Explore AI generated designs, images, art and prompts by top community artists and designers.

Amazonian sized Woman. Older , ugly but kinda of attractive. Stern with harsh features. Ugly but hot the way a scary nurse might be. Very tall. Mottled wrinkled old skin. Liver spots. Short hyed ginger hair in a messy bun with grey roots. Heavy eye shadow and lipstick. High cheekbones. Plastic surgery lips. Big muscles. Very sexy. Wearing small strapless tube top , . Micro jeans shorts. Open toe two strap high arch heels. Very long painted toe nails that are longer than the front of her shoes. Very long fingernails painted. ,

Create an image of Create a sleek sci-fi digital illustration of an aerodynamic white maglev train racing through a transparent glass tube track that curves across a vast backwaters at golden hour. The tube is held on slender silver pylons above a winding river , and faint blue energy rings pulse along the track as the train passes. blurred an endless backwaters at dusk , a massive black hole's blazing golden accreti. Extra details: a clear focal point , subtle atmospheric depth. Include rich , specific details in the textures , background and lighting. Use a vertical portrait format (3:2 aspect ratio). No text , logos or watermarks in the image. ,

Slightly scary , very ugly , extremely skinny. Granny , hag , magic , no hat , witch. Tight clothes. Saggy skin. Wrinkly skin. Huge hips and chest. Bolt on lips. Plastic surgery face. Heavy makeup lipstick and eyeshadow. Black hair with grey roots. 70 years old , very long yellow finger nails. Very long blue toenails. Tight pink tube crop top. Black leather miniskirt. No shoes. Ugly. Ugly feet. Full body shot. Veiny arms and legs. Whole body in frame ,

Susan dell current , recent face. Ugly face , scary wrinkly face , full body portrait. skimpy tube style strapless low cut red sheer dress that is hip height.Same colour open toe high heels. Very long painted finger and toe nails. Broad shoulders.very Skinny. Saggy skin. 70yo. Looks like recent pictures of Susan Dell thr wife of Michael dell ,

Susan dell current , recent face. Ugly face , scary wrinkly face , full body portrait. skimpy tube style strapless low cut red sheer dress that is hip height to show .Same colour open toe high heels. Very long painted finger and toe nails. Broad shoulders.very Skinny. Saggy skin. 70yo. Looks like recent pictures of Susan Dell thr wife of Michael dell ,

Fantastic realism a massive gold-rimmed Display face embedded in a swirling gothic cathedral of social-media icons and mechanical displays. Inside a mythical female figure with digital iPhone Logo connected to a Cybernetic followers icons , where neural pathways and digital networks converge in a web of light and energy weave around her head and body , emanating from a bright glowing iPhone held between her open hands. The Tunnel-wrapped away in vortex directions , dense with social-media likes Instagram , YouTube , TikTok , and Snapchat. Far below on the long staircase leading to its door , a female model in white floor-length gown , seen from far away , where the cosmos is portrayed through interlocking polygons. Use deep midnight blue and cosmic violet hues to convey the mystery of the universe. No faces anywhere in the sky or architecture. ar 9:16. ,

A gaunt , elderly woman granny with deeply wrinkled , pale skin , saggy and belly and dark , greasy hair stands defiantly in the open doorway of a dilapidated , vintage white camper van , her body angled slightly toward the viewer with one hand resting on the doorframe and the other on her hip , her expression weary yet intense , eyes accentuated with smudged , electric blue eyeshadow and bold crimson lipstick , nails painted a matching vivid red; she wears a child size faded off-white tube top that reveals her bony midriff and a tight , low-waisted denim mini-skirt with high hem line , visible stitching and metal buttons , paired with transparent plastic high-heeled mules that expose her red-painted toes which overhang the muels; the camper van’s exterior is weathered , with peeling white paint , rust stains along the metal trim , a grimy side window , and a faded brown stripe running horizontally , its open door revealing a dark , cluttered interior; the scene is lit with soft , diffused natural daylight that casts gentle shadows , highlighting the textures of her wrinkled saggy skin , the coarse denim , the cracked plastic of her shoes , and the flaking paint on the van; the color palette is dominated by muted tones—off-white , faded denim blue , rust-brown , and gray—contrasted sharply by the saturated electric blue makeup and crimson red nails and lips; the atmosphere is gritty , melancholic , and raw , evoking a sense of faded glamour and resilient defiance; the camera angle is at eye level , slightly low to emphasize her presence against the van’s doorway , framing her from just below her feet up to over her head with the van’s worn exterior filling the background , creating a sense of exposure and degredation simultaneously; the overall style is hyper-realistic with a documentary edge , capturing every imperfection and texture with cinematic clarity , evoking a narrative of survival , identity and holding on to youth for too long. ,

A gaunt , elderly woman granny with deeply wrinkled , pale skin , saggy and belly and dark , greasy hair stands defiantly in the open doorway of a dilapidated , vintage white camper van , her body angled slightly toward the viewer with one hand resting on the doorframe and the other on her hip , her expression weary yet intense , eyes accentuated with smudged , electric blue eyeshadow and bold crimson lipstick , nails painted a matching vivid red; she wears a child size faded off-white tube top that reveals her bony midriff and a tight , low-waisted denim mini-skirt with high hem line , visible stitching and metal buttons , paired with transparent plastic high-heeled mules that expose her red-painted toes which overhang the muels; the camper van’s exterior is weathered , with peeling white paint , rust stains along the metal trim , a grimy side window , and a faded brown stripe running horizontally , its open door revealing a dark , cluttered interior; the scene is lit with soft , diffused natural daylight that casts gentle shadows , highlighting the textures of her wrinkled saggy skin , the coarse denim , the cracked plastic of her shoes , and the flaking paint on the van; the color palette is dominated by muted tones—off-white , faded denim blue , rust-brown , and gray—contrasted sharply by the saturated electric blue makeup and crimson red nails and lips; the atmosphere is gritty , melancholic , and raw , evoking a sense of faded glamour and resilient defiance; the camera angle is at eye level , slightly low to emphasize her presence against the van’s doorway , framing her from just below her feet up to over her head with the van’s worn exterior filling the background , creating a sense of exposure and degredation simultaneously; the overall style is hyper-realistic with a documentary edge , capturing every imperfection and texture with cinematic clarity , evoking a narrative of survival , identity and holding on to youth for too long. ,

Very strong , slightly chubby , 65 year old granny in a tight miniskirt , tube top and high heels , wrinkly , stern face , high cheekbones , lots of makeup , clothes small for her big body , thin stappy high heels , long toe and fingernails , toes overhanging shoes , very short miniskirt , white panties , standing , full body shot , dyed red hair with grey roots ((saggy)) ((muscular)) ((chubby)) ((udders)) ,

Realistic high-detail fashion editorial photograph of a young woman in her late 20s painting on a large digital tablet at a rooftop studio table during early morning. She wears a pale blue oversized shirt , wide charcoal trousers , silver hoop earrings and black loafers. Her dark hair is pulled back loosely , with a few strands moving in the wind. Surround her with physical brushes , stained paper studies , paint tubes , a silver laptop and a small portable monitor. The rooftop has a low concrete wall , distant city buildings and a pale blue sky. Use bright natural morning sunlight with long hard shadows and warm highlights on her face and hands. Let loose papers move slightly in the wind. Fashion-editorial styling , candid creative process , asymmetric composition , subtle film grain and realistic material textures. ,

A deeply strange and tender scene rendered in the visual language of 1970s children's book illustration thick gouache brushwork , muted mustard yellows , dusty rose , and faded sage green depicting a small brown bear in a hand-knitted cardigan sitting cross-legged on the linoleum floor of a narrow laundromat at 2am , reading a water-damaged paperback novel while the machines behind him tumble with soft golden light filtering through the porthole windows , soap suds drifting lazily across the floor tiles , a forgotten cup of chamomile tea steaming beside his paw , moths circling a single fluorescent tube overhead , the outside world visible through a rain-streaked plate glass window showing an empty parking lot slicked with neon reflections from a pharmacy sign across the street , the entire image wrapped in an atmosphere of quiet , uncomplicated solitude. ,

An abandoned , sun-bleached sign along text "Route 66" with ice cream cone icon , its neon tubes flickering erratically in the twilight. The surrounding desert is quiet and vast , with a few hardy cacti. A quirky roadside attraction on Route 66 , featuring a giant , hairy Bigfoot-like dinosaur prowling in the desert and crossing a paved road. The creature has shaggy red hair similar to an orangutan's covering its entire body , and brown facial skin. A dusty , sun-baked road stretches into the distance under a vast , melancholic and atmospheric sky. The mood is melancholic and atmospheric , captured in a style that blends gritty urban decay with the surreal beauty of a desert landscape , reminiscent of Edward Hopper's lonely scenes. ,

An abandoned , sun-bleached motel sign along Route 66 , its neon tubes flickering erratically in the twilight. The surrounding desert is quiet and vast , with a few hardy cacti. Women: One is lying on a roller board under a Pontiac GTO (black with red stripes) , her legs sticking out in high-waisted cutoffs and boots , holding a flashlight. Another is seated on a bench in black fishnet stockings and a cropped tee , polishing a chrome car part. The last stands with one foot on a toolbox , wearing a knotted checkered shirt and leather miniskirt , holding a grease gun over her shoulder. Vibe: Cinematic with blue-red lighting , bold contrast , pin-up sass. ,

An abandoned , sun-bleached motel sign along Route 66 , its neon tubes flickering erratically in the twilight. The surrounding desert is quiet and vast , with a few hardy cacti. The mood is melancholic and atmospheric , captured in a style that blends gritty urban decay with the surreal beauty of a desert landscape , reminiscent of Edward Hopper's lonely scenes. ,

Imagine a pixel‑art tableau where a bizarre , crab‑shell vehicle bursts with electric blue and fiery orange panels , its hull shaped like oversized crab claws that curl protectively around the driver’s seat. An old woman with a mischievous grin pilots the contraption , her hands resting on a retro‑futuristic control console. The vehicle stands on a cluster of stylized crab legs that look like glowing neon tubes. The beach below is rendered in a surreal lime‑green and amber heat haze , each grain of sand a pixelated dot. The entire composition rests on a deep , dark , pixel‑grid background , criss‑crossed by bright teal gridlines , floating data readouts , and glitch‑style scanning overlays that pulse in rhythm with the scene. ,

Please create an appealing YouTube thumbnail for a video featuring the bloody rave scene from the movie *Blade*. The image should include the text "Blade" and "New Order – Confusion (Pump Panel Reconstruction Mix) , " as the video depicts that famous scene but is set to the New Order track. The style should be similar to my current thumbnail (see https://www.youtube.com/watch?v=xpctUj2JBCk ) but designed to entice more people to click. Perhaps use yellow text for the New Order title , as that’s a common choice on YouTube , but avoid making it look like sensationalist clickbait. ,

A hidden cove accessible only through a narrow , water-filled cave passage. Inside , the water is a deep emerald green , and the cave walls are encrusted with shimmering crystals. Sunlight filters through a crack in the cave ceiling , illuminating a small , sandy alcove. the vortex staircase , gravity-defying waterfall cascades upwards into the Hidden Cove , defying the laws of physics. The water flows through a series of floating islands and structure of the Egale Canada in an abstract Interference style , female in wearing a broad , full-coverage , metallic , tube-top; with a wide , chainmail collar , a wide , chainmail belt; and a layered , tiered , metallic chainmail skirt that is knee length on staircase. ,

Extreme Wide Shot , grand scale , central subject , surreal scene of the striped lady emerging from wavy leaves , let's add an element of fantasy. wearing a broad , full-coverage , metallic , tube-top; with a wide , extraordinary many jewelry made of leaves. She got earrings made of leave , a diadem made of leaves , coral rings , intricate crystal floral patterns , ethereal red flower backdrop , dreamlike ambiance , detailed embroidery , fantasy setting , (fantasy theme:1.4) , opulent design , lavish presentation , surreal beauty , mesmerizing floral expanse , enchanting atmosphere. ,

A watercolour portrait of A lean , slender , strong , young woman wearing extraordinary many jewelry made of corals. She got earrings made of coral , a diadem made of coral , coral rings , she has short , brunette , shaggy hair. Her Lively , brown eyes looking to camera left. She has long , writhing , biomechanical , liquid-metal pseudopods growing out of her body , torso , waist , and metallic clothing. She is wearing a broad , full-coverage , metallic , tube-top; with a wide , chainmail collar , a wide , chainmail belt; and a layered , tiered , metallic chainmail skirt that is knee length. Full body portraiture. Tanned complexion. She is smiling. , Huge broken Porcelain figurine of a monster decorated with {{Colour}} paisley swirls with cracks and fractures in it in red water surrealism Salvador Dali matte background melting oil on canvas ,

a breathtaking neo-noir fusion of Casablanca and futurism—A Cuppa Joe Café , its Art Deco curves now interlaced with pulsating Tesla coils and hissing pneumatic tubes. On the right side brunette Angelina Julie ((perfect-likeness)) stands silhouetted against the fog-choked airport terminal , her high-collared leather duster , a long smoldering cigarillo holder casting an amber glow across her weary face. In center long redhaired Penelope Cruz ((perfect-likeness)) wears a form-fitting empire waist maxi dress and matching color head scarves , her fingers trembling against a brass locket containing a miniature hologram of their lost love. Background , outside through the swirling smog , a colossal airship idles on the tarmac , its copper-plated hull vibrating with the promise of escape , while shadowy figures in gas masks and form-fitting latex suit load mysterious cargo onto articulated mechanical pallets—every detail dripping with the melancholy romance of a world where love and machinery intertwine under the weight of war. , cyberpunk 2099 blade runner 2049 neon ,

a breathtaking neo-noir fusion of Casablanca and futurism—A Cuppa Joe Café reimagined as a console-and-terminal-clad airship terminal , its Art Deco curves now interlaced with pulsating Tesla coils and hissing pneumatic tubes. In center long redhaired Liu Yi Fei ((perfect-likeness)) wears a form-fitting empire waist maxi dress and matching color head scarves , her fingers trembling against a brass locket containing a miniature hologram of their lost love. On the right side brunette Anne Hathaway ((perfect-likeness)) stands silhouetted against the fog-choked airport terminal , her high-collared leather duster , a long smoldering cigarillo holder casting an amber glow across her weary face. Background , outside through the swirling smog , a colossal airship idles on the tarmac , its copper-plated hull vibrating with the promise of escape , while shadowy figures in gas masks and form-fitting latex suit load mysterious cargo onto articulated mechanical pallets—every detail dripping with the melancholy romance of a world where love and machinery intertwine under the weight of war. , cyberpunk 2099 blade runner 2049 neon ,

a breathtaking neo-noir fusion of Casablanca and futurism—A Cuppa Joe Café reimagined as a console-and-terminal-clad airship terminal , its Art Deco curves now interlaced with pulsating Tesla coils and hissing pneumatic tubes. On the right side brunette Anne Hathaway ((perfect-likeness)) stands silhouetted against the fog-choked airport terminal , her high-collared leather duster , a long smoldering cigarillo holder casting an amber glow across her weary face. In center long redhaired Liu Yi Fei ((perfect-likeness)) wears a form-fitting empire waist maxi dress and matching color head scarves , her fingers trembling against a brass locket containing a miniature hologram of their lost love. Background , outside through the swirling smog , a colossal airship idles on the tarmac , its copper-plated hull vibrating with the promise of escape , while shadowy figures in gas masks and form-fitting latex suit load mysterious cargo onto articulated mechanical pallets—every detail dripping with the melancholy romance of a world where love and machinery intertwine under the weight of war. , cyberpunk 2099 blade runner 2049 neon ,

A colossal , clockwork whale breaching from a sea of liquid starlight , its body intricately detailed with brass gears and glowing vacuum tubes. The sky above is a fractured mosaic of digital code and ancient constellations. This scene embodies the theme of technology and the infinite , depicted with the sharp , clean lines of retro-futurism blended with the unsettling digital distortion of glitchcore aesthetics. Subtle lens flares and a shallow depth of field enhance the cinematic realism. ,

A photorealistic scene of a vadodara city street at night after rain , filmed from above , as if from a CCTV camera , at an angle of approximately 35-45°. The wet asphalt reflects the neon lights of the city and the headlights of cars. A zebra crossing is surrounded by a stream of people , blurred by motion. In the center of the frame is a man with the face and appearance from the reference photo. He was moving quickly across the crossing , but a smart mobilephone slips from his hand and falls onto the wet asphalt. The mobilephone's screen glowing , and small social-media's icons spill out—Facebook , Instagram , WhatsApp , and a YouTube. The man brakes abruptly and begins bending over to pick up the fallen icons. One leg remains forward after the step , his body is bent downward , one hand reaches for the fallen items , and with the other he holds the laptop-bag. At this moment , he raises her head and looks directly into the CCTV camera lens. He's wearing a blue jeans , a white shirt , yellow sport shoes. His hair is curly and slightly tousled by her movements. The composition is dynamic: a dropped mobilephone and several scattered social-media's icons lie on the wet pavement. The people around her continue to move and are blurred by motion. The lighting is nighttime , with neon signs reflecting off the wet pavement , cinematic color correction , and a subtle film grain. A computer vision interface is superimposed on the image: red bounding boxes around the girl's face , around the bag and individual dropped objects , analysis lines , a magnified window with a fragment of her face , warning icons , and CCTV HUD graphics. Technical captions: "CCTV 06 , " "SCAN 02/76 , " "ID #8B0034 , " "OBJECT DETECTED , " and a timestamp. Style: Indian urban surveillance aesthetic , AI detection interface , cinematic street photography , dramatic stop-and-tilt moments , a sense of surveillance and urgency , ultra-realistic , high detail , 4K. ,