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Explore AI generated designs, images, art and prompts by top community artists and designers.
a well-proportioned 20-something woman with long , with a voluptuous body. Her ultra-long , flowing blonde hair cascades down her back , extending gracefully to her waist. Styled with soft waves , her hair adds texture and volume , creating a natural yet elegant look. The long strands draping gracefully over her shoulders , seated gracefully in a sunlit bedroom. She has a light tan complexion , blue eyes , and a gentle smile playing on her lips. She is wearing a light white sleeveless , deep V-neck dress that accentuates her figure. The dress is flowing and ethereal , with a slightly gathered bodice that adds a touch of elegance. The environment is a minimalist bedroom with a beige/tan-colored bed in the background , soft lighting and shadows , suggesting natural light filtering into the room from a window or doorway. The image style is natural and evocative of a relaxed portrait , reminiscent of the works of Slim Aarons and Herb Ritts. ,
It was a hot afternoon. The soft hum of the ceiling fan filled the silence of the lounge , where Aarti stood by the window , sipping her tea slowly. At 46 , she carried herself with a mature elegance , wrapped in a deep maroon saree that hugged her curves just right. Her blouse clung tightly to her chest , the neckline dipping low enough to hint at the generous swell of her bosom. The pallu had slipped ever so slightly — maybe accidentally , maybe not. Across the room , her devar , Raj , was finishing his workout. At 27 , his body was in perfect shape — sweat glistened on his arms and neck , soaking through his fitted white vest. Every movement made his muscles flex , the fabric of his banyan stretching over his broad chest and sculpted abs. Aarti’s eyes lingered on him — slow , hungry , deliberate. With every stretch he made , every drop of sweat that slid down his skin , something inside her stirred. There was a heat between them , unspoken but thick in the air — heavier than the summer breeze outside. Her tea was getting cold… But the room , and her thoughts , were just starting to heat up. ,
I want the images of a storyboard from a short script I have. Here is the Script: In a desolate place , at a time we couldn`t tell due to the erosion of years of decay , where nature had overgrown any type of human civilization , there is a boy , about 14 years of age running. He`s running from something that produces a huge cloud of dust while it throttles. It`s not sure if it`s organic or mechanical; it is completely shrouded of dust and mayhem , and its only visible feature are a couple of lights in its very core. It is not inmensely big but it certainly looks at least twice as big as the boy , but it is not agile , not like the boy , that looks quite useded to doing things like fleeing on a daily base. You can tell the boy is not as scared as he looks excited. The boy is jumping over leftovers of barren buildings , hips of garbage , sliding under tumbled things , makeshift tunnels , broken windows , etc , tracing a line that is blindly followed by its chaser. All the way guiding it to an intersection of two collapsed buildings upon each other , leaving enough space for a slim figure to squeeze itself through , knowing that the chaser will follow through the boy slid in , and right behind him the chaser came forcefully , but it got stucked. I`d like this in the first panel: Panel 1: Wide Shot – The Desolate Landscape Prompt : "A desolate , overgrown wasteland at dusk , filled with crumbling buildings overtaken by vines and debris. A boy , about 14 years old , runs in the distance , pursued by a massive cloud of dust. The scene is rendered in minimalistic line art style , with clean lines and muted tones. Wide shot from low angle , emphasizing scale and atmosphere. Stylized , semi-realistic , cinematic composition." ,
A young boy in India is carefully picking tea leaves under the warm morning sun. As he works , he begins to realize that his efforts are bringing goodness to people far away — all the way in Russia. Because Indian tea is special. He gently separates each leaf from the stem , making sure not to damage the natural shape of the tea leaf. He knows that every little detail matters when creating something truly good. ,
In the beginning God created the sky and the earth. The earth was empty and had no form. Darkness covered the ocean , and God’s Spirit was moving over the water. Then God said , “Let there be light!” And there was light. God saw that the light was good. So he divided the light from the darkness. God named the light “day” and the darkness “night.” Evening passed , and morning came. This was the first day. Then God said , “Let there be something to divide the water in two!” So God made the air to divide the water in two. Some of the water was above the air , and some of the water was below it. God named the air “sky.” Evening passed , and morning came. This was the second day. Then God said , “Let the water under the sky be gathered together so the dry land will appear.” And it happened. God named the dry land “earth.” He named the water that was gathered together “seas.” God saw that this was good. Then God said , “Let the earth produce plants. Some plants will make grain for seeds. Others will make fruit with seeds in it. Every seed will produce more of its own kind of plant.” And it happened. The earth produced plants. Some plants had grain for seeds. The trees made fruit with seeds in it. Each seed grew its own kind of plant. God saw that all this was good. Evening passed , and morning came. This was the third day. Then God said , “Let there be lights in the sky to separate day from night. These lights will be used for signs , seasons , days and years. They will be in the sky to give light to the earth.” And it happened. So God made the two large lights. He made the brighter light to rule the day. He made the smaller light to rule the night. He also made the stars. God put all these in the sky to shine on the earth. They are to rule over the day and over the night. He put them there to separate the light from the darkness. God saw that all these things were good. Evening passed , and morning came. This was the fourth day. Then God said , “Let the water be filled with living things. And let birds fly in the air above the earth.” So God created the large sea animals. He created every living thing that moves in the sea. The sea is filled with these living things. Each one produces more of its own kind. God also made every bird that flies. And each bird produces more of its own kind. God saw that this was good. God blessed them and said , “Have many young ones and grow in number. Fill the water of the seas , and let the birds grow in number on the earth.” Evening passed , and morning came. This was the fifth day. Then God said , “Let the earth be filled with animals. And let each produce more of its own kind. Let there be tame animals and small crawling animals and wild animals. And let each produce more of its kind.” And it happened. So God made the wild animals , the tame animals and all the small crawling animals to produce more of their own kind. God saw that this was good. Then God said , “Let us make human beings in our image and likeness. And let them rule over the fish in the sea and the birds in the sky. Let them rule over the tame animals , over all the earth and over all the small crawling animals on the earth.” So God created human beings in his image. In the image of God he created them. He created them male and female. God blessed them and said , “Have many children and grow in number. Fill the earth and be its master. Rule over the fish in the sea and over the birds in the sky. Rule over every living thing that moves on the earth.” God said , “Look , I have given you all the plants that have grain for seeds. And I have given you all the trees whose fruits have seeds in them. They will be food for you. I have given all the green plants to all the animals to eat. They will be food for every wild animal , every bird of the air and every small crawling animal.” And it happened. God looked at everything he had made , and it was very good. Evening passed , and morning came. This was the sixth day. ,
“And He who sits on the throne said , “Behold , I am making all things new.” Also He said , “Write , for these words are faithful and true [they are accurate , incorruptible , and trustworthy].” [Is 43:19] And He said to me , “It is done. I am the Alpha and the Omega , the Beginning and the End. To the one who thirsts I will give [water] from the fountain of the water of life without cost. [Is 55:1] He who overcomes [the world by adhering faithfully to Christ Jesus as Lord and Savior] will inherit these things , and I will be his God and he will be My son. [2 Sam 7:14; 1 John 5:5] And he carried me away in the Spirit to a vast and lofty mountain , and showed me the holy (sanctified) city of Jerusalem coming down out of heaven from God , [Ezek 40:2] having God’s glory [filled with His radiant light]. The brilliance of it resembled a rare and very precious jewel , like jasper , shining and clear as crystal. It had a massive and high wall , with twelve [large] gates , and at the gates [were stationed] twelve angels; and on the gates the names of the twelve tribes of the sons of Israel were written. [Ex 28:21; Ezek 48:30-34] On the east side [there were] three gates , on the north three gates , on the south three gates , and on the west three gates. And the wall of the city had twelve foundation stones , and on them the twelve names of the twelve apostles of the Lamb (Christ). The wall was built of jasper; and the city was pure gold , transparent like clear crystal. [1 Kin 6:30] The foundation stones of the wall of the city were adorned with every kind of precious stone. The first foundation stone was jasper; the second , sapphire; the third , chalcedony; the fourth , emerald; [Ex 28:17-20; Is 54:11 , 12] the fifth , sardonyx; the sixth , sardius; the seventh , chrysolite (yellow topaz); the eighth , beryl; the ninth , topaz; the tenth , chrysoprase; the eleventh , jacinth; the twelfth , amethyst. And the twelve gates were twelve pearls; each separate gate was of one single pearl. And the street (broad way) of the city was pure gold , like transparent crystal. And the city has no need of the sun nor of the moon to give light to it , for the glory (splendor , radiance) of God has illumined it , and the Lamb is its lamp and light. [Is 24:23; 60:19 , 20] The nations [the redeemed people from the earth] will walk by its light , and the kings of the earth will bring into it their glory. [Is 60:1-5] By day (for there will be no night there) its gates will never be closed [in fear of evil]; [Is 60:11] and they will bring the glory (splendor , majesty) and the honor of the nations into it; and nothing that defiles or profanes or is unwashed will ever enter it , nor anyone who practices abominations [detestable , morally repugnant things] and lying , but only those [will be admitted] whose names have been written in the Lamb’s Book of Life. [Dan 12:1]” Revelation 21:5-7 , 10-14 , 18-21 , 23-27 AMP https://bible.com/bible/1588/rev.21.5-27.AMP ,
“And He who sits on the throne said , “Behold , I am making all things new.” Also He said , “Write , for these words are faithful and true [they are accurate , incorruptible , and trustworthy].” And He said to me , “It is done. I am the Alpha and the Omega , the Beginning and the End. To the one who thirsts I will give [water] from the fountain of the water of life without cost. He who overcomes [the world by adhering faithfully to Christ Jesus as Lord and Savior] will inherit these things , and I will be his God and he will be My son. And he carried me away in the Spirit to a vast and lofty mountain , and showed me the holy (sanctified) city of Jerusalem coming down out of heaven from God , having God’s glory [filled with His radiant light]. The brilliance of it resembled a rare and very precious jewel , like jasper , shining and clear as crystal. It had a massive and high wall , with twelve [large] gates , and at the gates [were stationed] twelve angels; and on the gates the names of the twelve tribes of the sons of Israel were written. On the east side [there were] three gates , on the north three gates , on the south three gates , and on the west three gates. And the wall of the city had twelve foundation stones , and on them the twelve names of the twelve apostles of the Lamb (Christ). The wall was built of jasper; and the city was pure gold , transparent like clear crystal. The foundation stones of the wall of the city were adorned with every kind of precious stone. The first foundation stone was jasper; the second , sapphire; the third , chalcedony; the fourth , emerald; the fifth , sardonyx; the sixth , sardius; the seventh , chrysolite (yellow topaz); the eighth , beryl; the ninth , topaz; the tenth , chrysoprase; the eleventh , jacinth; the twelfth , amethyst. And the twelve gates were twelve pearls; each separate gate was of one single pearl. And the street (broad way) of the city was pure gold , like transparent crystal. And the city has no need of the sun nor of the moon to give light to it , for the glory (splendor , radiance) of God has illumined it , and the Lamb is its lamp and light. The nations [the redeemed people from the earth] will walk by its light , and the kings of the earth will bring into it their glory. By day (for there will be no night there) its gates will never be closed [in fear of evil]; and they will bring the glory (splendor , majesty) and the honor of the nations into it; and nothing that defiles or profanes or is unwashed will ever enter it , nor anyone who practices abominations [detestable , morally repugnant things] and lying , but only those [will be admitted] whose names have been written in the Lamb’s Book of Life. ,
create a chart for 6 year old easy to draw explaining different forces and it s uses 1. Push What It Is: Moving something away from you. Example: 🖐️ Pushing a toy car. Use: Opening a door or sliding a chair. Visual: Drawing of a child pushing a swing. 2. Pull What It Is: Bringing something toward you. Example: 🚜 Pulling a wagon. Use: Closing a drawer or flying a kite. Visual: Drawing of a child pulling a rope. 3. Gravity What It Is: A force that pulls things down to Earth. Example: 🍎 An apple falling from a tree. Use: Keeps us on the ground so we don’t float away! Visual: Simple Earth with arrows pointing downward. 4. Friction What It Is: Slows things down when they rub together. Example: 🛑 Bike brakes stopping wheels. Use: Helps us walk without slipping. Visual: Shoes gripping the ground (textured lines). 5. Magnetic Force What It Is: Pulls metal objects (like iron). Example: � fridge magnet holding a drawing. Use: Toys stick to magnets! Visual: Magnet attracting paperclips. Design Tips: Use bright colors (e.g. , red for push , blue for pull). Add arrows to show direction (→ for push , ← for pull). Include simple icons (e.g. , 🖐️ , 🍎) for visual learners. Keep text short and in large , readable fonts. ,
minimalist logo illustration of vector art of a owl hunting something , front facing , magic , sharp design , smooth , monochromatic Red color , dark magic splash , t-shirt design , in the style of Studio Ghibli , pastel tetradic colors , 3D vector art , cute and quirky , fantasy art , Adobe Illustrator , hand-drawn , digital painting , low-poly , soft lighting , bird's-eye view , isometric style , retro aesthetic , focused on the character , 4K resolution , photorealistic rendering , using Cinema 4D , from the front , logo , valorant , unreal engine , stylish , illustration , blue flames , blue fire , pixelized , oil paint , 3D ,
minimalist logo illustration of vector art of a owl hunting something , front facing , magic , sharp design , smooth , monochromatic Red color , dark magic splash , t-shirt design , in the style of Studio Ghibli , pastel tetradic colors , 3D vector art , cute and quirky , fantasy art , Adobe Illustrator , hand-drawn , digital painting , low-poly , soft lighting , bird's-eye view , isometric style , retro aesthetic , focused on the character , 4K resolution , photorealistic rendering , using Cinema 4D , from the front , logo , valorant , unreal engine , stylish , illustration , blue flames , blue fire , pixelized , oil paint , 3D ,
*"A dimly lit , old apartment room at midnight , filled with eerie shadows. The only light comes from three flickering candles placed strategically around the room. The wooden table at the center is scratched and worn , covered with aged parchment papers with intricate voodoo symbols and Latin inscriptions , carefully written in faded black ink. Some papers are partially burned , as if used in a ritual. A mysterious black cat with glowing red eyes sits in the middle of the table , staring directly at the viewer with an unsettling intensity , its fur slightly bristling. Its tail curls around an ancient dagger , half-hidden beneath one of the papers. The background shows a dusty old radio emitting faint static noise , with its dials turned to unknown frequencies. The cracked walls have faded occult symbols drawn in charcoal , some almost erased with time. A wooden shelf on the right holds jars filled with mysterious dark substances , a small voodoo doll with pins stuck in its chest , and a half-melted black candle. Through the slightly open , crooked window , a cold fog seeps into the room , swirling at the edges of the wooden floor. The curtains , old and tattered , are gently swaying , even though there’s no wind. The atmosphere is tense , as if something unseen is watching from the shadows. Hyper-detailed , dramatic lighting , deep cinematic shadows , ultra-realistic textures. The image should feel like a film noir horror scene , perfectly blending realism and supernatural elements. The composition should be perfectly balanced , ensuring all elements contribute to a dark , ominous atmosphere."* ,
The man in the picture has a distinctive appearance , characterized by his black hair and glasses. His black hair is neatly styled , giving him a polished and professional look , which fits well with his role at Swissport in the airport environment. The glasses add an intellectual and focused demeanor to his expression , suggesting he is detail-oriented and attentive to his responsibilities. His attire is likely professional , possibly a uniform or business-casual outfit , aligning with the formal setting of an airport. The glasses frame his face nicely , drawing attention to his eyes , which seem to be focused on something outside , perhaps observing the Transavia aircraft or monitoring airport operations. Overall , his appearance conveys a sense of competence , reliability , and dedication to his work in the fast-paced aviation industry. ,
Fairness means ensuring your analysis doesn't create or reinforce bias. This can be challenging , but if the analysis is not objective , the conclusions can be misleading and even harmful. In this reading , you’re going to explore some best practices you can use to guide your work toward a more fair analysis! Consider fairness Following are some strategies that support fair analysis: Best practice Explanation Example Consider all of the available data Part of your job as a data analyst is to determine what data is going to be useful for your analysis. Often there will be data that isn’t relevant to what you’re focusing on or doesn’t seem to align with your expectations. But you can’t just ignore it; it’s critical to consider all of the available data so that your analysis reflects the truth and not just your own expectations. A state’s Department of Transportation is interested in measuring traffic patterns on holidays. At first , they only include metrics related to traffic volumes and the fact that the days are holidays. But the data team realizes they failed to consider how weather on these holidays might also affect traffic volumes. Considering this additional data helps them gain more complete insights. Identify surrounding factors As you’ll learn throughout these courses , context is key for you and your stakeholders to understand the final conclusions of any analysis. Similar to considering all of the data , you also must understand surrounding factors that could influence the insights you’re gaining. A human resources department wants to better plan for employee vacation time in order to anticipate staffing needs. HR uses a list of national bank holidays as a key part of the data-gathering process. But they fail to consider important holidays that aren’t on the bank calendar , which introduces bias against employees who celebrate them. It also gives HR less useful results because bank holidays may not necessarily apply to their actual employee population. Include self-reported data Self-reporting is a data collection technique where participants provide information about themselves. Self-reported data can be a great way to introduce fairness in your data collection process. People bring conscious and unconscious bias to their observations about the world , including about other people. Using self-reporting methods to collect data can help avoid these observer biases. Additionally , separating self-reported data from other data you collect provides important context to your conclusions! A data analyst is working on a project for a brick-and-mortar retailer. Their goal is to learn more about their customer base. This data analyst knows they need to consider fairness when they collect data; they decide to create a survey so that customers can self-report information about themselves. By doing that , they avoid bias that might be introduced with other demographic data collection methods. For example , if they had sales associates report their observations about customers , they might introduce any unconscious bias the employees had to the data. Use oversampling effectively When collecting data about a population , it’s important to be aware of the actual makeup of that population. Sometimes , oversampling can help you represent groups in that population that otherwise wouldn’t be represented fairly. Oversampling is the process of increasing the sample size of nondominant groups in a population. This can help you better represent them and address imbalanced datasets. A fitness company is releasing new digital content for users of their equipment. They are interested in designing content that appeals to different users , knowing that different people may interact with their equipment in different ways. For example , part of their user-base is age 70 or older. In order to represent these users , they oversample them in their data. That way , decisions they make about their fitness content will be more inclusive. Think about fairness from beginning to end To ensure that your analysis and final conclusions are fair , be sure to consider fairness from the earliest stages of a project to when you act on the data insights. This means that data collection , cleaning , processing , and analysis are all performed with fairness in mind. A data team kicks off a project by including fairness measures in their data-collection process. These measures include oversampling their population and using self-reported data. However , they fail to inform stakeholders about these measures during the presentation. As a result , stakeholders leave with skewed understandings of the data. Learning from this experience , they add key information about fairness considerations to future stakeholder presentations. ,
A storm rages over the darkened sea , the wind howling like a mournful song as towering waves crash violently against the shore. The sky , veiled in heavy storm clouds , flickers with lightning , illuminating the scene in brief flashes of silver-blue light. Rain falls in sheets , blending with the salt spray of the ocean , as if the heavens themselves are weeping. Amidst the chaos , a lone man stands on a jagged stone near the shore , his silhouette strong against the fury of the sea. His drenched clothes cling to him , his breath ragged from the struggle against the relentless tide. In his arms , he holds a girl with long , flowing black hair , her body limp yet delicate , as if she is caught between two worlds—life and the endless abyss of the ocean. Her pale skin glows faintly under the moon’s hidden light , and her dark lashes flutter slightly , caught in the fragile space between waking and dreaming. The man gazes down at her , his expression a mixture of desperation , sorrow , and something deeper—an unspoken longing. Who is she? A lost soul pulled from the depths , a forgotten love , or a stranger whose fate is now entwined with his own? Behind them , the sea rages on , its waves thrashing like a beast denied its prey. The air is thick with melancholy—a tale of loss , fate , and a love that may have come too late. In this moment , they are two lonely souls suspended between the storm and the quiet , between salvation and sorrow. The entire scene is bathed in a dreamlike , haunting beauty—the cold , silver rain , the dark ocean sighing in the background , and the unspoken story lingering between them , heavy as the tide. ,
In the heart of a luminous underwater realm , a gathering of enchanting mermaids performs ancient oceanic magic. Their iridescent tails shimmer in hues of sapphire , emerald , and amethyst as they gracefully swirl through the glowing waters. Each mermaid possesses a unique aura , their hands weaving streams of liquid light that sparkle like constellations in the deep. Golden runes and mystical symbols appear in the water as their magic takes form , swirling into glowing orbs , delicate sea creatures made of pure energy , and floating crystals that pulse with hidden power. Some mermaids summon ethereal jellyfish that glow like underwater lanterns , while others call forth spirals of luminescent bubbles that dance around them like enchanted stars. The backdrop is a breathtaking underwater kingdom—towering coral castles with pearl-encrusted spires , radiant sea flowers that bloom with every spell cast , and a sky of liquid silver where moonlight filters through the waves. In the distance , a mystical whirlpool glows with a soft , celestial light , whispering ancient secrets to those who dare to listen. Among them , a majestic mermaid queen , crowned with seashells and flowing ribbons of seaweed , leads the ritual , her presence both regal and otherworldly. As the magic intensifies , the entire ocean shimmers with an ethereal glow , turning the underwater world into a dreamscape of wonder and mystery. The entire scene is pure fantasy—a mesmerizing realm where mermaids are not just guardians of the sea but wielders of an ancient and powerful magic. ,
A beautiful mermaid with long , flowing iridescent hair , gently floating beneath the waves. Her shimmering tail glows softly in hues of turquoise and lavender , reflecting the light filtering down from the ocean’s surface. Her delicate face holds a sweet yet sorrowful expression , her luminous eyes gazing into the distance as if longing for something lost. Surrounding her , an enchanting underwater world teems with life—colorful fish swirl in mesmerizing patterns , glowing jellyfish drift like tiny stars , and delicate coral structures rise like castles from the seabed. Ethereal beams of light cascade through the water , creating a dreamlike shimmer. Tiny bubbles float lazily upward , and bioluminescent sea creatures add a magical glow to the scene. In the background , a sunken shipwreck , now covered in luminous sea flora , hints at ancient mysteries hidden in the ocean’s depths. The atmosphere is surreal , a blend of fantasy and wonder , evoking both beauty and melancholy. ,
amethyst crystal spaceship , silver small glasses , android netrunner , wavy hair yellow theme , background is a swirl of magical energies , cinematic rendered , shaded lighting by katsuhiro otomo ghost - in - the - shell , easports , alien fauna , long tongues and round teeth forming from the ground ,