AI Image Prompts for Liminal
Explore AI generated designs, images, art and prompts by top community artists and designers.
A hauntingly beautiful close-up photograph of a woman submerged in obsidian water , her porcelain skin veiled by a delicate lattice of ivy vines and floating gardenia petals. One elegant hand breaches the surface , fingertips tenderly suspending a single Japanese maple leaf over the tub's weathered edge , its crimson veins backlit by an eerie neon-blue glow that fractures like shattered cobalt glass across the water's surface. The ethereal illumination casts duotone shadows of lavender and pearl that ripple across her half-submerged face , catching on the dewdrops clinging to her parted lips and the tiny oxygen bubbles nesting in her eyelashes like liquid constellations. Beneath the surface , her hair drifts in weightless arabesques , strands catching the ambient glow like copper filaments in oil , while submerged magnolia blossoms slowly unfurl in the darkness. The extreme shallow focus (f/0.95) renders the antique clawfoot tub's details into impressionistic orbs of emerald and mercury , the bokeh distorting like stained glass underwater. Cinematic chiaroscuro lighting reveals microscopic textures—the leaf's translucent capillaries , the water's meniscus trembling at her collarbone , the way the neon refraction warps her fingertips into fleeting violet specters. A contemporary Ophelia suspended between drowning and epiphany , bathed in the electric hum of a bioluminescent moon , her surrender to the water captured in the moment it becomes impossible to tell if the vines are embracing her or dragging her under. The composition thrums with quiet metamorphosis—petals becoming scales , breath becoming bubbles , light becoming liquid. Shot on large format film with a vintage 58mm lens to render every detail with haunting hyperrealism , this image exists in the liminal space where beauty and melancholy share the same bloodstream. ,
Perfectly symmetrical wide shot (16:9) , level horizon , camera aligned with the central object , distance ~200 m. A massive rectangular granite hall in dark tones; clean , glossy , monumental surfaces. In the center — an exhibit: a large fragment of rock placed on a pedestal and a slight elevation; around it , an oval glass capsule is shattered , large and small shards scattered across the wide granite pathway and floating on the water. The rest of the hall is flooded — now the water is raging: powerful waves , ripples , splashes , wet reflections on the granite. High on the side walls — small windows , but no light comes through them anymore (black openings). The hall pulses with red emergency lighting: strobing flashes , deep shadows , crimson wash; red highlights tearing across the waves and wet surfaces. On the rock and walls , sharp hand-painted inscriptions in white paint , large and crude: “FAKE , ” “EXPOSURE , ” “ENOUGH LIES , ” “WE HAVE THE RIGHT TO KNOW THE TRUTH” (brush strokes , paint drips , partially smeared by water). A sunbeam piercing through an opening in the ceiling exists as an architectural detail but is almost completely drowned out by the red light. In the air — a fine mist of water and microscopic glass particles , bright specular highlights on the shards , the wet granite giving mirror-like reflections. The atmosphere is tense and chaotic , with a subliminal “25th frame” effect: barely perceptible visual tearing/stripes and brief RGB shifts along the edges of shards and inscriptions. High detail , realistic materials , dramatic lighting , cinematic concept art. ,
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