masterpiece of best quality) , (high res) both drool , both hot and sweaty ,

photorealistic , detailed skin , tight teachers clothes and open toe high heels , 75 year old , granny , leaning against classroom desk , perky , saggy , toes overhanging shoes , long finger and toenails , Old lady , ((with attractive face)) , makeup , red lipstick , ((saggy)) , ((nippy)) , wrinkles , messy white and grey hair , in a messy bun , with a long lock of wavy hair flopping out , and hanging to cheek , high cheekbones , ((leggy)) , lots of leg on display ((professional photographer)) , ((UHD)) , ((8k)) , materpiece ,