Explore AI generated designs, images, art and prompts by top community artists and designers.

Ultra-realistic front-camera selfie , 24mm wide-angle , arm extended , natural skin texture , subtle film grain , indoor cinematic lighting. Scene: I am in the foreground smiling , sharp focus on my face. Behind me , a group of [NÚMERO] generic celebrities (not resembling any real person) , standing CLOSE behind me and also SHARP and IN FOCUS. Environment: professional movie studio / soundstage inspired by a superhero blockbuster set like Avengers , with partial green screens , film lights , camera rigs , cables , crew equipment , and sci-fi set pieces in the background. Framing: tight selfie composition , half-body selfie , minimal empty space above the head , no stretched perspective , no extra ceiling , keep everyone centered. Focus: deep depth of field , everything in focus , sharp background faces , crisp details. No text , no logos , no watermark. Aspect ratio: 4:5 ,

A surreal depiction of what love is: Love is patient , love is kind. It does not envy , it does not boast , it is not proud. It does not dishonor others , it is not self-seeking , it is not easily angered , it keeps no record of wrongs. Love does not delight in evil but rejoices with the truth. It always protects , always trusts , always hopes , always perseveres. Love never fails. We love because because God first loved us who IS love. Love is the most powerful thing in the universe! It's eternal and life giving just as God is. Love brings , joy , peace , patience , kindness , goodness , faithfulness and self control. Love is unconditional and always serves others. ,

surreal environmental scene where a human arm rises naturally upward from the ground , arm extended vertically and wrist gently bent so the palm faces horizontally like a landscape plateau , the palm fully transformed into natural terrain , skin seamlessly becoming soil , moss , roots and vegetation , where a single transitions into a waterfall that fall from and fills the structure of the garden in a Interference style , total organic fusion between hand and ecosystem , the hand elevated but clearly attached to a real arm and body below frame , not floating , photorealistic textures , cinematic lighting , soft natural atmosphere , environmental concept art , magical realism , ultra detailed , wide shot , depth , 8k ,

surreal environmental scene where a human arm rises naturally upward from the ground , arm extended vertically and wrist gently bent so the palm faces horizontally like a landscape plateau , the palm fully transformed into natural terrain , skin seamlessly becoming soil , moss , roots and vegetation , a tree growing from the center as if planted in fertile earth , fingers reshaped into hills and landforms rather than recognizable fingers , total organic fusion between hand and ecosystem , the hand elevated but clearly attached to a real arm and body below frame , not floating , photorealistic textures , cinematic lighting , soft natural atmosphere , environmental concept art , magical realism , ultra detailed , wide shot , depth , 8k ,

Draw a picture in anime style , 16:9 aspect ratio. Plot - The camera is from behind , over the boy's shoulder. The boy notices his parents lying on the ground in the distance , lying in a red puddle. Closer to us is the mother , and further away is the father (the father is lying with his feet towards the boy; we can't see his head due to the angle). The action takes place in a foggy forest at night. There is fog/haze all around. ,

A majestic staircase carved into a giant ice formation , leading up to an ancient , mysterious ruin bathed in the soft , luminous light of a polar aurora. A figure at the edge of an event horizon--the point where smoke bends but hasn't yet been consumed , every step leaves behind a glowing that fades after a breath. The figure is small against the scale of the void , but positioned like they walked there deliberately. Not falling. Walking on the long staircase. A bioluminescent jellyfish drifts through a surreal , iridescent part over a towering mesa in a vast desert. Style: deeply spiritual sci-fi art , reminiscent of digital hyper-realism combined with cosmic impressionism. Focus on intricate detail of light and smoke flow. ,

Create a professional , elegant packaging design for a line of premium black teas with herbal and berry infusions , specifically a functional herbal blend with sage , thyme , and chamomile for immune-boosting and relaxation. The box is a rectangular package made of high-quality cardboard , measuring 12 x 8 x 5 cm , with a matte finish. Main Image: Create a stylish , modern design inspired by traditional Russian ornaments and embroidery. Typography: Front label , brand name from the attached file. Includes icons denoting organic and functional benefits (immunity shield , herbal leaf). Back: A clear list of ingredients , brewing instructions , net weight of 100 g , and a QR code for additional information. Style: Luxurious minimalism , white or light background , vibrant accent image , high-resolution 4K , perfect for e-commerce and shelf display. No people , no cartoons , focus on natural premium quality. ,

Crea una infografía ilustrada con viñetas tipo periódico / cómic educativo , organizada en [6] escenas. Tema general: [La formación del plural en inglés] Formato: [TAMAÑO A4 Orientación vertical] Público: [5 primaria] Cada viñeta debe: Representar una escena educativa realista relacionada con los niños de Stranger Things. Incluir personajes infantiles o juveniles interactuando. Mostrar acciones claras (explicaciones). Tener un título corto numerado (ej. "1...."'"2...."). Incluir bocadillos de diálogo con frases breves y naturales que refuercen el aprendizaje. Estructura de las viñetas: Viñeta 1: La Regla Normal (The General Rule) · Fuente: Stranger Things · Escena: Pasillo del colegio. "Mike" señala un Demogordon salir a través de la pared. · Acción: El chico enseña a la "Eleven" la diferencia entre uno y varios. · Texto Visual (Cartel/Pizarra): + S · Diálogo (Bocadillos): o Chico: "Look! One Demogordon." (Señala un demogordon). o Chico: "Now , two Demogordons. Just add S!" o Narrador (Cajetín): "Normalmente , añadimos una S al sustantivo." Viñeta 2: Los Sonidos Sibilantes (The Hissing Endings) · Fuente: Stranger Things · Escena: En el aula de ciencias. Hay cajas de mudanza o material escolar. · Acción: Dustin intenta levantar una caja pesada marcada con una "X" , mientras otro señala una pila de cajas. · Texto Visual: S , CH , SH , X , Z --> + ES · Diálogo (Bocadillos): o Dustin: "This box (X) is heavy..." o Lucas: "Imagine carrying all those boxes! Add ES!" o Nota al pie: "Para terminaciones en S , CH , SH , X , Z." Viñeta 3: La Transformación de la F (The 'F' Mystery) · Fuente: Stranger Things · Escena: Biblioteca oscura. Mike , Eleven , Dustin y Lucas miran un libro de monstruos o animales. · Acción: La linterna ilumina el dibujo de un lobo. · Texto Visual: F / FE --> VES · Diálogo (Bocadillos): o Eleven: "Is that a wolf?" o Mike con linterna: "No , it's a pack of wolves! The F changes to VES." o Narrador: "Si acaba en F o FE , ¡cambia a VES!" Viñeta 4: El Dilema de la Y (The Tricky Y) · Fuente: Stranger Things · Escena: La cafetería. Están compartiendo dulces de Halloween. · Acción: Max tiene un caramelo y Lucas tiene un montón. · Texto Visual: Vocal + Y = S vs Consonante + Y = IES · Diálogo (Bocadillos): o Max: "One boy , two boys. Easy!" (Señala a sus amigos) o Lucas: "But look at the candy... One candy , two candies! Consonant + Y becomes IES." Viñeta 5: El Final en 'O' (The Hero's Rule) · Fuente: Stranger Things · Escena: Sala de audiovisuales (AV Club). Viendo una película en una TV antigua. · Acción: En la pantalla se ve un superhéroe. · Texto Visual: Vocal+O = S | Consonante+O = ES · Diálogo (Bocadillos): o Mike: "I love this video. Do you have more videos?" (Vocal + O) o Eleven: "Yes! It's about a hero. Or rather , many heroes (+ES)!" (Consonante + O) Viñeta 6: Los Irregulares (The Strange Ones) · Fuente: Stranger Things · Escena: Pasillo con taquillas. Un ratón corre por el suelo (guiño a la serie). · Acción: Los niños Will y Max se asustan y saltan. · Texto Visual: IRREGULARS: MEMORIZE! · Diálogo (Bocadillos): o Will asustado: "IRREGULARS: MEMORIZE! o Max con poderes: "Child → Children , Man , → Men , Woman → Women...)" Estilo visual: Ilustración tipo cómic educativo / periódico ilustrado Colores [TIPO DE COLORES: suaves] Trazos limpios , expresivos y amables Fondo contextual (aula y patio y escenario) Resultado esperado: Una infografía visual , narrativa y atractiva , que explique el contenido a través de escenas ilustradas , como una página de periódico educativo. ,

Concept sketch of a futuristic smart cane for visually impaired users. Sleek modern design , lightweight black and silver materials. Built-in camera near the handle , multiple sensors along the shaft , small speaker in the grip , vibration motor inside the handle , Bluetooth module , and rechargeable battery with USB-C port. Minimalistic industrial design , technical annotations , exploded view showing internal components. Hand-drawn engineering sketch style , white background , clean lines , high detail , product design concept art ,

Concept sketch of a futuristic smart cane for visually impaired users. Sleek modern design , lightweight black and silver materials. Built-in camera near the handle , multiple sensors along the shaft , small speaker in the grip , vibration motor inside the handle , Bluetooth module , and rechargeable battery with USB-C port. Minimalistic industrial design , technical annotations , exploded view showing internal components. Hand-drawn engineering sketch style , white background , clean lines , high detail , product design concept art ,

The Gravity portal scale emerging from darkness. A tall , travels in a red patterned Saree walked with a trolley bag near a massive jet propeller. The figure is small against the scale of the void , but positioned like they walked deliberately. Not falling. Walking at the threshold. The colossal circular jet propeller set into towering. ,

Realistic interior view of a vast agricultural area integrated into a rotating O'Neill cylinder. The scene is located along the inner wall of the cylinder. The curvature of the ground is clearly visible , with the agricultural horizon gradually rising on the sides , an obvious geometric signature of the O'Neill cylinder. Large longitudinal agricultural belts stretch as far as the eye can see. The cultures are organized in rational and modular terraces. egetable gardens , hydroponic zones and closed greenhouses. No artificial bucolic aesthetic. Everything is designed for productivity , sustainability and long-term maintenance. The agricultural infrastructures are visible and assumed. Exposed irrigation networks , narrow technical channels , conduits , pumps , support structures , maintenance rails , silent agricultural drones in action. No loss of space , no useless surface. Farmers and technicians working in the fields. Credible daily activities , precise gestures , equipment adapted to the spatial environment. Functional , resistant , sober clothing , without superfluous decorative elements. Natural human presence , not heroic. Lighting is provided by long strips of light simulating an artificial solar cycle. Diffuse , homogeneous , slightly cold , physically coherent light. Long , soft shadows following the curvature of the cylinder. Atmosphere stable , calm , industrial and lively. ,

A fallen astronaut lies motionless on a barren alien landscape , his cracked helmet half-buried in dust. From his chest grows a glowing , mystical purple tree with thick , twisted roots merging with the cracked ground. The tree radiates soft , ethereal light — not neon — illuminating the astronaut's suit and the surrounding terrain. The atmosphere is dramatic and emotional , symbolizing rebirth through sacrifice. In the background , distant planets and rocky hills fade into a cosmic twilight. The scene is painted in a cinematic , textured concept art style , with a focus on storytelling , emotion , and grounded colors. ,

The Gravity Well Cosmic scale. a house , barely visible through a the edge of an Chimney's smoke merged with smoke bends yet been vortex in Vertical layer over house. The house tiny against the scale of the void. Not falling. solitary , house , barely visible , a colorful tree stands back of house , is set far back , with layers of mist-covered snow-mount cliff edge , but positioned like they walked there deliberately. The house's chimney of smoke billows dramatically in the wind , symbolizing movement and determination. The vortex clouds isn't rendered as destruction. Style: deeply spiritual Sci-fi art , reminiscent of digital hyper-realism combined with cosmic impressionism. Focus on intricate detail of white and smoke in vortex flow , with epic cinematic lighting and a dramatic , painterly texture. ,

The Gravity Well Cosmic scale. A figure at the edge of an event horizon--the point where smoke bends but hasn't yet been consumed. The radiant super being Secretary of God , is small against the scale of the void , depicting an otherworldly aura that pulsates with energy. Not falling. Walking at the threshold. The swirling galaxy isn't rendered as destruction. Style: deeply spiritual sci-fi art , reminiscent of digital hyperrealism combined with cosmic impressionism. Focus on intricate detail of particles and smoke flow. ,

Ultra-clean modern recipe infographic. Showcase Samosa (Indian street food) in a visually appealing finished form—sliced , plated , or portioned—floating slightly in perspective or angled view. Arrange ingredients , steps , and tips around the dish in a dynamic editorial layout , not restricted to top-down. Ingredients Section: Include icons or mini illustrations for each ingredient with quantities. Arrange them in clusters , lists , or circular flows connected visually to the dish. Steps Section: Show preparation steps with numbered panels , arrows , or lines , forming a logical flow around the main dish. Include small cooking icons (knife , pan , oven , timer) where helpful. Additional Info (optional): Total calories , prep/cook time , servings , spice level—displayed as clean bubbles or badges near the dish. Visual Style: Editorial infographic meets lifestyle food photography. Vibrant , natural food colors , subtle drop shadows , clean vector icons , modern typography , soft gradients or glassmorphism for step panels. Accent colors can highlight key info (calories , prep time). Composition Guidelines: Finished meal as hero visual (perspective or angled). Ingredients and steps flow dynamically around the dish. Clear visual hierarchy: dish > steps > ingredients > optional stats. Enough negative space to keep design airy and readable. Lighting & Background: Soft , natural studio lighting. Minimal textured or gradient background for premium editorial feel. ,

A figure at the edge of an event horizon--the point where smoke bends out from Cigarette hasn't yet been consumed. The figure is small against the scale of the void , but positioned like they walked there deliberately. Not falling. Standing on the edge of long burning giant Cigarette. The red spider-web isn't vortex as all direction. Style: deeply spiritual sci-fi art , reminiscent of digital hyper-realism combined with cosmic impressionism. Focus on intricate detail of particles and smoke flow. ,

The Gravity Well Cosmic scale. A figure at the edge of an event horizon--the point where smoke bends but hasn't yet been consumed. The figure is small against the scale of the void , but positioned like they walked there deliberately. Not falling. Walking at the long vortex rope. The black hole isn't rendered as destruction. Style: deeply spiritual sci-fi art , reminiscent of digital hyper-realism combined with cosmic impressionism. Focus on intricate detail of light and smoke flow. ,

The Gravity skyscraper scale emerging from particles. A alien civilization in motion , spirals cities expanding , structured acceleration , spacecraft flying through sky. The spider-man is small against the scale of the void , but positioned like they fly there deliberately. Not falling. flying at the threshold. The black hole isn't vortex as destruction. Style: deeply spiritual sci-fi art , reminiscent of digital hyper-realism combined with cosmic impressionism. Focus on intricate detail of light and smoke flow. ,

The Gravity Well urban scale emerging from darkness. A civilization in motion , cities expanding , structured acceleration , people flying through space. The figure is small against the scale of the void , but positioned like they fly there deliberately. Not falling. flying at the threshold. The black hole isn't rendered as destruction. Style: deeply spiritual sci-fi art , reminiscent of digital hyperrealism combined with cosmic impressionism. Focus on intricate detail of light and smoke flow. ,

360-degree spherical image of a cozy north-east mountain , beside a cross , a breathtaking sigth over mountain , with the view in the middle point , the cross not so important , nestled in a valley , with soft morning mist gently rolling over the fields. A faint , warm sunlight filters through the haze , illuminating dewdrops on spiderwebs. before the spiderwebs , a cross shining through extremely bright representing the power of god talking to us , reminiscent of a still life by edgar degas , bloom in vibrant hues , their petals gently swaying in the breeze , as if choreographed to the rhythm of a beautiful , cinematic ballet. The air is still and peaceful , with only the distant sound of a gentle stream. Rendered in a soft , impressionistic style with muted colors. ,

Create an infographic image of refrigerator compressor , combining a realistic photograph or photoreal render of the object with technical annotation overlays placed directly on top. Use black ink–style line drawings and text (technical pen / architectural sketch look) on a pure white studio background , including: •Key component labels •Internal cutaway or exploded-view outlines •Measurements , dimensions , and scale markers •Material callouts and quantities •Arrows indicating function , force , or flow (air , sound , power , pressure) •Simple schematic or sectional diagrams where relevant Place the title refrigerator compressor inside a hand-drawn technical annotation box in one corner. Style & layout rules: •The real object remains clearly visible beneath the annotations •Annotations feel sketched , technical , and architectural •Clean composition with balanced negative space •Educational , museum-exhibit / engineering-manual vibe Visual style: Minimal technical illustration aesthetic , black linework over realistic imagery , precise but slightly hand-drawn feel. Color palette: White background , black annotation lines and text only. No colors. Output: 1080×1080 , ultra-crisp , social-feed optimized , no watermark. ,

Ultra-high-definition photorealistic close-up portrait of a 28-year-old brunette woman with long , wavy hair , wearing a blue lace dress and smiling confidently at the camera. Her skin is radiant and natural with a warm , approachable expression. Her make-up is subtle but not overdone. The background depicts a soft , blurred park with trees and a lake. The lighting is bright and even , emphasizing her features and the friendly tone of the image. ,

Slide 2: The Decision Point • At a certain point , an understanding comes: to move forward , you don't just need a new skill , but a systematic understanding. • You need not just a "diploma , " but a foundation upon which you can build complex projects. • The choice fell on BSUIR for a reason. It was a strategic choice of a place where theory meets the most advanced practice , and your classmate could be either a recent school graduate or a lead developer from a major company. ,

Playful , cozy cartoon-style flat 2D illustration in a warm , nostalgic winter mood — bold black outlines , high contrast , subtle neon accents. Ryan Gosling as Driver from *Drive*: seated behind wheel of vintage muscle car , hands gripping steering wheel , body slightly leaned forward , intense calm gaze fixed ahead through windshield. Sharp jawline , clean-shaven face , short dark brown hair with slight side part and natural texture , deep-set piercing blue eyes with faint shadow under brow , straight nose , thin lips pressed in focused neutral expression. Wears iconic ivory knit sweater under fitted slate-gray jacket , red beanie pulled low over forehead. Three expressive fur seals ride with him — one curled on passenger seat clutching tiny gift box , another perched on dashboard balancing glowing orange on nose , third peeking playfully from backseat window ledge. All seals wear festive beanies (teal , gold , red) and striped knit scarves , smiling joyfully. Car interior: soft glow from dashboard , snow visible through windows , gentle falling flakes outside. Background: twilight city street lined with softly lit neoclassical buildings dusted in snow , twinkling string lights on lampposts , one ice star sculpture near curb. Style: flat 2D animation , zero gradients or shadows. Soft pastel palette — deep navy , museum white , burnt orange , soft gold , slate gray , muted teal , ivory. Neon accents only on oranges (glowing rinds) , scarves (subtle shimmer) , dashboard lights (soft pink-blue glow). Mood: sweet , tender , intimate — pure visual storytelling of quiet joy and unexpected friendship. No text. No logos. No clutter. Render Ryan Gosling with exact likeness from *Drive*: sharp clean-shaven jaw , short textured dark brown hair , intense blue eyes with focused gaze , iconic ivory sweater and red beanie. Must be unmistakably him — no resemblance to other roles or actors. Keep proportions accurate but stylized within cartoon aesthetic. ,

Playful , cozy cartoon-style flat 2D illustration in a warm , nostalgic winter mood — bold black outlines , high contrast , subtle neon accents. Ryan Gosling as Driver from *Drive*: seated behind wheel of vintage muscle car , hands gripping steering wheel , body slightly leaned forward , intense calm gaze fixed ahead through windshield. Sharp jawline , clean-shaven face , short dark brown hair with slight side part and natural texture , deep-set piercing blue eyes with faint shadow under brow , straight nose , thin lips pressed in focused neutral expression. Wears iconic ivory knit sweater under fitted slate-gray jacket , red beanie pulled low over forehead. Three expressive fur seals ride with him — one curled on passenger seat clutching tiny gift box , another perched on dashboard balancing glowing orange on nose , third peeking playfully from backseat window ledge. All seals wear festive beanies (teal , gold , red) and striped knit scarves , smiling joyfully. Car interior: soft glow from dashboard , snow visible through windows , gentle falling flakes outside. Background: twilight city street lined with softly lit neoclassical buildings dusted in snow , twinkling string lights on lampposts , one ice star sculpture near curb. Style: flat 2D animation , zero gradients or shadows. Soft pastel palette — deep navy , museum white , burnt orange , soft gold , slate gray , muted teal , ivory. Neon accents only on oranges (glowing rinds) , scarves (subtle shimmer) , dashboard lights (soft pink-blue glow). Mood: sweet , tender , intimate — pure visual storytelling of quiet joy and unexpected friendship. No text. No logos. No clutter. Render Ryan Gosling with exact likeness from *Drive*: sharp clean-shaven jaw , short textured dark brown hair , intense blue eyes with focused gaze , iconic ivory sweater and red beanie. Must be unmistakably him — no resemblance to other roles or actors. Keep proportions accurate but stylized within cartoon aesthetic. ,

Playful , cozy cartoon-style flat 2D illustration in a warm , nostalgic winter mood — bold black outlines , high contrast , subtle neon accents. Ryan Gosling as Driver from *Drive*: seated behind wheel of vintage muscle car , hands gripping steering wheel , body slightly leaned forward , intense calm gaze fixed ahead through windshield. Sharp jawline , clean-shaven face , short dark brown hair with slight side part and natural texture , deep-set piercing blue eyes with faint shadow under brow , straight nose , thin lips pressed in focused neutral expression. Wears iconic ivory knit sweater under fitted slate-gray jacket , red beanie pulled low over forehead. Three expressive fur seals ride with him — one curled on passenger seat clutching tiny gift box , another perched on dashboard balancing glowing orange on nose , third peeking playfully from backseat window ledge. All seals wear festive beanies (teal , gold , red) and striped knit scarves , smiling joyfully. Car interior: soft glow from dashboard , snow visible through windows , gentle falling flakes outside. Background: twilight city street lined with softly lit neoclassical buildings dusted in snow , twinkling string lights on lampposts , one ice star sculpture near curb. Style: flat 2D animation , zero gradients or shadows. Soft pastel palette — deep navy , museum white , burnt orange , soft gold , slate gray , muted teal , ivory. Neon accents only on oranges (glowing rinds) , scarves (subtle shimmer) , dashboard lights (soft pink-blue glow). Mood: sweet , tender , intimate — pure visual storytelling of quiet joy and unexpected friendship. No text. No logos. No clutter. Render Ryan Gosling with exact likeness from *Drive*: sharp clean-shaven jaw , short textured dark brown hair , intense blue eyes with focused gaze , iconic ivory sweater and red beanie. Must be unmistakably him — no resemblance to other roles or actors. Keep proportions accurate but stylized within cartoon aesthetic. ,

ethereal glowing mystery portal to another world , seen by wanderer long haired redheaded girl in middle of woods , magic colors , fantasy , trending on artstation , artgerm , cgsociety , greg rutkowski , , peter mobrhacher , cinematic , elegant , intricate , ilya kuvshinov , cushart krentz , alphonse mucha , unreal engine , very smooth , high detail , 4 k , concept art , brush strokes , pixiv art , sharp focus , raging dynamic sky , anime art ,