Explore AI generated designs, images, art and prompts by top community artists and designers.
A futuristic space scene featuring a massive , circular spaceship hovering above dense , textured clouds , with smaller spacecraft flying around it. The scene is set during twilight , casting a moody ambiance with soft lighting emanating from the ship's windows (lighting:1.2). The atmosphere should feel mysterious and expansive , emphasizing the isolation of the ship in space (atmosphere:1.2). Use high contrast to highlight mechanical details and textures of the spaceship (textures:1.1) , while clouds add volume beneath. Include intricate designs and industrial elements on the ship , capturing the essence of advanced technology (details:1.2). Avoid clutter in the foreground to maintain focus on the main subjects (negatives: clutter , chaos). Use a wide-angle perspective to convey depth and scale. ,
A melancholic femenine creature dressed in worn jeans and a faded band t-shirt , sitting alone on a dimly lit stage , surrounded by shattered dreams and abandoned ideas , in a style reminiscent of Ash Thorp's futuristic neon landscapes , Ian McQue's gritty industrial textures , and Loish's emotive character designs , with bold brushstrokes and vivid colors that convey a sense of longing and desperation. ,
n an alternate 1920s where steam technology advanced far beyond electricity , a sprawling cityscape of towering brass and copper skyscrapers rises under a smoky orange sky. Steam-powered airships float between buildings , while streetcars hiss along tracks of polished steel. People dressed in Victorian-inspired clothing mixed with industrial gear navigate the bustling streets , carrying gadgets powered by intricate gears and pistons. The sound of hissing steam engines fills the air , blending with distant mechanical chimes. This is a world where steam reigns supreme , shaping culture , technology , and society in unexpected ways. ,
Surrealism. Long shot. A lone figure stands on desolate industrial landscape. Over-the-shoulder shot. Beksiński-inspired brushstrokes. Ghostly apparitions in smog. Soft , diffused lighting with muted colors. Tri-X 400TX film grain. Detailed textures , sublime terror , ethereal energy , industrial vibe , large size , free-form structure. ar-9:16 ,
Surreal digital painting. Close-up. A young woman jumps between multiverses. Over the shoulder shot. Chinese ink effect.Flowing black moths. Smoky textures. Gloomy light. Masterpiece , Bauhaus , Blade Runner 2049 , Metal Slug , monochrome , black smoke , ethereal , sublime terror , industrial , large format , 9:16 aspect ratio , high contrast , film grain , Tri-X 400TX. ar-9:16 ,
**"A hyper-detailed industrial cyberpunk assembly line mass-producing Terminator-style robotic endoskeletons , bathed in the eerie glow of flickering neon and cold factory lighting. Towering hydraulic presses , robotic arms , and conveyor belts dominate the scene , their metallic surfaces gleaming with oil and grime. Thick plumes of black smoke rise from overworked machinery , curling toward the high , rusted ceiling where exposed pipes and ventilation ducts crisscross like veins. The robots on the line are in various stages of assembly—some half-formed with exposed wiring and skeletal frames , others nearly complete , their red sensor eyes flickering to life. The atmosphere is oppressive , a mix of industrial noise , hissing steam , and the hum of electricity , with a dystopian tension hanging in the air. The art style blends hyper-realistic mechanical precision with a gritty , cinematic cyberpunk aesthetic—sharp metallic textures , dramatic lighting contrasts , and a moody , high-detail composition that evokes the dark , futuristic tone of the *Terminator* universe. Include intricate reflections on wet factory floors , scattered tools , and the occasional spark from malfunctioning equipment to enhance the immersive , high-stakes industrial environment."** ,
A **time traveler** in a **steampunk-inspired mechanical armchair** , hurtling through a **swirling void of time and space** , where fragmented objects from different eras—ancient scrolls , medieval swords , Victorian pocket watches , futuristic holograms , and retro sci-fi gadgets—float chaotically around them. The traveler , clad in a **weathered leather coat with brass buckles and goggles** , grips the armrests tightly , their expression a mix of **determination and awe** as temporal distortions ripple through the void. The mechanical chair is **intricate and industrial** , with exposed gears , glowing energy cores , and rusted metal plating , suggesting both **advanced technology and the passage of time**. The scene is rendered in a **highly detailed , cinematic style** , blending **dark , moody lighting** with **vibrant bursts of temporal energy**—swirling blues , purples , and golds—illuminating the floating artifacts. The background is a **cosmic abyss** with faint constellations and warped timelines visible in the distance , creating a sense of **both vastness and urgency**. The composition emphasizes **motion and dynamism** , with debris trailing behind the chair as if caught in a **time warp** , while the traveler’s posture suggests **forward momentum into the unknown**. Inspired by **sci-fi concept art and dark fantasy illustrations** , the image balances **mechanical precision** with **ethereal surrealism** , evoking a feeling of **adventure , mystery , and the relentless march of time**. ,
A **medieval knight in full plate armor** , standing heroically on a war-torn battlefield , wields an **anachronistic heavy machine gun** instead of a traditional sword , unleashing a barrage of bullets with fierce determination. The **armor is intricately detailed** , reflecting the craftsmanship of the era—engraved with heraldic symbols , dents from past battles , and a slightly weathered metallic sheen. The **machine gun is massive and industrial** , contrasting sharply with the knight’s medieval attire , its barrel glowing red-hot from continuous fire , smoke curling around the muzzle , and spent casings scattering across the bloodstained ground. The **knight’s stance is bold and aggressive** , one foot planted firmly forward as he braces against the recoil , his visor slightly raised to reveal a **stern , battle-hardened expression**—eyes narrowed with focus , jaw set with resolve. The **background is a chaotic medieval battlefield**: shattered shields , broken swords , and fallen banners litter the ground , while distant explosions and the faint silhouettes of fleeing soldiers add to the sense of turmoil. The sky is dark and stormy , casting an eerie , dramatic light over the scene , highlighting the **stark contrast between ancient and modern warfare**. The **art style blends hyper-detailed realism with a cinematic , dynamic composition** , emphasizing **textural richness**—the cold hardness of the metal armor , the rough fabric of the knight’s surcoat , and the gritty , smoky atmosphere of the battlefield. The **lighting is dramatic** , with strong contrasts between the glowing muzzle flash of the machine gun and the shadowy figures in the distance , creating a **visually striking and intense** image that feels both **epic and surreal**. The overall mood is one of **unrelenting power and defiance** , as if the knight is a lone warrior from a forgotten time , wielding the destructive force of a future he could never have imagined. ,
A **time traveler** in a **steampunk-inspired mechanical armchair** , hurtling through a **swirling void of time and space** , where fragmented objects from different eras—ancient scrolls , medieval swords , Victorian pocket watches , futuristic holograms , and retro sci-fi gadgets—float chaotically around them. The traveler , clad in a **weathered leather coat with brass buckles and goggles** , grips the armrests tightly , their expression a mix of **determination and awe** as temporal distortions ripple through the void. The mechanical chair is **intricate and industrial** , with exposed gears , glowing energy cores , and rusted metal plating , suggesting both **advanced technology and the passage of time**. The scene is rendered in a **highly detailed , cinematic style** , blending **dark , moody lighting** with **vibrant bursts of temporal energy**—swirling blues , purples , and golds—illuminating the floating artifacts. The background is a **cosmic abyss** with faint constellations and warped timelines visible in the distance , creating a sense of **both vastness and urgency**. The composition emphasizes **motion and dynamism** , with debris trailing behind the chair as if caught in a **time warp** , while the traveler’s posture suggests **forward momentum into the unknown**. Inspired by **sci-fi concept art and dark fantasy illustrations** , the image balances **mechanical precision** with **ethereal surrealism** , evoking a feeling of **adventure , mystery , and the relentless march of time**. ,
A **time traveler** in a **steampunk-inspired mechanical armchair** , hurtling through a **swirling void of time and space** , where fragmented objects from different eras—ancient scrolls , medieval swords , Victorian pocket watches , futuristic holograms , and retro sci-fi gadgets—float chaotically around them. The traveler , clad in a **weathered leather coat with brass buckles and goggles** , grips the armrests tightly , their expression a mix of **determination and awe** as temporal distortions ripple through the void. The mechanical chair is **intricate and industrial** , with exposed gears , glowing energy cores , and rusted metal plating , suggesting both **advanced technology and the passage of time**. The scene is rendered in a **highly detailed , cinematic style** , blending **dark , moody lighting** with **vibrant bursts of temporal energy**—swirling blues , purples , and golds—illuminating the floating artifacts. The background is a **cosmic abyss** with faint constellations and warped timelines visible in the distance , creating a sense of **both vastness and urgency**. The composition emphasizes **motion and dynamism** , with debris trailing behind the chair as if caught in a **time warp** , while the traveler’s posture suggests **forward momentum into the unknown**. Inspired by **sci-fi concept art and dark fantasy illustrations** , the image balances **mechanical precision** with **ethereal surrealism** , evoking a feeling of **adventure , mystery , and the relentless march of time**. ,
A dramatic Antarctic scene:Cinematic low-angle shot of a massive red and white icebreaker ship cutting through the frozen Antarctic ocean , its hull towering above the viewer as it approaches a mysterious ancient alien craft. The extraterrestrial vessel—sleek , metallic , and disc-shaped—is half-buried in the thick polar ice , projecting out the side of an iceberg at an angle. , its surface encrusted with millennia of frozen particles and frost. Towering blue-white icebergs frame the composition , their jagged peaks catching the harsh polar sunlight. The alien ship's hull gleams dully beneath layers of ice crystals , with strange geometric patterns barely visible through the frozen buildup. Steam rises from the icebreaker's heated hull as it cracks through the ice field. Brilliant lens flare streaks across the frame from the low Antarctic sun , creating dramatic light rays that illuminate the ice particles suspended in the frigid air. The scene conveys a sense of epic scale and otherworldly discovery , with the industrial might of human engineering confronting an artifact of alien origin in Earth's most remote wilderness. ,
A **hyper-cinematic , apocalyptic flood disaster** unfolding in a **SimCity-inspired megacity** , where a **colossal , monstrous wall of dark , churning floodwater**—teeming with **twisted steel girders , shattered skyscraper glass , uprooted trees , and the wreckage of urban civilization**—**smashes through the heart of a once-pristine , grid-perfect metropolis** with terrifying , unstoppable force. The flood **engulfs towering skyscrapers in seconds** , **snaps elevated highways like brittle twigs** , and **erases entire city blocks in a single , devastating surge** , leaving only **chaos , ruin , and swirling vortices of destruction** in its wake. The city , once a **masterpiece of urban planning—symmetrical streets , sprawling suburbs , dense commercial hubs , and meticulously zoned industrial districts—**now **drowns in cataclysmic ruin** as the floodwater **carves a path of absolute devastation** , reducing decades of infrastructure to **floating debris**. **Cars , street signs , fragments of collapsed buildings , and uprooted lampposts** spin violently in the torrent , while **collapsing overpasses , crumbling bridges , and submerged highways** struggle against the relentless current. **Desperate survivors cling to rooftops , overturned vehicles , and the last remnants of high ground** , their faces illuminated by the **eerie , storm-choked light** of a dying city. The scene is rendered in a **blockbuster disaster movie aesthetic**—**hyper-dramatic , high-contrast lighting** casts **long , jagged shadows** across the ruin , while **explosive bursts of spray , mist , and flying debris** fill the air. The **atmosphere is thick with tension** , the **water’s murky depths hiding unseen horrors** , and the **last flickers of civilization**—**emergency sirens , distant screams , the groaning collapse of steel**—echo through the storm. The **composition is chaotic yet cinematic** , with **dynamic angles** capturing the **sheer scale of destruction**: **a skyscraper toppling in slow motion , a bridge snapping mid-collapse , a lone survivor reaching for a helicopter’s dangling rope**. Every detail screams **epic , high-stakes survival**—**the flood is not just water , but a living , consuming force** , and the city’s **once-orderly grid is now a nightmare of swirling currents , submerged streets , and the skeletal remains of urban life**. The **lighting is dramatic** , with **pockets of eerie glow**—**flickering streetlights beneath the water , the distant flare of explosions , the cold blue hue of the storm**—contrasting against the **crushing darkness of the flood’s depths**. This is **disaster on a biblical scale** , a **SimCity metropolis erased in minutes** , and the **last moments of a civilization swept away**. ,
breathtaking detailed , masterpiece , absurdres , awe-inspiring , best quality , vibrant colors , velvet oil painting of a futuristic female face embedded in golden technical schematics and circular diagrams , BREAK , oxidized brass overlays across abstract mechanical shapes , (baroque-inspired symmetry) , fused with steampunk textures , dark metallic tones contrasting with cracked golden highlights , BREAK , rusted copper grids and peeling layers of black paint , smooth brushwork meets industrial etching , soft Rembrandt-style shadows between rigid geometry and stylized anatomy ,
A high-tech industrial robotic media production station with multiple articulated arms mounted on a stable mechanical base platform , inspired by advanced industrial manipulators and spider-drone engineering. No humanoid legs or head — instead , a central cylindrical module houses an array of optical sensors , precision lenses , LED light indicators , and integrated holographic projectors. The robot is designed for creative media work , not combat — smooth aerodynamic contours with reduced sharp edges , and numerous embedded holographic and light-based UI elements showing AI interfaces , media timelines , live video feeds , and floating icons of Instagram and YouTube. Each arm has integrated tools: a built-in 8K camera module , a ring light embedded in the arm structure , directional microphones , a fold-out tablet screen , and holographic control panels — all seamlessly part of the mechanical design , not handheld. Premium materials: glossy aviation-grade bright red paint (#FF1C1C) with asphalt-dark gray (#2B2B2B) structural panels , anodized metal joints , carbon fiber inserts , and fine blue-turquoise seam lighting. Ultra-detailed photorealistic textures with bolts , seams , micro-scratches , and realistic reflections. Cinematic lighting with clean white highlights , subtle shadows , and product showcase style — isolated on a transparent background with a soft gradient light spot beneath , as if presented at an Apple/DJI launch. High-poly model , no cartoonish simplification , no text or logos. ,
A high-tech industrial robotic assembly machine with multiple articulated arms in a dynamic crouching pose , inspired by futuristic mecha design. The main robotic body is glossy red with black mechanical segments and orange glowing elements , showing sparks and energy trails from welding or high-speed motion. The surface is clean , high-poly , and ultra-detailed with realistic reflections and subtle wear. The robot is multitasking as a content creator: one arm holds a professional DSLR camera with a lens , another arm operates a glowing holographic keyboard , another arm holds a circular ring light , and one more interacts with floating holograms of Instagram and YouTube icons. Realistic sparks and energy trails emphasize high-speed motion and creativity. No background , transparent background , isolated on transparency. Photorealistic textures , cinematic lighting , ultra-detailed , clean white highlights on robot surfaces , no text or logos. ,
A high-tech industrial robotic assembly machine with multiple articulated arms in a dynamic crouching pose , inspired by futuristic mecha design. The main robotic body is glossy red with black mechanical segments and orange glowing elements , showing sparks and energy trails from welding or high-speed motion. The surface is clean , high-poly , and ultra-detailed with realistic reflections and subtle wear. The background is clean white with soft shadows , with no text or logos. Realistic lighting , cinematic rendering , and photorealistic textures. Inspired by sci-fi robotics and advanced manufacturing technology. ,
A Dieselpunk generic 36-year-old woman , wearing gas mask with protective suit , steel-toe boots , holding garbage bag , tool belt , standing on menthol , holding a broom in one hand , digging in a desolate industrial landfill , neon light , dark lighting , volumetric lighting , dust particles , cinematographic lighting , dramatic shadows , angled over the shoulder , ,
A hyper-realistic depiction of a old female piloting a large , industrial-style scooter in a relaxed pose. The scooter retains its bulky and mechanical design , constructed with white armor and orange accents , realistic look. The cockpit made from glass like glass , revealing the pilot seated and drive , leaning slightly on one armrest , with a action and contemplative expression. Her techno outfit is casual , contrasting with the scooter's imposing and heavy-duty aesthetic. The scooter's design includes large , rounded feet for stability , sturdy hydraulic joints , and visible pistons and wiring for enhanced realism. The cockpit is equipped with detailed controls , levers , and screens that showcase faint glowing interfaces. The metallic surfaces of the scooter have soft reflections , showing realistic lighting with highlights on edges and shadows in recessed areas. The background is a workstation , providing a stark contrast that emphasizes the metallic textures and overall composition. Lighting ,
Industrial concept art. Close-up. A Chernobyl liquidator's gas mask. Medium shot. Hyper-realistic digital art. Warped lenses reflecting fiery chaos. Thick rubber seals cracked and stained. Smoky backlighting with glowing particles. Dark muted colors with flickering warm lighting. Haunting atmosphere , gritty textures , industrial decay , radioactive hazard , intense realism , high-contrast lighting , ominous shadows , detailed reflections , atmospher ,
Inside a state-of-the-art research facility , one of the towering , hyper-muscular blondes stands calmly under bright industrial lights , surrounded by a team of stunned scientists and technicians. She wears a reinforced custom sports bra and micro-shorts , still barely managing to contain her exaggerated curves and outrageously muscular form. Wires , sensors , and biometric pads line her biceps , chest , and quads — trying to capture data as she flexes for the assembled team. Behind her is a steel test rig rated for 10 tons — visibly trembling as she curls a solid 600-pound barbell like it’s made of foam. Her vascular , glistening biceps swell with every rep , stretching the skin like drumheads. Nearby monitors show numbers spiking beyond red zones , graphs crashing , and readings that no one has ever seen before. One screen simply flashes: **“ERROR — MAX LIMIT EXCEEDED”** The second woman stands off to the side , already tested and still cooling down , a towel slung over her mountainous shoulder. She watches her rival with crossed arms and a subtle , amused grin — waiting to see if the machines can handle her , too. The lab is a blend of ultra-modern science and disbelief. Crates of bent steel samples , cracked pressure pads , and failed grip test rigs line the walls. A group of scientists , some wide-eyed and others scribbling furiously , huddle near the data terminals. One whispers , “This can’t be real , ” while another simply stares , jaw slack. Shot on Canon EOS R5 and RED Komodo 6K , 35mm lens , ISO 100 , f/2.2 , cinematic industrial light temperature (cool white with warm highlights). 8K ultra-photorealistic , extreme detail in muscle strain , lab tech reflections , fabric tension , HDR lighting , sweat glisten , glowing monitor displays. --no cartoon , anime , stylization , nudity , blur , smoothing , distortions , uncanny rendering ,