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Explore AI generated designs, images, art and prompts by top community artists and designers.
A Bullet completely encircling the medical capsule , with intricate cross-sectional details revealing sprawling human settlements , transparent habitation zones , complex infrastructure , and interconnected Cockpit sitting structures visible through the capsule's translucent exterior. Hyper-detailed architectural. medical capsule fly in space with artificial gravity. The capsule's body features bright neon glowing stripes , emphasizing its rapid motion. In the background , in the upper right corner , is a modern , high-tech city with tall skyscrapers and holographic Billboard interfaces hovering in the air. The atmosphere is filled with dynamism , a sense of energy , and speed. ,
Filmed before the creation of DI , 2001: A Space Odyssey relied on the good old fashioned techniques of the Hazeltine Collar Analyzer , which essentially was a calibrated color monitor that was connected to a scanner displaying a positive image from the negative , and adjustments would be made manually on there. Often commended for its likeness to realism , the sharp cutting shots of the illuminated space station set against the deep black of outer space is incredibly visibly sterile. And yet , not in a way that lacks any feeling – this sterility encompassed by a stripped back but deeply contrasting color palette feels unsettling , unnerving , uncomfortable. Not a word is said until 25 minutes in , so the visuals are entirely foregrounded and the suspense begins to feel unbearable. Then , in moments of great significance , the screen bursts into color. Camera: Canon EOS R5 Mark II with 45MP full-frame Dual Pixel CMOS sensor , full AF tracking , advanced (IBIS) Lens: Canon EF 85mm f/1.2L II USM Mode: Manual Aperture: f/2.8 Shutter Speed: 1/200th sec or faster ISO: 200-300 Image Quality: Masterpiece , 45MP Full-Resolution , HDR10+ , insane ultrahigh hyper-realistic breathtaking intricate details , RAW UHD 8K ,
funny caricature , exaggerated cartoon human , male , 40 years old , wild-haired , big-nosed , toothy , impossibly wide grin , bulging eyes , elongated face with prominent features , lanky body type , enormous teeth , bulbous nose , wild hair , maniacal expression , caricature , the cartoon human is wearing a partially visible striped shirt , accessorized with a visible collar , head-only pose , blurred interior background with picture frames ,
Description of the visualization and control system of the automation complex The purpose of the system is to provide the operator with a single , intuitive interface for monitoring and managing all subsystems of the complex in real time. Architecture of the main window (Generalized Status Panel): The main screen is designed according to the principle of "from general to private". The center contains critical information about the power supply system , on which all other systems depend. The remaining subsystems are grouped logically around the center. 1. Central unit: Power supply system It is visualized as a circle divided into three sectors. Large left sector (≈45%): Transformer substations (TP) 5 blocks are displayed , one for each TP. Each block contains: TP number/name (for example , TP-1 , TP-2). The indicator of the active power line: The "Network" icon with backlight (green - main , yellow - backup). Transformer status: "Main" / "Standby" (or icons). Key parameters from accounting nodes: Current (I) , Voltage (U) , Power (P). The values are output for the active line. General TP status: Color indication (Green - Normal , Yellow - Warning , Red - Emergency). Large right sector (≈45%): Main switchboards 5 blocks are displayed , one for each storage unit. Each block contains: The number/name of the GRSH (for example , GRSH-1). Active power line indicator: Similar to TP. Key parameters from accounting nodes: I , U , P. The general status of the GRS: Color indication. Lower small sector (≈10%): Uninterruptible power supply (UPS) Large text or pictogram status indicator: "Mains operation" (Green) "Battery operation" (Yellow/Orange) Battery level indicator: Percentage scale (from 0% to 100%). The color varies depending on the level (green >50% , yellow 20-50% , red <20%). 2. Peripheral blocks around the center They are arranged around a central circle , forming a "rim". Upper and lower parts of the rim: Ventilation of the web blowing Upper part: 9 installations on top. The lower part: 9 installations from the bottom. There are 18 icons/blocks in total. Each icon represents one installation and has a color indication of the status.: Green: Enabled Gray: Turned off Red: An accident (for example , the differential pressure sensor on the filter went off , an error in the drive) Black/Blue: No power supply When hovering over the cursor , a tooltip appears with details (the condition of the fan , valve , filter blockage). Left and right sides of the rim: Indoor ventilation The left and right sides are divided equally to display the 12 settings on each side. There are 24 icons/blocks in total. The same color status indication for each installation. 3. Corner blocks: Other subsystems They are located in the four corners of the screen for easy and fast perception. Upper left corner: Roller shutters (48 pcs.) Summary information is displayed as an information block.: "Closed: XX / Open: XX" (numeric values). A graphical indicator (for example , a stripe divided into green and blue parts , proportional to the number). General status: Green icon "OK" or Red icon "Emergency" (if at least one roller shutter has an emergency status). Upper right corner: Elevators (2 pcs.) Two vertical blocks , one for each elevator. Each block contains: Elevator number (Elevator 1 , Elevator 2). Floor indicator: A large number (for example , 3). Motion indicator: Up/down arrow or Stop icon. General status: The background color of the block (Green - normal , Gray - power off , Red - emergency , Blue - no connection). Lower left corner: EVIL Lights (Roof lamps) A large indicator in the form of a stylized lamp or icon. Color status indication: Bright Yellow/White: Included Gray: Off Red: Crash Black/Blue: No power supply Lower right corner: Heated storm drains Similar in style to the "Fires of EVIL" block. Color status indication: Orange/Red: Enabled Gray: Off Red (flashing): Crash Black/Blue: No power supply Navigation and management: Main Screen: It is an overview map. All the elements on it are clickable. Details: Clicking on any sector (TP , GRS , ventilation group , roller shutter unit) opens a new window with detailed information: TP/GRS: Single-line network diagram , status of all feeders and sectional switches , detailed power parameters. Ventilation: Detailed status of each piece of equipment in the selected group (fan , valve , filter condition) , possibility of manual control. Roller shutters: A table or plan of the building with the condition of each of the 48 roller shutters , group and individual control buttons. Control: The control buttons (Start , Stop , Open , Close) are located on the detailed screens. On the main screen , quick action buttons ("Emergency activation") can be displayed for critical systems (for example , EVIL lights). Visual style: Color scheme: An intuitive color palette is used (Green is the norm , Yellow/Orange is a warning , Red is an accident , Gray/Blue - disabled/no data). Fonts: Clear , easy-to-read fonts. Critical information is displayed larger. Animation: Minimal and informative (for example , smooth change of values , flashing for emergency states). ,
Create a clean comic anime artwork of a female with dark skin and large expressive eyes. Her hair is white and blue styled in two round buns. She is wearing a custom oversized light Blue-black and white hoodie with a circular 'E' logo on the chest and hem , and a dark green pair of shorts. She has on thigh-high stockings with baby blue and black stripes White background. ,
A Cyborg Sympathy Drone completely encircling the Helmet , with intricate cross-sectional details revealing sprawling human settlements , transparent habitation zones , complex infrastructure , and man interconnected in Cockpit sitting structures visible through the Helmet's translucent exterior. The Helmet's body features bright neon glowing stripes , emphasizing its rapid motion. In the background , in the upper right corner , is a modern , high-tech city with tall skyscrapers and holographic Billboard interfaces hovering in the air. The atmosphere is filled with dynamism , a sense of energy , and speed. Soft reflections , clean 3D rendering , smooth transitions and a cyberpunk-neon-tech effect. ,
A Bullet completely encircling the ice-cream cone , with intricate cross-sectional details revealing sprawling human settlements , transparent habitation zones , complex infrastructure , and interconnected Cockpit sitting structures visible through the cone's translucent exterior. Hyper-detailed architectural. Airplane fly in space with artificial gravity. The Airplane's body features bright neon glowing stripes , emphasizing its rapid motion. In the background , in the upper right corner , is a modern , high-tech city with tall skyscrapers and holographic Billboard interfaces hovering in the air. The atmosphere is filled with dynamism , a sense of energy , and speed. A space background with a subtle glow , minimalist , emphasizes the digital atmosphere. The image should look like a hologram or a scene from a futuristic Web3 world. Soft reflections , clean 3D rendering , smooth transitions and a cyberpunk-neon-tech effect. ,
"Comic strip with 3 panels. The style is french-belgium colorful , expressive , with bold outlines. In each panel , show three people — one man and two women — wearing traditional Argentine gaucho hats , sitting around a rustic wooden table enjoying a meal together. The setting is outdoors , like in the countryside , with grilled meat , bread , wine , and mate on the table. Panel 1: The characters arrive and greet each other happily. Text bubble (man): '¡Qué alegría verlas , che!' Text bubble (woman 1): '¡Robi ! Ya era hora de este asado!' Panel 2: They are eating and laughing together. Text bubble (woman 2): 'Nada como un buen asado con Robi.' Text bubble (man): 'Y con buen vino , ¡mejor todavía!' Panel 3: They raise their cups/mates in a toast. Text bubble (all): '¡Salud y que no falten nunca los pecados capitales!' ,
Perfectly symmetrical wide shot (16:9) , level horizon , camera aligned with the central object , distance ~200 m. A massive rectangular granite hall in dark tones; clean , glossy , monumental surfaces. In the center — an exhibit: a large fragment of rock placed on a pedestal and a slight elevation; around it , an oval glass capsule is shattered , large and small shards scattered across the wide granite pathway and floating on the water. The rest of the hall is flooded — now the water is raging: powerful waves , ripples , splashes , wet reflections on the granite. High on the side walls — small windows , but no light comes through them anymore (black openings). The hall pulses with red emergency lighting: strobing flashes , deep shadows , crimson wash; red highlights tearing across the waves and wet surfaces. On the rock and walls , sharp hand-painted inscriptions in white paint , large and crude: “FAKE , ” “EXPOSURE , ” “ENOUGH LIES , ” “WE HAVE THE RIGHT TO KNOW THE TRUTH” (brush strokes , paint drips , partially smeared by water). A sunbeam piercing through an opening in the ceiling exists as an architectural detail but is almost completely drowned out by the red light. In the air — a fine mist of water and microscopic glass particles , bright specular highlights on the shards , the wet granite giving mirror-like reflections. The atmosphere is tense and chaotic , with a subliminal “25th frame” effect: barely perceptible visual tearing/stripes and brief RGB shifts along the edges of shards and inscriptions. High detail , realistic materials , dramatic lighting , cinematic concept art. ,
Masterpiece , aerial perspective , top-down view , grand scale , central subject , Surreal scene of the (In Showgirl Era) wearing their signature dancing outfits , in her revealing red kunoichi costume with flowing sash and fan in hand , with motion blur to emphasize movement. a costume spiral outward in all directions , head in frame , from wavy bioluminescence striped air , in white bridal gown , repeated due to long exposure camera movement , butterfly's are covered around , ,
A meticulously detailed vintage studio scene capturing a moment frozen in time: A seasoned photographer , dressed in classic attire , stands behind an antique large-format camera mounted on a sturdy wooden tripod , adjusting the lens with focused precision. The camera , rich in brass and leather detailing , exudes an air of nostalgia , its bellows extended and ready to capture the perfect shot. In front of the photographer , a poised young woman in an elegant , flowing vintage gown stands gracefully , her posture refined yet natural. The gown , adorned with delicate lace or embroidery , cascades softly around her , complementing the timeless atmosphere. Her expression is serene , with a subtle , confident smile as she gazes slightly off-camera , lost in thought or anticipation. The studio itself is a treasure trove of vintage charm: warm , dim lighting casts soft shadows across the space , highlighting the texture of aged wooden floors and the patina of antique props scattered thoughtfully around. A velvet backdrop , slightly worn with time , hangs behind the woman , its deep tones adding depth to the scene. Nearby , a vintage dressing screen , a vanity table with an ornate mirror , and perhaps a few scattered photography tools—like glass plates , a vintage flashbulb , or a leather-bound notebook—add layers of authenticity. The atmosphere is rich with the quiet hum of creativity , evoking the golden age of photography. Every element , from the photographer’s concentrated demeanor to the delicate play of light and shadow , is rendered with a painterly attention to detail , blending realism with a touch of romanticism. The scene is a homage to the art of photography , steeped in history and timeless elegance. ,