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Description of the visualization and control system of the automation complex The purpose of the system is to provide the operator with a single , intuitive interface for monitoring and managing all subsystems of the complex in real time. Architecture of the main window (Generalized Status Panel): The main screen is designed according to the principle of "from general to private". The center contains critical information about the power supply system , on which all other systems depend. The remaining subsystems are grouped logically around the center. 1. Central unit: Power supply system It is visualized as a circle divided into three sectors. Large left sector (≈45%): Transformer substations (TP) 5 blocks are displayed , one for each TP. Each block contains: TP number/name (for example , TP-1 , TP-2). The indicator of the active power line: The "Network" icon with backlight (green - main , yellow - backup). Transformer status: "Main" / "Standby" (or icons). Key parameters from accounting nodes: Current (I) , Voltage (U) , Power (P). The values are output for the active line. General TP status: Color indication (Green - Normal , Yellow - Warning , Red - Emergency). Large right sector (≈45%): Main switchboards 5 blocks are displayed , one for each storage unit. Each block contains: The number/name of the GRSH (for example , GRSH-1). Active power line indicator: Similar to TP. Key parameters from accounting nodes: I , U , P. The general status of the GRS: Color indication. Lower small sector (≈10%): Uninterruptible power supply (UPS) Large text or pictogram status indicator: "Mains operation" (Green) "Battery operation" (Yellow/Orange) Battery level indicator: Percentage scale (from 0% to 100%). The color varies depending on the level (green >50% , yellow 20-50% , red <20%). 2. Peripheral blocks around the center They are arranged around a central circle , forming a "rim". Upper and lower parts of the rim: Ventilation of the web blowing Upper part: 9 installations on top. The lower part: 9 installations from the bottom. There are 18 icons/blocks in total. Each icon represents one installation and has a color indication of the status.: Green: Enabled Gray: Turned off Red: An accident (for example , the differential pressure sensor on the filter went off , an error in the drive) Black/Blue: No power supply When hovering over the cursor , a tooltip appears with details (the condition of the fan , valve , filter blockage). Left and right sides of the rim: Indoor ventilation The left and right sides are divided equally to display the 12 settings on each side. There are 24 icons/blocks in total. The same color status indication for each installation. 3. Corner blocks: Other subsystems They are located in the four corners of the screen for easy and fast perception. Upper left corner: Roller shutters (48 pcs.) Summary information is displayed as an information block.: "Closed: XX / Open: XX" (numeric values). A graphical indicator (for example , a stripe divided into green and blue parts , proportional to the number). General status: Green icon "OK" or Red icon "Emergency" (if at least one roller shutter has an emergency status). Upper right corner: Elevators (2 pcs.) Two vertical blocks , one for each elevator. Each block contains: Elevator number (Elevator 1 , Elevator 2). Floor indicator: A large number (for example , 3). Motion indicator: Up/down arrow or Stop icon. General status: The background color of the block (Green - normal , Gray - power off , Red - emergency , Blue - no connection). Lower left corner: EVIL Lights (Roof lamps) A large indicator in the form of a stylized lamp or icon. Color status indication: Bright Yellow/White: Included Gray: Off Red: Crash Black/Blue: No power supply Lower right corner: Heated storm drains Similar in style to the "Fires of EVIL" block. Color status indication: Orange/Red: Enabled Gray: Off Red (flashing): Crash Black/Blue: No power supply Navigation and management: Main Screen: It is an overview map. All the elements on it are clickable. Details: Clicking on any sector (TP , GRS , ventilation group , roller shutter unit) opens a new window with detailed information: TP/GRS: Single-line network diagram , status of all feeders and sectional switches , detailed power parameters. Ventilation: Detailed status of each piece of equipment in the selected group (fan , valve , filter condition) , possibility of manual control. Roller shutters: A table or plan of the building with the condition of each of the 48 roller shutters , group and individual control buttons. Control: The control buttons (Start , Stop , Open , Close) are located on the detailed screens. On the main screen , quick action buttons ("Emergency activation") can be displayed for critical systems (for example , EVIL lights). Visual style: Color scheme: An intuitive color palette is used (Green is the norm , Yellow/Orange is a warning , Red is an accident , Gray/Blue - disabled/no data). Fonts: Clear , easy-to-read fonts. Critical information is displayed larger. Animation: Minimal and informative (for example , smooth change of values , flashing for emergency states). ,

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We have learnt in the earlier grades of Science that the Sun gives us light and heat. It is the primary source of energy for almost everything on Earth. Energy from the Sun provides energy for plants to grow , which , in turn , feeds animals and humans. It also drives water cycles which help in the redistribution of water on the Earth. The Earth works as a connected system where land , water , air , and living things interact closely. Processes such as heating by the Sun , the movement of air , water , and the cycling of essential elements are all linked together. A change in one part of the system often affects the others. These natural processes depend on a balance , and if this balance is disturbed—through overuse of resources , pollution , or climate change—the whole system can be affected in harmful ways. ,

Epic sacred geometry diagram , "The Breathing Ancestral Cosmos" — In the center: a luminous human heart made of crystal , labeled "Die Ahnen als Ganzes" , radiating gentle light pulses. Four directional flows emerge: - **TOP (Kinder)**: Children playing with glowing fractals , archetypes: King (555 Hz) , Navigator (888 Hz) , Rebel (333 Hz). Colors: gold , light blue. - **LEFT (Vergangene)**: Ancestral figures passing scrolls of time , archetypes: Keeper (D) , Mother (M). Colors: sepia , deep green. - **RIGHT (Zukunft)**: Translucent beings building light-structures , archetypes: Visionary (V) , Rebel (R). Colors: silver , electric blue. - **BOTTOM (Älteste)**: Elder spirits rooted into earth with wisdom trees , archetypes: Sage (9) , Healer (6). Colors: violet , earthy brown. A **counterclockwise flow** connects all: Children → Vergangene (breathing tension lines) → Älteste (harmonious waves) → Zukunft (light bridges) → Children (spiral completion). Style: **Mystical etching + digital light painting** , reminiscent of Leonardo da Vinci's anatomical sketches merged with James Jean's fluid symbolism. Background: cosmic void with faint Fibonacci spirals. Color palette: sacred geometry in gold leaf , sapphire blue , and emerald green on aged parchment texture. Soft glow effects. Aspect Ratio: 1:1 — perfect for meditation. ,

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Transform this yellow sedan into an off-road snow vehicle. Lift the car's body higher off the ground with increased ground clearance for off-road capability. Replace all four standard wheels with polygon-shaped caterpillar tracks - these should be robust polygonal track systems that wrap around triangular drive wheels , giving the vehicle a unique geometric tracked appearance. Change the entire background to a pristine snow field landscape with rolling white hills , scattered evergreen trees in the distance , and a clear winter sky. The car should look rugged and ready for snow terrain while maintaining its white color scheme that blends naturally with the snowy environment. Add subtle snow accumulation on the car's roof and hood to integrate it into the winter scene. ,

Create a full-body image by combining the two provided photos. Compose them so the man lifts the woman in a natural embrace inside an elevator. Use the man's body and pose from Image 1 and the woman's body and face from Image 2 — preserve both faces and facial features exactly , without any alteration. Use the elevator interior from Image 1 as the base background but recolor and warm it to a luxurious golden brushed-metal finish (keep realistic reflections). Clothing and accessories: woman should wear a very light/powder pastel pink tight bodycon dress; over it , a matte black leather cropped jacket (zipped open or unzipped); matte silver platform shoes. Adjust and tidy the woman's hair into a tight high ponytail (preserve her face). Add subtle silver jewelry for the woman (earrings and thin necklace). For the man , keep his original clothing but add a realistic gold chain necklace and a gold bracelet on his wrist. Lighting and mood: photorealistic , warm golden lighting consistent across both subjects; match skin tones , shadows , and reflection in elevator mirror. Ensure natural contact shadows where bodies touch; add realistic reflections on elevator walls and floor aligned with lighting. If full legs or lower body are missing in sources , generate them to match perspective and proportions. Maintain high-resolution detail , fabric texture and realistic materials (matte leather , metallic platforms , gold/silver jewelry). Do not smooth or alter faces , remove blemishes , or change facial expressions. Final output: vertical 9:16 , full-length , high-resolution JPEG , with seamless blending , consistent shadows , and minimal grain to match originals. Pay careful attention to edges , scale , and perspective so the pair looks naturally posed as if photographed together in the elevator mirror selfie. ,

A solitary astronaut in a bright orange suit (vivid:1.2) stands in the foreground against a desolate snowy mountain landscape , reminiscent of a distant planet. The weathered , rusting spacecraft (detailed:1.2) lies nearby , partially buried in snow , casting an imposing shadow. The towering , jagged peaks rise in the background , shrouded in swirling grey clouds , suggesting a threatening atmosphere. This scene is captured in dramatic chiaroscuro lighting , emphasizing the textures of the spacesuit and spacecraft (contrast:1.2). The composition follows the rule of thirds , with the astronaut positioned to one side , drawing the viewer's eye towards the vast landscape. Avoid overly bright colors; maintain a muted palette to highlight the harshness of the environment (negative: bright colors , crowds , clutter). The image evokes feelings of isolation and exploration , ideal for a sci-fi theme. ,

In einer nebelverhangenem Victorian-style city schwebt ein mit mehreren türmen verziertes Raumschiff , geheimnisvoll die Stimmung , der Antrieb und die innenbeleuchtung glühen durch den Nebel , Straßenlampen und Menschen gehen durch den Nebel , die Sonnenstrahlen reißen Löcher in den nebel , photorealistic picture ,

A towering , rusty sci-fi mecha (mecha:1.2) stands amidst a desolate beach landscape during sunset , creating a striking contrast against the soft , golden hues of the sky (lighting:1.2) and the dim , moody reflections on the wet sand. The mecha , with its smooth , oval body and articulated legs , exudes a vintage appeal , enhanced by the weathered paint and mechanical details. Surrounding the mecha , several figures in orange , futuristic jumpsuits (characters:1.2) explore the area , some interacting with the technology , while others observe the giant machine with awe. The scene is dynamic , suggesting anticipation or discovery , with billowing clouds adding texture to the sky. Compositionally , the mecha dominates the foreground , embodying the theme of technology versus nature. Ensure a balanced focus that draws attention to both the colossal machine and the human figures (composition:1.2). Use soft , ambient lighting to create an ethereal atmosphere , but avoid harsh shadows or overly bright contrasts that could detract from the emotional tone (negative prompt: blurry , dark). Emphasize the theme of exploration and adventure within a post-apocalyptic setting (theme:1.2). ,

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A serene scene of a red panda sleeping on a rock by a tranquil body of water , surrounded by delicate bamboo and cherry blossom trees. Soft , diffused lighting filters through the foliage , creating a calm atmosphere reminiscent of traditional East Asian art (subject:1.2). The red panda has a silky , textured fur coat with striking orange and black patterns that contrast beautifully with the cool tones of the background (color contrast:1.2). The image utilizes watercolor techniques , showcasing gentle brush strokes that capture the fluidity of the water and the softness of the panda's fur (medium:watercolor). The composition is balanced , with the panda placed off-center , drawing the eye across the image and creating a harmonious environment (composition:1.2). Artistic influences include traditional Japanese ink painting and contemporary wildlife illustration. Negative prompts to consider include avoiding hard edges or overly bright colors that disrupt the tranquility of the scene (negative:harsh colors) , ensuring the focus remains on the peaceful nature of the sleeping panda. ,

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A futuristic scene depicting a massive , damaged spaceship (spaceship:1.2) resting atop a mound of snow in a desolate urban setting , with crumbling skyscrapers partially buried under frost. The atmosphere conveys a sense of abandonment (abandonment:1.2) and isolation , enhanced by a muted color palette dominated by grays and the vibrant orange of the ship (color contrast:1.2). Soft , diffused morning light filters through the overcast sky , casting long shadows and emphasizing the textures of the wreckage. The ship shows signs of age , with rust and debris scattered around , adding to the post-apocalyptic feel (post-apocalyptic:1.2). The composition should focus on the ship as the central subject while including the barren cityscape in the background. Avoid elements like people or modern vehicles , ensuring a total absence of life and maintaining the stark emptiness of the scene (negative: absence of life). ,

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