Explore AI generated designs, images, art and prompts by top community artists and designers.
((High quality candid Photograph of 2 girls)) , The scene is a lake cottage at susnset with bright , vibrant evening colors all around , a 22 year old cute Spanish girl and her beautiful tan blonde best friend from Argentina are standing on a wooden dock with the lake reflection in the background , looking at viewer , detailed green eyes , lush woods silhouetted in the background. It is a cowboy shot of the girls who are wearing crop tops showing off midriffs , detailed faces , jean shorts. They are beautiful , fine features with flowing hair and having a fun time. (((They are holding wine glasses))). The photograph is detailed and vibrant. ,
Fashion photograph of fish eye view , she has a Peacock-feathers like wings. Beauty and fashion supermodel , flying over endless spiral bird-nest , Organic Futurism , feathers-nest. The fabric of the Bloom wings billows outward in all directions , unconventional , and fashionable clothing , as beautiful as heaven , trending on art-station. Full body shot from a low vantage point. Head in the frame. ,
The image depicts a woman posing outdoors next to the back of a vintage black Studebaker pickup truck. She is wearing a patriotic blue bikini with white stars and red trim , reminiscent of the American flag , along with a white cowboy hat and white cowboy boots. Her long blonde hair is loose and wavy , and she is leaning casually against the truck with one hand on her hip and the other resting on the truck bed. In the background , there is another vintage car (white and red) , desert terrain with large boulders , and scrubby vegetation , giving the scene a classic Southwestern Americana vibe. The lighting suggests it’s either early morning or late afternoon , with warm , golden tones throughout the image. ,
Er fuhr Freitagabend an den Silbersee 2 — ein abgelegener kleiner Campingplatz mit einem ruhigen Strand , an dem nur wenige Übernachtungsgäste waren. „Hier kann ich zwei Nächte ich sein“ , dachte er. „Ohne Blicke. Ohne Kontrolle.“ Kaum angekommen , schloss er sich im Wagen ein , zog langsam sein strengstes , weiblichstes Outfit an: Ein schimmernder Ganzkörper-Latexanzug in tiefschwarz mit zarten rosa Verzierungen. Ein taillenreduzierendes Korsett mit silbernen Schnallen , das seine Taille auf Wespengröße presste. Lange , seidige Perücke mit blonden Wellen , perfekt gestylt. Schwarze Strümpfe und glänzende Plateaustiefel. Ein Halsband mit Glöckchen. Und natürlich: Make-up , so feminin und übertrieben wie möglich. ,
“A petite , glamorous woman with glowing white skin and golden undertones , ash brown hair , and exotic facial features. She’s wearing a stylish outfit with soft fabric , posing confidently in natural lighting. Her expression is flirty and playful. High fashion , Instagram model style , studio lighting , full body , soft background blur , ultra realistic , 8K photo quality.” ,
Digital illustration. The main screen of an early 2010s international messenger app on a smartphone with thick bezels and slightly pixelated display (e.g. , resembling an Android 2.x device). Design is functional and slightly utilitarian , with a warm , slightly faded color palette: terracotta orange , muted teal , sandy beige , and cream white. Interface uses skeuomorphic elements (subtle gradients , soft shadows on buttons). Icons for chat , calls , groups are simple , slightly retro pictograms. Key visual: a stylized , abstract 'connection' symbol as the app logo (e.g. , interlocking circles or a subtle wave pattern) – NO flags , stars , or political figures. Text shows multilingual placeholders: 'Message...' , 'Mensaje...' , 'Сообщение...'. Background has a very subtle , textured pattern hinting at global connectivity (like faint topographic lines or abstract radio waves in a warm neutral tone). Overall vibe: Accessible , global , optimistic , slightly vintage tech from a unique cultural context. Style: Flat design with subtle textures , early smartphone UI aesthetic , warm and earthy tones , digital illustration. --ar 16:9 --no photorealistic --no propaganda --no cuban flag --no che guevara. Name app "Tierra". ,
Digital illustration. The main screen of an early 2010s international messenger app on a smartphone with thick bezels and slightly pixelated display (e.g. , resembling an Android 2.x device). Design is functional and slightly utilitarian , with a warm , slightly faded color palette: terracotta orange , muted teal , sandy beige , and cream white. Interface uses skeuomorphic elements (subtle gradients , soft shadows on buttons). Icons for chat , calls , groups are simple , slightly retro pictograms. Key visual: a stylized , abstract 'connection' symbol as the app logo (e.g. , interlocking circles or a subtle wave pattern) – NO flags , stars , or political figures. Text shows multilingual placeholders: 'Message...' , 'Mensaje...' , 'Сообщение...'. Background has a very subtle , textured pattern hinting at global connectivity (like faint topographic lines or abstract radio waves in a warm neutral tone). Overall vibe: Accessible , global , optimistic , slightly vintage tech from a unique cultural context. Style: Flat design with subtle textures , early smartphone UI aesthetic , warm and earthy tones , digital illustration. --ar 16:9 --no photorealistic --no propaganda --no cuban flag --no che guevara. Name app "Tierra". ,
Dark skin African-American girl , gorgeous girl , cute face , amazing blue hair , long bangs , sports cap , tank top , (slim fit) , pose , whole body focus , closeup , instagram photo a foggy forrest with big old trees somewhere in russia , film grain , soft shadows in the art style of Henry Asencio ,
A diverse group in a community garden at twilight , their hands connected by glowing threads extending into: 1) Digital networks (floating screens showing #EthicalTech hashtags) 2) Global relief maps (food packages flying towards crisis zones) 3) Tea ceremony with shared cup emitting light particles , Style: Lois van Baarle meets ethnographic art , muted greens/purples/golds , intricate linework , aspect ratio: 4:3 --no text --s 750 ,
can you help generate posters: Cafe's Name is Corner Beans with Tag line brewed by bro's 1. it's 1st yr anniversary for our coffee shop and we will have a coffee party 2. we have free croissants for the first 10 customers 3. coffee pong with good music. 4. Add the words come sip , sing , and celebrate this special milestone with us! Create a poster that will attract the people to join the anniversary ,
Wedding hall decor for a vanilla-style wedding with 40 guests. The atmosphere is soft , touching , romantic , with a hint of vintage charm and girlish dreaminess. The color palette includes vanilla , creamy , blush pink , powder blue , a touch of gold , and ivory. Tables are long , rustic wooden ones , without tablecloths , decorated with burlap or linen runners. Centerpieces consist of wildflowers , wheat , lavender , dried flowers , and greenery , arranged in jars and glass bottles. Candles are placed in bottle-glass candleholders. Chairs are simple wooden ones , possibly with woven seats. The sweetheart area is set against a wooden wall decorated with string lights , dried flower wreaths , and glowing “LOVE” letters. Lighting is warm , soft , and reminiscent of a countryside evening. No people in the scene. ,
Wedding hall decor for a vanilla-style wedding with 40 guests. The atmosphere is soft , touching , romantic , with a hint of vintage charm and girlish dreaminess. The color palette includes vanilla , creamy , blush pink , powder blue , a touch of gold , and ivory. Tables are long , rustic wooden ones , without tablecloths , decorated with burlap or linen runners. Centerpieces consist of wildflowers , wheat , lavender , dried flowers , and greenery , arranged in jars and glass bottles. Candles are placed in bottle-glass candleholders. Chairs are simple wooden ones , possibly with woven seats. The sweetheart area is set against a wooden wall decorated with string lights , dried flower wreaths , and glowing “LOVE” letters. Lighting is warm , soft , and reminiscent of a countryside evening. No people in the scene. ,
A vintage college radio station DJ booth at 3 AM. The room is dimly lit , with dusty shag carpet on the walls. Old soundboards with faded tape labels are visible , some sliders worn down. A blinking red 'ON AIR' sign buzzes above the door. A lone DJ , wearing a flannel shirt , sips coffee from a red mug , looking focused and a little tired. ,
Boa Hancock from One Piece , with long hair , glasses , gold earrings , and a bracelet. She is wearing a tight black leather dress , a see-through sheer mesh-sleeve top , and gold high heels. The scene features her elegantly leaning on a vintage , ornate black leather sofa with gold carvings , set against a simple , solid grey wall. The style is realistic , blending fashion photography with the texture of an exquisite portrait. The main color palette is black and gold with a light grey background , creating a noble and cool-glam atmosphere. The composition is a front-oblique angle , showcasing her posture and leg lines. Emphasize 4K HD quality and an original AIGC wallpaper texture , highlighting the gloss of the leather dress , the transparency of the sheer sleeves , the metallic luster of the accessories , and the character's exquisite makeup to create an overall fashionable , refined , and light luxury visual effect. ,
A performer wearing a shiny red outfit strikes an expressive pose on stage , with a microphone in one hand and her other arm outstretched. She has long , blonde hair tied back and displays visible tattoos. In the background , a large crowd is visible , along with trees lining the perimeter , under a cloudy sky. Musical instruments , including keyboards , are positioned on the stage , enhancing the energetic concert atmosphere. ,
Fashion photograph of fish eye view , she has a Playing Cards like wings , cards showing in Sequence. Beauty and fashion supermodel walking on endless Las-Vegas casino street , night landscape. Organic Futurism. The fabric of the Playing Cards billows outward in all directions , unconventional , and fashionable clothing , as beautiful as heaven , trending on art-station. Full body shot from a low vantage point. Hips in the frame. ,
Fashion photograph of fish eye view , she has a Playing Cards like wings. Beauty and fashion supermodel , Swimming over endless spiral Bloom skyscraper city , night landscape. Organic Futurism. The fabric of the Playing Cards billows outward in all directions , unconventional , and fashionable clothing , as beautiful as heaven , trending on art-station. Full body shot from a low vantage point. Legs in the frame --ar 2:3 --raw --p ,
Fashion photograph of fish eye view , she has a Playing Cards like wings. Beauty and fashion supermodel , flying over endless spiral Stones cave , Organic Futurism , black-stone. The fabric of the Playing Cards billows outward in all directions , unconventional , and fashionable clothing , as beautiful as heaven , trending on art-station. Full body shot from a low vantage point. Head in the frame. ,
Fashion photograph in the style of bird's eye view of a female-angle has a Bat-wings-like wings at her back. Beauty and fashion supermodel , climbing an endless spiral Stones cave , Organic Futurism , concrete poly-stone , vertical louvers facade. The fabric of the wings billows outward in all directions , unconventional , and fashionable clothing , as beautiful as heaven , trending on art-station. designed by Jeanne Gang , Francis Kere and Santiago Calatrava. The camera looks upwards at the subject. View from the floor up. Full body shot from a low vantage point. Steep angle. Upward angle. Head in the frame. ,
Fashion photograph in the style of “bug’s-eye view" of a female-angle has a Bat-wings-like wings at her back. Beauty and fashion supermodel , climbing an endless spiral staircase , Organic Futurism , concrete poly-glass , vertical louvers facade. The fabric of the wings billows outward in all directions , unconventional , and fashionable clothing , as beautiful as heaven , trending on art-station. designed by Jeanne Gang , Francis Kere and Santiago Calatrava. The camera looks upwards at the subject. View from the floor up. Full body shot from a low vantage point. Steep angle. Upward angle. Head in the frame. ,