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Highly detailed black and grey drawing , hyper-realistic and artistic. Composition for outer bicep and shoulder flow. Central figure: traditional Thai Buddha seated in the “Thinking pose” — head gently resting in his hand , elbow on a raised knee , eyes closed , compassionate and peaceful expression. Feminine and graceful features , spiral hair curls , long earlobes , soft flowing silk robe with subtle shading and elegant folds. Around and behind him , a majestic Thai Naga serpent in flowing motion. The Naga has a sacred presence: long sinuous body , divine dragon head with a triple flame-shaped crown , arched flame eyebrows , large mystical eyes , fin-shaped ears , and long whiskers floating in the air. Its body coils protectively in an “S” shape around the Buddha , textured with finely detailed overlapping scales , flowing naturally with the curves of the composition. Background: subtle 3-level Thai pagoda with elegant architectural detail , placed in the top corner , softly shadowed to suggest depth. Floating throughout: drifting Japanese cherry blossom petals , soft and ethereal , adding spiritual motion. Drawing style: clean pencil or black ink , soft shadows , ultra-defined textures (silk , scale , wood , stone). No tattoo effect , no color , no skin texture. Pure linework and shading. Artistic , harmonious , balanced , anatomical logic respected. Light feminine touch and sacred calm atmosphere. ,