Explore AI generated designs, images, art and prompts by top community artists and designers.

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(by Ananta Mandal (and Andrew Biraj:0.5)) , (in the style of nihonga) , Style: Abstract , Medium: Digital illustration , Subject: An image of a love heart , made up of many little love heatrs and beautiful flowers , of all the vibrant colours of the rainbow , incorporated in the image are about half a dozen of magnificent looking bright neon butterflies , all airbound in or around the heart. Within the space of the heart itself , (the painter has rendered the word 'JESUS ') , (((THE NAME MUST BE RENDERED ACURATELY AND SPELT BEFORE any OTHER creative urge from this artificial intelligence , is STARTED))). The painter has used a bold script to spell JESUS script of the letters The writing is is alive with electric plasma neon , type charging through the letters of ' J E S U S ' , many stunningly beautiful neon of many colours beautiful flowers of many vibrant colours , cascading waterfalls , ornate churches stop near and distant plateaus , and vibrant flora and fauna. Camera Angle: Overhead shot capturing the v4. 6 stness and intricate details of the scene. The colors are saturated , and the lighting creates a warm and ethereal atmosphere. The painting is highly detailed , with every brushstroke capturing the complexity of the imaginary World. , (high quality) , (detailed) , (masterpiece) , (best quality) , (highres) , (extremely detailed) , (8k) , , JESUS , stabilised diffusion , land of legend , ,

(by Ananta Mandal (and Andrew Biraj:0.5)) , (in the style of nihonga) , Style: Abstract , Medium: Digital illustration , Subject: An image of a love heart , made up of many little love heatrs and beautiful flowers , of all the vibrant colours of the rainbow , incorporated in the image are about half a dozen of magnificent looking bright neon butterflies , all airbound in or around the heart. Within the space of the heart itself , (the painter has rendered the word 'JESUS ') , (((THE NAME MUST BE RENDERED ACURATELY AND SPELT BEFORE any OTHER creative urge from this artificial intelligence , is STARTED))). The painter has used a bold script to spell JESUS script of the letters The writing is is alive with electric plasma neon , type charging through the letters of ' J E S U S ' , many stunningly beautiful neon of many colours beautiful flowers of many vibrant colours , cascading waterfalls , ornate churches stop near and distant plateaus , and vibrant flora and fauna. Camera Angle: Overhead shot capturing the v4. 6 stness and intricate details of the scene. The colors are saturated , and the lighting creates a warm and ethereal atmosphere. The painting is highly detailed , with every brushstroke capturing the complexity of the imaginary World. , (high quality) , (detailed) , (masterpiece) , (best quality) , (highres) , (extremely detailed) , (8k) , , JESUS , stabilised diffusion , land of legend , ,

A young woman stands on the shore of the sea , dressed in simple yet elegant clothing. Her garments gently flutter in the sea breeze , and her expression is calm and contemplative. The detailed attire of the woman evokes a mystical traveler or an unassuming heroine , with subtle magical particle effects gently enhancing the enchanting atmosphere. In the background , the sea and a nearby large sailing ship can be seen. The woman's dynamic pose , combined with the use of light and shadows , creates an epic and immersive scene. This illustration is rendered in a classical pencil sketch style , emphasizing intricate details and smooth transitions between light and shadow. The fine linework captures the contours of the woman's elegant clothing and the subtle magical particle effects , while the soft shading adds depth and texture to the scene. The background features the vast sea and a large sailing ship , depicted with varying line weights to enhance the sense of distance and scale. The overall composition is balanced and minimalistic , focusing on the realistic portrayal of the woman's serene expression and the dynamic pose. The black-and-white realistic style brings out the timeless beauty and mystique of the scene , perfect for traditional art lovers seeking a detailed and artistic representation. ,

Vertical banner for large-format printing , dimensions 1 meter tall x 0.50 meters wide , for a store selling keto products. At the top , a minimalist circular logo in green and gold. Below , a very large and centered main text in one single line: PRODUCTOS KETO. Below that , a list of products in ALL CAPS , clear and readable typography: SORRENTINOS , TALLARINES , TAPAS DE EMPANADAS Y PASCUALINA , BUDINES , TORTAS DULCES INDIVIDUALES , ALFAJORES , PANES KETO. Include realistic , appetizing photos of the mentioned products arranged neatly around the text , with warm lighting. Background in light tones (white or soft beige) with fresh green accents. Modern , clean style in high resolution , suitable for printing. ,

A massive , muscular black wolf stands defiantly on a narrow , winding forest path , its glowing red eyes piercing through the gloom. The wolf's sharp white fangs are bared in a menacing snarl , emphasizing its terrifying presence. The wolf's dark fur blends seamlessly with the misty , shadowy forest surroundings , creating an eerie camouflage. Gnarled , ancient trees line the path , their twisted branches reaching out like skeletal fingers , while a low , creeping fog snakes along the forest floor , adding to the sinister atmosphere. Dramatic lighting casts deep , ominous shadows , highlighting the wolf’s threatening posture and the haunting red glows in its eyes. The scene is bathed in a horror-like ambiance , with every element contributing to the chilling , otherworldly feel. ,

best quality , masterpiece , ultra high res , photorealistic , detailed skin , wearing short and tight black pencil skirt , and black button up office shirt with high frilly collar , black sheer stockings and black high heels , 75 year old , busty , (long white hair in '" Stepford Wives " movie look) , leaning against kitchen bench , Glass of champagne in her hand. She is smilling at the man takiing pictures directly in front and below her , {NEGATIVE PROMPT: SOECTACLES} , she does not wear spectacles) , perky ,

NSFW , best quality , masterpiece , ultra high res , photorealistic , detailed skin , wearing short and tight black pencil skirt , and black button up office shirt with high frilly collar , black sheer stockings and black high heels , 75 year old , busty , (long white hair in '" Stepford Wives " movie look) , leaning against kitchen bench , Glass of champagne in her hand. She is smilling at the man takiing pictures directly in front and below her , {NEGATIVE PROMPT: SOECTACLES} , she does not wear spectacles) , perky ,

NSFW , best quality , masterpiece , ultra high res , photorealistic , detailed skin , wearing short and tight black pencil skirt , and black button up office shirt with high frilly collar , black sheer stockings and black high heels , 75 year old , busty , (long white hair in '" Stepford Wives " movie look) , leaning against kitchen bench , Glass of champagne in her hand. She is smilling at the man takiing pictures directly in front and below her , {NEGATIVE PROMPT: SOECTACLES} , she does not wear spectacles) , perky ,

NSFW , best quality , masterpiece , ultra high res , photorealistic , detailed skin , wearing short and tight black pencil skirt , and black button up office shirt with high frilly collar , black sheer stockings and black high heels , 75 year old , busty , (long white hair in '" Stepford Wives " movie look) , leaning against kitchen bench , Glass of champagne in her hand. She is smilling at the man takiing pictures directly in front and below her , {NEGATIVE PROMPT: SOECTACLES} , she does not wear spectacles) , perky ,

NSFW , best quality , masterpiece , ultra high res , photorealistic , detailed skin , wearing short and tight black pencil skirt , and black button up office shirt with high frilly collar , black sheer stockings and black high heels , 75 year old , busty , (long white hair in '" Stepford Wives " movie look) , leaning against kitchen bench , Glass of champagne in her hand. She is smilling at the man takiing pictures directly in front and below her , {NEGATIVE PROMPT: SOECTACLES} , she does not wear spectacles) , perky ,

NSFW , best quality , masterpiece , ultra high res , photorealistic , detailed skin , wearing short and tight black pencil skirt , and black button up office shirt with high frilly collar , black sheer stockings and black high heels , 75 year old , busty , (long white hair in '" Stepford Wives " movie look) , leaning against kitchen bench , Glass of champagne in her hand. She is smilling at the man takiing pictures directly in front and below her , {NEGATIVE PROMPT: SOECTACLES} , she does not wear spectacles) , perky ,

NSFW , best quality , masterpiece , ultra high res , photorealistic , detailed skin , wearing short and tight black pencil skirt , and black button up office shirt with high frilly collar , black sheer stockings and black high heels , 75 year old , busty , (long white hair in '" Stepford Wives " movie look) , leaning against kitchen bench , Glass of champagne in her hand. She is smilling at the man takiing pictures directly in front and below her , {NEGATIVE PROMPT: SOECTACLES} , she does not wear spectacles) , perky ,

NSFW , best quality , masterpiece , ultra high res , photorealistic , detailed skin , wearing short and tight black pencil skirt , and black button up office shirt with high frilly collar , black sheer stockings and black high heels , 75 year old , busty , (long white hair in '" Stepford Wives " movie look) , leaning against kitchen bench , Glass of champagne in her hand. She is smilling at the man takiing pictures directly in front and below her , {NEGATIVE PROMPT: SOECTACLES} , she does not wear spectacles) , perky ,

NSFW , best quality , masterpiece , ultra high res , photorealistic , detailed skin , wearing short and tight black pencil skirt , and black button up office shirt with high frilly collar , black sheer stockings and black high heels , 75 year old , busty , (long white hair in '" Stepford Wives " movie look) , leaning against kitchen bench , Glass of champagne in her hand. She is smilling at the man takiing pictures directly in front and below her , {NEGATIVE PROMPT: SOECTACLES} , she does not wear spectacles) , perky ,

best quality , masterpiece , ultra high res , photorealistic , detailed skin , wearing short and tight black pencil skirt , and black button up office shirt with high frilly collar , black sheer stockings and black high heels , 75 year old , busty , (long white hair in '" Stepford Wives " movie look) , leaning against kitchen bench , Glass of champagne in her hand. She is smilling at the man takiing pictures directly in front and below her , {NEGATIVE PROMPT: SOECTACLES} , she does not wear spectacles) , perky ,

A detailed portrait of Huginn and Muninn , Odin's ravens , in a typical Norse setting. Huginn , with bright black feathers and intelligent eyes , is perched on an ancient oak branch , while Muninn , similar-looking but with a slight bluish tint to his wings , looks on in the distance. The setting is a dense , gloomy forest , with moss covering the rocks and fog hovering among the trees. In the background , a cloudy sky and the silhouette of a large Nordic hall can be seen , suggesting the proximity of Valhalla. The atmosphere is mystical and enveloping , with cool tones and realistic details that highlight the importance of these divine messengers. ,

A terrifying , decaying zombie with tattered flesh , glowing hollow eyes. The zombie’s posture is aggressive yet unsteady , its limbs twitching with unnatural movement as it lumbers into a sleek , contemporary hallway. The hallway features minimalist design elements: a low-profile shoe rack with scattered footwear , a wall-mounted coat rack with a few hanging garments swaying from the force of the intrusion , and a large , cracked mirror reflecting the zombie’s grotesque form. The lighting is dim and eerie , casting long , distorted shadows that amplify the horror. The walls are smooth and neutral-toned , contrasting sharply with the zombie’s grotesque appearance. The scene is hyper-detailed , with a cinematic , high-contrast style—deep shadows and stark highlights emphasize the texture of the zombie’s rotting skin , the shattered door , and the disrupted modern decor. The atmosphere is tense , chaotic , and filled with a sense of impending doom. ,

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A **hyper-cinematic , apocalyptic flood disaster** unfolding in a **SimCity-inspired megacity** , where a **colossal , monstrous wall of dark , churning floodwater**—teeming with **twisted steel girders , shattered skyscraper glass , uprooted trees , and the wreckage of urban civilization**—**smashes through the heart of a once-pristine , grid-perfect metropolis** with terrifying , unstoppable force. The flood **engulfs towering skyscrapers in seconds** , **snaps elevated highways like brittle twigs** , and **erases entire city blocks in a single , devastating surge** , leaving only **chaos , ruin , and swirling vortices of destruction** in its wake. The city , once a **masterpiece of urban planning—symmetrical streets , sprawling suburbs , dense commercial hubs , and meticulously zoned industrial districts—**now **drowns in cataclysmic ruin** as the floodwater **carves a path of absolute devastation** , reducing decades of infrastructure to **floating debris**. **Cars , street signs , fragments of collapsed buildings , and uprooted lampposts** spin violently in the torrent , while **collapsing overpasses , crumbling bridges , and submerged highways** struggle against the relentless current. **Desperate survivors cling to rooftops , overturned vehicles , and the last remnants of high ground** , their faces illuminated by the **eerie , storm-choked light** of a dying city. The scene is rendered in a **blockbuster disaster movie aesthetic**—**hyper-dramatic , high-contrast lighting** casts **long , jagged shadows** across the ruin , while **explosive bursts of spray , mist , and flying debris** fill the air. The **atmosphere is thick with tension** , the **water’s murky depths hiding unseen horrors** , and the **last flickers of civilization**—**emergency sirens , distant screams , the groaning collapse of steel**—echo through the storm. The **composition is chaotic yet cinematic** , with **dynamic angles** capturing the **sheer scale of destruction**: **a skyscraper toppling in slow motion , a bridge snapping mid-collapse , a lone survivor reaching for a helicopter’s dangling rope**. Every detail screams **epic , high-stakes survival**—**the flood is not just water , but a living , consuming force** , and the city’s **once-orderly grid is now a nightmare of swirling currents , submerged streets , and the skeletal remains of urban life**. The **lighting is dramatic** , with **pockets of eerie glow**—**flickering streetlights beneath the water , the distant flare of explosions , the cold blue hue of the storm**—contrasting against the **crushing darkness of the flood’s depths**. This is **disaster on a biblical scale** , a **SimCity metropolis erased in minutes** , and the **last moments of a civilization swept away**. ,

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