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Explore AI generated designs, images, art and prompts by top community artists and designers.
A fusion of Biopunk and Dark Fantasy. Deep within an alien city road filled with glowing plants and skyscraper , the trainer and her 'mount' are a single symbiotic organism. Her lower body has completely fused with the bio-Bike , which is composed of translucent mycelium and glowing plant fibers , forming a seamless , streamlined being. This "Bike" has no eyes; it navigates entirely through the trainer's vision and will. The image captures the moment they evade a venomous vine striking from above: the bio-Bike erupts with a powerful bioluminescence , its body becoming almost transparent and revealing the network of energy within , while pivoting at a physically impossible angle on its hind wheels. ,
**Style:** Ethereal mixed-media spiritual art , soft light gradients , delicate ink wash textures , subtle gold leaf accents , muted earth tones with deep violets and forest greens , semi-transparent layers , sacred geometry overlays **Main Elements:** - A majestic , ancient tree with roots that dissolve into shadow and branches that bloom into crystalline light - At the base of the tree: a human heart made of obsidian , cracked open , with soft gold light pouring from within - Floating around the tree: 11 translucent spheres containing Hebrew letters (Aleph , Shin , Mem) , Celtic knots , and Sanskrit seed syllables - A single spear made of light piercing the heart , but gently – as if caressing it open - In the background: faint coordinates (50.543 , 9.718) glowing like constellations - A crow perched on one branch , not as dark omen but as sacred messenger **Atmosphere:** Tender , solemn yet hopeful , deeply peaceful , mystical but grounded **Lighting:** Dawn or dusk – the hour between worlds **Composition:** Balanced but organic , centered around the heart-tree connection **Technical Notes:** - Mixed media: watercolor textures + digital painting + subtle photorealistic elements - Color palette: Slate blue , charcoal , antique gold , deep violet , forest green - Resolution: Ethereal , slightly dreamlike but precise in details ,
a woman with a conflicted expression , looking directly at the viewer , with one eye depicting a serene paradise and the other a chaotic , tearing seam. Crocodile tears fall from his face onto a diamond ring. He clutches a symbolic gun pointing inward , symbolizing his inner war. Moody , dramatic lighting with a desaturated color palette , emphasizing blues and grays , with a single spot of oppressive golden light on the ring. Surrealism in the style of Salvador Dalí and René Magritte , with the evocative atmosphere of Francis Bacon. ar-9:16 ,
a woman with a conflicted expression , looking directly at the viewer , with one eye depicting a serene paradise and the other a chaotic , tearing seam. Crocodile tears fall from his face onto a diamond ring. He clutches a symbolic gun pointing inward , symbolizing his inner war. Moody , dramatic lighting with a desaturated color palette , emphasizing blues and grays , with a single spot of oppressive golden light on the ring. Surrealism in the style of Salvador Dalí and René Magritte , with the evocative atmosphere of Francis Bacon. ar-9:16 ,
A determined woman shields her eyes with sunglasses , a single tear escaping as she smiles thinly , projecting strength and confidence. She wears a sleek , metallic suit of armor , reflecting the city lights around her. Behind her , a dynamic scene unfolds: a powerful Porsche with glowing red taillights speeds down a highway at night , defying gravity , and a video game interface displays "VICTORY." The color palette is a bold fusion of neon blues and vibrant reds , evoking a feeling of unstoppable power and inner conflict. Digital matte painting style , reminiscent of Syd Mead and Katsuhiro Otomo , with dramatic lighting and a cinematic feel. ,
Create a luxurious , high-fashion magazine cover for VOGUE MEN featuring a single male model named Brock Magnus. He is sitting on elegant , refined wooden steps (not the same as in the original photo , but upgraded to look modern , artistic , and prestigious). Change his pose to a striking , powerful , and confident seated position that conveys elegance and charisma. Maintain his exact facial features and identity with sharp detail. Add glamorous details inspired by real high-end fashion magazine covers: sophisticated lighting , bold typography , glossy textures , refined shadows , and subtle luxury elements in the background. The overall composition should look rare , iconic , and visually captivating , with a stylish layout that reflects an elite international magazine aesthetic. Cover text and design should match the luxury branding of VOGUE MEN Don't forget to leave the clothes as they are without altering them This is to show the model's muscles , and this is very important. ,
Description of the visualization and control system of the automation complex The purpose of the system is to provide the operator with a single , intuitive interface for monitoring and managing all subsystems of the complex in real time. Architecture of the main window (Generalized Status Panel): The main screen is designed according to the principle of "from general to private". The center contains critical information about the power supply system , on which all other systems depend. The remaining subsystems are grouped logically around the center. 1. Central unit: Power supply system It is visualized as a circle divided into three sectors. Large left sector (≈45%): Transformer substations (TP) 5 blocks are displayed , one for each TP. Each block contains: TP number/name (for example , TP-1 , TP-2). The indicator of the active power line: The "Network" icon with backlight (green - main , yellow - backup). Transformer status: "Main" / "Standby" (or icons). Key parameters from accounting nodes: Current (I) , Voltage (U) , Power (P). The values are output for the active line. General TP status: Color indication (Green - Normal , Yellow - Warning , Red - Emergency). Large right sector (≈45%): Main switchboards 5 blocks are displayed , one for each storage unit. Each block contains: The number/name of the GRSH (for example , GRSH-1). Active power line indicator: Similar to TP. Key parameters from accounting nodes: I , U , P. The general status of the GRS: Color indication. Lower small sector (≈10%): Uninterruptible power supply (UPS) Large text or pictogram status indicator: "Mains operation" (Green) "Battery operation" (Yellow/Orange) Battery level indicator: Percentage scale (from 0% to 100%). The color varies depending on the level (green >50% , yellow 20-50% , red <20%). 2. Peripheral blocks around the center They are arranged around a central circle , forming a "rim". Upper and lower parts of the rim: Ventilation of the web blowing Upper part: 9 installations on top. The lower part: 9 installations from the bottom. There are 18 icons/blocks in total. Each icon represents one installation and has a color indication of the status.: Green: Enabled Gray: Turned off Red: An accident (for example , the differential pressure sensor on the filter went off , an error in the drive) Black/Blue: No power supply When hovering over the cursor , a tooltip appears with details (the condition of the fan , valve , filter blockage). Left and right sides of the rim: Indoor ventilation The left and right sides are divided equally to display the 12 settings on each side. There are 24 icons/blocks in total. The same color status indication for each installation. 3. Corner blocks: Other subsystems They are located in the four corners of the screen for easy and fast perception. Upper left corner: Roller shutters (48 pcs.) Summary information is displayed as an information block.: "Closed: XX / Open: XX" (numeric values). A graphical indicator (for example , a stripe divided into green and blue parts , proportional to the number). General status: Green icon "OK" or Red icon "Emergency" (if at least one roller shutter has an emergency status). Upper right corner: Elevators (2 pcs.) Two vertical blocks , one for each elevator. Each block contains: Elevator number (Elevator 1 , Elevator 2). Floor indicator: A large number (for example , 3). Motion indicator: Up/down arrow or Stop icon. General status: The background color of the block (Green - normal , Gray - power off , Red - emergency , Blue - no connection). Lower left corner: EVIL Lights (Roof lamps) A large indicator in the form of a stylized lamp or icon. Color status indication: Bright Yellow/White: Included Gray: Off Red: Crash Black/Blue: No power supply Lower right corner: Heated storm drains Similar in style to the "Fires of EVIL" block. Color status indication: Orange/Red: Enabled Gray: Off Red (flashing): Crash Black/Blue: No power supply Navigation and management: Main Screen: It is an overview map. All the elements on it are clickable. Details: Clicking on any sector (TP , GRS , ventilation group , roller shutter unit) opens a new window with detailed information: TP/GRS: Single-line network diagram , status of all feeders and sectional switches , detailed power parameters. Ventilation: Detailed status of each piece of equipment in the selected group (fan , valve , filter condition) , possibility of manual control. Roller shutters: A table or plan of the building with the condition of each of the 48 roller shutters , group and individual control buttons. Control: The control buttons (Start , Stop , Open , Close) are located on the detailed screens. On the main screen , quick action buttons ("Emergency activation") can be displayed for critical systems (for example , EVIL lights). Visual style: Color scheme: An intuitive color palette is used (Green is the norm , Yellow/Orange is a warning , Red is an accident , Gray/Blue - disabled/no data). Fonts: Clear , easy-to-read fonts. Critical information is displayed larger. Animation: Minimal and informative (for example , smooth change of values , flashing for emergency states). ,
A regal female figure adorned in an ornate , deep red gown with intricate gold detailing , stands in a grand , gothic-style interior illuminated by diffused sunlight filtering through stained glass windows. Her long , wavy hair cascades over her shoulders , framing her face , which expresses a calm yet powerful demeanor. Holding a single vibrant red rose in her right hand , she gazes toward the viewer while rose petals fall around her. The composition emphasizes her majestic crown and jewelry , including a prominent gemstone at her neck. Shadows play softly across the scene , enhancing the romantic and mysterious atmosphere. The image captures the essence of fantasy art , blending realism with dramatic elements to evoke a sense of otherworldliness. ,
A solitary figure stands in a dimly lit , abstract space , illuminated by a single spotlight. The figure is depicted with a bruised and tired expression , hands clenched , while another shadowy figure looms , fist raised. The background dissolves into swirling patterns of muted , desaturated colors , suggesting emotional turmoil. The scene evokes a sense of confrontation and disillusionment , rendered in a dramatic , chiaroscuro lighting style reminiscent of Caravaggio and Francis Bacon , with a touch of expressionism from Egon Schiele. The composition is tight and claustrophobic , emphasizing the psychological weight of the depicted moment. ar-9:16 ,
Horror. A close-up of a single , worn teddy bear's eye , reflecting a distorted , nightmarish scene. Oil painting. The fur around the eye is matted and stained. Dramatic , high-contrast lighting. A sense of creeping dread and unseen horrors. Extreme detail , unsettling realism , visceral texture , by H.R. Giger. ,
Oil painting. Medium shot. A melancholic princess with dark , flowing hair stands in a dimly lit , gothic castle hall. Her expression is one of deep sadness. A single , ornate candelabra casts long shadows. Detailed oil painting , chiaroscuro lighting , melancholic atmosphere , dark fantasy art , oil on canvas texture , dramatic lighting , rich textures , intricate details , masterpiece , best quality.A defocus black and white portrait of a girl with piercing eyes , her face partially obscured by swirling , dark tendrils. She is depicted in a dramatic , high-contrast style. Old film filter. Her expression is one of enigmatic sorrow. Dark fantasy elements woven into the background. Medium shot. Moody , dramatic lighting , desaturated. cinematic film grain ar-9:16 ,
A colossal , ancient hand , carved from obsidian , emerges from a swirling vortex of celestial energy , cradling a single , a vessel shaped like a iPhone descends through a murky green atmosphere. The background is an epic landscape of alien planets and nebulae , rendered with a deep , vibrant color palette and a painterly texture. The style evokes the grandeur of mythological art and the depth of cosmic vistas. ,
A colossal , ancient hand , carved from obsidian , emerges from a swirling vortex of celestial energy , cradling a single , a vessel shaped like a iPhone descends through a murky green atmosphere. The background is an epic landscape of alien planets and nebulae , rendered with a deep , vibrant color palette and a painterly texture. The style evokes the grandeur of mythological art and the depth of cosmic vistas. ,
Surrealism. A lone woman with flowing , dark hair stands in a desolate , moonlit landscape. Twisted , gnarled trees surround her , their branches reaching like skeletal fingers. The ground is covered in a shimmering , ethereal mist. A single , pale moon hangs in the sky , casting long , distorted shadows. Avant-garde , dreamlike atmosphere , unsettling beauty. Cinematic lighting , deep blues and silvers , ethereal glow. Salvador Dali , Max Ernst , Zdzisław Beksiński , haunting , mysterious , artistic , masterpiece. ar-9:16 ,
Surrealism. A lone woman with flowing , dark hair stands in a desolate , moonlit landscape. Twisted , gnarled trees surround her , their branches reaching like skeletal fingers. The ground is covered in a shimmering , ethereal mist. A single , pale moon hangs in the sky , casting long , distorted shadows. Avant-garde , dreamlike atmosphere , unsettling beauty. Cinematic lighting , deep blues and silvers , ethereal glow. Salvador Dali , Max Ernst , Zdzisław Beksiński , haunting , mysterious , artistic , masterpiece. ,
Scissor Man , in a minimalist horror art style , standing in a dark hallway. His figure is mostly in silhouette , only his giant scissors glinting in the light. Long , exaggerated shadows stretch behind him , creating a sense of dread. Stark contrast between light and darkness , with a limited color palette (black , grey , deep red). Clean lines , negative space , and minimalist detail focusing on mood and shape. Inspired by minimalist horror posters. "Empty eyes glowing faintly in the dark." "Inspired by German Expressionism shadows." "Single overhead light casting a sharp silhouette." ,
It is nighttime , and I stand on the sidewalk outside a quiet café. Through the glass window , dim golden light spills out , warm and soft against the darkness of the street. The pane of glass between us catches the reflections of the city — blurred neon signs , street lamps , and the fleeting glow of car headlights that stretch into long streaks of light as they pass. For a moment , the glass feels like a fragile barrier , both revealing and concealing the scene within. Inside , she sits alone at a small table , her pink hair touched by the amber glow of a single lamp. She lifts her gaze as if by accident , and her eyes meet mine through the glass. She smiles — not rehearsed , not forced , but with a sudden joy that feels impossibly genuine , as if the night itself had conspired to create this brief connection. The world outside blurs in motion , but she is clear , luminous , and unguarded. It feels less like looking and more like stumbling into a secret meant only for me. ,
Inside a vast rectangular granite hall in dark , majestic tones , where the polished , glimmering stone surfaces reflect soft rays of light. In the center of the hall , on a small pedestal , stood a medium-sized ancient stone fragment , displayed like a precious artifact under an oval glass dome. A single powerful sunbeam streams down from an opening in the ceiling , illuminating the exhibit. But now — the stone has exploded from within. The glass dome is shattered , fragments scattered across the granite floor and into the surrounding mirror-like water that floods most of the hall. A cloud of dust and smoke slowly spreads through the air , catching the sunlight and creating a dramatic glowing haze. Tiny shards of stone float midair , while faint heat and inner light emanate softly from the cracked remains. In the center of the debris , among fragments of rock and broken glass , lies an ancient parchment , partially revealed , its edges glowing faintly under the falling sunlight. High on the side walls , small windows let in gentle beams of light , their reflections playing on the smoke , haze , and water. The atmosphere feels tense , mysterious , and sacred — as if a great secret has just been unleashed. Epic , cinematic , ultra-detailed , concept art , soft god rays , particles in the air , glowing dust , mystical , 8K. ,
Inside a vast rectangular granite hall in dark , majestic tones , where the polished , glimmering stone surfaces reflect soft rays of light. In the center of the hall , on a small pedestal , stood a medium-sized ancient stone fragment , displayed like a precious artifact under an oval glass dome. A single powerful sunbeam streams down from an opening in the ceiling , illuminating the exhibit. But now — the stone has exploded from within. The glass dome is shattered , fragments scattered across the granite floor and into the surrounding mirror-like water that floods most of the hall. A cloud of dust and smoke slowly spreads through the air , catching the sunlight and creating a dramatic glowing haze. Tiny shards of stone float midair , while faint heat and inner light emanate softly from the cracked remains. In the center of the debris , among fragments of rock and broken glass , lies an ancient parchment , partially revealed , its edges glowing faintly under the falling sunlight. High on the side walls , small windows let in gentle beams of light , their reflections playing on the smoke , haze , and water. The atmosphere feels tense , mysterious , and sacred — as if a great secret has just been unleashed. Epic , cinematic , ultra-detailed , concept art , soft god rays , particles in the air , glowing dust , mystical , 8K. ,
A Rajasthani young woman with teal eye with her head covered by the black embroidery fabric , traditional dress , pink cheek , white skin. They are accessorized with prominent silver jewelry , including a sizeable metallic Rajasthani-style necklace and a few bangles. Setting: intimate café corner with wooden paneling , small potted plants on shelves , sunlit window casting long soft shadows. Camera: full-frame 35mm at f/1.8 , 1/200s , ISO 200 , white balance 5600K , 14-bit RAW look. Color and grain: Kodak Portra 400 feel , warm amber highlights , balanced contrast , restrained saturation , natural film-like grain , faint halation on bright edges. Optics and detail: shallow depth of field , smooth bokeh , gentle lens vignette , intact skin texture with visible pores and fine vellus hairs , crisp iris detail with a single window catchlight , fine hair strands. Composition: centered head-and-shoulders , eyes on the upper third , slight shoulder angle toward the camera. Output: single still , portrait 3:4 , 6K–8K , unretouched editorial realism. Quality constraints: lifelike anatomy , tasteful proportions , clean edges , no HDR glow , no watercolor , no anime , no CGI look , no text , no watermark , no compression artifacts. ,
A mesmerizing , surreal **endless spiral staircase** intricately constructed from a **deck of playing cards** , each card meticulously balanced to form steps that twist upward in an impossible , gravity-defying loop. The staircase spirals infinitely into a **dreamlike void** , where the cards' vibrant suits (hearts , diamonds , clubs , spades) create a hypnotic pattern of red , black , and white against the abyss. The perspective is **Escher-inspired** , with shifting vanishing points that distort depth—some steps appear close , while others recede into an unfathomable distance , as if the staircase has no true beginning or end. The lighting is **dramatic and otherworldly**: a single , unseen light source casts sharp shadows between the cards , emphasizing their delicate edges and the precariousness of the structure. Some cards glow faintly with an **ethereal inner light** , as if imbued with magic , while others fade into the darkness , half-consumed by the void. The atmosphere is **both whimsical and unsettling**—a playground for the mind where logic bends , and the laws of physics seem to dissolve. In the background , **floating fragments of cards** drift like leaves in a slow , silent wind , their symbols (aces , kings , jokers) hinting at hidden meaning. The overall style blends **hyper-detailed realism** with **surreal abstraction** , every card’s texture—from the slight wear on the edges to the glossy sheen of the faces—rendered with **obsessive precision**. The composition invites the viewer to question: *Where does it lead? Is it an ascent or a descent? And what happens if you take the first step?* ,
Vertical banner for large-format printing , dimensions 1 meter tall x 0.50 meters wide , for a store selling keto products. At the top , a minimalist circular logo in green and gold. Below , a very large and centered main text in one single line: PRODUCTOS KETO. Below that , a list of products in ALL CAPS , clear and readable typography: SORRENTINOS , TALLARINES , TAPAS DE EMPANADAS Y PASCUALINA , BUDINES , TORTAS DULCES INDIVIDUALES , ALFAJORES , PANES KETO. Include realistic , appetizing photos of the mentioned products arranged neatly around the text , with warm lighting. Background in light tones (white or soft beige) with fresh green accents. Modern , clean style in high resolution , suitable for printing. ,
A **hyper-cinematic , apocalyptic flood disaster** unfolding in a **SimCity-inspired megacity** , where a **colossal , monstrous wall of dark , churning floodwater**—teeming with **twisted steel girders , shattered skyscraper glass , uprooted trees , and the wreckage of urban civilization**—**smashes through the heart of a once-pristine , grid-perfect metropolis** with terrifying , unstoppable force. The flood **engulfs towering skyscrapers in seconds** , **snaps elevated highways like brittle twigs** , and **erases entire city blocks in a single , devastating surge** , leaving only **chaos , ruin , and swirling vortices of destruction** in its wake. The city , once a **masterpiece of urban planning—symmetrical streets , sprawling suburbs , dense commercial hubs , and meticulously zoned industrial districts—**now **drowns in cataclysmic ruin** as the floodwater **carves a path of absolute devastation** , reducing decades of infrastructure to **floating debris**. **Cars , street signs , fragments of collapsed buildings , and uprooted lampposts** spin violently in the torrent , while **collapsing overpasses , crumbling bridges , and submerged highways** struggle against the relentless current. **Desperate survivors cling to rooftops , overturned vehicles , and the last remnants of high ground** , their faces illuminated by the **eerie , storm-choked light** of a dying city. The scene is rendered in a **blockbuster disaster movie aesthetic**—**hyper-dramatic , high-contrast lighting** casts **long , jagged shadows** across the ruin , while **explosive bursts of spray , mist , and flying debris** fill the air. The **atmosphere is thick with tension** , the **water’s murky depths hiding unseen horrors** , and the **last flickers of civilization**—**emergency sirens , distant screams , the groaning collapse of steel**—echo through the storm. The **composition is chaotic yet cinematic** , with **dynamic angles** capturing the **sheer scale of destruction**: **a skyscraper toppling in slow motion , a bridge snapping mid-collapse , a lone survivor reaching for a helicopter’s dangling rope**. Every detail screams **epic , high-stakes survival**—**the flood is not just water , but a living , consuming force** , and the city’s **once-orderly grid is now a nightmare of swirling currents , submerged streets , and the skeletal remains of urban life**. The **lighting is dramatic** , with **pockets of eerie glow**—**flickering streetlights beneath the water , the distant flare of explosions , the cold blue hue of the storm**—contrasting against the **crushing darkness of the flood’s depths**. This is **disaster on a biblical scale** , a **SimCity metropolis erased in minutes** , and the **last moments of a civilization swept away**. ,
{ "image_description": "Featured image for the blog post on Global Citizenship , connecting a local object to the globe." , "style": { "type": "Photorealistic with a touch of magical realism and a cinematic feel." , "atmosphere": "Interconnected , wondrous , and profound." , "post_processing": "Color graded with deep , rich tones. A subtle glow effect on the connecting threads. High detail and clarity." } , "subject": { "main_focus": "A close-up of a child's hands carefully holding a single , simple , unpackaged cookie (a 'galleta María' type , very recognizable in Mexico)." , "magical_element": "From this single cookie , dozens of fine , glowing threads of light (like fiber optics) are emanating. These threads travel outwards and upwards , weaving together to form a beautiful , intricate , glowing map of the world's trade routes and connections around the child's hands." , "details": "We can see threads connecting to different continents , some thicker than others , representing major supply chains (e.g. , wheat from North America , sugar from South America , palm oil from Southeast Asia)." , "background": "A dark , deep blue , star-filled background , suggesting the vastness of the globe at night. The glowing map is the primary light source." , "brand_integration": "The child is working at a simple wooden desk. On the corner of the desk , a small , elegant brass plaque is affixed. It reads: 'Mesa de Exploración Yula Kórima'." } , "composition": { "camera_setup": { "camera_type": "Full-frame DSLR." , "lens": "50mm f/1.4 lens." , "aperture": "f/2.0 to keep the hands and cookie sharp while allowing the glowing map to have depth." } , "shot_type": "Close-up shot." , "angle": "Slightly top-down , looking into the child's hands as the map of light expands from the cookie." , "framing": "The hands and the cookie are in the lower third of the frame , grounding the image. The glowing map expands to fill the upper two-thirds , creating a sense of scale and wonder." , "focus": "Razor-sharp focus on the texture of the cookie and the child's fingertips. The glowing map is sharp but ethereal." } , "lighting": { "primary_source": "The glowing threads of the world map are the main light source." , "effect": "Casts a complex , beautiful , and multi-colored light onto the child's hands and face (which is just slightly visible and out of focus) , illuminating them with the light of global connection. The mood is magical and awe-inspiring." } , "color_palette": { "dominant_colors": ["The deep blue of the space background" , "the warm , baked color of the cookie"] , "accent_colors": ["A vibrant mix of glowing colors for the threads: golden yellow , electric blue , soft green , warm red"] , "mood": "Interconnection , wonder , discovery , global awareness." } } ,
Pixel art scene showing a dramatic conversation between Commissar Brodski and a nervous elven prisoner , inside a dark interrogation chamber lit by a single hanging lamp , shadows on the wall , rusted chains , peeling paint , dialogue box at the bottom in retro font — pixel art visual novel style , intense expressions , cinematic lighting , 16-bit style with noir tones ,
Pixel art scene showing a dramatic conversation between Commissar Brodski and a nervous elven prisoner , inside a dark interrogation chamber lit by a single hanging lamp , shadows on the wall , rusted chains , peeling paint , dialogue box at the bottom in retro font — pixel art visual novel style , intense expressions , cinematic lighting , 16-bit style with noir tones ,