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Explore AI generated designs, images, art and prompts by top community artists and designers.
In photorealistic style and portrait format , create a fantasy image of a fierce looking half humanoid , half beast creature. The creature is female and has the overall look of a mighty archangel , looking very powerful and dangerous. The creature has the head of a lion , the body of an ancient greek woman's statue (wearing ancient draped robes in colors of deep dark blue , purple , and fuchsia). The creature has wings that look like they are glowing from the inside , the feathers of the wing are made from stained glass (the colors are iridescent and glowing). The creature's eyes are a glowing neon blue. The creature's hair looks like a lion's mane , in beaded dragon braids ornamented with silver metal hair ornaments. The creature is wearing rich dark blue , purple and turquoise eye makeup. In its right hand , the creature is holding a giant composite bow that is made from a dark blue metal and it is emanating blue and green flames. Across the creature's chest and back , there is a huge quiver full of arrows with black arrow feathers. The quiver is made from dark patina green embossed leather. The creature is standing in front of a snowy forest background at night - you can see the moon and the stars in the sky. ,
A realistic transformation scene of a man walking towards the camera , slowly transforming into a true black version of the armored hero inspired by the cyber ninja warrior. The transformation begins with dark smoke falling from above , enveloping his body from head to toe as he walks. The armor and helmet emerge piece by piece through the smoke , forming a sleek and intimidating design , distinctive and original. The background is a dark ninja world , filled with surreal glass structures , reflective shards floating in the air , and distorted reflections. Cinematic lighting , slow motion effects , dramatic frontal camera angles , highly detailed transformation animations , inspired by the style of the ninja warrior zilong. ,
In photorealistic style and portrait format , create a fantasy image of a fierce looking half humanoid , half beast creature. The creature has the overall look of a mighty archangel , looking very powerful and dangerous. The creature has the head of a lion , the body of an ancient greek woman's statue (wearing ancient draped robes in colors of deep dark blue , purple , and fuchsia). The creature has wings that look like they are glowing from the inside , the feathers of the wing are made from stained glass (the colors are iridescent and glowing). The creature's eyes are a glowing neon blue. In its right hand , the creature is holding a giant composite bow that is made from a dark blue metal and it is emanating blue and green flames. Across the creature's chest and back , there is a huge quiver full of arrows with black arrow feathers. The quiver is made from dark patina green embossed leather. The creature is standing in front of a snowy forest background at night - you can see the moon and the stars in the sky. ,
whimsical_cartoon_aesthetic with bold_strong_contour_illustration \{line_art movement\} , illustration , digital \{art , artistry , drawing\} , intense_colors \{bright , vivid , textured\} , tans browns deep_reds color palette; solo_focus , 1character_design \{pokemon creature|pokemon alien|pokemon plant\} , pokemon_power_set \{|metal|fire|grass|ghost\} , power , stands on \{small_circular_riser\}; facing_front , centred_on_view; masterpiece , finest quality , transcendent detail , limitless resolution , sublime color range , exquisite texture , mesmerizing atmosphere , captivating composition , awe-inspiring artistry , cinematic color grading , photorealistic artstation aesthetic , ultra-detailed 32k resolution , infinite dynamic range , immersive environment , evocative storytelling , sublime emotive depth , captivating viewer , infinite visual fidelity , spectacular 3d artistry , photorealistic painting style , unparalleled level of visual sophistication. art_of_akira_hiramoto , art_of_sui_ishida , art_of_q_hayashida ,
Devi Shakti is the ultimate power to destroy asuric forces , rising whenever arrogance , cruelty , and chaos threaten cosmic balance. She embodies the collective strength of divine energies , manifesting with clarity and resolve to annihilate ignorance and injustice at their root. Asuric forces symbolize unchecked ego , violence , and deception , and Shakti confronts them not out of anger but out of compassion for creation. Armed with wisdom and fearless power , she restores harmony by dissolving darkness and awakening truth. Her destruction is transformative , clearing the path for renewal and spiritual order. Through Devi Shakti , the universe is reminded that when adharma grows strong , the Divine Mother herself emerges as invincible power to protect truth and sustain existence. ,
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A lone woman stands centered on a wodden boat at ganga river at banaras , holding a flowers basket , viewed from behind , her body fully exposed to the open space before her yet visually isolated from it. She wears a wite saree with a low , the fabric gathered lightly at the waist. Matching blue ankle straps circle her heels , adding a fragile elegance to her stance. Her posture is upright but restrained , feet close together , arms relaxed at her sides , as if she is waiting or listening. In front of her , several human figures linger in a darkened doorway or alley. They are indistinct , blurred , and partially swallowed by shadow , their faces unreadable and their bodies softened into ghostlike silhouettes. Some appear dressed in monk-style clothing , safron and shirts barely emerging from the gloom. The contrast between her sharply defined form and their obscured presence creates a sense of imbalance , as though she is fully seen while they remain hidden. The surrounding architecture is urban and weathered , with textured stone walls and a narrow pavement beneath her feet. Light falls selectively , illuminating her pale dress and skin while leaving the background figures suspended in darkness. The atmosphere feels tense and quiet , charged with the awareness of being observed without acknowledgment , a moment stretched between exposure and anonymity. ,
A painting in the style of 19th-century realism. A fairy with delicate wings sits on a giant , glowing , crescent moon just above a dark , reflective , misty , rippled water looking down one leg dangling gently in the air and the other bent in front of her. She has a white lily in her hands. The water reflects the moon. Dark background . Glowing fireflies. Glowing pink water lilies. ,
View from bottom , down-top view. A surreal , Date Palm trees spirals like a vortex towered sky , comprising dark black , warm gray , and deep white particles that dissolve into the dark sky. Arabian black desert and in front a silhouette of Ancient Arabs migrate with their camels and belongings , and in front of them is a caravan leader , rendered in golden dots that reflect calmness , she in a gown of red and gray particles that similarly fade into the darkness. The structure and gown emerged into the foreground , set against an desert sand backdrop. ,
A mature Indian man stands in front of a beautifully illuminated Hindu temple at night. He is wearing a bright mustard-yellow embroidered sherwani with intricate traditional patterns , shiny embellishments and a matching stole draped around his neck. He is smiling warmly and standing in a respectful “Namaste” pose with both hands joined. His hair is neatly styled , and he has a clear , glowing complexion. The ground around him reflects the blue temple lights , giving a glossy , polished appearance. Behind him is a grand marble temple lit with bright blue , white , and golden lights. The architecture is detailed with carved pillars , decorated arches , and multiple framed paintings glowing from the walls. The entrance area shows people walking up the stairs , and two stone elephant statues are visible near the steps. Orange and yellow drapery hangs under the temple canopy. Above the temple in the sky , a massive divine holographic figure of a spiritual saint with a joyful expression is visible. The saint has a long , thick beard , a bright yellow tilak on the forehead , and hair tied in a top knot. Small colorful lights sparkle around the divine figure against the deep blue night sky , giving a celestial , blessed atmosphere. The overall mood is devotional , vibrant , colorful , and festive. Ultra-realistic lighting , high clarity , temple ambience , festive illumination , spiritual aura , full-body portrait , symmetrical composition , high-resolution photo. ,
a cinematic movie poster of the silhouette of Lord Krishna , described as playing Flute , standing in front of a black background. the image features a double exposure with The Dwarkadhish temple , temple is known as DWARKADHISH Temple. According to the opinion of the Department of Archaeology , This temple is 1200 years old. Logically estimated one great-grandson of Lord Sri Krishna Vajranabhe Earlier , around 1400 BCE samudrama dubhi surviving remnant of the house of umbrellas established , with dark tones and muted colors , cinematic , epic. ,
Concept art sheet , three full-body variations of the same character in one image. A horned centauress aristocrat , elegant and predatory , noble fantasy design. Cold , confident expression , noble posture , high-status aura. Each variation shows a different outfit design: Variation 1: Open structured corset with side cut-outs and a subtle underbust opening , rigid elegant armor-like shape. Back design features decorative chains forming a geometric pattern across the back , attached to a high ornate belt. Variation 2: Very open corset with minimal front coverage , emphasizing torso and waist , no cleavage but strong silhouette. Back is highly decorative with crossed straps and long flowing fabric panels cascading down from the upper back , aristocratic drapery. Variation 3: Moderately open V-shaped ,
In front of a deep black backdrop , a figure of middle years , her Tongan skin rich and glowing , is captured mid-twirl , her curly hair flowing like a storm behind her. Her attire resembles a thousands of razor-sharp glass shards meticulously arranged in intricate hexagonal snowflake patterns. Illuminated by the gleam of scattered porcelain shards , creating a dreamlike atmosphere , the dancer manages to appear fragmented , yet maintains a harmonious and fluid form ,
A cinematic wide shot in a hyper-realistic cyberpunk office high above a glowing neon metropolis. Indian man (from attached image) , wearing a tuxedo sits calmly in an ergonomic leather chair , talking on iPhone. In front of him , several translucent blue holographic Design Software interfaces like Photoshop , illustrator , CoralDrow , Canva , float in the air , flickering with data. Lying obediently at his feet is a massive , maroon hound with glowing red eyes; the heads move independently , sniffing the air and growling softly. The camera slowly pans around the desk , showing the rain streaking against the floor-to-ceiling windows and the vibrant pink and blue city lights reflecting off the polished floor. High-fidelity , 8k , detailed textures , ambient lighting , cinematic slow-motion. ,
A cinematic aerial , top-down view of Ahmedabad city sky during the Kite Flying Festival. The wide on terrace spreads below in graceful geometry , with clusters of local families and children arranged across the on terrace , their movements forming flowing patterns when seen from above. From this elevated perspective , hundreds of Ahmedabad kites and traditional Japanese kites rise into a dramatic , cloud-filled sky , their fine strings subtly visible , visually linking earth and sky. Gujarati kites appear sharp , agile , and dynamic , scattered with rhythmic energy , while Hamamatsu Japanese kites dominate in scale—larger forms carrying bold calligraphy and symbolic motifs that read clearly even from a distance. Layers of soft grey and blue clouds drift slowly , creating cinematic depth and atmospheric motion , while bursts of vivid colour from the kites cut through the muted sky. skyscraper buildings , Sabarmati riverfront , trees , and open lawns remain clearly legible below , reinforcing openness , learning , and community. The mood feels expansive , harmonious , and poetic—celebrating tradition , youth , and cross-cultural exchange from a bird’s-eye perspective. Vivid watercolour illustration style with expressive brushwork , layered washes , rich pigment textures , soft edges , subtle light falloff , wide-angle cinematic aerial composition , high detail , museum-quality finish. ,
A cinematic aerial , top-down view of Ahmedabad city sky during the Kite Flying Festival. The wide on terrace spreads below in graceful geometry , with clusters of local families and children arranged across the on terrace , their movements forming flowing patterns when seen from above. From this elevated perspective , hundreds of Ahmedabad kites and traditional Japanese kites rise into a dramatic , cloud-filled sky , their fine strings subtly visible , visually linking earth and sky. Gujarati kites appear sharp , agile , and dynamic , scattered with rhythmic energy , while Hamamatsu Japanese kites dominate in scale—larger forms carrying bold calligraphy and symbolic motifs that read clearly even from a distance. Layers of soft grey and blue clouds drift slowly , creating cinematic depth and atmospheric motion , while bursts of vivid colour from the kites cut through the muted sky. skyscraper buildings , Sabarmati riverfront , trees , and open lawns remain clearly legible below , reinforcing openness , learning , and community. The mood feels expansive , harmonious , and poetic—celebrating tradition , youth , and cross-cultural exchange from a bird’s-eye perspective. Vivid watercolour illustration style with expressive brushwork , layered washes , rich pigment textures , soft edges , subtle light falloff , wide-angle cinematic aerial composition , high detail , museum-quality finish. ,
A cinematic aerial , top-down view of Ahmedabad city sky during the Kite Flying Festival. The wide open school मैदान spreads below in graceful geometry , with clusters of local families and school children arranged across the grounds , their movements forming flowing patterns when seen from above. From this elevated perspective , hundreds of Ahmedabad kites and traditional Japanese kites rise into a dramatic , cloud-filled sky , their fine strings subtly visible , visually linking earth and sky. Gujarati kites appear sharp , agile , and dynamic , scattered with rhythmic energy , while Hamamatsu Japanese kites dominate in scale—larger forms carrying bold calligraphy and symbolic motifs that read clearly even from a distance. Layers of soft grey and blue clouds drift slowly , creating cinematic depth and atmospheric motion , while bursts of vivid colour from the kites cut through the muted sky. Kite Hotel buildings , Sabarmati riverfront , trees , and open lawns remain clearly legible below , reinforcing openness , learning , and community. The mood feels expansive , harmonious , and poetic—celebrating tradition , youth , and cross-cultural exchange from a bird’s-eye perspective. Vivid watercolour illustration style with expressive brushwork , layered washes , rich pigment textures , soft edges , subtle light falloff , wide-angle cinematic aerial composition , high detail , museum-quality finish. ,
A blue-skinned Mayan god , the great father of all gods , stands in front with his hand outstretched , ready to help if ever there is a need for it. the background behind him has ancient symbols floating around in space , forming an intricate pattern that is part of their enigmatic world. the style is hyper-realistic , cinematic , and fantastica ,
A cozy room where the Christmas tree near wall looks like a giant paper illustration , flat ink lines and watercolor washes , yet a corner of the “paper wall” is peeled back , revealing a fully 3D city street behind it. The peeled edge curls outward like thick card-stock , casting a real shadow on the illustrated surface. The illusion: the 2D drawn objects (a drawn lamp , drawn shelf) cast realistic 3D shadows , while the 3D street casts faint “ink” shadows as if it’s becoming a drawing. A man wearing a classic Santa Claus outfit , with a red velvet coat with white trim , a wide black belt , and a Christmas hat , holds a heavy , full red sack of presents walk half-in , half-out: front paws in 3D street road , back body form , seamlessly blended. Soft morning light , gentle pastel palette , tactile paper fibers visible , high detail , whimsical but believable “mixed-dimension” realism. ,
Ito jakuchu , Nihonga , masterpiece , Highest Quality , street area , winter , Old Japanese painting. A Outdoor Christmas tree adorned with oversized , weather-resistant fabric bows and subtle , warm white lights , Front yard , dusk , gentle falling snow , Mid-shot , 35% negative space of the blurred snowy landscape , SOFT light , tranquil mood , A single , rustic lantern hanging from a nearby shepherd's hook. ,
A dynamic top-down view showing a Snow-Kissed Elegance , Outdoor single , rustic lantern hanging from a nearby shepherd's hook , weather-resistant fabric bows and subtle , warm white lights , Front yard , dusk , gentle falling snow , Mid-shot , Snow softly falls on the scene. At the entrance to a modern hotel decorated with glowing garlands , a long line of tourists in thick winter jackets and scarves , holding colorful Christmas gifts , shiver in the cold. Each person tries to catch a signal on their smartphone , frustrated and poking at their screens. Their faces display disappointment and confusion. A Christmas tree adorned with oversized , neutral flat surface , no props , sample negative space , shallow depth of field (f/2.8 look) , background softly , no extra objects , soft glow ,